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In this episode, we perceive a portrait of a lady, placed against her picturesque surroundings, as depicted in Sangam Literary work, Kurunthogai 291, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, describing the beauty and nature of his lady love.
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In this episode, we delight in a subtle simile that speaks a thousand words, as depicted in Sangam Literary work, Kurunthogai 290, penned by Kalporu Sirunuraiyaar. Set in the costal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear better with the man’s parting.
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In this episode, we learn of aspects that disturb the lady in the man’s absence, as depicted in Sangam Literary work, Kurunthogai 289, penned by Perunkannanaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s worry that the man had not returned in the promised season.
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In this episode, we listen to words of trust and positivity, as depicted in Sangam Literary work, Kurunthogai 288, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, refusing to accept the confidante’s words of rebuke about the man.
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In this episode, we relish an intriguing comparison between weather and human life, as depicted in Sangam Literary work, Kurunthogai 287, penned by Kachipettu Nannaakaiyaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the confidante to the lady, assuring her friend of the man’s return.
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In this episode, we perceive a picturesque portrait of a person, as depicted in Sangam Literary work, Kurunthogai 286, penned by Eyitriyanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the confidante, in response to the confidante’s refusal for his request to tryst with the lady.
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In this episode, we perceive the angst of a lady parted from her beloved, as depicted in Sangam Literary work, Kurunthogai 285, penned by Poothan Thevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words bidding her to bear better with the man’s parting.
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In this episode, we relish alluring imagery from the natural world, as depicted in Sangam Literary work, Kurunthogai 284, penned by Milaivel Thithanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, in response to the lady’s worry about the slander that would spread in the village after the man’s parting.
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In this episode, we listen to profound observations about wealth, as portrayed in Sangam Literary work, Kurunthogai 283, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s worry that the lady would not be able to bear with the man’s parting.
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In this episode, we perceive intricate knowledge about seasons and plant life, as depicted in Sangam Literary work, Kurunthogai 282, penned by Naagam Bothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring her that the man would return soon.
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In this episode, we perceive references to trees in two different geographical regions, as portrayed in Sangam Literary work, Kurunthogai 281, penned by Kudavaayil Keerathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing her inability to bear with the man’s parting.
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In this episode, we listen to the ecstatic declaration of a man in love, as depicted in Sangam Literary work, Kurunthogai 280, penned by Nakirar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s admonishment about the man’s changed behaviour.
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In this episode, we relish how an element of the land is etched in words, as portrayed in Sangam Literary work, Kurunthogai 279, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.
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In this episode, we listen to words of disappointment, as depicted in Sangam Literary work, Kurunthogai 278, penned by Peri Sathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, expressing her angst at the man’s lack of care as he remains parted away.
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In this episode, we perceive the lifestyle of a person from a blessing rendered, as portrayed in Sangam Literary work, Kurunthogai 277, penned by Oril Pichaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to a sage, putting forth a question close to her heart.
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In this episode, we learn of curious customs in courtship, as portrayed in Sangam Literary work, Kurunthogai 276, penned by Kozhi Kotranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to himself, passing on a pointed message to the confidante, listening nearby.
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In this episode, we perceive anticipation and excitement at the impending arrival of the man, as depicted in Sangam Literary work, Kurunthogai 275, penned by Okkoor Maasathiyaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the confidante to the lady, cheering the lady up with the prospect of the man’s homecoming.
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In this episode, we perceive the hard life in an ancient region, as depicted in Sangam Literary work, Kurunthogai 274, penned by Uruthiranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, when contemplating a journey to gather wealth.
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