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In this episode, we perceive the joyous mood in returning home, as depicted in Sangam Literary work, Aganaanooru 354, penned by Madurai Tamil Koothan Kaduvan Mallanaar. The verse is situated amidst the dance of calves and the song of flutes in the ‘Mullai’ or ‘Forest landscape’ and presents the happy turn of events and its far-reaching consequences.
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In this episode, we listen to a refusal rendered to a heart’s nudge, as depicted in Sangam Literary work, Aganaanooru 353, penned by Madurai Alakkar Gnaazhalaar Makanaar Mallanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse contrasts the nature of this domain and that of a beloved.
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In this episode, we listen to the ecstatic voice of a lady in love, as portrayed in Sangam Literary work, Aganaanooru 352, penned by Anjiyaththai Magal Naakaiyaar. The verse is situated amidst the singing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and sketches the process of penning a king’s praise.
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In this episode, we perceive the tug between hearts that are apart, as portrayed in Sangam Literary work, Aganaanooru 351, penned by Porunthil Ilankeeranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse highlights the beliefs of the ancients in omens about another’s homecoming.
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In this episode, we perceive words of welcome infused with a hidden message, as depicted in Sangam Literary work, Aganaanooru 350, penned by Chenthan Kannanaar. The verse is situated amidst the crashing waves of the ‘Neythal’ or ‘Coastal Landscape’ and etches a scene depicting an ancient occupation in the seas.
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In this episode, we observe the bewilderment of a person at another’s course of action, as depicted in Sangam Literary work, Aganaanooru 349, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the victory and generosity of a Sangam-era king.
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In this episode, we perceive a subtle message of persuasion, as portrayed in Sangam Literary work, Aganaanooru 348, penned by Madurai Ilam Paalaasiriyan Chenthan Koothanaar. The verse is situated amidst the flourishing millet fields of the ‘Kurinji’ or ‘Mountain Landscape’ and details the ingredients and recipe of an ancient fermented beverage.
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In this episode, we listen to the angst-ridden words of a maiden, as portrayed in Sangam Literary work, Aganaanooru 347, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse interleaves the victory of a Chera King amidst the melancholy of pining.
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In this episode, we perceive a sharp refusal to a request, as portrayed in Sangam Literary work, Aganaanooru 346, penned by Nakeerar. The verse is situated amidst the fertile fields of the ‘Marutham’ or ‘Farmlands landscape’ and elaborates on a person’s past activities and the emotions that evokes.
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In this episode, we listen to wishes rendered for another’s welfare, as portrayed in Sangam Literary work, Aganaanooru 345, penned by Kudavayil Keerathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse describes the exquisite transformations in nature.
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In this episode, we listen to the eagerness in a man’s voice, as portrayed in Sangam Literary work, Aganaanooru 344, penned by Madurai Alakkar Gnaazhaar Makanaar Mallanaar. The verse is situated amidst the blooming jasmines of the ‘Mullai’ or ‘Forest Landscape’ and presents picturesque scenes in the aftermath of the rains.
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In this episode, we perceive the dilemma sensed in the middle of a journey, as depicted in Sangam Literary work, Aganaanooru 343, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the people and spaces of this domain.
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In this episode, we listen to a man admonishing his heart, as portrayed in Sangam Literary work, Aganaanooru 342, penned by Madurai Kanakkaayanaar. The verse is situated amidst the rocky clefts of the ‘Kurinji’ or ‘Mountain landscape’ and describes the warring nature of the Pandya King.
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In this episode, we perceive the picturesque beauty of spring, as portrayed in Sangam Literary work, Aganaanooru 341, penned by Aavoor Moolankizhaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse paints the emotions in the heart of a person, parted from their beloved, on encountering a change in the seasons.
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In this episode, we perceive a hidden message in words of hospitality, as depicted in Sangam Literary work, Aganaanooru 340, penned by Nakeerar. The verse is situated amidst the brimming waves of the ‘Neythal’ or ‘Coastal Landscape’ and etches the pleasantness of a seaside town.
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In this episode, we perceive the torment in a person’s heart, as portrayed in Sangam Literary work, Aganaanooru 339, penned by ‘Narai Mudi Nettaiyaar’. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse depicts a dilemma in a tangible manner.
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In this episode, we perceive the feelings of a person in pursuit of another, as portrayed in Sangam Literary work, Aganaanooru 338, penned by Madurai Kanakkaayanaar. The verse is situated amidst the soaring peaks of the ‘Kurinji’ or ‘Mountain Landscape’ and brings out the glory of the three great kings of ancient Tamil land.
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In this episode, we perceive the past being summoned to resolve a problem in the present, as portrayed in Sangam Literary work, Aganaanooru 337, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches a violent scene in this domain in vivid detail.
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In this episode, we listen to an angry outburst, as portrayed in Sangam Literary work, Aganaanooru 336, penned by Paavai Kottilaar. The verse is situated amidst the lush ponds of the ‘Marutham’ or ‘Farmlands landscape’ and highlights the romantic rivalries in a rich town.
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In this episode, we perceive a person’s dilemma and decision, as depicted in Sangam Literary work, Aganaanooru 335, penned by Madurai Thaththan Kannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse delves into the flowering and fruiting process of a particular tree.
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