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In this episode, we listen to a hidden message of persuasion, as portrayed in Sangam Literary work, Aganaanooru 368, penned by Madurai Maruthan Ilanaakanaar. The verse is situated amidst the soaring trees of the ‘Kurinji’ or ‘Mountain landscape’ and describes the surprising nature of spreading slander.
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In this episode, we listen to a lady’s angst-ridden thoughts, as depicted in Sangam Literary work, Aganaanooru 367, penned by Paranar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches a scene of wait and watch at the boundary of the tamed and wild.
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In this episode, we perceive words about a person’s state of mind, as depicted in Sangam Literary work, Aganaanooru 366, penned by Kudavayil Keerathanaar. The verse is situated amidst the lush paddy fields of the ‘Marutham’ or ‘Farmlands landscape’ and presents a unique scene of conflict between people from two different professions.
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In this episode, we listen to words of admonishment, as portrayed in Sangam Literary work, Aganaanooru 365, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a study in contrast of barrenness and beauty.
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In this episode, we listen to a lady’s lament, as portrayed in Sangam Literary work, Aganaanooru 364, penned by Madurai Maruthankizhaar Maganaar Perunkannanaar. The verse is situated amidst the blooming trees of the ‘Mullai’ or ‘Forest Landscape’ and sketches the picturesque changes in the season of rains.
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In this episode, we listen to words of hope rendered to a languishing heart, as portrayed in Sangam Literary work, Aganaanooru 363, penned by Madurai Pon Sey Kollan Vennaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse details the activities of the denizens in this domain.
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In this episode, we listen to a hidden message of persuasion, as portrayed in Sangam Literary work, Aganaanooru 362, penned by Velli Veethiyaar. The verse is situated amidst the spraying cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and describes the dangers of a tryst by night.
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In this episode, we perceive the pain of parting, as depicted in Sangam Literary work, Aganaanooru 361, penned by Eyinanthai Makanaar Ilankeeranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the yearning of the heart to turn back the hands of time.
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In this episode, we listen to a person’s attempt to change another’s course of action, as portrayed in Sangam Literary work, Aganaanooru 360, penned by Madurai Kannathanaar. The verse is situated amidst the bee-buzzing blue lotuses of the ‘Neythal’ or ‘Coastal landscape’ and seemingly proposes a change in the trysting spot.
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In this episode, we perceive a challenging situation, as depicted in Sangam Literary work, Aganaanooru 359, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the many faces of this domain.
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In this episode, we perceive a subtle technique of persuasion, as depicted in Sangam Literary work, Aganaanooru 358, penned by Madurai Maruthan Ilanaakanaar. The verse is situated amidst the lush springs of the ‘Kurinji’ or ‘Mountain landscape’ and presents the hidden danger in the present situation.
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In this episode, we listen to words of reassurance, as depicted in Sangam Literary work, Aganaanooru 357, penned by Erukkaattoor Thaayankannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse turns the spotlight on the denizens of this domain.
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In this episode, we listen to words of persuasion, as portrayed in Sangam Literary work, Aganaanooru 356, penned by Paranar. The verse is situated amidst the flowing rivers in the ‘Marutham’ or ‘Farmlands landscape’ and narrates scenes from history to change a person’s course of action.
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In this episode, we perceive an opposition to a person’s plan, as portrayed in Sangam Literary work, Aganaanooru 355, penned by Thankaal Porkollanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse brings out the transformations in the season of spring.
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In this episode, we perceive the joyous mood in returning home, as depicted in Sangam Literary work, Aganaanooru 354, penned by Madurai Tamil Koothan Kaduvan Mallanaar. The verse is situated amidst the dance of calves and the song of flutes in the ‘Mullai’ or ‘Forest landscape’ and presents the happy turn of events and its far-reaching consequences.
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In this episode, we listen to a refusal rendered to a heart’s nudge, as depicted in Sangam Literary work, Aganaanooru 353, penned by Madurai Alakkar Gnaazhalaar Makanaar Mallanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse contrasts the nature of this domain and that of a beloved.
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In this episode, we listen to the ecstatic voice of a lady in love, as portrayed in Sangam Literary work, Aganaanooru 352, penned by Anjiyaththai Magal Naakaiyaar. The verse is situated amidst the singing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and sketches the process of penning a king’s praise.
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In this episode, we perceive the tug between hearts that are apart, as portrayed in Sangam Literary work, Aganaanooru 351, penned by Porunthil Ilankeeranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse highlights the beliefs of the ancients in omens about another’s homecoming.
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In this episode, we perceive words of welcome infused with a hidden message, as depicted in Sangam Literary work, Aganaanooru 350, penned by Chenthan Kannanaar. The verse is situated amidst the crashing waves of the ‘Neythal’ or ‘Coastal Landscape’ and etches a scene depicting an ancient occupation in the seas.
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In this episode, we observe the bewilderment of a person at another’s course of action, as depicted in Sangam Literary work, Aganaanooru 349, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the victory and generosity of a Sangam-era king.
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