In this episode, we perceive a unique method of making an announcement, as portrayed in Sangam Literary work, Kurunthogai 379, penned by an anonymous poet. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a pointed message to the lady’s kith and kin, listening nearby.

In this episode, we listen to a mother’s wishes for the well-being of her daughter, as depicted in Sangam Literary work, Kurunthogai 378, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady’s mother, on hearing that her daughter had eloped away with the man.

In this episode, we observe the discovery of solace in the midst of discomfort, as depicted in Sangam Literary work, Kurunthogai 377, penned by Mosi Kotranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry that the lady is not bearing well with the man’s parting.

In this episode, we relish picturesque descriptions of a lady’s qualities, as depicted in Sangam Literary work, Kurunthogai 376, penned by Padumarathu Mosikotranaar. Set in the coasts of ‘Neythal’, the verse speaks in the voice of the man to his heart, expressing why he is unable to part with the lady to go in search of wealth.

In this episode, we perceive a curious way of persuading another, as depicted in Sangam Literary work, Kurunthogai 375, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, while passing on a hidden message to the man, listening nearby.

In this episode, we relish a unique simile involving a bird’s actions, as depicted in Sangam Literary work, Kurunthogai 374, penned by Uraiyoor Palkaayanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, explaining how the events unfolding in the lady’s life came about.

In this episode, we listen to words depicting deep trust, as portrayed in Sangam Literary work, Kurunthogai 373, penned by Madurai Kollam Pullanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, asking the lady not to heed the slander in town about the lady’s relationship with the man.

In this episode, we perceive a visually compelling technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 372, penned by Vitrootru Mootheyinanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

In this episode, we perceive the portrayal of love as an affliction, as depicted in Sangam Literary work, Kurunthogai 371, penned by Uraiyoor Muthukootranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, explaining why she is unable to bear with the man’s parting.

In this episode, we listen to defensive words to clarify a situation, as depicted in Sangam Literary work, Kurunthogai 370, penned by Villakaviralinaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the courtesan, in response to disparaging words spoken by the lady, as the lady’s friends listen nearby.

In this episode, we listen to a decisive plan of action as depicted in Sangam Literary work, Kurunthogai 369, penned by Kudavaayil Keerathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing the need for the lady to elope away with the man.

In this episode, we observe the joyous anticipation of the future, as portrayed in Sangam Literary work, Kurunthogai 368, penned by Nakirar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, on hearing that the man has arrived to claim her hand in marriage.

In this episode, we perceive a thoughtful way of communicating something, as depicted in Sangam Literary work, Kurunthogai 367, penned by Madurai Maruthan Ilanakanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, showing her the way to carry on.

In this episode, we listen to wise words about the inevitability of an event, as portrayed in Sangam Literary work, Kurunthogai 366, penned by Peri Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady’s mother, revealing the lady’s relationship with the man.

In this episode, we observe the acute effects of pining in a lady, as depicted in Sangam Literary work, Kurunthogai 365, penned by Madurai Nalvelliyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, explaining the lady’s inability to bear with his parting.

In this episode, we perceive envy and quarrel over a man, as portrayed in Sangam Literary work, Kurunthogai 364, penned by Avvaiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of a courtesan, passing on a pointed message to the friends of another courtesan.

In this episode, we perceive a nuanced approach to dissuading someone, as depicted in Sangam Literary work, Kurunthogai 363, penned by Selloor Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, when he tells her of his intention to part away from the lady to go in search of wealth.

In this episode, we observe the courage of a person in questioning false beliefs, as portrayed in Sangam Literary work, Kurunthogai 362, penned by Vempatroor Kannan Koothanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the priest Velan, passing on a clear message about the lady’s relationship with the man to the listening kith and kin.

In this episode, we perceive how solace can come from unexpected corners, as portrayed in Sangam Literary work, Kurunthogai 361, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to that friend’s appreciation that the lady had bore well with the man’s parting.

In this episode, we perceive the intricate thought process of a Sangam lady in a critical situation, as portrayed in Sangam Literary work, Kurunthogai 360, penned by Madurai Eelathu Poothanthevanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, passing on a pointed message to the man, listening nearby.