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In this episode, we listen to a description of the only available course of action, as portrayed in Sangam Literary work, Aganaanooru 221, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse reveals the situation which necessitates elopement in a lady’s life.
நனை விளை நறவின் தேறல் மாந்தி,
புனை வினை நல் இல் தரு மணல் குவைஇ,
‘பொம்மல் ஓதி எம் மகள் மணன்’ என,
வதுவை அயர்ந்தனர் நமரே; அதனால்,
புதுவது புனைந்த சேயிலை வெள் வேல்,
மதி உடம்பட்ட மை அணற் காளை
வாங்கு சினை மலிந்த திரள் அரை மராஅத்து,
தேம் பாய் மெல் இணர் தளிரொடு கொண்டு, நின்
தண் நறு முச்சி புனைய, அவனொடு
கழை கவின் போகிய மழை உயர் நனந்தலை,
களிற்று இரை பிழைத்தலின், கய வாய் வேங்கை
காய் சினம் சிறந்து, குழுமலின் வெரீஇ,
இரும் பிடி இரியும் சோலை
அருஞ் சுரம் சேறல் அயர்ந்தனென், யானே.
In this trip to the drylands, we hear the confidante say these words to the lady, urging her to choose the path of elopement:
“Relishing well-filtered toddy that blooms from buds, heaping sand brought from elsewhere, in front of the fine and well-etched mansion, declaring, ‘Our daughter, the girl with exquisite tresses, is about to be married’, our kin are making preparations for your wedding; And so, the bull-like, bearded young man, holding a newly sculpted leaf-edged white spear, sees eye to eye with me on this. He shall pluck soft, honey-soaked flower clusters, along with tender sprouts, from the burflower tree, with a thick trunk, brimming with curving branches, and adorn your cool and fragrant head. Along with him, you should traverse the highland spaces, without rain, where bamboos have lost their beauty, and where a tiger, with a fierce mouth, maddened by the loss of its prey of a male elephant, filled with fury, lashes out with a loud shout, and frightens the elephant’s dark mate in the drylands scrub jungle. This is what I wish for you now!”
Time to walk along with this couple through that harsh domain! The confidante starts with an account of what’s happening at home right then and she zooms on to the actions of the lady’s relatives, who are getting into the festive mood by drinking toddy that’s mentioned as blooming from buds. Now, blooming from buds implies that this is honey. Are they fermenting honey into alcohol? Researching on this, I learnt the term for this alcoholic beverage, made from honey, is ‘mead’, and it’s considered to be the ‘great, great, great grand-mother’ of all liquor, and revered in many ancient cultures, be it in China, Greece, Rome or even Scandinavia! Perhaps the ‘theral’ we keep reading about in Sangam literature, is the Tamil equivalent of this ‘mead’!
Returning from our revels in toddy, we find the confidante continuing what those relatives of the lady are up to, talking about how they have brought heaps of sand and spread it in front of the mansion and they are going around telling everyone that the their daughter is about to be married. A wedding is a happy occasion, is it not? But not so, for the lady, who loves another, and here, the parents are arranging a wedding with a stranger. So, the confidante had taken things into her hands and has told the man the only way forward was to elope with the lady, and he too had wholeheartedly agreed to the plan. All this, the confidante conveys to the lady and sketches an image of the drylands, which is harsh indeed, where the sounds of a tiger, which has lost its prey of a male elephant makes it bellow aloud in fury, and this startles the female elephant there. The confidante concludes by telling the lady that even so, all she wished for the lady was to leave there, along with the man, whom the confidante promises will adorn the lady’s tresses with the clusters of bur-flowers growing in that very space!
And so, the confidante seems to be telling the lady, ‘Even though there’s danger in the drylands, you are in safe hands, and those will shower love and care upon you!’ By presenting both the harsh reality of the situation and positive visualisation of the future, the confidante shows the way to nudge someone in the right direction!
