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In this episode, we perceive the hidden lessons in nature, as portrayed in Sangam Literary work, Kurunthogai 255, penned by Kaduku Perunthevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring the lady that the man would not return halfway in his mission to gather wealth.
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In this episode, we relish the intimate web between flowers, seasons and emotions, as portrayed in Sangam Literary work, Kurunthogai 254, penned by Paarkaappaanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s consolation that the man would return as promised.
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In this episode, we observe the tussle between a lady’s pining and a man’s search for wealth, as portrayed in Sangam Literary work, Kurunthogai 253, penned by Poonkannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, consoling her as the man remains parted away.
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In this episode, we perceive acceptance in the midst of conflict, as depicted in Sangam Literary work, Kurunthogai 252, penned by Kidangil Kulapathi Nakkannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to a question about the lady’s welcome on the man’s return.
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In this episode, we relish a thoughtful technique of consolation, as portrayed in Sangam Literary work, Kurunthogai 251, penned by Idaikaadanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, assuring her that the season of rains had not yet arrived.
After two long years of being unable to travel, finally saw a sliver of light at the end of December 2021. With overseas options made improbable, owing to that cumbersome testing process to establish one…
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In this episode, we relish how scenes in nature propel a man towards his beloved, as portrayed in Sangam Literary work, Kurunthogai 250, penned by Naamalaar Makanaar Ilankannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his charioteer, urging him to rush homeward.
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In this episode, we perceive a technique to bear with parting, as depicted in Sangam Literary work, Kurunthogai 249, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the question as to how the lady would handle the man’s separation.
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In this episode, we listen to words of consolation, as depicted in Sangam Literary work, Kurunthogai 248, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, allaying the lady’s worries about the delay in her marriage to the man.
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In this episode, we perceive positive feelings about a relationship, as portrayed in Sangam Literary work, Kurunthogai 247, penned by Senthampoothanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying the man’s promise to seek the lady’s hand in marriage.
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In this episode, we observe a curious technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 246, penned by Kabilar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we observe the protectiveness of a lady towards her man, as depicted in Sangam Literary work, Kurunthogai 245, penned by Maalaimaaranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.
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In this episode, we observe the plight of a lady at a midnight hour, as portrayed in Sangam Literary work, Kurunthogai 244, penned by Kannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, passing on a hidden message asking him to seek the lady’s hand in marriage.
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In this episode, we perceive an intricate response to words of advice, as portrayed in Sangam Literary work, Kurunthogai 243, penned by Nambi Kuttuvanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, replying to the confidante’s words that the lady must bear with the man’s parting.
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In this episode, we relish the joy of a mother in seeing her daughter happily married, as depicted in Sangam Literary work, Kurunthogai 242, penned by Kulatrathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady’s foster mother to the lady’s birth mother, on returning after a visit to the lady’s marital home.
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In this episode, we perceive the nature of grief, as depicted in Sangam Literary work, Kurunthogai 241, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying how she seems to have no control over the expression of her emotion.
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In this episode, we relish picturesque similes that detail the flora and fauna of the past, as portrayed in Sangam Literary work, Kurunthogai 240, penned by Kollan Azhisiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying the angst in her heart as evening arrives.
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In this episode, we relish intricate meanings weaved into elements of nature, as portrayed in Sangam Literary work, Kurunthogai 239, penned by Aasiriyar Perunkannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we observe the ire of a woman, as depicted in Sangam Literary work, Kurunthogai 238, penned by Kundriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, refusing to accept his words of reconciliation.
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In this episode, we listen to the worry in a man’s heart, as portrayed in Sangam Literary work, Kurunthogai 237, penned by Alloor Nanmullaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his charioteer, as he contemplates the distance between himself and his beloved.
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