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In this episode, we perceive the angst of a parted lady, as portrayed in Sangam Literary work, Kurunthogai 216, penned by Kachipettu Kanchi Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words of concern about the lady’s ability to bear with the man’s parting.

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In this episode, we listen to comforting words, as portrayed in Sangam Literary work, Kurunthogai 215, penned by Madurai Alakkar Gnaalar Makanaar Mallanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, promising the lady that her man would return soon.

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In this episode, we perceive curious events around courtship, as depicted in Sangam Literary work, Kurunthogai 214, penned by Koodaloor Kizhaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady’s kith and kin, in response to arrangements for a ritual.

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In this episode, we relish an alluring scene in nature as an instance of a person’s determination, as depicted in Sangam Literary work, Kurunthogai 213, penned by Kachipettu Kaanji Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s worry that the man would return halfway from his mission.

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In this episode, we listen to persuasive words, as portrayed in Sangam Literary work, Kurunthogai 212, penned by Neythal Kaarkiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, bringing a request to tryst from the man.

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In this episode, we listen to words allaying anxiety, as portrayed in Sangam Literary work, Kurunthogai 211, penned by Kaavanmullai Poothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s words of worry about the man, who had parted away.

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In this episode, we learn of offerings made to birds and the significance of bird calls, as depicted in Sangam Literary work, Kurunthogai 210, penned by Kaakkai Paadiniyaar Nachellaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the man, in response to his praise about the friend’s comforting presence to the lady in the man’s absence.

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In this episode, we observe how a man expresses his affection after a long separation, as portrayed in Sangam Literary work, Kurunthogai 209, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to the confidante, passing on a message to the lady listening nearby.

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In this episode, we perceive a lady’s state of mind in a moment of domestic crisis, as depicted in Sangam Literary work, Kurunthogai 208, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words that the lady must bear with the man’s parting.

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In this episode, we perceive an interesting reaction to a message conveyed, as depicted in Sangam Literary work, Kurunthogai 207, penned by Uraiyanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, in response to the confidante’s news that the man has parted away.

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In this episode, we listen to a person’s perception about the paradox of love, as portrayed in Sangam Literary work, Kurunthogai 206, penned by Aiyoor Mudavanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s words of chiding about the man’s changed state.

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In this episode, we relish a picturesque comparison, as portrayed in Sangam Literary work, Kurunthogai 205, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words of concern as to how the lady would bear with the man’s parting.

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In this episode, we perceive a realistic portrait of the abstract emotion of love, as depicted in Sangam Literary work, Kurunthogai 204, penned by Milaiperunkanthanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man’s friend to the man, in response to the man’s recent changed state.

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In this episode, we perceive the clarity in a lady’s mind, as depicted in Sangam Literary work, Kurunthogai 203, penned by Nedumpalliyathanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, expressing her inability to accept the man’s request at reconciliation.

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In this episode, we perceive the angst in a lady’s heart about her beloved’s changed state, as depicted in Sangam Literary work, Kurunthogai 202, penned by Alloor Nanmullaiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the lady to her confidante, refusing the man, entry to their home.

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In this episode, we perceive the recollection of a past kindness, as portrayed in Sangam Literary work, Kurunthogai 201, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words when she visits the lady’s marital home.

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In this episode, we relish references to the rain, portrayed in Sangam Literary work, Kurunthogai 200, penned by Avvaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, in response to the friend’s words of consolation that the promised season of the man’s return had not yet arrived.

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In this episode, we perceive the depth of a man’s love for his lady, as depicted in Sangam Literary work, Kurunthogai 199, penned by Paranar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, in response to the confidante’s message that the lady has been confined to her house.

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In this episode, we perceive a stack of similes that illustrate elements of life in ancient Tamil country, as depicted in Sangam Literary work, Kurunthogai 198, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, requesting him to change the spot where he trysts with the lady.

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In this episode, we perceive the form a season takes in the mind of a lady, as depicted in Sangam Literary work, Kurunthogai 197, penned by Kachipettu Nannaakaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, conveying her torment as the man continues to be parted away.