In this episode, we perceive the natural correlation between animal and human life, as depicted in Sangam Literary work, Kurunthogai 136, penned by Milai Perunkanthanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, detailing the misunderstood nature of love.

In this episode, we perceive the priorities in the life of men and women, as portrayed in Sangam Literary work, Kurunthogai 135, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s fear that the man was preparing to part away.

In this episode, we look at the spread of the land in a mountain country and see the lady’s emotions there, as portrayed in Sangam Literary work, Kurunthogai 134, penned by Kovengai Perunkathavanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, expressing her yearning for the man’s return.

In this episode, we observe how a mountain farmer’s field speaks the hope in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 133, penned by Uraiyoor Muthukannan Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, as the man delays seeking her hand in marriage.

In this episode, we listen to a description of a beloved in the words of a heart in love, as depicted in Sangam Literary work, Kurunthogai 132, penned by Sirakudi Aanthaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, in response to the friend’s words chiding the man for his unstable behaviour after falling in love.

In this episode, we perceive how a simile from a farming field prints tracks of the heart, as portrayed in Sangam Literary work, Kurunthogai 131, penned by Or Er Uzhavanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, as his mission ends and his promised season of return approaches.

In this episode, we perceive a persuasive argument to pacify an anxious heart, as depicted in Sangam Literary work, Kurunthogai 130, penned by Velli Veethiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying her anxiety about the man, who had parted away.

In this episode, we listen to the beat of a passionate heart, as echoed by Sangam Literary work, Kurunthogai 129, penned by Koperunchozhan, a poet-king. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, explaining the reason for the recent changes in him.

In this episode, we relish a precise simile from the natural world that pinpoints to the emotions within, as depicted in Sangam Literary work, Kurunthogai 128, penned by Paranar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man to his heart, expressing his dejection at being unable to meet his lady at the trysting spot.

In this episode, we take in a scene from the fields of a farming town and perceive the consequences of a lie, as depicted in Sangam Literary work, Kurunthogai 127, penned by Orambokiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, in response to the words of the singer, sent as a messenger by the man to allay the anger of his lady.

In this episode, we observe the projection of inner angst on the outer world, as portrayed in Sangam Literary work, Kurunthogai 126, penned by Okkoor Maasaathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her pain as the man remains parted away.

In this episode, we hear the echo of the heart in an image from nature, as portrayed in Sangam Literary work, Kurunthogai 125, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

In this episode, we perceive the sound reasoning in a pertinent question, as portrayed in Sangam Literary work, Kurunthogai 124, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the man, as he prepares to part away from the lady.

In this episode, we observe the ingenuity of a person in conveying urgency, as portrayed in Sangam Literary work, Kurunthogai 123, penned by Aiyoor Mudavanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

In this episode, we listen to a lady’s lament about the imminent evening, as portrayed in Sangam Literary work, Kurunthogai 122, penned by Orambokiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, illustrating the effect of an evening on her mind.

In this episode, we perceive a case of mistakes and their consequences, as portrayed in Sangam Literary work, Kurunthogai 121, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying how she had been disappointed once before, mistaking sounds around for the man’s call to tryst.

In this episode, we listen to abstract notions about wealth and joy, as depicted in Sangam Literary work, Kurunthogai 120, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, in a message of consolation when being unable to meet with the lady at their trysting spot.

In this episode, we listen to a man echo his inner emotions by narrating a scene in the wild, as depicted in Sangam Literary work, Kurunthogai 119, penned by Sathinaathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his friend, expressing the reason for the recent change in his composure.

In this episode, we learn of an ancient custom set in the midst of a lady’s anxiety, as depicted in Sangam Literary work, Kurunthogai 118, penned by Nannaakaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, lamenting about how the man had not returned to tryst with her.

In this episode, we hear the beat of life in nature and perceive the heart of a lady in love, as portrayed in Sangam Literary work, Kurunthogai 117, penned by Kundriyanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.