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In this episode, we observe the ingenuity of a person in conveying urgency, as portrayed in Sangam Literary work, Kurunthogai 123, penned by Aiyoor Mudavanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.
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In this episode, we listen to a lady’s lament about the imminent evening, as portrayed in Sangam Literary work, Kurunthogai 122, penned by Orambokiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, illustrating the effect of an evening on her mind.
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In this episode, we perceive a case of mistakes and their consequences, as portrayed in Sangam Literary work, Kurunthogai 121, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying how she had been disappointed once before, mistaking sounds around for the man’s call to tryst.
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In this episode, we listen to abstract notions about wealth and joy, as depicted in Sangam Literary work, Kurunthogai 120, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, in a message of consolation when being unable to meet with the lady at their trysting spot.
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In this episode, we listen to a man echo his inner emotions by narrating a scene in the wild, as depicted in Sangam Literary work, Kurunthogai 119, penned by Sathinaathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his friend, expressing the reason for the recent change in his composure.
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In this episode, we learn of an ancient custom set in the midst of a lady’s anxiety, as depicted in Sangam Literary work, Kurunthogai 118, penned by Nannaakaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, lamenting about how the man had not returned to tryst with her.
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In this episode, we hear the beat of life in nature and perceive the heart of a lady in love, as portrayed in Sangam Literary work, Kurunthogai 117, penned by Kundriyanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.
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In this episode, we perceive the passionate recollection of a past joy, as portrayed in Sangam Literary work, Kurunthogai 116, penned by Ilangkeeranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, delighting in the memory of his lady’s tresses.
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In this episode, we listen to a heartfelt request to ensure the welfare of a friend, as portrayed in Sangam Literary work, Kurunthogai 115, penned by Kabilar. Situated in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, as he prepares to elope away with the lady.
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In this episode, we observe how inanimate objects echo the inner landscape, as portrayed in Sangam Literary work, Kurunthogai 114, penned by Ponnaakanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying news about his trysting with the lady.
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In this episode, we gather fascinating facets about the lifestyle of ancients, as depicted in Sangam Literary work, Kurunthogai 113, penned by Maathirathanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, conveying that he should tryst with the lady at an alternative spot.
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In this episode, we perceive the angst of a torn heart, as portrayed in Sangam Literary work, Kurunthogai 112, penned by Aalathoor Kilaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying her feelings as the man continues to delay seeking her hand in marriage.
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In this episode, we relish the ingenuity of the confidante in her indirect persuasion, as portrayed in Sangam Literary work, Kurunthogai 111, penned by Theenmathi Naakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the effect of seasonal winds, as depicted in Sangam Literary work, Kurunthogai 110, penned by Killimangalam Kilaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, echoing her extreme dejection at the man’s continued absence.
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In this episode, we observe a technique of subtle persuasion, as portrayed in Sangam literary work, Kurunthogai 109, penned by Nambi Kuttuvanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the beauty of changing seasons, as depicted in Sangam Literary work, Kurunthogai 108, penned by Vaayilaan Thevanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing her inability to bear with the man’s parting any longer.
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In this episode, we perceive the fury of a person, woken up from sweet slumber, as portrayed in Sangam Literary work, Kurunthogai 107, penned by Madurai Kannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the lady to a rooster, conveying her ire at the bird’s crowing in the morning.
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In this episode, we perceive the acceptance of a man’s request for reconciliation, as depicted in Sangam Literary work, Kurunthogai 106, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, conveying that she is appeased by the man’s message.
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In this episode, we perceive agricultural customs in a mountain country, as depicted in Sangam Literary work, Kurunthogai 105, penned by Nakirar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, relaying her frustration at the man’s delay in seeking her hand in marriage.
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In this episode, we perceive the fierce attack of pining in winter, as depicted in Sangam Literary work, Kurunthogai 104, penned by Kaavanmullai Poothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing how difficult it is for her, to bear with the man’s parting.
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