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In this episode, we relish an unfinished poem with lines lost in time and yet, shining timeless with the words it contains, as portrayed in Sangam Literary work, Natrinai 385, penned by an anonymous poet. The verse is surmised to be in the ‘Neythal’ landscape or coastal regions and thought to speak in the voice of the confidante to the man, possibly pressing him to seek the lady’s hand in marriage.

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In this episode, we listen to the ecstatic words of a man, whose dream has been fulfilled, as depicted in Sangam Literary work, Natrinai 384, penned by Paalai Paadiya Perungkadungko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, observing the lady walking ahead, as they elope away to the man’s town.

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In this episode, we hear the echo of the life of wildlife in a mountain country, as portrayed in Sangam Literary work, Natrinai 383, penned by Koliyoor Kizhaar Makanaar Chezhiyanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, expressing the dangers in the nightly path he takes to tryst with the lady.

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In this episode, we perceive the determination of an anguished lady, as portrayed in Sangam Literary work, Natrinai 382, penned by Nikandan Kalaikottu Thandanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, conveying the need to hide their emotions from those around them.

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In this episode, we perceive how a king’s actions are placed in parallel with the weather’s changes, as portrayed in Sangam Literary work, Natrinai 381, penned by Avvaiyaar, the renowned female poet from the Sangam era. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of lady to the confidante, expressing her grief as the man has not returned from his mission by the promised season.

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In this episode, we observe a heated situation at a home, as depicted in Sangam Literary work, Natrinai 380, penned by Koodaloor Palkannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the singer-messenger, refusing the man entry to his house.

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In this episode, we delight in the insightful portrait of a person and the natural beauty of ancient spots, as depicted in Sangam Literary work, Natrinai 379, penned by Kudavaayil Keerathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, refusing his request to tryst with the lady.

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In this episode, we perceive the anguish in a lady’s heart on a lonely night, as depicted in Sangam Literary work, Natrinai 378, penned by Vadama Vannakkan Perisaathanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the dilemma in a man’s heart, as portrayed in Sangam Literary work, Natrinai 377, penned by Madal Paadiya Maathankeeranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the man to himself, passing on a pointed message to the confidante, listening nearby.

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In this episode, we perceive how a parrot is invited to be a messenger, as portrayed in Sangam Literary work, Natrinai 376, penned by Kabilar. The verse is set in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to a parrot, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive a direct call to action, as portrayed in Sangam Literary work, Natrinai 375, penned by Pothumpil Kilaar Makanaar Venkanni. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, persuading him to seek the lady’s hand in marriage.

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In this episode, we relish a man’s celebration of his wife’s hospitality, as depicted in Sangam Literary work, Natrinai 374, penned by Vanparanar. The verse is set in the forest regions of ‘Mullai’ and speaks in the voice of the man to wayfarers he meets on his journey homeward.

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In this episode, we relish references to the harvest season and its significance to mountain folk, as depicted in Sangam Literary work, Natrinai 373, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the novel technique of combining consolation and persuasion, as portrayed in Sangam Literary work, Natrinai 372, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying assuring words to her and passing on a hidden message to the man, listening nearby.

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In this episode, we observe the changes in the weather and the effect it has on minds, as portrayed in Sangam Literary work, Natrinai 371, penned by the renowned female poet, Avvaiyaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, conveying the need to rush homeward.

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In this episode, we sense the joy in a home, where a child is born, as echoed by Sangam Literary work, Natrinai 370, penned by Uraiyoor Kathuvaai Saathanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the man to his companion, the singer-messenger, reminiscing a past moment, in a bid to soften the lady’s anger.

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In this episode, we perceive references to faraway ranges and rivers, as portrayed in Sangam Literary work, Natrinai 369, penned by Madurai Olai Kadayathaar Nalvellaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, refusing to accept her friend’s words of consolation.

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In this episode, we perceive elements of a lady’s life in the mountain country, as depicted in Sangam literary work, Natrinai 368, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

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In this episode, we hear the jubilant news of a man’s imminent homecoming, as portrayed in Sangam Literary work, Natrinai 367, penned by Nakkirar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, conveying to her that good times are arriving at her doorstep.

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In this episode, we perceive the struggle between seeking wealth and being with a beloved, as portrayed in Sangam Literary work, Natrinai 366, penned by Madurai Eelathu Poothan Thevanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, conveying his decision not to part away from the lady.