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In this episode, we perceive the personification of a tree, as portrayed in Sangam Literary work, Natrinai 296, penned by Kuthirai Thariyanaar. Set in the drylands landscape of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing her angst on receiving the news of the man’s intent to part away.

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In this episode, we travel to an ancient sea port and take in life and love there, as portrayed in Sangam Literary work, Natrinai 295, penned by the renowned Sangam-age female poet, Avvaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying the lady’s state and subtly persuading him to seek the lady’s hand in marriage.

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In this episode, we relish news of joy and bliss, as depicted in Sangam Literary work, Natrinai 294, penned by Puthukkayathu Vannakkan Kampoor Kilaan. Set in the mountain country of Kurinji, the verse speaks in the voice of the confidante to the lady’s kith and kin, conveying her impressions of her friend’s health after a visit to the lady’s marital home.

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In this episode, we celebrate references to the antiquity of pottery even as we listen to a lament, as portrayed in Sangam Literary work, Natrinai 293, penned by Kayamanaar. The verse is set in the drylands landscape of ‘Paalai’ and speaks in the voice of the lady’s mother, expressing the angst in her heart, at her daughter’s parting away with the man.

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In this episode, we explore the natural wealth of a mountainous region and perceive the wealth of emotion within, as portrayed in Sangam Literary work, Natrinai 292, penned by Nalvettanaar. Set in the hill country of ‘Kurinji’, the verse speaks in the voice of the confidante, assuming the lady’s voice, to persuade the man to seek the lady’s hand in marriage.

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In this episode, we observe an interleaving of history and nature to depict feelings within, as portrayed in Sangam Literary work, Natrinai 291, penned by Kabilar. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the singer, who has been sent as a messenger by the man.

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In this episode, we observe scenes from an ancient agricultural region reflecting the inner landscape in marital relations, as depicted in Sangam Literary work, Natrinai 290, penned by Madurai Maruthan Ilanakanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the confidante to the lady, passing on a pointed message to the singer, who has come to the lady’s house as a messenger from the man.

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In this episode, we perceive the unshakeable faith in the mind of a lady, as depicted in Sangam Literary work, Natrinai 289, penned by Marunkoor Pattinathu Chenthan Kumaranaar. The verse is set in the forest landscape of ‘Mullai’ and speaks in the voice of the lady to her friend, expressing both angst and assurance, as she faces the delay in the man’s return.

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In this episode, we observe ancient beliefs about health and marriage in a mountain country, as portrayed in Sangam Literary work, Natrinai 288, penned by Kulambanaar. Set in the hill landscape of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the transition of a mind from assurance to angst, as depicted in Sangam Literary work, Natrinai 287, penned by Ulochanaar. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the lady to her confidante, passing on a subtle message to the man, listening nearby.

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In this episode, we perceive a thoughtful instance of the fine art of consolation, as portrayed in Sangam Literary work, Natrinai 286, penned by Thuraikkurumaavir Paalankotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, comforting her, as she struggles to handle the parting away of the man.

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In this episode, we perceive the inner and outer aspects of life in a mountain land, as portrayed in Sangam Literary work, Natrinai 285, penned by Madurai Kollan Vennaakanaar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the struggle between love and duty, as portrayed in Sangam Literary work, Natrinai 284, penned by Theypuri Palankayitrinaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man, expressing the war waging in his inner world.

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In this episode, we observe the strength of the sun blaze in this poem on persuasion, as portrayed in Sangam Literary work, Natrinai 283, penned by Madurai Maruthan Ilanaakanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, prompting him to choose the righteous path.

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In this episode, we relish the meeting point of nature and culture in a mountain country, as depicted in Sangam Literary work, Natrinai 282, penned by Nalloor Siru Meythaaviyaar. Set in the hilly regions of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive how the dream of a bird tells us the tale of love, as depicted in Sangam Literary work, Natrinai 281, penned by a female poet, Kazhaarkeeran Eyitriyaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, refusing to accept the confidante’s words of consolation.

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In this episode, we relish the richness of poetic imagery that paints for us the world then, as portrayed in Sangam Literary work, Natrinai 280, penned by Paranar. Set in the agricultural lands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, in response to the straying man’s message, seeking entry to the lady’s house.

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In this episode, we relish a poetic feast, filled with elements from nature and culture, as depicted in Sangam Literary work, Natrinai 279, penned by Kayamanaar. The verse is set in the drylands of ‘Paalai’ landscape and speaks in the voice of the mother, on hearing that her daughter has parted away with the man.

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In this episode, we relish nuanced descriptions of a seashore tree, as portrayed in Sangam Literary work, Natrinai 278, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, conveying jubilant news of the man’s return to claim the lady’s hand.

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In this episode, we perceive a unique way of expressing inner suffering, as portrayed in Sangam Literary work, Natrinai 277, penned by Thumbi Ser Keeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of a lady to a bee, expressing her anguish at the bee’s seeming indifference to her plight.