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In this episode, we listen to a song of angst depicting a lady’s suffering, as portrayed in Sangam Literary work, Natrinai 236, penned by Nambi Kuttuvanaar. Set in the mountain country of Kurinji, the verse speaks in the voice of the lady to the confidante, conveying a hidden message to the man, listening nearby.
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In this episode, we relish how metaphors paint a vision of joy, as portrayed in Sangam Literary work, Natrinai 235, penned by an anonymous poet. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying the jubilant news of the man’s arrival to seek the lady’s hand in marriage.
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In this episode, we learn about ancient social customs and cultural festivals, as depicted in Sangam Literary work, Natrinai 234, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady’s mother to the lady’s father, when the man arrives to seek the lady’s hand in marriage accompanied by elders and family.
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In this episode, we perceive unique ways of conveying intention, as portrayed in Sangam Literary work, Natrinai 233, penned by Anjil Aanthaiyaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying a subtle message to the man, listening nearby.
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In this episode, we perceive issues in inner life reflected in scenes of wildlife, as portrayed in Sangam Literary work, Natrinai 232, penned by Mudhuvenkannanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, bidding him to stay the night at the lady’s house, as he prepares to leave after his tryst by day.
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In this episode, we marvel at the rich imagery that brings out life in ancient times, as depicted in Sangam Literary work, Natrinai 231, penned by Ilanaakanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive scenic descriptions depicting social dynamics, as portrayed in Sangam Literary work, Natrinai 230, penned by Alangudi Vanganaar. Set in the agricultural landscape of Marutham, the verse speaks in the voice of the confidante to the man, refusing him entry into the lady’s house.
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In this episode, we observe the conflict around separation from a beloved, as portrayed in Sangam Literary work, Natrinai 229, penned by an anonymous poet. The verse is set in the drylands of ‘Paalai’ landscape and speaks in the voice of the confidante to the man, in response to his news about parting away from the lady on a mission.
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In this episode, we perceive the power of metaphors in conveying intention intricately, as portrayed in Sangam Literary work, Natrinai 228, penned by Mudathirumaaranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a subtle message to the man, listening nearby.
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In this episode, we relish images from an ancient city and the poetic imagery it evokes, as portrayed in Sangam Literary work, Natrinai 227, penned by Thevanaar. The verse is set in the ‘Neythal’ landscape by the shore, and speaks in the voice of the confidante to the man, urging him to seek the lady’s hand without further delay.
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In this episode, we reflect upon philosophical truths portrayed in Sangam Literary work, Natrinai 226, penned by Kaniyan Poongundranaar. Set in the ‘Paalai’ landscape of drylands, the verse speaks in the voice of the lady to the confidante, expressing her grief over the man’s parting away in search of wealth.
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In this episode, we perceive images from the mountain country portraying the intricacies of inner life, as depicted in Sangam Literary work, Natrinai 225, penned by Kabilar. The verse is set in ‘Kurinji’ or the mountainous regions and speaks in the voice of the lady to her confidante, refusing to be consoled as the man is delayed in his return to her.
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In this episode, we perceive how the changing seasons affect inner life, as portrayed in Sangam Literary work, Natrinai 224, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, on being informed about the man’s parting away on a mission.
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In this episode, we appreciate the intelligent way of communicating a refusal, as portrayed in Sangam Literary work, Natrinai 223, penned by Ulochanaar. The verse is set in the ‘Neythal’ landscape or coastal regions and speaks in the voice of the confidante to the man, bidding him to give up his tryst by day and concealing a hidden message within.
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In this episode, we perceive the art of gentle persuasion in influencing another, as portrayed in Sangam Literary work, Natrinai 222, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.
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In this episode, we delight in the anticipated joy, glowing in the heart of a man returning home, as depicted in Sangam Literary work, Natrinai 221, penned by Idaikaadanaar. The verse is set in the forest country of ‘Mullai’ and speaks in the voice of the man to his charioteer, bidding him to hasten homeward.
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In this episode, we learn about social dynamics and cultural practices, as portrayed in Sangam Literary work, Natrinai 220, penned by Kundukat Paaliyaathanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the man to himself, conveying a sharp message to the confidante, listening nearby.
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In this episode, we perceive the unshakeable faith glowing within a lady in love, as portrayed by Sangam Literary work, Natrinai 219, penned by Thaayankannanaar. The verse is set in the ‘Neythal’ landscape or coastal regions and speaks in the voice of the lady to her confidante, expressing her belief in the man’s promise to her.
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In this episode, we perceive the atmosphere of an ancient village at dusk and the mood this evokes within, as portrayed in Sangam Literary work, Natrinai 218, penned by Kidangil Kaavithi Keerankannanaar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, rejecting the confidante’s words of consolation and expressing the angst in her heart, as the man delays seeking her hand in marriage.
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In this episode, we relish the intricate use of poetic imagery, as portrayed in Sangam literary work, Natrinai 217, penned by Kabilar. Although the verse is set in the mountain country of ‘Kurinji’, it revolves around the theme of a love-quarrel, a theme more commonly found in the agricultural landscape. The poem speaks in the words of the lady to her confidante, conveying a refusal to the man’s request to seek entry to their house.
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