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In this episode, we listen to a curious conversation with the moon, as depicted in Sangam Literary work, Natrinai 196, penned by Vellaikudi Nakanaar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the lady to the moon, attempting to make it reveal the path where the man, who has parted away, traverses.
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In this episode, we relish the rich imagery inspired by the scenes on a seashore, as portrayed in Sangam Literary work, Natrinai 195, penned by an anonymous poet. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying the pained state of the lady, owing to the man’s lethargy in seeking her hand in marriage.
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In this episode, we explore life and wildlife in the mountain country, depicted in Sangam Literary work, Natrinai 194, penned by Madurai Maruthan Ilanaakanaar. Set in the mountain landscape of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the journey of a breeze, as portrayed in Sangam Literary work, Natrinai 193, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape of ‘drylands’ and speaks in the voice of the lady to the northern wind, pleading to not torment her at a time when the man has parted away.
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In this episode, we relish scenes from a mountain jungle, as portrayed in Sangam Literary work, Natrinai 192, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to a lady, as she refuses to accept a tryst with him at night, fearing for his safety.
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In this episode, we perceive a picturesque scene from the life of a seaside hamlet, as depicted in Sangam Literary work, Natrinai 191, penned by Ulochanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying a subtle message to the man, listening nearby.
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In this episode, we delight in the description of an ancient city, as depicted in Sangam Literary work, Natrinai 190, written by an anonymous poet. Set in the ‘Kurinji’ landscape of mountain country, the verse speaks in the voice of a man to his heart, urging the confidante, listening nearby, to help him win the affection of the lady.
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In this episode, we receive a lesson in the art of consolation, as portrayed in Sangam Literary work, Natrinai 189, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape or the drylands and speaks in the voice of the confidante to the lady, conveying words of solace to her pining heart.
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In this episode, we learn an intricate technique to convey intention and the philosophical truth ingrained within, as depicted in Sangam Literary work, Natrinai 188, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, conveying a subtle but strong reprimand about his delay in seeking the lady’s hand in marriage.
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In this episode, we take up a sensory travel to a sunset moment, as sketched by Sangam Literary work, Natrinai 187, penned by the Sangam-age namesake of an adored female poet, Avvaiyaar. The verse is set in the ‘Neythal’ landscape or coastal regions and speaks in the voice of the lady, as she mulls over the parting of the man, at the end of his tryst by day.
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In this episode, we perceive scenes from nature throwing light on an attitude of acceptance, as depicted in Sangam Literary work, Natrinai 186, penned by an anonymous poet. Set in the drylands region of ‘Paalai’, the verse speaks in the confident voice of the lady, relieving fears in the confidante’s mind about the consequences of the man’s departure.
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In this episode, we learn fascinating facts about an ancient hill country, as portrayed in Sangam Literary work, Natrinai 185, penned by an anonymous poet. The verse is set in the mountainous landscape of ‘Kurinji’ and speaks in the voice of the man to his friend, seeking his help to win the affection of the lady in his heart.
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In this episode, we perceive the poignant emotions of a mother missing her daughter, as depicted in Sangam Literary work, Natrinai 184, written by an anonymous poet. Set in the drylands of the ‘Paalai’ landscape, the verse speaks in the voice of the mother, expressing her inconsolable sadness after her daughter’s departure.
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In this episode, we understand the thread that ties economics and emotions, as portrayed in Sangam Literary work, Natrinai 183, penned by an anonymous poet. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the man, expressing the pain the lady would feel at his parting away.
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In this episode, we perceive the intricate way of conveying intention by concealing it in an image from nature, as portrayed in Sangam Literary work, Natrinai 182, penned by an anonymous poet. Set in the ‘Kurinji’ landscape of mountain country, the verse speaks in the voice of the confidante to the lady, conveying a pointed message to the man, listening nearby.
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In this episode, we sense the jubilation in a man’s return to his home, as portrayed in Sangam literary work, Natrinai 181, penned by an anonymous poet. The verse is set in the ‘Mullai’ landscape or forest country and speaks in the voice of a confidante, conveying that the lady will be redeemed from her joyless state by the man’s return.
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In this episode, we relish the intricate tapestry of imagery interwoven with the history and life of the land, as portrayed in Sangam literary work, Natrinai 180, penned by an anonymous poet. Set in the agricultural region of ‘Marutham’, the verse speaks in the voice of the confidante, in a complaining tone about the ceaseless love-quarrel between the man and the lady.
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In this episode, we listen to a surprised mother’s reminiscences about her daughter, as depicted in Sangam Literary work, Natrinai 179, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape and speaks in the voice of a mother, expressing disbelief when she discovers that her daughter has eloped with a man.
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In this episode, we perceive scenes from the coast reflecting emotions within, as portrayed in Sangam Literary work, Natrinai 178, penned by an anonymous poet. Set in the coastal region of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, intending to convey a hidden message to the man listening nearby.
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In this episode, we relish the contrasting imagery to paint the emotions in parting, as depicted in Sangam literary work, Natrinai 177, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape or drylands and speaks in the voice of the lady to the confidante, expressing her discovery of the man’s intention to part away.
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