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In this episode, we perceive the battle between love and duty, as portrayed in Sangam Literary work, Natrinai 205, penned by Ilanakanaar. The verse is set in the drylands of ‘Paalai’ region and speaks in the voice of the confidante to the man, highlighting the consequences of the man’s decision to part away in search of wealth.
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In this episode, we perceive the passion throbbing in the heart of a mountain youth, as portrayed in Sangam Literary work, Natrinai 204, penned by Mallanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the anguished voice of the man to his heart, while intending the message to be overhead by the lady’s confidante.
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In this episode, we inhale the fragrance of life in an ancient seashore village, as portrayed in Sangam Literary work, Natrinai 203, written by Ulochanaar. The verse is set in the coastal regions of ‘Neythal’ landscape and speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.
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In this episode, we unearth fascinating facts about nature and culture, as portrayed in Sangam Literary work, Natrinai 202, penned by Perungkadungo. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to the lady, motivating her with a promise, as they elope from the lady’s village.
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In this episode, we relish the natural beauty of a hill country and the deep meaning that the image of a statue imparts, as portrayed in Sangam Literary work, Natrinai 201, penned by Paranar. The verse is set in the mountainous regions of ‘Kurinji’ and speaks in the voice of the man to his friend, in response to that friend’s advice about forgetting the lady, who has won the man’s heart.
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In this episode, we learn of a festival custom in a farming town, as portrayed in Sangam Literary work, Natrinai 200, penned by Koodaloor Palkannanaar. Set in the agricultural landscape of ‘Marutham’, the verse speaks in the voice of the confidante to the potter, rejecting the request of the singer-messenger to seek entry for the man into the lady’s house.
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In this episode, we perceive intricate elements from the seashore revealing the inner world, as portrayed in Sangam Literary work, Natrinai 199, penned by Peri Sathanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, refusing to accept words of consolation and expressing the angst in her heart.
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In this episode, we perceive the anguish in a mother missing her daughter, as portrayed in Sangam Literary work, Natrinai 198, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of a foster mother to a couple she meets on the way, as she searches for her daughter, who has eloped away.
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In this episode, we experience the meaning that dark clouds impart to a pining lady, as depicted in Sangam Literary work, Natrinai 197, penned by Nakirar. The verse is set in the drylands of ‘Paalai’ and speaks in the consoling voice of the confidante to the lady, conveying a positive message to the lady’s pining heart.
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In this episode, we listen to a curious conversation with the moon, as depicted in Sangam Literary work, Natrinai 196, penned by Vellaikudi Nakanaar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the lady to the moon, attempting to make it reveal the path where the man, who has parted away, traverses.
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In this episode, we relish the rich imagery inspired by the scenes on a seashore, as portrayed in Sangam Literary work, Natrinai 195, penned by an anonymous poet. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying the pained state of the lady, owing to the man’s lethargy in seeking her hand in marriage.
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In this episode, we explore life and wildlife in the mountain country, depicted in Sangam Literary work, Natrinai 194, penned by Madurai Maruthan Ilanaakanaar. Set in the mountain landscape of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the journey of a breeze, as portrayed in Sangam Literary work, Natrinai 193, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape of ‘drylands’ and speaks in the voice of the lady to the northern wind, pleading to not torment her at a time when the man has parted away.
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In this episode, we relish scenes from a mountain jungle, as portrayed in Sangam Literary work, Natrinai 192, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to a lady, as she refuses to accept a tryst with him at night, fearing for his safety.
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In this episode, we perceive a picturesque scene from the life of a seaside hamlet, as depicted in Sangam Literary work, Natrinai 191, penned by Ulochanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying a subtle message to the man, listening nearby.
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In this episode, we delight in the description of an ancient city, as depicted in Sangam Literary work, Natrinai 190, written by an anonymous poet. Set in the ‘Kurinji’ landscape of mountain country, the verse speaks in the voice of a man to his heart, urging the confidante, listening nearby, to help him win the affection of the lady.
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In this episode, we receive a lesson in the art of consolation, as portrayed in Sangam Literary work, Natrinai 189, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape or the drylands and speaks in the voice of the confidante to the lady, conveying words of solace to her pining heart.
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In this episode, we learn an intricate technique to convey intention and the philosophical truth ingrained within, as depicted in Sangam Literary work, Natrinai 188, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, conveying a subtle but strong reprimand about his delay in seeking the lady’s hand in marriage.
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In this episode, we take up a sensory travel to a sunset moment, as sketched by Sangam Literary work, Natrinai 187, penned by the Sangam-age namesake of an adored female poet, Avvaiyaar. The verse is set in the ‘Neythal’ landscape or coastal regions and speaks in the voice of the lady, as she mulls over the parting of the man, at the end of his tryst by day.
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In this episode, we perceive scenes from nature throwing light on an attitude of acceptance, as depicted in Sangam Literary work, Natrinai 186, penned by an anonymous poet. Set in the drylands region of ‘Paalai’, the verse speaks in the confident voice of the lady, relieving fears in the confidante’s mind about the consequences of the man’s departure.
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