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In this episode, we marvel at the nuanced perception depicted in Sangam Literary work, Natrinai 55, written by Peruvaluthi. Set in the ‘Kurinji’ landscape or the mountains, the poem speaks in the words of the lady’s confidante to the man, describing a recent, stressful incident at home.
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In this episode, we perceive the depths in the inner and outer life depicted in Sangam Literary work, Natrinai 54, written by Senthankannanaar. The verse is set in the ‘Neythal’ landscape or the coastal regions and speaks in the lamenting voice of the lady to a sea bird, bidding it to be a messenger of love.
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In this episode, we are rejuvenated by the new rains depicted in Sangam Literary work, Natrinai 53, written by Nalvettanaar. Set in the mountain country of ‘Kurinji’, the poem speaks in the voice of the lady’s confidante to the lady, intending to convey a message to the man listening nearby.
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In this episode, we understand the devotion and determination depicted in Sangam Literary work, Natrinai 52, written by Paalathanaar, this being the only song penned by the poet. Set in the ‘Paalai’ landscape or the drylands, it revolves around the dilemmas in separation and speaks in the voice of the man to his heart.
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In this episode, we get drenched in the inner life depicted in Sangam Literary work, Natrinai 51, written by Peraalavaayar, a poet from the ‘Aalavaai’ region of ancient Madurai. This poem is set in the ‘Kurinji’ landscape or the mountainous regions and speaks in the anguished voice of the lady to her confidante, as the man listens nearby.
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In this episode, we become acquainted with the social customs depicted in Sangam Literary work, Natrinai 50, written by ‘Marutham paadiya Ilangkandungko’. The poem is set in the ‘Marutham’ landscape or the agricultural lands and dwells on the theme of ‘love-quarrel’ between the man and his lady. It speaks in the voice of the lady’s confidante to the singer-messenger, refusing him entry to the lady’s house, as the man listens nearby.
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In this episode, we walk by the shore of Sangam Literary work, Natrinai 49, written by Neythal Thathanaar. True to the name of the poet, the poem is set in the ‘Neythal’ landscape or the coastal regions and speaks in the voice of the lady’s confidante to the lady, lamenting about the situation at hand.
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In this episode, we appreciate the layers of meaning stitched in Sangam Literary work, Natrinai 48, written by Perunkadunko, a poet-king belonging to the Chera dynasty. Being the favoured domain of this poet, the poem is set in the ‘Paalai’ landscape or the drylands, in the words of the lady’s confidante to the man, recollecting events of the past.
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In this episode, we appreciate the vision of the ancients in Sangam Literary work, Natrinai 47, written by Nalvelliyaar, a female poet we met 40 songs ago. The poem is set in the ‘Kurinji’ landscape or the mountainous regions and speaks in the voice of the lady’s confidante to the lady, as the man listens nearby.
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In this episode, we appreciate the philosophy reflected in Sangam Literary work, Natrinai 46, written by an anonymous poet. It’s set in the ‘Paalai’ landscape or the drylands and revolves around the theme of separation. The poem is expressed in the words of the lady’s confidante to the man, on hearing about his intention to part away, seeking wealth.
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In this episode, we perceive the societal differences depicted in Sangam literary work, Natrinai 45, penned by an anonymous poet, set in the ‘Neythal’ landscape or the coastal regions. The verse speaks in the words of the lady’s confidante to the man, explaining the reasons why he’s unsuitable to be the lady’s companion.
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In this episode, we visit the lands and people portrayed in Sangam Literary work, Natrinai 44, written by Perunkousikanaar, set in the lush mountain country of ‘Kurinji’. The poem is expressed in the words of the man to his heart, perceiving the reality of the situation concerning his lady.
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In this episode, we explore the life depicted in Sangam literary work, Natrinai 43, written by Eyinanthaiyaar, set in the ‘Paalai’ landscape or the drylands. The poem speaks in the words of the lady’s confidante to the man, informing him about his lady’s state of mind, as he prepares to depart.
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In this episode, we gaze with awe at the story that unfolds in Sangam Literary work, Natrinai 42, written by Kudavayil Keerathanaar, set in the ‘Mullai’ landscape or the forest regions. This poem is expressed in the words of the man to his charioteer, sharing an anecdote about a prior moment of joy.
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In this episode, we understand the lifestyle of men and women as depicted in Sangam Literary work, Natrinai 41, written by Ilanthevanaar. The poem is set in the ‘Paalai’ landscape or the drylands, speaking in the voice of the lady’s confidante to the lady, consoling the lady as she suffers from the pain of separation.
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In this episode, we understand the cultural traditions depicted in Sangam Literary work, Natrinai 40, written by Konma Nedunkottanaar, this being the only poem penned by this poet in all of Sangam literature. The verse unfolds in the ‘Marutham’ landscape or the agricultural regions and is said in the words of the man’s mistress, with the intention of it being heard by the lady’s friends.
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In this episode, we relish the emotions and imagery depicted in Sangam literary work, Natrinai 39, written by Maruthan Ilanaakanaar, set in the lush ‘Kurinji’ landscape or the mountainous regions. The words are said by the man to the lady, expressing those fervent feelings on beholding his love.
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In this episode, we empathise with the inner life depicted in Sangam literary work, Natrinai 38, written by Ulochanar, set in the ‘Neythal’ landscape or the coastal regions. The verse speaks in the voice of the lady, replying to her confidante about the shades of her mind.
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In this episode, we perceive the life depicted in Sangam literary work, Natrinai 37, written by Peri Saathanaar, set in the ‘Paalai’ landscape or the drylands. The verse talks in the words of the lady’s confidante to the man, warning of the distress looming in the horizon of the lady’s mind.
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In this episode, we relish the poetic imagery depicted in Sangam Literary work, Natrinai 36, written by Seethalai Saathanaar. He’s a namesake and not the same person as the writer of the famous Tamil epic ‘Manimekalai’. This poem is set in the ‘Kurinji’ or the mountainous regions, and is expressed in the words of the lady’s confidante to the lady, indirectly conveying the state of affairs to the man, who’s listening nearby.
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