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In this episode, we perceive the arrival of the promised season, as portrayed in Sangam Literary work, Ainkurunooru 341-350, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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In this episode, we perceive the lady’s emotions after the man’s parting, as portrayed in Sangam Literary work, Ainkurunooru 331-340, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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In this episode, we travel to the parched spaces in the midst of the drylands, as depicted in Sangam Literary work, Ainkurunooru 321-330, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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In this episode, we perceive the emotions in parting, as depicted in Sangam Literary work, Ainkurunooru 311-320, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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In this episode, we listen to the strong words of the confidante, as portrayed in Sangam Literary work, Ainkurunooru 300-310, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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In this episode, we observe the dance of the peacock, as portrayed in Sangam Literary work, Ainkurunooru 291-300, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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In this episode, we perceive scenes involving parrots in a mountain field, as depicted in Sangam Literary work, Ainkurunooru 281-290, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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In this episode, we follow the trail of a monkey, as portrayed in Sangam Literary work, Ainkurunooru 271-280, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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In this episode, we observe the antics of a wild boar, as portrayed in Sangam Literary work, Ainkurunooru 261-270, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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In this episode, we get to know a mountain dweller, as depicted in Sangam Literary work Ainkurunooru 251-260, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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In this episode, we perceive events around a divination ritual, as portrayed in Sangam Literary work Ainkurunooru 241-250, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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In this episode, we perceive parting pain and hear of daring plans, as depicted in Sangam Literary work Ainkurunooru 231-240, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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In this episode, we perceive the emotions around parting, as portrayed in Sangam Literary work, Ainkurunooru 221-230, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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In this episode, we observe the elements and emotions in an ancient hill country, as depicted in Sangam Literary work, Ainkurunooru 211-220, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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In this episode, we explore the sights and emotions of the hill country, as portrayed in Sangam Literary work, Ainkurunooru 201-210, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the prolific poet Kabilar.

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In this episode, we listen to the stories echoing from the sounds of shell bangles, as portrayed in Sangam Literary work, Ainkurunooru 191-200, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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In this episode, we perceive the beauty of a blue lotus, as depicted in Sangam Literary work, Ainkurunooru 181-190, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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In this episode, we perceive the glory of an ancient seaside town, as depicted in Sangam Literary work, Ainkurunooru 171-180, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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In this episode, we hop in step with a white sea gull to learn of the love dynamics between the man and the lady, as depicted in Sangam Literary work, Ainkurunooru 161-170, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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In this episode, we perceive the allegorical actions of a stork and a white seabird chick, as depicted in Sangam Literary work, Ainkurunooru 151-160, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.