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In this episode, we perceive a man’s fervent wish, as depicted in Sangam Literary work, Aganaanooru 64, penned by Aarkkaadu Kizhaar Makanaar Vellai Kannathanaar. The verse is situated amidst the moist red lands of the ‘Mullai’ or ‘Forest Landscape’ and sketches the yearning to return home after a mission.
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In this episode, we listen to a mother’s lament, as depicted in Sangam Literary work, Aganaanooru 63, penned by Karuvoor Kannam Pullanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the journey of a maiden in the mind’s eye of her mother.
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In this episode, we listen to the angst of unfulfilled expectations, as portrayed in Sangam Literary work, Aganaanooru 62, penned by Paranar. Set amidst the soaring peaks and descending cascades of the ‘Kurinji’ or ‘Mountain Landscape’, the verse reiterates the presence of a renowned man-made structure in those times.
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In this episode, we listen to a friend’s encouraging words, as depicted in Sangam Literary work, Aganaanooru 61, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape”, the verse highlights some historic personalities and their renowned towns.
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In this episode, we listen to an account of mother’s nature, as portrayed in Sangam Literary work, Aganaanooru 60, penned by Kudavaayil Keerathanaar. Set amidst the roaring waves of the ‘Neythal’ or ‘Coastal landscape’, the verse etches a unique instance of persuasive communication.
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In this episode, we listen to a subtle message of consolation, as depicted in Sangam Literary work, Aganaanooru 59, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse refers to mythological elements to depict aspects of parting.
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In this episode, we listen to a lady’s angst-filled voice, as portrayed in Sangam Literary work, Aganaanooru 58, penned by Madurai Panda Vaanikan Ilanthevanaar. The verse is situated in the soaring peaks of the ‘Kurinji’ or ‘Mountain Landscape’ and relays a subtle message seeking to change a person’s heart.
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In this episode, we listen to the man’s reflection about his beloved, as portrayed in Sangam Literary work, Aganaanooru 57, penned by Nakeerar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse echoes the yearning and suffering in parting.
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In this episode, we listen to a mirthful tale, as depicted in Sangam Literary work, Aganaanooru 56, penned by Madurai Aruvai Vaanikan Ilavettanaar. Set amidst the blooming lilies and bubbling ponds of the ‘Marutham’ or ‘Farmlands landscape’, the verse presents a unique technique of refusing a request.
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In this episode, we perceive the intricate emotions of a mother, as depicted in Sangam Literary work, Aganaanooru 55, penned by Maamoolanaar. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents a momentous historic event from the Sangam era.
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In this episode, we listen to a man’s fervent plea, as portrayed in Sangam Literary work, Aganaanooru 54, penned by Matroor Kizhaar Makanaar Kotrankotranaar. Set amidst the showers and flowers of the ‘Mullai’ or ‘Forest landscape’, the verse etches exquisitely the urge to return home to a loved one.
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In this episode, we listen to a lady’s response to her friend’s consolation, as depicted in Sangam Literary work, Aganaanooru 53, penned by Seethalai Saaththanaar. Set amidst the ‘Paalai’ or ‘Drylands landscape’, the verse offers intricate insights about elements of both nature and culture.
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In this episode, we perceive how a message is discreetly conveyed, as depicted in Sangam Literary work, Aganaanooru 52, penned by Nochi Niyamankizhaar. Set amidst the towering boulders and flowering trees of the ‘Kurinji’ or ‘Mountain landscape’, the verse talks about the technique of presenting a dilemma to echo the seriousness of a situation.
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In this episode, we perceive a clear response to a dilemma, as depicted in Sangam Literary work, Aganaanooru 51, penned by Perunthevanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse portrays the conflict between being with a beloved and parting away to earn wealth.
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In this episode, we perceive a friend’s concerned thoughts, as portrayed in Sangam Literary work, Aganaanooru 50, penned by Karuvoor Poothanchaathanaar. The verse is situated amidst the leaping waves of the ‘Neythal’ or ‘Coastal landscape’ and describes the lady’s state of lament.
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In this episode, we listen to a mother’s lament, as portrayed in Sangam Literary work, Aganaanooru 49, penned by Vannappura Kantharanthanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse depicts an act of elopement from the mother’s perspective.
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In this episode, we listen to how an intricate message is conveyed, as depicted in Sangam Literary work, Aganaanooru 48, penned by Thankaal Mudakotranaar. The verse is situated amidst the soaring peaks of the ‘Kurinji’ or ‘Mountain Landscape’ and sketches the first interaction between the man and the lady.
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In this episode, we listen to words of encouragement, as depicted in Sangam Literary work, Aganaanooru 47, penned by Aalamberi Saaththanaar. Set in the ‘Paalai’ or ‘drylands landscape’, the verse presents a glimpse of the beauty of an ancient hill town.
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In this episode, we listen to words of fury, as portrayed in Sangam Literary work, Aganaanooru 46, penned by Alloor Nanmullaiyaar. Set amidst the lotus-blooming fields of the ‘Marutham’ or ‘Farmlands landscape’, the verse echoes a refusal to the man’s attempt at appeasement.
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In this episode, we perceive the angst of a lady, parted from her beloved, as portrayed in Sangam Literary work, Aganaanooru 45, penned by Velliveethiyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a variety of similes from nature and history.
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