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In this episode, we perceive an indirect technique of persuasion, as depicted in Sangam Literary work, Aganaanooru 80, penned by Marunkoor Kizhaar Perunkannanaar. The verse is situated amidst the trees and vines of the ‘Neythal’ or ‘Coastal landscape’ and sketches a well-etched portrait of an ancient shore.
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In this episode, we perceive a man’s annoyance with his heart, as portrayed in Sangam Literary work, Aganaanooru 79, penned by Kudavayil Keerathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a vivid account of the people and their activities in this domain.
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In this episode, we perceive a thoughtful intervention on behalf of another, as portrayed in Sangam Literary work, Aganaanooru 78, penned by Madurai Nakeeranaar. Set amidst the honeycombs and flame-lilies of the ‘Kurinji’ or ‘Mountain Landscape’, the verse highlights events in the life of a famous Sangam King.
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In this episode, we hear the reasoning for a resolute decision, as portrayed in Sangam Literary work, Aganaanooru 77, penned by Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse reveals insightful historical facts through its intriguing similes.
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In this episode, we listen to a maiden’s oath, as portrayed in Sangam Literary work, Aganaanooru 76, penned by Paranar. Set amidst the resounding drums of the ‘Marutham’ or ‘Farmlands landscape’, the verse brings out the rivalry between women in the rich domain of ancient towns.
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In this episode, we perceive the resolution of a person’s anxiety, as portrayed in Sangam Literary work, Aganaanooru 75, penned by Madurai Poththanaar. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and argues against parting away in the pursuit of wealth.
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In this episode, we perceive the inability to accept assurance from another, as depicted in Sangam Literary work, Aganaanooru 74, penned by Madurai Kavuniyan Boothathanaar. The verse is situated amidst the fragrant flowers of ‘Mullai’ or ‘Forest Landscape’ and illustrates an overpowering element in the life of the lady, one evening.
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In this episode, we perceive the portrayal of shared pain, as depicted in Sangam Literary work, Aganaanooru 73, penned by Erumai Veliyanaar. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and renders a message of hope to the lady.
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In this episode, we perceive a subtle technique of persuasion, as depicted in Sangam Literary work, Aganaanooru 72, penned by Erumai Veliyanaar Makanaar Kadalanaar. Set amidst the resounding hills of the ‘Kurinji’ or ‘Mountain landscape’, the verse sketches the life in this land on one rainy night.
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In this episode, we listen to an outpouring of suffering, as depicted in Sangam Literary work, Aganaanooru 71, penned by Anthi Ilankeeranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents nuanced similes to etch the sorrow in a heart.
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In this episode, we hear the confidante’s jubilant voice, as depicted in Sangam Literary work, Aganaanooru 70, penned by Madurai Tamil Koothanaar Kaduvan Mallanaar. Set amidst the flower orchards and fish markets of the ‘Neythal’ or ‘Coastal landscape’, the verse features a joyous news and its consequences.
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In this episode, we listen to words of encouragement, as depicted in Sangam Literary work, Aganaanooru 69, penned by Umattoor Kizhaar Makanaar Parankotranaar. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and renders hope to a despairing heart.
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In this episode, we listen to a friend’s encouraging words, as depicted in Sangam Literary work, Aganaanooru 68, penned by Oottiyaar. The verse is situated amidst the flowing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and portrays a daring aspect of the man’s personality.
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In this episode, we listen to a frustrated response, as portrayed in Sangam Literary work, Aganaanooru 67, penned by Noy Paadiyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse depicts the dreary state of the place the man traverses.
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In this episode, we listen to the narration of a unique intervention, as depicted in Sangam Literary work, Aganaanooru 66, penned by Selloor Kosikan Kannanaar. Set amidst the wealthy streets of the ‘Marutham’ or ‘Farmlands landscape’, the verse celebrates the presence of a child at a home.
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In this episode, we hear news of a much-awaited decision, as depicted in Sangam Literary work Aganaanooru 65, penned by Maamoolanaar. Set amidst the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the change in a person’s mind and its joyous consequences.
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In this episode, we perceive a man’s fervent wish, as depicted in Sangam Literary work, Aganaanooru 64, penned by Aarkkaadu Kizhaar Makanaar Vellai Kannathanaar. The verse is situated amidst the moist red lands of the ‘Mullai’ or ‘Forest Landscape’ and sketches the yearning to return home after a mission.
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In this episode, we listen to a mother’s lament, as depicted in Sangam Literary work, Aganaanooru 63, penned by Karuvoor Kannam Pullanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the journey of a maiden in the mind’s eye of her mother.
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In this episode, we listen to the angst of unfulfilled expectations, as portrayed in Sangam Literary work, Aganaanooru 62, penned by Paranar. Set amidst the soaring peaks and descending cascades of the ‘Kurinji’ or ‘Mountain Landscape’, the verse reiterates the presence of a renowned man-made structure in those times.
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In this episode, we listen to a friend’s encouraging words, as depicted in Sangam Literary work, Aganaanooru 61, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape”, the verse highlights some historic personalities and their renowned towns.
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