Category: SangamLit

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In this episode, we perceive how the time of the day changes its nature in the mind of a maiden, as portrayed in Sangam Literary work, Kurunthogai 386, penned by Velliveethiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words that the lady must bear better with the man’s parting.

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In this episode, we relish scenes from the wild in a mountain country, as depicted in Sangam Literary work, Kurunthogai 385, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, subtly requesting the friend to reveal the lady’s relationship to her kith and kin.

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In this episode, we listen to a strong refusal, as portrayed in Sangam Literary work, Kurunthogai 384, penned by Orambokiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the man, denying him entry to the lady’s house.

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In this episode, we listen to a person’s angst arising out of the indecision of another, as depicted in Sangam Literary work, Kurunthogai 383, penned by Padumarathu Mosi Keeranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, explaining her difficult situation relating to the lady’s elopement with the man.

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In this episode, we observe the changing seasons and their consequences, as portrayed in Sangam Literary work, Kurunthogai 382, penned by Kurunkeeranaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, allaying the lady’s worry that the man remains parted away even after the promised season of return had arrived.

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In this episode, we observe a counter-intuitive method of offering consolation, as depicted in Sangam Literary work, Kurunthogai 381, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, speaking in a disparaging tone about the lady’s relationship with the man.

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In this episode, we observe an intriguing technique of consolation, as portrayed in Sangam Literary work, Kurunthogai 380, penned by Karuvoor Kathapillai. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, relating how the man continues to remain parted away.

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In this episode, we perceive a unique method of making an announcement, as portrayed in Sangam Literary work, Kurunthogai 379, penned by an anonymous poet. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a pointed message to the lady’s kith and kin, listening nearby.

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In this episode, we listen to a mother’s wishes for the well-being of her daughter, as depicted in Sangam Literary work, Kurunthogai 378, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady’s mother, on hearing that her daughter had eloped away with the man.

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In this episode, we observe the discovery of solace in the midst of discomfort, as depicted in Sangam Literary work, Kurunthogai 377, penned by Mosi Kotranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry that the lady is not bearing well with the man’s parting.

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In this episode, we relish picturesque descriptions of a lady’s qualities, as depicted in Sangam Literary work, Kurunthogai 376, penned by Padumarathu Mosikotranaar. Set in the coasts of ‘Neythal’, the verse speaks in the voice of the man to his heart, expressing why he is unable to part with the lady to go in search of wealth.

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In this episode, we perceive a curious way of persuading another, as depicted in Sangam Literary work, Kurunthogai 375, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, while passing on a hidden message to the man, listening nearby.

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In this episode, we relish a unique simile involving a bird’s actions, as depicted in Sangam Literary work, Kurunthogai 374, penned by Uraiyoor Palkaayanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, explaining how the events unfolding in the lady’s life came about.

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In this episode, we listen to words depicting deep trust, as portrayed in Sangam Literary work, Kurunthogai 373, penned by Madurai Kollam Pullanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, asking the lady not to heed the slander in town about the lady’s relationship with the man.

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In this episode, we perceive a visually compelling technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 372, penned by Vitrootru Mootheyinanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the portrayal of love as an affliction, as depicted in Sangam Literary work, Kurunthogai 371, penned by Uraiyoor Muthukootranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, explaining why she is unable to bear with the man’s parting.

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In this episode, we listen to defensive words to clarify a situation, as depicted in Sangam Literary work, Kurunthogai 370, penned by Villakaviralinaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the courtesan, in response to disparaging words spoken by the lady, as the lady’s friends listen nearby.

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In this episode, we listen to a decisive plan of action as depicted in Sangam Literary work, Kurunthogai 369, penned by Kudavaayil Keerathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing the need for the lady to elope away with the man.

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In this episode, we observe the joyous anticipation of the future, as portrayed in Sangam Literary work, Kurunthogai 368, penned by Nakirar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, on hearing that the man has arrived to claim her hand in marriage.

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In this episode, we perceive a thoughtful way of communicating something, as depicted in Sangam Literary work, Kurunthogai 367, penned by Madurai Maruthan Ilanakanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, showing her the way to carry on.