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In this episode, we perceive an intricate technique of persuasion as portrayed in Sangam Literary work, Kurunthogai 326, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we observe the sorrow afflicting a lady, as depicted in Sangam Literary work, Kurunthogai 325, penned by Nannaakaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s worry about the lady’s ability to bear with the man’s parting.
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In this episode, we perceive the state of mind of three different people acutely, as portrayed in Sangam Literary work, Kurunthogai 324, penned by Kavai Maganaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, subtly persuading him to choose the path of permanent union with the lady.
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In this episode, we listen with a smile to the urgency in the man’s voice, as portrayed in Sangam Literary work, Kurunthogai 323, penned by Pathadi Vaigalaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, urging him to hasten the journey homeward.
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In this episode, we observe the determination in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 322, penned by Aiyoor Mudavanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words of displeasure at the man, as he listens nearby.
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In this episode, we understand the dangers of nightly travel in the past, as depicted in Sangam Literary work, Kurunthogai 321, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, expressing the need to reveal the lady’s relationship to her kith and kin.
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In this episode, we breathe in the scents on an ancient shore, as depicted in Sangam Literary work, Kurunthogai 320, penned by Thumbiser Keeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the rising angst in a lady’s heart as the season changes, as portrayed in Sangam Literary work, Kurunthogai 319, penned by Thaayankannanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.
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In this episode, we perceive a deep truth about realisations, as portrayed in Sangam Literary work, Kurunthogai 318, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we relish picturesque references to wildlife depicting the love life of the protagonists, as portrayed in Sangam Literary work, Kurunthogai 317, penned by Madurai Kandarathathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, consoling the lady that the man would return soon from his travels.
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In this episode, we listen to a lady’s distress and her hidden hope, as depicted in Sangam Literary work, Kurunthogai 316, penned by Thumpiser Keeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words asking her to bear with the man’s parting.
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In this episode, we relish picturesque similes, which convey conviction in the heart, as portrayed in Sangam Literary work, Kurunthogai 315, penned by Madurai Velaathathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s question as to whether the lady could bear with the man’s parting.
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In this episode, we understand the angst in a lady’s heart as the seasons change, as depicted in Sangam Literary work, Kurunthogai 314, penned by Peri Saathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear better with the man’s parting.
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In this episode, we perceive the trust of a lady in her relationship with the man, as depicted in Sangam Literary work, Kurunthogai 313, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, refusing to accept the confidante’s disparaging words about the man, as he listens, nearby.
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In this episode, we perceive the reflections in a man’s mind about his lady’s changing demeanour, as depicted in Sangam Literary work, Kurunthogai 312, penned by Kabilar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to himself, as he makes an important decision regarding his love life.
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In this episode, we observe a lady’s anxiety about her reputation, as depicted in Sangam Literary work, Kurunthogai 311, penned by Chenthan Keeranaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a subtle message to the man listening nearby.
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In this episode, we perceive a lady’s immense loneliness, as portrayed in Sangam Literary work, Kurunthogai 310, penned by Perunkannanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady should bear better with the man’s parting.
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In this episode, we relish an apt and picturesque simile that etches a feeling in the mind, as portrayed in Sangam Literary work, Kurunthogai 309, penned by Uraiyoor Challiyan Kumaaranaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the man, allowing him entry into the lady’s house.
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In this episode, we learn of intriguing facets of an elephant in musth, as depicted in Sangam Literary work, Kurunthogai 308, penned by Perunthot Kurunchaathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, indicating why the lady shouldn’t worry about the man’s parting away.
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In this episode, we perceive the projection of human emotions on wild life, as portrayed in Sangam Literary work, Kurunthogai 307, penned by Kadampanoor Saandiliyanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words, chiding the lady to bear with the man’s parting.
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