Category: SangamLit

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In this episode, we perceive a picturesque portrait of an ancient shore, as depicted in Sangam Literary work, Kurunthogai 226, penned by Madurai Ezhuthaalan Senthampoothanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry about the lady, as the man remained parted away.

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In this episode, we perceive an intricate technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 225, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, pressing him to return without undue delay from his journey to gather wealth.

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In this episode, we perceive how humaneness soars even in the midst of suffering, as portrayed in Sangam Literary work, Kurunthogai 224, penned by Koovan Mainthanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to herself, passing on a message to the confidante, listening nearby.

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In this episode, we perceive a retrospective look at the past in response to a difficult situation in the present, as portrayed by Sangam Literary work, Kurunthogai 223, penned by Madurai Kadaiyathaar Makanaar Vennaakanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear with the man’s parting.

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In this episode, we perceive a curious way of ascertaining closeness, as portrayed in Sangam Literary work, Kurunthogai 222, penned by Siraikudi Aanthaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, after locating the lady’s confidante among her playmates.

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In this episode, we perceive references to the lives of ancient goatherds, as depicted in Sangam Literary work, Kurunthogai 221, penned by Uraiyoor Mudhukotranaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, conveying her angst as the man is delayed beyond his promised season of return.

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In this episode, we listen to a lady in angst, as depicted in Sangam Literary work, Kurunthogai 220, penned by Okoor Maasathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing her sorrow as the man continued to stay away.

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In this episode, we perceive a subtle technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 219, penned by Velloor Kizhaar Makanaar Venpoothiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive an angry sort of determination, as portrayed in Sangam Literary work, Kurunthogai 218, penned by Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s concern about the lady’s ability to bear with the man’s parting.

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In this episode, we listen to the rationalisation behind a difficult decision, as depicted in Sangam Literary work, Kurunthogai 217, penned by Thangaal Mudakkollanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, persuading the lady to follow the man’s proposed solution to their problem.

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In this episode, we perceive the angst of a parted lady, as portrayed in Sangam Literary work, Kurunthogai 216, penned by Kachipettu Kanchi Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words of concern about the lady’s ability to bear with the man’s parting.

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In this episode, we listen to comforting words, as portrayed in Sangam Literary work, Kurunthogai 215, penned by Madurai Alakkar Gnaalar Makanaar Mallanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, promising the lady that her man would return soon.

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In this episode, we perceive curious events around courtship, as depicted in Sangam Literary work, Kurunthogai 214, penned by Koodaloor Kizhaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady’s kith and kin, in response to arrangements for a ritual.

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In this episode, we relish an alluring scene in nature as an instance of a person’s determination, as depicted in Sangam Literary work, Kurunthogai 213, penned by Kachipettu Kaanji Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s worry that the man would return halfway from his mission.

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In this episode, we listen to persuasive words, as portrayed in Sangam Literary work, Kurunthogai 212, penned by Neythal Kaarkiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, bringing a request to tryst from the man.

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In this episode, we listen to words allaying anxiety, as portrayed in Sangam Literary work, Kurunthogai 211, penned by Kaavanmullai Poothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s words of worry about the man, who had parted away.

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In this episode, we learn of offerings made to birds and the significance of bird calls, as depicted in Sangam Literary work, Kurunthogai 210, penned by Kaakkai Paadiniyaar Nachellaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the man, in response to his praise about the friend’s comforting presence to the lady in the man’s absence.

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In this episode, we observe how a man expresses his affection after a long separation, as portrayed in Sangam Literary work, Kurunthogai 209, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to the confidante, passing on a message to the lady listening nearby.

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In this episode, we perceive a lady’s state of mind in a moment of domestic crisis, as depicted in Sangam Literary work, Kurunthogai 208, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words that the lady must bear with the man’s parting.

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In this episode, we perceive an interesting reaction to a message conveyed, as depicted in Sangam Literary work, Kurunthogai 207, penned by Uraiyanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, in response to the confidante’s news that the man has parted away.