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In this episode, we relish a picturesque parallel to the feeling of love, as portrayed in Sangam Literary work, Kurunthogai 99, penned by Avvaiyaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the man to the confidante, in response to her question asking whether he thought of the lady when he was away on his mission.
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In this episode, we listen to a heartfelt wish for a messenger, as portrayed in Sangam Literary work, Kurunthogai 98, penned by Kokulamutranaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, revealing her angst as the man continues to stay away even after the promised season of return.
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In this episode, we hear the lament of a lady, as depicted in Sangam Literary work, Kurunthogai 97, penned by Venboothi. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing her angst at the man’s delay in seeking her hand in marriage.
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In this episode, we infer a lady’s trust in her man, as depicted in Sangam Literary work, Kurunthogai 96, penned by Alloor Nanmullaiyaar. Set in the mountains of ‘Kurunji’, the verse speaks in the voice of the lady to the confidante, responding with anger to her friend’s words of complaint about the man’s delay in seeking the lady’s hand.
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In this episode, we relish an exquisite interaction between the elements, as depicted in Sangam Literary work, Kurunthogai 95, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, explaining the reason for his troubled state.
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In this episode, we observe a lady’s conviction as well as her concern for her beloved, as depicted in Sangam Literary work, Kurunthogai 94, penned by Kathakannan. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to her confidante, allaying the friend’s worry that the lady would not be able to bear with the man’s parting.
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In this episode, we perceive a philosophical interpretation for the presence of anger, as depicted in Sangam Literary work, Kurunthogai 93, penned by Alloor Nanmullaiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, refusing her friend’s request to reconcile her with the man.
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In this episode, we observe the projection of one’s emotions on elements in nature, as portrayed in Sangam Literary work, Kurunthogai 92, penned by Thamodharanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, one evening, when the man, who had parted with her, continued to stay away.
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In this episode, we perceive plant and animal life in a farmland as well as the generous and war-seeking nature of a king, as portrayed in Sangam Literary work, Kurunthogai 91, penned by the famous Sangam-age female poet, Avvaiyaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the lady to her heart, reprimanding it as it rushes towards the man, returning from the company of courtesans.
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In this episode, we relish scenes from a rain-soaked mountain landscape, as portrayed in Sangam Literary work, Kurunthogai 90, penned by Madurai Eluthaalan Senthampoothanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.
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In this episode, we learn of a unique song, sung by women as they hull grain in a mortar, as portrayed in Sangam Literary work, Kurunthogai 89, penned by Paranar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to herself, while conveying a pointed message to the man, listening nearby.
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In this episode, we perceive scenes from a mountain country, echoing the love life of a lady, as depicted in Sangam Literary work, Kurunthogai 88, penned by Madurai Kathakkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying the man’s intention to tryst with the lady by night.
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In this episode, we observe how a lady tries to placate god’s fury, as depicted in Sangam Literary work, Kurunthogai 87, penned by Kabilar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to a god, explaining how the man is not to be blamed for her state of mind.
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In this episode, we perceive the loneliness of a lovelorn lady on a winter’s night, as depicted in Sangam Literary work, Kurunthogai 86, penned by Vennkotranaar. Set in the mountains of ‘Kurunji’, the verse speaks in the voice of the lady to the confidante, expressing her feelings as the man continues to stay away.
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In this episode, we relish a blissful scene from a house sparrow’s life, as portrayed in Sangam Literary work, Kurunthogai 85, penned by Vadama Vannakkan Thamotharanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the singer, who has been sent as a messenger by the man to plead his cause at the lady’s house.
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In this episode, we perceive the moment of revelation about a subtle event in the past, as portrayed in Sangam Literary work, Kurunthogai 84, penned by Mosi Keeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the foster-mother, on learning that the lady has eloped with the man.
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In this episode, we relish the jubilation of hearing a much-awaited news, as depicted in Sangam Literary work, Kurunthogai 83, penned by Vennpoothanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante, celebrating the foster-mother’s words and conveying a significant message to the lady.
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In this episode, we see how the changing seasons affect the growing crops and the pining lady, as depicted in Sangam Literary work, Kurunthogai 82, penned by Kaduvan Mallanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the confidante’s consolation that the man will return soon.
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In this episode, we perceive the way a person is guided towards the right path, as portrayed in Sangam Literary work, Kurunthogai 81, penned by Vadama Vannakkan Perisaathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, reminding him of his obligations to the lady.
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In this episode, we perceive the outcome of negative feelings, as depicted in Sangam Literary work, Kurunthogai 80, penned by Avvaiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the courtesan, passing on a pointed message to the lady’s friends, listening nearby.
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