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In this episode, we relish a blissful scene from a house sparrow’s life, as portrayed in Sangam Literary work, Kurunthogai 85, penned by Vadama Vannakkan Thamotharanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the singer, who has been sent as a messenger by the man to plead his cause at the lady’s house.
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In this episode, we perceive the moment of revelation about a subtle event in the past, as portrayed in Sangam Literary work, Kurunthogai 84, penned by Mosi Keeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the foster-mother, on learning that the lady has eloped with the man.
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In this episode, we relish the jubilation of hearing a much-awaited news, as depicted in Sangam Literary work, Kurunthogai 83, penned by Vennpoothanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante, celebrating the foster-mother’s words and conveying a significant message to the lady.
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In this episode, we see how the changing seasons affect the growing crops and the pining lady, as depicted in Sangam Literary work, Kurunthogai 82, penned by Kaduvan Mallanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the confidante’s consolation that the man will return soon.
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In this episode, we perceive the way a person is guided towards the right path, as portrayed in Sangam Literary work, Kurunthogai 81, penned by Vadama Vannakkan Perisaathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, reminding him of his obligations to the lady.
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In this episode, we perceive the outcome of negative feelings, as depicted in Sangam Literary work, Kurunthogai 80, penned by Avvaiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the courtesan, passing on a pointed message to the lady’s friends, listening nearby.
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In this episode, we listen to the sorrowful words of a pining lady, as portrayed in Sangam Literary work, Kurunthogai 79, penned by Kudavaayil Keeranakkanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her anxiety about the man’s parting away.
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In this episode, we perceive an interesting perspective on love, as depicted in Sangam Literary work, Kurunthogai 78, penned by Nakirar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of a friend to the man, chiding the man for the state he finds himself in.
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In this episode, we hear the justification of a lady’s anxiety, as depicted in Sangam Literary work, Kurunthogai 77, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, conveying her concerns about the man’s parting away.
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In this episode, we perceive the effect of the man’s plans to part away on the lady, as portrayed in Sangam Literary work, Kurunthogai 76, penned by Killimangalam Kilaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying that she was already aware of the man’s intention to part away.
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In this episode, we perceive the excitement in receiving a much-expected news, as portrayed in Sangam Literary work, Kurunthogai 75, penned by Padumaraththu Mosi Keeranaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the singer-messenger, in response to his words about the man’s arrival.
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In this episode, we relish similes from the natural world that reflect the inner landscape, as depicted in Sangam Literary work, Kurunthogai 74, penned by Vitta Kuthiraiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, subtly persuading her to accept the man’s request to tryst with the lady.
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In this episode, we perceive a historical event interwoven with a confidante’s cunning, as portrayed in Sangam Literary work, Kurunthogai 73, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, explaining the reasons for her recent refusals to the man’s requests to tryst with the lady.
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In this episode, we observe the effect of seeing a lady’s eyes on a young man, as portrayed in Sangam Literary work, Kurunthogai 72, penned by Mallanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, responding to his query about the reason for the changes in the man.
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In this episode, we observe a struggle in a man’s mind and its resolution, as depicted in Sangam Literary work, Kurunthogai 71, penned by Karuvoor Othagnaaniyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, in response to its persuasion that he part away in search of wealth.
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In this episode, we observe a young man expressing his jubilant state of mind, as portrayed in Sangam Literary work, Kurunthogai 70, penned by Orampokiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, attempting to describe the lady’s nature, after his union with her.
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In this episode, we explore the echo of human emotions in animals, as depicted in Sangam Literary work, Kurunthogai 69, penned by Kadunthotkara Veeranaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly refusing his request for a nightly tryst.
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In this episode, we learn of how the changing season sings a song of yearning, as depicted in Sangam Literary work, Kurunthogai 68, penned by Alloor Nanmullaiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting.
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In this episode, we relish a precious simile, as portrayed in Sangam Literary work, Kurunthogai 67, penned by Alloor Nanmullaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her angst at the man’s delay in returning.
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In this episode, we observe a unique way of consoling an anxious heart, as depicted in Sangam Literary work, Kurunthogai 66, penned by Kovarthanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, allaying her worry about the man’s absence, even after the promised season of return.
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