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In this episode, we listen to a lonely man’s yearning, as portrayed in Sangam Literary work, Natrinai 346, penned by Eyinanthai Magan Ilankeeranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, reflecting on his desolate situation, after having parted away from his lady.
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In this episode, we perceive a rousing call to action, as depicted in Sangam Literary work, Natrinai 345, penned by Nambi Kuttuvanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, bidding him to seek the lady’s hand in marriage, without further delay.
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In this episode, we perceive hidden ways of persuasion, as portrayed in Sangam Literary work, Natrinai 344, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive scenes at dusk in an ancient village and peer into a lady’s heart, as portrayed in Sangam Literary work, Natrinai 343, penned by Karuvoor Kathapillai Saathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, conveying her angst at being separated from the man.
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In this episode, we explore relationship dynamics in ancient times, as depicted in Sangam Literary work, Natrinai 342, penned by Mosi Keeranaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to herself, conveying a pointed message to the lady, listening nearby.
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In this episode, we perceive the emotions felt by a man at war, as he reflects on his family back home, as portrayed in Sangam Literary work, Natrinai 341, penned by Madurai Maruthan Ilanaakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of a man, lamenting about his loneliness, one cold night.
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In this episode, we swim with a fish and peer into a heart, guided by the flow of Natrinai 340, penned by Nakirar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, expressing her feelings about his recent behaviour.
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In this episode, we observe an intricate technique of persuasion, as portrayed in Sangam Literary work, Natrinai 339, penned by Seethalai Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.
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In this episode, we perceive a bird’s call bearing the burden of a lady’s pain, as portrayed in Sangam Literary work, Natrinai 338, penned by Madurai Aarulaviyanattu Aalamperi Saathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, rejecting her friend’s words, which asked her to bear with the situation, as the man stays away.
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In this episode, we reflect on abstract truths about love and wealth, as depicted in Sangam Literary work, Natrinai 337, penned by Paalai Paadiya Perunkadunko, a Chera King. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, expressing her dissent on hearing the news of his intention to part away.
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In this episode, we perceive scenes from a wild mountain country, as portrayed in Sangam Literary work, Natrinai 336, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, insisting that he avoid the dangerous paths at night and passing on a subtle message within.
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In this episode, we perceive how the sensations of the world paints angst in a heart, as portrayed in Sangam Literary work, Natrinai 335, penned by Velliveethiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady, expressing the pain in her heart on a lonely night.
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In this episode, we relish a day in the life of a mountain monkey, as depicted in Sangam Literary work, Natrinai 334, penned by Aiyoor Mudavanaar. The verse is situated in the hill country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying a hidden message to her about the man’s tryst by night.
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In this episode, we perceive a friend’s concern and consolation in Sangam Literary work, Natrinai 333, penned by Kallikudi Pootham Pullanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, conveying a reassuring message about the man’s return.
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In this episode, we perceive the beating concern in the heart of a lady in love, as depicted in Sangam Literary work, Natrinai 332, penned by Kundroor Kilaar Makan Kannathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we relish references to a picturesque village by the sea, as portrayed in Sangam Literary work, Natrinai 331, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, accepting his request to tryst by night with the lady.
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In this episode, we observe scenes from a farmland and perceive the complexities of life therein, as portrayed in Sangam Literary work, Natrinai 330, penned by Aalankudi Vankanaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry into the lady’s house.
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In this episode, we observe the dangers in the life of ancient wayfarers, as depicted in Sangam Literary work, Natrinai 329, penned by Madurai Maruthankilaar Makanaar Sokuthanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying anxiety in her friend about the man, who has parted away.
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In this episode, we perceive the prosperity of a mountain land, as portrayed in Sangam Literary work, Natrinai 328, penned by Tholkabilar. The verse is set in hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying words of consolation, as her friend grieves over the delay in the man’s return.
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In this episode, we unravel a series of abstractions revolving around trust and love, as portrayed in Sangam Literary work, Natrinai 327, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, expressing her angst over the man’s delay in seeking her hand in marriage.
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