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In this episode, we perceive the mood of a seaside town at midnight, as depicted in Sangam Literary work, Natrinai 319, penned by Vinaitholil Sokeeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man, echoing the anguish in his heart, as he’s unable to tryst with the lady.
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In this episode, we perceive the power of projection in conveying an emotion, as portrayed in Sangam Literary work, Natrinai 318, penned by Paalai Paadiya Perunkadunko. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the man, on hearing about his intention to part away.
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In this episode, we take a walk through a millet field in a mountain country and perceive life and love therein, as depicted in Sangam Literary work, Natrinai 317, penned by Madurai Poovanda Naakan Vettanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.
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In this episode, we smile at the smartness of the confidante, as portrayed in Sangam Literary work, Natrinai 316, penned by Idaikaadanaar. The verse is set in the forest regions of ‘Mullai’ and speaks in the voice of the confidante to the lady, consoling her friend as rain clouds loom on the horizon.
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In this episode, we perceive deep reflections on abandonment and ageing, as portrayed in Sangam Literary work, Natrinai 315, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of a courtesan to the man, as he prepares to reunite with his lady.
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In this episode, we perceive pithy words about the fleeting nature of life, as depicted in Sangam Literary work, Natrinai 314, penned by Mupper Naakanaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the lady, conveying her anguish over the man’s parting away.
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In this episode, we relish references to flowers in a mountain country, as portrayed in Sangam Literary work, Natrinai 313, penned by Thankaal Porkkollan Vennaakanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive echoes of empathy in the heart of a man, as depicted in Sangam Literary work, Natrinai 312, penned by Kalaarkeeran Eyitriyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, expressing his worry about the lady, when he parts away.
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In this episode, we relish the evergreen fortune of a seaside hamlet, as depicted in Sangam Literary work, Natrinai 311, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, bidding her to disregard the slanderous talk about town and await the arrival of her man.
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In this episode, we observe ancient customs in an agricultural country, as portrayed in Sangam Literary work, Natrinai 310, penned by Paranar. The verse is set in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the dancer, who has been sent as a messenger by the man, seeking entry to the lady’s house.
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In this episode, we perceive the beauty of an unshakeable faith, as depicted in Sangam Literary work, Natrinai 309, penned by Kabilar. Set in the mountain country of Kurinji, the verse speaks in the words of the lady to her confidante, allaying the sadness in her friend, as the man delays formalising his union with the lady.
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In this episode, we zoom in on the emotions in parting, as portrayed in Sangam Literary work, Natrinai 308, penned by Eyinanthai Magan Ilankeeranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, conveying his decision about parting away from the lady.
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In this episode, we relish the naughtiness of the confidante, as portrayed in Sangam literary work, Natrinai 307, penned by Ammoovanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying an idea to play a prank on the man, who was delaying his arrival to the trysting spot.
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In this episode, we observe transitions in a mountain field, as depicted in Sangam Literary work, Natrinai 306, penned by Urodakathu Kantharathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive a mother’s worry about her daughter, as portrayed in Sangam Literary work, Natrinai 305, penned by Kayamanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the mother to the lady’s confidante, expressing how she misses her daughter, who has eloped away with the man.
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In this episode, we perceive references to music and mythology, as depicted in Sangam literary work, Natrinai 304, penned by Maarokkathu Nappasalaiyaar, a female poet from the Sangam era. Situated in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, expressing her angst as the man delays seeking her hand in marriage.
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In this episode, we listen to an evergreen question asked in love, as portrayed in Sangam Literary work, Natrinai 303, penned by Madurai Aarulaviyanaattu Aalamperi Sathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, wondering about the thoughts of the man, who has parted away from her.
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In this episode, we observe the anguish in parting, as portrayed in Sangam Literary work, Natrinai 302, penned by Madurai Maruthan Ilanaakanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady, expressing her angst, as the man is delayed beyond his promised time of return.
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In this episode, we perceive elements of the mountain country reflect in the portrait of a lady, as depicted in Sangam Literary work, Natrinai 301, penned by Pandiyan Maaran Valuthi. The verse is situated in the hill regions of ‘Kurinji’ and speaks in the voice of the confidante to herself, describing mother’s love and refusing the man’s attempt to tryst with the lady.
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In this episode, we perceive thought-provoking similes depicted in Sangam Literary work, Natrinai 300, penned by Paranar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the courtesan to the singer-messenger, rejecting the man’s attempts at reconciliation.
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