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In this episode, we relish the thoughts expressed by a man returning home, as portrayed in Sangam literary work, Natrinai 161, penned by an anonymous poet. The verse is set in the forest country of ‘Mullai’ region and speaks in the voice of a man to his charioteer, as he talks about the journey back home.
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In this episode, we understand the effects of falling in love, as portrayed in Sangam Literary work, Natrinai 160, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to his friend, in response to that friend’s angry words about the man’s changed behaviour.
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In this episode, we relish scenes from an ancient shore and a subtle message that lies in store, as depicted in Sangam Literary work, Natrinai 159, penned by Kannam Pullanaar. The verse is set in the coastal landscape of ‘Neythal’ regions and speaks in the voice of the confidante to the man, bidding him in a hidden message, to seek the lady’s hand in marriage.
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In this episode, we perceive the subtle ways of communicating intention, as portrayed in Sangam literary work, Natrinai 158, penned by Vellaikkudi Naakanaar. Set in the ‘Kurinji’ landscape of mountain country, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man listening nearby.
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In this episode, we perceive the pain of separation, portrayed in Sangam Literary work, Natrinai 157, penned by Ilavettanaar. The verse is set in the ‘Paalai’ landscape or the drylands and speaks in the voice of a man to his heart, when he’s away from the lady on a mission, as he realises that the time of his promised return is near.
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In this episode, we witness a thoughtful technique in refusing something, as depicted in Sangam Literary work, Natrinai 156, penned by Kannan Kottranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, when he arrives to tryst with the lady that night.
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In this episode, we smile at the exuberant expression of love, as portrayed in Sangam Literary work, Natrinai 155, penned by Paraayanaar. The poem is set in the ‘Neythal’ landscape of coastal regions and speaks in the elated voice of the man, revealing his emotions on meeting with the lady for the second time.
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In this episode, we picture scenes from a jungle on a dark night, as depicted in Sangam Literary work, Natrinai 154, penned by Nallaavoor Kizhaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man listening nearby.
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In this episode, we relish the expanse of the inner world illustrated with elements of nature and culture, as portrayed in Sangam Literary work, Natrinai 153, penned by Thanimaganaar. The verse is situated in the ‘Paalai’ landscape or drylands and speaks in the voice of the lady, relating her pained state after the parting away of her man.
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In this episode, we empathise with the feelings portrayed in Sangam Literary work, Natrinai 152, penned by Alamperi Saathanaar. Set in the coastal regions of the ‘Neythal’ landscape, the verse speaks in the anguished voice of a man, relating his pained state, as the confidante listens nearby.
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In this episode, we relish the imagery-filled scenes from a mountain country, portrayed in Sangam Literary work, Natrinai 151, written by Ilanaganaar. The verse is set in the ‘Kurinji’ landscape or mountainous regions and speaks in the voice of the confidante to the lady, passing on hidden messages to the man, listening nearby.
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In this episode, we listen to an insightful conversation, as depicted in Sangam Literary work, Natrinai 150, penned by Kaduvan Ilamallanaar. Set in the ‘Marutham’ landscape of agricultural lands, the verse speaks in the voice of a courtesan to a singer-messenger, revealing her feelings about the errant man.
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In this episode, we understand the impact of societal pressures on inner life, as portrayed in Sangam Literary work, Natrinai 149, penned by Ulochanaar. The poem is set in the coastal landscape of ‘Neythal’ regions and speaks in the voice of the confidante to the lady, bidding her to elope with the man, considering the troublesome situation in the town.
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In this episode, we perceive danger and determination in a drylands path, as depicted in Sangam Literary work, Natrinai 148, penned by Kallampaalanaar. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the confident voice of the confidante to the lady, about the man’s harsh journey in search of wealth.
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In this episode, we relish a comical scene in a millet field, as depicted in Sangam Literary work, Natrinai 147, written by Kollampakkanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, relaying a curious incident involving the lady and her mother, to the man, listening nearby.
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In this episode, we understand a curious social custom, as portrayed in Sangam Literary work, Natrinai 146, penned by Kantharathanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the man to his heart, passing on a nuanced message to the confidante, listening nearby.
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In this episode, we observe inner and outer life by the seas, as depicted in Sangam Literary work, Natrinai 145, penned by Nambi Kuttuvan. The verse is set in the ‘Neythal’ landscape and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the dangers of a hill country at night, as portrayed in Sangam Literary work, Natrinai 144, written by Kachippettu Perunthachanaar. Set in the mountainous regions of ‘Kurinji’ landscape, the verse speaks in the worried voice of the lady to her confidante, as the man listens nearby.
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In this episode, we observe a mother’s state of mind, as portrayed in Sangam Literary work, Natrinai 143, written by Kannakaaran Kotranaar. The verse is set in the ‘Paalai’ landscape or ‘drylands’ and speaks in the lamenting voice of a mother, after her daughter elopes with the man.
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In this episode, we perceive the portrayal of a Sangam woman, as depicted in Sangam Literary work, Natrinai 142, written by Idaikaadanaar. Set in the forest country of ‘Mullai’ landscape, the verse speaks in the voice of a man to his charioteer, requesting him to rush to the lady’s village.
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