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In this episode, we are teleported to an ancient bustling shore, as portrayed in Sangam Literary work, Natrinai 354, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.
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In this episode, we perceive the art of subtle persuasion, as portrayed in Sangam Literary work, Natrinai 353, penned by Kabilar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the man, expressing concern about the nightly path he treads to tryst with the lady.
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In this episode, we unearth a treasure trove of facets related to wild life in the ancient drylands, as depicted in Sangam Literary work, Natrinai 352, penned by Madurai Pallimaruthankilaar Makanar Sokuthanaar. The verse is situated in the dry regions of ‘Paalai’ and speaks in the voice of the man, conveying his confused state of mind, as he journeys on, in search of wealth.
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In this episode, we unearth fascinating facts about life and love in the mountain country, as depicted in Sangam Literary work, Natrinai 351, penned by Madurai Kannathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the mother, suggesting the right cure for the lady’s pallor.
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In this episode, we relish scenes from a paddy field and reflect on a lady’s ire, as portrayed in Sangam Literary work, Natrinai 350, penned by Paranar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, refusing to allow him entry to their house.
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In this episode, we perceive the activities of a young man courting a girl by the seashore, as portrayed in Sangam Literary work, Natrinai 349, penned by Milai Kilaar Nalvettanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man, passing on a pointed message to the confidante, listening nearby.
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In this episode, we hear the lament of a lady on a picturesque night, as depicted in Sangam Literary work, Natrinai 348, penned by Velliveethiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady, expressing her angst at being parted away from her man.
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In this episode, we perceive the art of concealing a wish for the future within the forces of nature, as portrayed in Sangam Literary work, Natrinai 347, penned by Perunkundroor Kilaar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of the lady to her confidante, expressing her worry, as the man continues to delay formalising his union.
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In this episode, we listen to a lonely man’s yearning, as portrayed in Sangam Literary work, Natrinai 346, penned by Eyinanthai Magan Ilankeeranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, reflecting on his desolate situation, after having parted away from his lady.
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In this episode, we perceive a rousing call to action, as depicted in Sangam Literary work, Natrinai 345, penned by Nambi Kuttuvanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, bidding him to seek the lady’s hand in marriage, without further delay.
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In this episode, we perceive hidden ways of persuasion, as portrayed in Sangam Literary work, Natrinai 344, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive scenes at dusk in an ancient village and peer into a lady’s heart, as portrayed in Sangam Literary work, Natrinai 343, penned by Karuvoor Kathapillai Saathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, conveying her angst at being separated from the man.
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In this episode, we explore relationship dynamics in ancient times, as depicted in Sangam Literary work, Natrinai 342, penned by Mosi Keeranaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to herself, conveying a pointed message to the lady, listening nearby.
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In this episode, we perceive the emotions felt by a man at war, as he reflects on his family back home, as portrayed in Sangam Literary work, Natrinai 341, penned by Madurai Maruthan Ilanaakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of a man, lamenting about his loneliness, one cold night.
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In this episode, we swim with a fish and peer into a heart, guided by the flow of Natrinai 340, penned by Nakirar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, expressing her feelings about his recent behaviour.
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In this episode, we observe an intricate technique of persuasion, as portrayed in Sangam Literary work, Natrinai 339, penned by Seethalai Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.
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In this episode, we perceive a bird’s call bearing the burden of a lady’s pain, as portrayed in Sangam Literary work, Natrinai 338, penned by Madurai Aarulaviyanattu Aalamperi Saathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, rejecting her friend’s words, which asked her to bear with the situation, as the man stays away.
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In this episode, we reflect on abstract truths about love and wealth, as depicted in Sangam Literary work, Natrinai 337, penned by Paalai Paadiya Perunkadunko, a Chera King. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, expressing her dissent on hearing the news of his intention to part away.
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In this episode, we perceive scenes from a wild mountain country, as portrayed in Sangam Literary work, Natrinai 336, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, insisting that he avoid the dangerous paths at night and passing on a subtle message within.
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In this episode, we perceive how the sensations of the world paints angst in a heart, as portrayed in Sangam Literary work, Natrinai 335, penned by Velliveethiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady, expressing the pain in her heart on a lonely night.
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