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In this episode, we relish a day in the life of a mountain monkey, as depicted in Sangam Literary work, Natrinai 334, penned by Aiyoor Mudavanaar. The verse is situated in the hill country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying a hidden message to her about the man’s tryst by night.
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In this episode, we perceive a friend’s concern and consolation in Sangam Literary work, Natrinai 333, penned by Kallikudi Pootham Pullanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, conveying a reassuring message about the man’s return.
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In this episode, we perceive the beating concern in the heart of a lady in love, as depicted in Sangam Literary work, Natrinai 332, penned by Kundroor Kilaar Makan Kannathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we relish references to a picturesque village by the sea, as portrayed in Sangam Literary work, Natrinai 331, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, accepting his request to tryst by night with the lady.
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In this episode, we observe scenes from a farmland and perceive the complexities of life therein, as portrayed in Sangam Literary work, Natrinai 330, penned by Aalankudi Vankanaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry into the lady’s house.
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In this episode, we observe the dangers in the life of ancient wayfarers, as depicted in Sangam Literary work, Natrinai 329, penned by Madurai Maruthankilaar Makanaar Sokuthanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying anxiety in her friend about the man, who has parted away.
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In this episode, we perceive the prosperity of a mountain land, as portrayed in Sangam Literary work, Natrinai 328, penned by Tholkabilar. The verse is set in hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying words of consolation, as her friend grieves over the delay in the man’s return.
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In this episode, we unravel a series of abstractions revolving around trust and love, as portrayed in Sangam Literary work, Natrinai 327, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, expressing her angst over the man’s delay in seeking her hand in marriage.
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In this episode, we relish a picturesque portrayal of a mountain country, as depicted in Sangam Literary work, Natrinai 326, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.
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In this episode, we perceive the art of persuasion aided by metaphors from the wild, as depicted in Sangam Literary work, Natrinai 325, penned by Madurai Kaarulaviyan Koothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, requesting him to give up his intention to part away from the lady.
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In this episode, we perceive a marked transition in the life of a young girl, as depicted in Sangam Literary work, Natrinai 324, penned by Kayamanaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of wayfarers, who sight the lady and the man in the drylands path, as they elope away together.
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In this episode, we relish the sights of an ancient seaside village, as portrayed in Sangam Literary work, Natrinai 323, penned by Vadama Vannakkan Perisathanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, paving the way for his nightly tryst with the lady.
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In this episode, we observe social customs related to health and marriage, as depicted in Sangam Literary work, Natrinai 322, penned by Madurai Paalasiriyan Chenthan Kotranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man listening nearby.
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In this episode, we perceive the heart of a man yearning to be with his beloved, as depicted in Sangam Literary work, Natrinai 321, penned by Mathurai Alakkar Gnaalaar Makanaar Mallanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, bidding him to hasten homeward.
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In this episode, we perceive glimpses into history through the glasses of societal reactions, as portrayed in Sangam Literary work, Natrinai 320, penned by Kabilar. The verse is set in the agricultural landscape of ‘Marutham’ and speaks in the voice of a courtesan to her friend, passing on a pointed message to the man, listening nearby.
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In this episode, we perceive the mood of a seaside town at midnight, as depicted in Sangam Literary work, Natrinai 319, penned by Vinaitholil Sokeeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man, echoing the anguish in his heart, as he’s unable to tryst with the lady.
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In this episode, we perceive the power of projection in conveying an emotion, as portrayed in Sangam Literary work, Natrinai 318, penned by Paalai Paadiya Perunkadunko. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the man, on hearing about his intention to part away.
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In this episode, we take a walk through a millet field in a mountain country and perceive life and love therein, as depicted in Sangam Literary work, Natrinai 317, penned by Madurai Poovanda Naakan Vettanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.
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In this episode, we smile at the smartness of the confidante, as portrayed in Sangam Literary work, Natrinai 316, penned by Idaikaadanaar. The verse is set in the forest regions of ‘Mullai’ and speaks in the voice of the confidante to the lady, consoling her friend as rain clouds loom on the horizon.
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In this episode, we perceive deep reflections on abandonment and ageing, as portrayed in Sangam Literary work, Natrinai 315, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of a courtesan to the man, as he prepares to reunite with his lady.
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