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In this episode, we listen to hopeful words rendered to an anxious heart, as portrayed in Sangam Literary work, Ainkurunooru 461-470, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.
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In this episode, we perceive the yearning of the lady, as depicted in Sangam Literary work, Ainkurunooru 451-460, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.
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In this episode, we listen to the laments of the man, as portrayed in Sangam Literary work, Ainkurunooru 441-450, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.
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In this episode, we perceive the effect of the rains on a domain, as depicted in Sangam Literary work, Ainkurunooru 431-440, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.
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In this episode, we listen to various perspectives on parting away, as depicted in Sangam Literary work, Ainkurunooru 421-430, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.
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In this episode, we listen to joyous words about the arrival of a season, as portrayed in Sangam Literary work, Ainkurunooru 411-420, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.
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In this episode, we listen to the sweet reminiscences of the lady’s foster mother, as portrayed in Sangam Literary work, Ainkurunooru 401-410, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.
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In this episode, we perceive joyful scenes of homecoming, as depicted in Sangam Literary work, Ainkurunooru 391-400, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.
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In this episode, we perceive the observations of travellers, as depicted in Sangam Literary work, Ainkurunooru 381-390, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.
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In this episode, we listen to the lament of a mother, as depicted in Sangam Literary work, Ainkurunooru 371-380, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.
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In this episode, we listen to perspectives about people, as portrayed in Sangam Literary work, Ainkurunooru 361-370, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.
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In this episode, we listen to the joyous news of the man’s return, as portrayed in Sangam Literary work, Ainkurunooru 351-360, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.
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In this episode, we perceive the arrival of the promised season, as portrayed in Sangam Literary work, Ainkurunooru 341-350, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.
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In this episode, we perceive the lady’s emotions after the man’s parting, as portrayed in Sangam Literary work, Ainkurunooru 331-340, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.
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In this episode, we travel to the parched spaces in the midst of the drylands, as depicted in Sangam Literary work, Ainkurunooru 321-330, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.
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In this episode, we perceive the emotions in parting, as depicted in Sangam Literary work, Ainkurunooru 311-320, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.
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In this episode, we listen to the strong words of the confidante, as portrayed in Sangam Literary work, Ainkurunooru 300-310, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.
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In this episode, we observe the dance of the peacock, as portrayed in Sangam Literary work, Ainkurunooru 291-300, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.
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In this episode, we perceive scenes involving parrots in a mountain field, as depicted in Sangam Literary work, Ainkurunooru 281-290, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.
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In this episode, we follow the trail of a monkey, as portrayed in Sangam Literary work, Ainkurunooru 271-280, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.
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