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In this episode, we take in the power of visualisation in conveying a decision, as portrayed in Sangam Literary work, Kurunthogai 262, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, insisting that the lady elope away with the man.
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In this episode, we perceive how scenes on a rainy night express the storm in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 261, penned by Kazhaarkeeran Eyitriyaar. Set in mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive ancient beliefs about good omens, as portrayed in Sangam Literary work, Kurunthogai 260, penned by Kalladanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing her confidence in the man’s return.
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In this episode, we listen to a thoughtful explanation about an action taken, as portrayed in Sangam Literary work, Kurunthogai 259, penned by Paranar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, narrating the reason why she revealed the lady’s relationship with the man to the lady’s mother.
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In this episode, we perceive the refusal to accept a returning man, as portrayed in Sangam Literary work, Kurunthogai 258, penned by Paranar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, when he returns from visiting a courtesan.
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In this episode, we relish picturesque references to a mountain country, as portrayed in Sangam Literary work, Kurunthogai 257, penned by Uraiyoor Sirukanthanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, on hearing the news that the man has sought the lady’s hand in marriage.
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In this episode, we relish the sacrifice of the pursuit of wealth for a noble reason, as portrayed in Sangam Literary work, Kurunthogai 256, penned by an anonymous poet. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man, expressing why he was unable to proceed on his mission to gather wealth.
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In this episode, we perceive the hidden lessons in nature, as portrayed in Sangam Literary work, Kurunthogai 255, penned by Kaduku Perunthevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring the lady that the man would not return halfway in his mission to gather wealth.
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In this episode, we relish the intimate web between flowers, seasons and emotions, as portrayed in Sangam Literary work, Kurunthogai 254, penned by Paarkaappaanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s consolation that the man would return as promised.
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In this episode, we observe the tussle between a lady’s pining and a man’s search for wealth, as portrayed in Sangam Literary work, Kurunthogai 253, penned by Poonkannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, consoling her as the man remains parted away.
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In this episode, we perceive acceptance in the midst of conflict, as depicted in Sangam Literary work, Kurunthogai 252, penned by Kidangil Kulapathi Nakkannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to a question about the lady’s welcome on the man’s return.
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In this episode, we relish a thoughtful technique of consolation, as portrayed in Sangam Literary work, Kurunthogai 251, penned by Idaikaadanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, assuring her that the season of rains had not yet arrived.
After two long years of being unable to travel, finally saw a sliver of light at the end of December 2021. With overseas options made improbable, owing to that cumbersome testing process to establish one…
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In this episode, we relish how scenes in nature propel a man towards his beloved, as portrayed in Sangam Literary work, Kurunthogai 250, penned by Naamalaar Makanaar Ilankannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his charioteer, urging him to rush homeward.
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In this episode, we perceive a technique to bear with parting, as depicted in Sangam Literary work, Kurunthogai 249, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the question as to how the lady would handle the man’s separation.
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In this episode, we listen to words of consolation, as depicted in Sangam Literary work, Kurunthogai 248, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, allaying the lady’s worries about the delay in her marriage to the man.
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In this episode, we perceive positive feelings about a relationship, as portrayed in Sangam Literary work, Kurunthogai 247, penned by Senthampoothanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying the man’s promise to seek the lady’s hand in marriage.
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In this episode, we observe a curious technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 246, penned by Kabilar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we observe the protectiveness of a lady towards her man, as depicted in Sangam Literary work, Kurunthogai 245, penned by Maalaimaaranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.
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In this episode, we observe the plight of a lady at a midnight hour, as portrayed in Sangam Literary work, Kurunthogai 244, penned by Kannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, passing on a hidden message asking him to seek the lady’s hand in marriage.
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