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In this episode, we perceive a moment of understanding of another’s motivation, as portrayed in Sangam Literary work, Aganaanooru 155, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the nature of this domain with a striking simile.
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In this episode, we perceive the eagerness of a man to return home, as depicted in Sangam Literary work, Aganaanooru 154, penned by Pothumpil Pullaalankanniyaar. The verse is situated amidst the falling jasmines and blooming glory-lilies of the ‘Mullai’ or ‘Forest landscape’ and etches the vibrant beauty of a land after the rains.
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In this episode, we listen to the anguished words of a mother, as depicted in Sangam Literary work, Aganaanooru 153, penned by Cheraman Ilanguttuvan. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse muses on the transformation of a young girl.
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In this episode, we perceive beauty from the lens of a man in love, as depicted in Sangam Literary work, Aganaanooru 152, penned by Paranar. The verse is situated amidst the orchards and peaks of the ‘Kurinji’ or ‘Mountain landscape’ and presents a glimpse of history through its mention of prominent people and places.
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In this episode, we perceive the core reason for the man’s parting, as portrayed in Sangam Literary work, Aganaanooru 151, penned by Kavanmullai Bootharathanaar. Set in the ‘Paalai’ or ‘Drylands landscape, the verse presents a vivid portrait of this domain.
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In this episode, we listen to persuasive words seeking the welfare of a friend, as depicted in Sangam Literary work, Aganaanooru 150, penned by Kuruvazhuthiyaar. The verse is situated amidst the teeming fish and blooming flowers of the ‘Neythal’ or ‘Coastal Landscape’ and relays the lady’s state of mind.
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In this episode, we listen to words of resolve, as depicted in Sangam Literary work, Aganaanooru 149, penned by Erukkaattoor Thaayankannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse showers the spotlight on prominent Sangam-era cities and the extent of their wealth.
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In this episode, we perceive an alternate proposal of action, as depicted in Sangam Literary work, Aganaanooru 148, penned by Paranar. The verse is situated amidst the rocky paths of the ‘Kurinji’ or ‘Mountain landscape’ and describes an astonishing historic moment.
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In this episode, we listen to a lady’s lament, as depicted in Sangam Literary work, Aganaanooru 147, penned by Avvaiyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the aura of danger in this domain.
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In this episode, we perceive a pointed refusal to entertain a request, as depicted in Sangam Literary work, Aganaanooru 146, penned by Uvarkannoor Pullankeeranaar. The verse is situated amidst the ponds and fields of the ‘Marutham’ or ‘Farmlands landscape’ and paints a portrait of rivalry in a rich town.
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In this episode, we perceive the remorse of a mother, as depicted in Sangam Literary work, Aganaanooru 145, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a contrast of the dreariness of this domain and the prosperity of the lady’s home.
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In this episode, we perceive the hope in a man’s heart, as depicted in Sangam Literary work, Aganaanooru 144, penned by Madurai Alakkar Gnaazhalaar Makanaar Mallanaar. The verse is situated amidst the blooming wild jasmines of the ‘Mullai’ or ‘Forest Landscape’ and presents dual perspectives from the home front and the battlefront.
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In this episode, we observe an attempt to change a person’s course of action, as depicted in Sangam Literary work, Aganaanooru 143, penned by Alamperi Saathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse transports us to the domain of a king’s commander.
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In this episode, we listen to words of delight after an awaited event, as depicted in Sangam Literary work, Aganaanooru 142, penned by Paranar. Set amidst the golden flowers of the ‘Kurinji’ or ‘Mountain Landscape’, the verse depicts the generosity of a king and the courage of a commander in the battlefield.
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In this episode, we perceive the positive attitude of a lady, as portrayed in Sangam Literary work, Aganaanooru 141, penned by Nakeerar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a dual portrait of an ancient Tamil festival and a Chozha town’s prosperity.
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In this episode, we listen to the heartfelt words of a man in love, as portrayed in Sangam Literary work, Aganaanooru 140, penned by Ammoovanaar. The verse is situated amidst the salt pans of the ‘Neythal’ or ‘Coastal Landscape’ and reveals fascinating aspects of commerce in the Sangam era.
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In this episode, we observe the anxiety soaring in a lady, as portrayed in Sangam Literary work, Aganaanooru 139, penned by Idaikkaadanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the picturesque changes in the land after the rains.
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In this episode, we perceive the angst of a lady, as portrayed in Sangam Literary work, Aganaanooru 138, penned by Ezhuvoo Pandri Naakan Kumaranaar. The verse is situated amidst the dark paths of the ‘Kurinji’ or ‘Mountain Landscape’ and etches a scene from a ritual of worship.
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In this episode, we perceive the distress of a friend, as depicted in Sangam Literary work, Aganaanooru 137, penned by Uraiyoor Muthukooththanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse pens a portrait of places ruled by two great kings of ancient Tamil land.
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In this episode, we perceive a unique technique to appease a person’s ire, as depicted in Sangam Literary work, Aganaanooru 136, penned by Vitrootru Mootheyinanaar. The verse is situated amidst the decorated mansions and bejewelled denizens of the ‘Marutham’ or ‘Farmlands landscape’ and etches the events in an ancient wedding ceremony.
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