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In this episode, we listen to the ecstatic words of a person, as depicted in Sangam Literary work, Aganaanooru 254, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated amidst the blooming jasmines of the ‘Mullai’ or ‘Forest landscape’ and sketches the emotions in a homecoming.
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In this episode, we perceive thoughtful words of consolation, as depicted in Sangam Literary work, Aganaanooru 253, penned by Nakeerar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse illustrates the fame of a leader in capturing cattle.
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In this episode, we listen to an account of an impossible situation, as depicted in Sangam Literary work, Aganaanooru 252, penned by Nakkannaiyaar. The verse is situated amidst the dark and dangerous ranges of the ‘Kurinji’ or ‘Mountain Landscape’ and etches an exquisite simile to capture an intricate emotion.
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In this episode, we hear words of consolation, as depicted in Sangam Literary work, Aganaanooru 251, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse relates a significant historic incident involving hostilities between the north and south of ancient India.
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In this episode, we listen to a pointed question put forth to subtly persuade a person, as portrayed in Sangam Literary work, Aganaanooru 250, penned by Selloorkizhaar Maganaar Perumboothankotranaar. The verse is situated amidst the swaying seashore trees of the ‘Neythal’ or ‘Coastal landscape’ and recollects an incident and presents its consequences.
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In this episode, we listen to a lady’s lament, as depicted in Sangam Literary work, Aganaanooru 249, penned by Nakiranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the generosity of a king and the beauty of his domain.
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In this episode, we listen to the narration of a curious incident involving many layers, as depicted in Sangam Literary work, Aganaanooru 248, penned by Kabilar. The verse is situated amidst the bustle of hunting in the ‘Kurinji’ or ‘Mountain landscape’ and etches a dynamic moment of human-animal interaction.
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In this episode, we perceive a lady’s anguish, as portrayed in Sangam Literary work, Aganaanooru 247, penned by Madurai Maruthankizhaar Maganaar Perunkannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse relays the dangers of traversing this domain.
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In this episode, we listen to words of refusal, as depicted in Sangam Literary work, Aganaanooru 246, penned by Paranar. The verse is situated amidst the flourishing fields of the ‘Marutham’ or ‘Farmlands landscape’ and describes a famous battle from this era.
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In this episode, we perceive a moment of clarity at the end of a dilemma, as depicted in Sangam Literary work, Aganaanooru 245, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents surprising details about a particular animal in this domain.
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In this episode, we listen to an excited request, as depicted in Sangam Literary work, Aganaanooru 244, penned by Madurai Mallanaar. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and portrays the pleasantness of the rainy season.
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In this episode, we listen to a lady’s lament, as depicted in Sangam Literary work, Aganaanooru 243, penned by Kodiyoor Kizhaar Maganaar Neythal Thathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the attitude of the northern wind.
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In this episode, we perceive an intention to change another’s course of action, as depicted in Sangam Literary work, Aganaanooru 242, penned by Peri Saathanaar. The verse is situated amidst the blooming Kino trees of the ‘Kurinji’ or ‘Mountain landscape’ and reveals the circumstances that necessitate a religious ritual.
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In this episode, we perceive a lady’s angst, as portrayed in Sangam Literary work, Aganaanooru 241, penned by Kaavanmullai Poothanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches this difficult terrain in much detail.
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In this episode, we listen to words seeking a change in a person’s path, as depicted in Sangam Literary work, Aganaanooru 240, penned by Ezhooppandri Naagan Kumaranaar. The verse is situated amidst the swirling waves of the ‘Neythal’ or ‘Coastal landscape’ and describes the activities of the denizens at night.
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In this episode, we listen to a man’s lament, as depicted in Sangam Literary work, Aganaanooru 239, penned by Eyinanthai Magan Ilankeeranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse describes the circumstances of the departed and the one left behind.
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In this episode, we perceive a subtle technique of persuasion, as depicted in Sangam Literary work, Aganaanooru 238, penned by Kabilar. The verse is situated amidst the scent of flame-lilies in the ‘Kurinji’ or ‘Mountain landscape’ and sketches a tiger’s midnight hunt in vivid detail.
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In this episode, we listen to words of assurance, as depicted in Sangam Literary work, Aganaanooru 237, penned by Thaayankannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse describes the wealth and prosperity of a Sangam era town.
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In this episode, we listen to an intricate explanation, as depicted in Sangam Literary work, Aganaanooru 236, penned by Paranar. The verse is situated amidst the flourishing paddy stalks of the ‘Marutham’ or ‘Farmlands landscape’ and refers to a renowned story of loss from those times.
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In this episode, we listen to the angst-ridden voice of a lady, as depicted in Sangam Literary work, Aganaanooru 235, penned by Kazhaarkeeran Eyitriyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse paints a vivid portrait of the many flowers that bloom in the aftermath of the rains.
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