In this episode, we perceive how a person reads the heart of another, as portrayed in Sangam Literary work, Kurunthogai 346, penned by Vaayil Ilankannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, subtly persuading her to tryst with the man by night.

In this episode, we listen to words inviting a person to stay, as depicted in Sangam Literary work, Kurunthogai 345, penned by Andar Makan Kuruvaluthiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, requesting him to tryst with the lady by night.

In this episode, we listen to a lady’s angst as evening descends, as portrayed in Sangam Literary work, Kurunthogai 344, penned by Kurungudi Maruthanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man continues to be parted away, in his quest for wealth.

In this episode, we perceive an expression of deep confidence, as depicted in Sangam Literary work, Kurunthogai 343, penned by Eelathu Poothanthevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, requesting the lady to consider eloping with the man.

In this episode, we observe how a relationship crisis is projected on elements of nature, as depicted in Sangam Literary work, Kurunthogai 342, penned by Kaaviripoompattinathu Kantharathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the man, bidding him to seek the lady’s hand in marriage.

In this episode, we perceive the changes spring brings to a grove and a lady in love, as depicted in Sangam Literary work, Kurunthogai 341, penned by Milaikizhaar Nalvettanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s question about how the lady would bear with the man’s parting, as the promised season of return arrives.

In this episode, we perceive the changing stance of a heart, as depicted in Sangam Literary work, Kurunthogai 340, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, when the confidante conveys the man’s request to tryst with the lady by night.

In this episode, we observe a unique way of cheering someone, as depicted in Sangam Literary work, Kurunthogai 339, penned by Peyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, stressing the need to bear with the man’s parting.

In this episode, we relish a serene scene in the wild, as depicted in Sangam Literary work, Kurunthogai 338, penned by Perunkundroor Kizhaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring her of the man’s return.

In this episode, we perceive markers of a woman’s maturity, as depicted in Sangam Literary work, Kurunthogai 337, penned by Pothukkayathu Keeranthaiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to the confidante, in response to the confidante’s refusal for the man’s request to tryst with the lady.

In this episode, we listen to an instance of tactful refusal and skilful persuasion, as depicted in Sangam Literary work, Kurunthogai 336, penned by Kundriyanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, questioning his intention to tryst with the lady by night, in a thoughtful way.

In this episode, we relish a scene involving wildlife in the mountains, as depicted in Sangam Literary work, Kurunthogai 335, penned by Irunthaiyoor Kotran Pulavanaar. Set in the hills of Kurinji, the verse speaks in the voice of the confidante to the man, refusing him his request of nightly tryst with the lady.

In this episode, we learn of the precarious situation a lady finds herself in, and of her subtle note of hope, as depicted in Sangam Literary work, Kurunthogai 334, penned by Ilampoothanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, in response to the friend’s question as to whether the lady could bear with the man’s parting.

In this episode, we listen to a solution suggested for a sensitive situation, as portrayed in Sangam Literary work, Kurunthogai 333, penned by Uzhunthinaim Pulavanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, expressing her idea to reveal the lady’s relationship with the man to her kith and kin.

In this episode, we relish an apt metaphor for marital bliss, as depicted in Sangam Literary work, Kurunthogai 332, penned by Madurai Maruthankizhaar Makanaar Ilampothanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a pointed message to the man, listening nearby.

In this episode, we listen to assuring words, as portrayed in Sangam Literary work, Kurunthogai 331, penned by Vaadaa Prapanthanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing that the man will not part away.

In this episode, we relish intricate similes involving an age-old occupation, as depicted in Sangam Literary work, Kurunthogai 330, penned by Kazhaarkeeran Eyitriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, asking a question about the man, as he remains parted away.

In this episode, we perceive the struggle in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 329, penned by Othalaanthaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear better with the man’s parting.

In this episode, we see how a scene of war depicts a situation in love, as portrayed in Sangam Literary work, Kurunthogai 328, penned by the historian poet, Paranar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, consoling her in the man’s absence and assuring her that the rumours that spread will act only for the lady’s good.

In this episode, we relish a unique way of scolding a person, as portrayed in Sangam Literary work, Kurunthogai 327, penned by Amoovanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to a river, passing on a pointed message to the man, listening nearby.