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In this episode, we perceive a lady’s state of mind impacted by the changing seasons, as depicted in Sangam Literary work, Kurunthogai 186, penned by Okkoor Maasaathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing how she feels, as the man is delayed beyond his promised season of return.
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In this episode, we perceive a subtle technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 185, penned by Madurai Aruvai Vaanikan Ilavettanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to the confidante’s question about the lady’s changed state, even as the man was trysting with her.
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In this episode, we understand a man’s perception about a lady he met recently, as portrayed in Sangam Literary work, Kurunthogai 184, penned by Arya Arasan Yaazh Piramathathan, a king said to be from northern India. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the man to his friend, in response to the friend’s words scolding him for his changed behaviour.
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In this episode, we observe the effect of the changing season on nature, as portrayed in Sangam Literary work, Kurunthogai 183, penned by Avvaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry about the ability of the lady to bear with the man’s parting.
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In this episode, we perceive a young man’s desperation, as depicted in Sangam Literary work, Kurunthogai 182, penned by Madal Paadiya Maathankeeranaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his heart, passing on a pointed message to the lady’s confidante, listening nearby.
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In this episode, we perceive the conviction in a married lady about the way to be, as portrayed in Sangam Literary work, Kurunthogai 181, penned by Killimangalam Kizhaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, in response to the confidante’s words of rebuke about the man.
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In this episode, we perceive a thoughtful consolation as depicted in Sangam Literary work, Kurunthogai 180, penned by Kachipettu Nannaakaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing the man’s difficult path in his quest for wealth and concealing an assurance within.
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In this episode, we perceive an intriguing technique in persuasion, as depicted in Sangam Literary work, Kurunthogai 179, penned by Kuttuvan Kannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, concealing a hidden message in her words to him.
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In this episode, we perceive two precise similes to portray a person’s state of mind, as depicted in Sangam Literary work, Kurunthogai 178, penned by Nedumpalliyathaiyaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the confidante to the man, when visiting the man and lady at their home after their wedding.
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In this episode, we hear words of reassurance, as portrayed in Sangam Literary work, Kurunthogai 177, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, on observing the man’s arrival to tryst with the lady.
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In this episode, we perceive a unique technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 176, penned by Varumulaiyaarithiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying the worry in her heart and concealing a hidden message about the lady’s path forward.
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In this episode, we perceive the bold attitude of a lady, as depicted in Sangam Literary work, Kurunthogai 175, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words of reproach that the lady must bear with the man’s parting.
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In this episode, we observe the struggle between seeking wealth and showing kindness, as portrayed in Sangam Literary work, Kurunthogai 174, penned by Venpoothiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her anguish on hearing about the man’s intention to part away.
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In this episode, we observe curious customs in courtship, as portrayed in Sangam Literary work, Kurunthogai 173, penned by Madurai Kanji Pulavanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the confidante, when she refuses to accept his request to tryst with the lady.
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In this episode, we perceive the anguish of a lady separated from her beloved, as portrayed in Sangam Literary work, Kurunthogai 172, penned by Kachipettu Nannaakaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, in response to the friend’s words of worry about the lady bearing with the man’s parting.
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In this episode, we observe significant events in ancient matrimony, as depicted in Sangam Literary work, Kurunthogai 171, penned by Poonganuthiraiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, as the friend worries about the man’s parting away.
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In this episode, we listen to the echo of total trust in a beloved, as depicted in Sangam Literary work, Kurunthogai 170, penned by Karuvoor Kizhaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, who was worried that the lady would be unable to bear with the man’s parting.
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In this episode, we listen to words of anger expressing discontent within, as depicted in Sangam Literary work, Kurunthogai 169, penned by Velli Veethiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, as he tries to allay her ire about his parting away with a courtesan.
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In this episode, we relish a sensory experience involving flowers in the rain, as depicted in Sangam Literary work, Kurunthogai 168, penned by Siraikudi Aanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, in response to its insistence that he part away from the lady in search of wealth.
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In this episode, we perceive a quaint scene of domestic bliss, as portrayed in Sangam Literary work, Kurunthogai 167, penned by Koodalur Kizhaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady’s foster-mother to the birth-mother, narrating events that transpired in the lady’s marital home.
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