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In this episode, we observe transitions in a mountain field, as depicted in Sangam Literary work, Natrinai 306, penned by Urodakathu Kantharathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive a mother’s worry about her daughter, as portrayed in Sangam Literary work, Natrinai 305, penned by Kayamanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the mother to the lady’s confidante, expressing how she misses her daughter, who has eloped away with the man.
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In this episode, we perceive references to music and mythology, as depicted in Sangam literary work, Natrinai 304, penned by Maarokkathu Nappasalaiyaar, a female poet from the Sangam era. Situated in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, expressing her angst as the man delays seeking her hand in marriage.
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In this episode, we listen to an evergreen question asked in love, as portrayed in Sangam Literary work, Natrinai 303, penned by Madurai Aarulaviyanaattu Aalamperi Sathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, wondering about the thoughts of the man, who has parted away from her.
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In this episode, we observe the anguish in parting, as portrayed in Sangam Literary work, Natrinai 302, penned by Madurai Maruthan Ilanaakanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady, expressing her angst, as the man is delayed beyond his promised time of return.
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In this episode, we perceive elements of the mountain country reflect in the portrait of a lady, as depicted in Sangam Literary work, Natrinai 301, penned by Pandiyan Maaran Valuthi. The verse is situated in the hill regions of ‘Kurinji’ and speaks in the voice of the confidante to herself, describing mother’s love and refusing the man’s attempt to tryst with the lady.
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In this episode, we perceive thought-provoking similes depicted in Sangam Literary work, Natrinai 300, penned by Paranar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the courtesan to the singer-messenger, rejecting the man’s attempts at reconciliation.
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In this episode, we perceive intriguing methods of persuasion, as portrayed in Sangam Literary work, Natrinai 299, penned by Vadama Vannakkan Perisathanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive scenes from a dry and harsh land echo the conflict in a man’s mind, as depicted in Sangam Literary work, Natrinai 298, penned by Vitrootru Vannakkan Thathanaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, expressing his thoughts about parting away to the listening lady.
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In this episode, we perceive scenes from a Sangam household tell a tale of inner life, as portrayed in Sangam Literary work, Natrinai 297, penned by Madurai Alakkar Gnaalaar Makanaar Mallanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.
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In this episode, we perceive the personification of a tree, as portrayed in Sangam Literary work, Natrinai 296, penned by Kuthirai Thariyanaar. Set in the drylands landscape of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing her angst on receiving the news of the man’s intent to part away.
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In this episode, we travel to an ancient sea port and take in life and love there, as portrayed in Sangam Literary work, Natrinai 295, penned by the renowned Sangam-age female poet, Avvaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying the lady’s state and subtly persuading him to seek the lady’s hand in marriage.
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In this episode, we relish news of joy and bliss, as depicted in Sangam Literary work, Natrinai 294, penned by Puthukkayathu Vannakkan Kampoor Kilaan. Set in the mountain country of Kurinji, the verse speaks in the voice of the confidante to the lady’s kith and kin, conveying her impressions of her friend’s health after a visit to the lady’s marital home.
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In this episode, we celebrate references to the antiquity of pottery even as we listen to a lament, as portrayed in Sangam Literary work, Natrinai 293, penned by Kayamanaar. The verse is set in the drylands landscape of ‘Paalai’ and speaks in the voice of the lady’s mother, expressing the angst in her heart, at her daughter’s parting away with the man.
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In this episode, we explore the natural wealth of a mountainous region and perceive the wealth of emotion within, as portrayed in Sangam Literary work, Natrinai 292, penned by Nalvettanaar. Set in the hill country of ‘Kurinji’, the verse speaks in the voice of the confidante, assuming the lady’s voice, to persuade the man to seek the lady’s hand in marriage.
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In this episode, we observe an interleaving of history and nature to depict feelings within, as portrayed in Sangam Literary work, Natrinai 291, penned by Kabilar. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the singer, who has been sent as a messenger by the man.
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In this episode, we observe scenes from an ancient agricultural region reflecting the inner landscape in marital relations, as depicted in Sangam Literary work, Natrinai 290, penned by Madurai Maruthan Ilanakanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the confidante to the lady, passing on a pointed message to the singer, who has come to the lady’s house as a messenger from the man.
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In this episode, we perceive the unshakeable faith in the mind of a lady, as depicted in Sangam Literary work, Natrinai 289, penned by Marunkoor Pattinathu Chenthan Kumaranaar. The verse is set in the forest landscape of ‘Mullai’ and speaks in the voice of the lady to her friend, expressing both angst and assurance, as she faces the delay in the man’s return.
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In this episode, we observe ancient beliefs about health and marriage in a mountain country, as portrayed in Sangam Literary work, Natrinai 288, penned by Kulambanaar. Set in the hill landscape of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the transition of a mind from assurance to angst, as depicted in Sangam Literary work, Natrinai 287, penned by Ulochanaar. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the lady to her confidante, passing on a subtle message to the man, listening nearby.
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