Month: October 2021

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In this episode, we learn of offerings made to birds and the significance of bird calls, as depicted in Sangam Literary work, Kurunthogai 210, penned by Kaakkai Paadiniyaar Nachellaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the man, in response to his praise about the friend’s comforting presence to the lady in the man’s absence.

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In this episode, we observe how a man expresses his affection after a long separation, as portrayed in Sangam Literary work, Kurunthogai 209, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to the confidante, passing on a message to the lady listening nearby.

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In this episode, we perceive a lady’s state of mind in a moment of domestic crisis, as depicted in Sangam Literary work, Kurunthogai 208, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words that the lady must bear with the man’s parting.

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In this episode, we perceive an interesting reaction to a message conveyed, as depicted in Sangam Literary work, Kurunthogai 207, penned by Uraiyanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, in response to the confidante’s news that the man has parted away.

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In this episode, we listen to a person’s perception about the paradox of love, as portrayed in Sangam Literary work, Kurunthogai 206, penned by Aiyoor Mudavanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s words of chiding about the man’s changed state.

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In this episode, we relish a picturesque comparison, as portrayed in Sangam Literary work, Kurunthogai 205, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words of concern as to how the lady would bear with the man’s parting.

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In this episode, we perceive a realistic portrait of the abstract emotion of love, as depicted in Sangam Literary work, Kurunthogai 204, penned by Milaiperunkanthanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man’s friend to the man, in response to the man’s recent changed state.

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In this episode, we perceive the clarity in a lady’s mind, as depicted in Sangam Literary work, Kurunthogai 203, penned by Nedumpalliyathanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, expressing her inability to accept the man’s request at reconciliation.

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In this episode, we perceive the angst in a lady’s heart about her beloved’s changed state, as depicted in Sangam Literary work, Kurunthogai 202, penned by Alloor Nanmullaiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the lady to her confidante, refusing the man, entry to their home.

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In this episode, we perceive the recollection of a past kindness, as portrayed in Sangam Literary work, Kurunthogai 201, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words when she visits the lady’s marital home.

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In this episode, we relish references to the rain, portrayed in Sangam Literary work, Kurunthogai 200, penned by Avvaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, in response to the friend’s words of consolation that the promised season of the man’s return had not yet arrived.

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In this episode, we perceive the depth of a man’s love for his lady, as depicted in Sangam Literary work, Kurunthogai 199, penned by Paranar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, in response to the confidante’s message that the lady has been confined to her house.

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In this episode, we perceive a stack of similes that illustrate elements of life in ancient Tamil country, as depicted in Sangam Literary work, Kurunthogai 198, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, requesting him to change the spot where he trysts with the lady.

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In this episode, we perceive the form a season takes in the mind of a lady, as depicted in Sangam Literary work, Kurunthogai 197, penned by Kachipettu Nannaakaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, conveying her torment as the man continues to be parted away.

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In this episode, we listen to an inference about the changing nature of a person’s love, as depicted in Sangam Literary work, Kurunthogai 196, penned by Milai Kanthanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, refusing his request to reconcile with the lady.

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In this episode, we observe a lady’s state of mind as evening approaches, as portrayed in Sangam Literary work, Kurunthogai 195, penned by Theratharanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, expressing her angst as the man remains parted away.

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In this episode, we perceive the precise reasons for a lady’s angst, as portrayed in Sangam Literary work, Kurunthogai 194, penned by Kovarthanaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man is delayed beyond his promised season of return.

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In this episode, we perceive the contentment in a lady, as portrayed in Sangam Literary work, Kurunthogai 193, penned by Arisil Kizhaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s comment, when she visited the lady in her marital home.

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In this episode, we relish a striking connection between an element of nature and a jeweller’s object, as portrayed in Sangam Literary work, Kurunthogai 192, penned by Kachipettu Nannaakaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting.

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In this episode, we perceive a lady’s response to the man’s absence, as portrayed in Sangam Literary work, Kurunthogai 191, penned by an anonymous poet. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, as the friend expressed worry about the lady’s ability to bear with the man’s parting.