In this episode, we listen to anxious words about an imminent attack, as depicted in Sangam Literary work, Puranaanooru 350, penned by the poet Madurai Melaikkadai Kannampuguthaar Aayathanaar. The verse is situated in the category of ‘Kaanji Thinai’ or ‘Defence’ and extols the beauty of a maiden.

In this episode, we listen to exchanges between a king and a girl’s father, as depicted in Sangam Literary work, Puranaanooru 349, penned by the poet Madurai Maruthan Ilanaakanaar. Set in the category of ‘Kaanji Thinai’ or ‘Defence’, the verse speaks about the danger to a town.

In this episode, we perceive interesting aspects of an ancient town, as portrayed in Sangam Literary work, Puranaanooru 348, penned by the poet Paranar. The verse is situated in the category of ‘Kaanji Thinai’ or ‘Defence’ and regrets the events that have unfolded.

In this episode, we meet with a historic personality characterised by a colourful simile, as depicted in Sangam Literary work, Puranaanooru 347, penned by the poet Kabilar. Set in the category of ‘Kaanji Thinai’ or ‘Defence’, the verse talks about the state of a town after a refusal.

In this episode, we hear predictions about a family and town, as depicted in Sangam Literary work, Puranaanooru 346, penned by the poet Andar Makan Kuruvazhuthiyaar. The verse is situated in the category of ‘Kaanji Thinai’ or ‘Defence’ and speaks about the relationship a girl has with her family members.

In this episode, we observe the harsh outcomes of a refusal, as portrayed in Sangam Literary work, Puranaanooru 345, penned by the poet Andar Nadum Kallinaar. Set in the category of ‘Kaanji Thinai’ or ‘Defence’, the verse unravels the attitude of a girl’s family when suitors arrive claiming her hand.

In this episode, we listen to two possible consequences, as depicted in Sangam Literary work, Puranaanooru 344, penned by the poet Andar Nadum Kallinaar. The verse is situated in the category of ‘Kaanji Thinai’ or ‘Defence’ and talks about a situation involving a maiden of marriageable age.

In this episode, we perceive the riches of an ancient town, as depicted in Sangam Literary work, Puranaanooru 343, penned by the poet Paranar. Set in the category of ‘Kaanji Thinai’ or ‘Defence’, the verse laments a war that is about to commence.

In this episode, we perceive striking similes and subtle metaphors, as portrayed in Sangam Literary work, Puranaanooru 342, penned by the poet Arisil Kizhaar. The verse is situated in the category of ‘Kaanji Thinai’ or ‘Defence’ and talks about the fierceness of a maiden’s family.

In this episode, we perceive events that have led to an outbreak of war, as depicted in Sangam Literary work, Puranaanooru 341, penned by the poet Paranar. Set in the category of ‘Kaanji Thinai’ or ‘Defence’, the verse etches the words and vows expressed before a battle.

In this episode, we learn of the deciding authority in a woman’s life, as depicted in Sangam Literary work, Puranaanooru 340, penned by the poet Alloor Nanmullaiyaar. The verse is situated in the category of ‘Kaanji Thinai’ or ‘Defence’ and portrays the family of a young maiden.

In this episode, we perceive a portrait of a maiden, as depicted in Sangam Literary work, Puranaanooru 339, penned by an anonymous poet. Set in the category of ‘Kaanji Thinai’ or ‘Defence’, the verse talks about the looming possibility of a war.

In this episode, we explore a prosperous town in ancient times, as depicted in Sangam Literary work, Puranaanooru 338, penned by the poet Kundroor Kizhaar Makanaar. The verse is situated in the category of ‘Kaanji Thinai’ or ‘Defence’ and reveals the power that a father of a daughter had in the Sangam era.

In this episode, we meet with a young maiden and her family, as portrayed in Sangam Literary work, Puranaanooru 337, penned by the poet Kabilar. Set in the category of ‘Kaanji Thinai’ or ‘Defence’, the verse brings to light a precarious situation involving suitors in marriage.

In this episode, we hear a subtle cry against war, as depicted in Sangam Literary work, Puranaanooru 336, penned by the poet Paranar. The verse is situated in the category of ‘Kanchi Thinai’ or ‘Defence’ and reveals the events that have led to an outbreak of hostilities.

in this episode, we listen to powerful statements about worship, as portrayed in Sangam Literary work, Puranaanooru 335, penned by the poet Mangudi Kizhaar. Set in the category of ‘Vaagai Thinai’ or ‘Victory’, the verse talks about the elements of importance in a leader’s town.

In this episode, we learn of the acts of compassion in a household, as depicted in Sangam Literary work, Puranaanooru 334, penned by the poet Madurai Thamizh Koothanaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘Victory’ and gives a glimpse of the division of labour in Sangam times.

In this episode, we meet with a generous lady, as depicted in Sangam Literary work, Puranaanooru 333, penned by an anonymous poet. Set in the category of ‘Vaagai Thinai’ or ‘Victory’, the verse talks about the sense of compassion and fairness in the midst of an impoverished situation.

In this episode, we listen to the greatness of a leader’s spear, as depicted in Sangam Literary work, Puranaanooru 332, penned by the poet Viriyoor Nakkanaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘Victory’ and elaborates on the places that a spear can be.

In this episode, we perceive how a leader faces different circumstances, as depicted in Sangam Literary work, Puranaanooru 331, penned by the poet Uraiyoor Muthukoothanaar. Set in the category of ‘Vaagai Thinai’ or ‘Victory’, the verse sketches striking similes to convey the nature of a leader’s generosity.