In this episode, we listen to a pointed refusal, as portrayed in Sangam Literary work, Aganaanooru 326, penned by Paranar. The verse is situated in the lush fields of the ‘Marutham’ or ‘Farmlands Landscape’ and dwells on the appeal of a courtesan.

In this episode, we perceive a lady’s situation in the midst of a dilemma, as depicted in Sangam Literary work, Aganaanooru 325, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse mentions the respect and admiration rendered unto a Sangam-era king.

In this episode, we listen to joyous voices foreseeing an awaited arrival, as depicted in Sangam Literary work, Aganaanooru 324, penned by Okkoor Maasaathiyaar. The verse is situated amidst the rain-soaked flowers of the ‘Mullai’ or ‘Forest Landscape’ and sketches the trajectory of a speeding chariot.

In this episode, we listen to words of consolation, as portrayed in Sangam Literary work, Aganaanooru 323, penned by Puranaattu Perunkotranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse renders hope to an anxious heart!

In this episode, we listen to words of despair, as depicted in Sangam Literary work, Aganaanooru 322, penned by Paranar. The verse is situated amidst the falling cascades and soaring peaks of the ‘Kurinji’ or ‘Mountain Landscape’ and reveals the unique qualities of a king’s domain.

In this episode, we listen to a mother’s lament, as depicted in Sangam Literary work, Aganaanooru 321, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the state of various fauna in this harsh domain.

In this episode, we perceive an emphatic attempt to change a person’s path, as depicted in Sangam Literary work, Aganaanooru 320, penned by Madurai Koolavaanikan Seethalai Saathanaar. The verse is situated amidst the leaping waves of the ‘Neythal’ or ‘Coastal Landscape’ and sketches scenes of wild life and human life on this domain in vibrant detail.

In this episode, we listen to words that attempt to dissuade a person from a course of action, as depicted in Sangam Literary work, Aganaanooru 319, penned by Erukkaattoor Thaayankannanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse etches the qualities of the lady and the land.

In this episode, we listen to a pointed message to persuade a person, as portrayed in Sangam Literary work, Aganaanooru 318, penned by Kabilar. The verse is situated amidst the singing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and depicts the dangers of a tryst by night.

In this episode, we listen to a reflection on a joyous moment, as depicted in Sangam Literary work, Aganaanooru 317, penned by Vadamothankizhaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the seasons and the changes they bring in vivid detail.

In this episode, we listen to an angry outburst, as portrayed in Sangam Literary work, Aganaanooru 316, penned by Orambokiyaar. The verse is situated amidst the attractive white-lilies of the ‘Marutham’ or ‘Farmlands landscape’ and records the beliefs of a particular time and place about the role of a wife.

In this episode, we listen to a mother’s lament, as depicted in Sangam Literary work, Aganaanooru 315, penned by Kudavayil Keerathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the thoughts of a mother at a moment of loss.

In this episode, we perceive words of a warm welcome, as depicted in Sangam Literary work, Aganaanooru 314, penned by Madurai Alakkar Gnaazhaar Makanaar Ammallanaar. The verse is situated amidst the rain-soaked earth of the ‘Mullai’ or ‘Forest Landscape’ and portrays how angst has been routed by a much-awaited arrival.

In this episode, we listen to words of consolation, as portrayed in Sangam Literary work, Aganaanooru 313, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the state of the lady and the land with picture-perfect parallels.

In this episode, we perceive a technique of conveying a timely message, as depicted in Sangam Literary work, Aganaanooru 312, penned by Madurai Maruthan Ilanaakanaar. The verse is situated amidst the flowing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and conveys the precariousness of the situation in a subtle manner.

In this episode, we listen to thoughtful words of consolation, as depicted in Sangam Literary work, Aganaanooru 311, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse throws the spotlight on the nature of a tribe in ancient Tamil land.

In this episode, we listen to a message of acceptance, as depicted in Sangam Literary work, Aganaanooru 310, penned by Nakeerar. The verse is situated amidst the roaring waves of the ‘Neythal’ or ‘Coastal landscape’ and reveals the manner in which a man courts a lady in those times.

In this episode, we perceive the helplessness in a lady’s voice, as depicted in Sangam Literary work, Aganaanooru 309, penned by Karuvoor Kanthapillai Saathanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse details the activities of a tribe of robbers in the drylands.

In this episode, we listen to a nuanced attempt to change a person’s course of action, as depicted in Sangam Literary work, Aganaanooru 308, penned by Pisiranthaiyaar. The verse is situated amidst the flowing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and etches the domain in picturesque detail.

In this episode, we perceive persuasive words to change a person’s path, as portrayed in Sangam Literary work, Aganaanooru 307, penned by Madurai Eezhathu Poothan Thevanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse sketches the consequences of the man’s parting away.