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In this episode, we perceive a hidden technique of persuasion, as portrayed in Sangam Literary work, Aganaanooru 210, penned by Ulochchanaar. The verse is situated amidst the leaping fish of the ‘Neythal’ or ‘Coastal landscape’ and reveals the changing attitude of a person.
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In this episode, we listen to words of assurance, as rendered in Sangam Literary work, Aganaanooru 209, penned by Kallaadanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse narrates events from history to etch the lady’s situation.
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In this episode, we perceive the ecstasy of a man in love, as depicted in Sangam Literary work, Aganaanooru 208, penned by Paranar. The verse is situated amidst the flower-filled spaces of the ‘Kurinji’ or ‘Mountain landscape’ and relays historical references many.
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In this episode, we perceive the wonder in a mother’s heart, as depicted in Sangam Literary work, Aganaanooru 207, penned by Madurai Ezhuthaalan Senthampoothanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the formidable nature of this domain.
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In this episode, we listen to the distress of a lady, as depicted in Sangam Literary work, Aganaanooru 206, penned by Madurai Maruthan Ilanaakanaar. The verse is situated amidst scenes of wandering buffaloes in the ‘Marutham’ or ‘Farmlands landscape’ and etches the emotions of a jilted woman.
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In this episode, we listen to a dual expression of sadness and hope, as depicted in Sangam Literary work, Aganaanooru 205, penned by Nakirar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the prosperity of a renowned Sangam-era town.
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In this episode, we observe the yearning to be back home, as depicted in Sangam Literary work, Aganaanooru 204, penned by Madurai Kaamakani Nappaalathanaar. The verse is situated amidst the buzzing bees of the ‘Mullai’ or ‘Forest landscape’ and relays the emotions at the end of a mission.
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In this episode, we perceive the angst and yearning in a mother’s voice, as portrayed in Sangam Literary work, Aganaanooru 203, penned by Kabilar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse resonates with the wishes throbbing in a sorrowful heart.
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In this episode, we perceive an attempt at persuasion, as portrayed in Sangam Literary work, Aganaanooru 202, penned by Aavoor Moolankizhaar Kannanaar. The verse is situated amidst the flowering trees of the ‘Kurinji’ or ‘Mountain landscape’ and sketches striking similes using the colours of nature.
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In this episode, we listen to words of assurance, as depicted in Sangam Literary work, Aganaanooru 201, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse reveals aspects of Pandya and Chozha kingdoms.
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In this episode, we perceive the communication of a nuanced message as depicted in Sangam Literary work, Aganaanooru 200, penned by Ulochchanaar. The verse is situated amidst the shining sands of the ‘Neythal’ or ‘Coastal landscape’ and conveys an awaited news.
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In this episode, we listen to a clear decision made after moments of deliberation, as depicted in Sangam Literary work, Aganaanooru 199, penned by Kallaadanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the dreariness and dangers in this domain.
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In this episode, we listen to words of passion, as portrayed in Sangam Literary work, Aganaanooru 198, penned by Paranar. The verse is situated amidst the soaring peaks of the ‘Kurinji’ or ‘Mountain landscape’ and echoes the beating heart of man in love.
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In this episode, we listen to words of consolation, as depicted in Sangam Literary work, Aganaanooru 197, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the domain with a heartwarming simile.
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In this episode, we perceive a woman’s anger, as portrayed in Sangam Literary work, Aganaanooru 196, penned by Paranar. The verse is situated amidst the uproarious streets of the ‘Marutham’ or ‘Farmlands landscape’ and contrasts the nature of men and women.
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In this episode, we listen to a mother’s yearning words, as depicted in Sangam Literary work, Aganaanooru 195, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse reveals the questions that arise in a Sangam mother’s heart at the moment of her daughter’s elopement.
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In this episode, we perceive the arrival of a particular season, as depicted in Sangam Literary work, Aganaanooru 194, penned by Idaikkaadanaar. The verse is situated amidst the millet fields of the ‘Mullai’ or ‘Forest landscape’ and echoes the disappointment in a person’s heart.
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In this episode, we listen to the declaration of a decision, as depicted in Sangam Literary work, Aganaanooru 193, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse contrasts the two paths that looms ahead in the mind’s eye.
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In this episode, we perceive words of hidden persuasion, as portrayed in Sangam Literary work, Aganaanooru 192, penned by Pothumpil Kizhaan Venkannanaar. The verse is situated amidst the lush millet fields of the ‘Kurinji’ or ‘Mountain landscape’ and presents intriguing images of wild life from this domain.
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In this episode, we perceive a decision in the making, as depicted in Sangam Literary work, Aganaanooru 191, penned by Orodakathu Kantharathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse relays a sense of protection and care.
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