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In this episode, we listen to the agony in a lady’s heart, as depicted in Sangam Literary work, Aganaanooru 135, penned by Paranar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse connects a historic event to a person’s state of mind.
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In this episode, we listen to the thoughtful words of a man, as depicted in Sangam Literary work, Aganaanooru 134, penned by Seethalai Saaththanaar. The verse is situated on the radiant red earth of the ‘Mullai’ or ‘Forest Landscape’ and paints a picturesque portrait of this lush land in the rains.
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In this episode, we listen to a recollection of a past moment, as depicted in Sangam Literary work, Aganaanooru 133, penned by Uraiyoor Maruthuvan Damotharanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents vivid images of elements of nature and weather.
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In this episode, we relish scenes of nature’s plenty, as depicted in Sangam Literary work, Aganaanooru 132, penned by Thayankannanaar. The verse is situated amidst the bee-buzzing blooms of the ‘Kurinji’ or ‘Mountain landscape’ and puts forth a persuasive plea.
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In this episode, we perceive a man’s dilemma in choosing between two worthy pursuits, as portrayed in Sangam Literary work, Aganaanooru 131, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches events and scenes from this domain.
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In this episode, we listen to a strong rebuttal to a reprimand, as depicted in Sangam Literary work, Aganaanooru 130, penned by Venkannanaar. The verse is situated amidst the fragrant pandanus trees of the ‘Neythal’ or ‘Coastal landscape’ and showers high praise on a land and a lady.
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In this episode, we perceive the reasons outlined for a person’s course of action, as depicted in Sangam Literary work, Aganaanooru 129, penned by Kudavayil Keeraththanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays various scenes in this harsh domain.
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In this episode, we listen to the beat of an anxious heart, as depicted in Sangam Literary work, Aganaanooru 128, penned by Kabilar. The verse is situated amidst the dark and rugged paths of the ‘Kurinji’ or ‘Mountain Landscape’ and presents thoughtful words to change the course of another.
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In this episode, we perceive a persuasive promise, as portrayed in Sangam Literary work, Aganaanooru 127, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches a noble portrait of the man.
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In this episode, we perceive a man’s angst, as depicted in Sangam Literary work, Aganaanooru 126, penned by Nakeerar. The verse is situated amidst the gushing rivers of the ‘Marutham’ or ‘Farmlands landscape’ and relates a personal situation to a historic event.
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In this episode, we listen to an angry retort to an inanimate element, as depicted in Sangam Literary work, Aganaanooru 125, penned by Paranar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse weaves in a relevant historical reference as an apt simile to echo an emotion within.
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In this episode, we listen to a man’s yearning to be back home, as depicted in Sangam Literary work, Aganaanooru 124, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated amidst the blooming jasmines and buzzing bees of the ‘Mullai’ or ‘Forest landscape’ and describes a homeward journey.
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In this episode, we perceive the troubled mind of a man, as depicted in Sangam Literary work, Aganaanooru 123, penned by Kaveripoompattinaththu Kaarikkannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse talks about the oscillations in the midst of an endeavour.
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In this episode, we listen to a list of impediments to trysting, as depicted in Sangam Literary work, Aganaanooru 122, penned by Paranar. Set amidst the hooting owls and crowing roosters of the ‘Kurinji’ or ‘Mountain landscape’, the verse presents the problems in the present and subtly nudges a change of course.
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In this episode, we perceive an animated reaction to a proposal, as portrayed in Sangam Literary work, Aganaanooru 121, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse relates the discomfort in a journey through this domain.
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In this episode, we listen to a pointed request, as depicted in Sangam Literary work, Aganaanooru 120, penned by Nakeeranaar. The verse is situated in the blue-lotus blooming backwaters of the ‘Neythal’ or ‘Coastal landscape’ and presents a subtle way to change a person’s course of action.
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In this episode, we perceive the yearning in a lady to part away with her man, as depicted in Sangam Literary work, Aganaanooru 119, penned by Kudavayil Keeraththanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents various aspects of this domain.
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In this episode, we perceive words of persuasion, as portrayed in Sangam Literary work, Aganaanooru 118, penned by Kabilar. The verse is situated amidst the roars of drums and tigers in the ‘Kurinji’ or ‘Mountain landscape’ and points the way forward in a subtle manner.
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In this episode, we listen to a mother’s words of love, as portrayed in Sangam Literary work, Aganaanooru 117, penned by an anonymous poet. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse brings out the tender thoughts in a mother’s heart at the juncture of her daughter’s elopement.
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In this episode, we hear the reason for a refusal, as depicted in Sangam Literary work, Aganaanooru 116, penned by Paranar. The verse is situated amidst the paddy stalks and lotus blooms of the ‘Marutham’ or ‘Farmlands landscape’ and illustrates the events of a historic battle.
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