Podcast Archive

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In this episode, we observe the plight of a lady at a midnight hour, as portrayed in Sangam Literary work, Kurunthogai 244, penned by Kannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, passing on a hidden message asking him to seek the lady’s hand in marriage.

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In this episode, we perceive an intricate response to words of advice, as portrayed in Sangam Literary work, Kurunthogai 243, penned by Nambi Kuttuvanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, replying to the confidante’s words that the lady must bear with the man’s parting.

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In this episode, we relish the joy of a mother in seeing her daughter happily married, as depicted in Sangam Literary work, Kurunthogai 242, penned by Kulatrathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady’s foster mother to the lady’s birth mother, on returning after a visit to the lady’s marital home.

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In this episode, we perceive the nature of grief, as depicted in Sangam Literary work, Kurunthogai 241, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying how she seems to have no control over the expression of her emotion.

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In this episode, we relish picturesque similes that detail the flora and fauna of the past, as portrayed in Sangam Literary work, Kurunthogai 240, penned by Kollan Azhisiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying the angst in her heart as evening arrives.

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In this episode, we relish intricate meanings weaved into elements of nature, as portrayed in Sangam Literary work, Kurunthogai 239, penned by Aasiriyar Perunkannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we observe the ire of a woman, as depicted in Sangam Literary work, Kurunthogai 238, penned by Kundriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, refusing to accept his words of reconciliation.

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In this episode, we listen to the worry in a man’s heart, as portrayed in Sangam Literary work, Kurunthogai 237, penned by Alloor Nanmullaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his charioteer, as he contemplates the distance between himself and his beloved.

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In this episode, we perceive the crisis in a man’s parting, as depicted in Sangam Literary work, Kurunthogai 236, penned by Nariveroothalaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, when he requests her to take care of the lady as he parts on a journey to gather wealth.

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In this episode, we relish picturesque references to a lady’s hamlet, as portrayed in Sangam Literary work, Kurunthogai 235, penned by Maayendanaar. Set in the ‘drylands’ of ‘Paalai’, the verse speaks in the voice of the man to the northern wind, concealing a hidden message to his charioteer, urging him to rush to the village of the man’s lady love.

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In this episode, we listen to an expression of desolation about time, as depicted in Sangam Literary work, Kurunthogai 234, penned by Milaiperunkanthanaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man continues to remain parted away.

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In this episode, we perceive the wealth of a home, as portrayed in Sangam Literary work, Kurunthogai 233, penned by Peyanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, on his return from a mission to gather wealth for his wedding with the lady.

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In this episode, we relish scenes in nature and the stories they tell, as depicted in Sangam Literary work, Kurunthogai 232, penned by Oon Pithaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, consoling her friend as the man remained parted away.

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In this episode, we perceive the angst of a lady at being ignored by her husband, as depicted in Sangam Literary work, Kurunthogai 231, penned by Paalai Paadiya Perunkandunko. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, refusing to entertain the message of reconciliation from the man.

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In this episode, we perceive a nuanced technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 230, penned by Pandiyan Arivudai Nambi. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message about the man’s request to tryst.

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In this episode, we listen to an amused expression of wonder, as depicted in Sangam Literary work, Kurunthogai 229, penned by Modhaasanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of wayfarers amongst themselves, on observing the man and lady, eloping together.

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In this episode, we delight in an expression about love that transcends space, as depicted in Sangam Literary work, Kurunthogai 228, penned by Seythi Valluvar Perunchaathanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s appreciation about the lady bearing well with the man’s parting.

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In this episode, we relish the science of deduction at play, as depicted in Sangam Literary work, Kurunthogai 227, penned by Othagnaaniyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a message to the man, listening nearby.

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In this episode, we perceive a picturesque portrait of an ancient shore, as depicted in Sangam Literary work, Kurunthogai 226, penned by Madurai Ezhuthaalan Senthampoothanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry about the lady, as the man remained parted away.

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In this episode, we perceive an intricate technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 225, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, pressing him to return without undue delay from his journey to gather wealth.

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In this episode, we perceive how humaneness soars even in the midst of suffering, as portrayed in Sangam Literary work, Kurunthogai 224, penned by Koovan Mainthanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to herself, passing on a message to the confidante, listening nearby.

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In this episode, we perceive a retrospective look at the past in response to a difficult situation in the present, as portrayed by Sangam Literary work, Kurunthogai 223, penned by Madurai Kadaiyathaar Makanaar Vennaakanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear with the man’s parting.

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In this episode, we perceive a curious way of ascertaining closeness, as portrayed in Sangam Literary work, Kurunthogai 222, penned by Siraikudi Aanthaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, after locating the lady’s confidante among her playmates.

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In this episode, we perceive references to the lives of ancient goatherds, as depicted in Sangam Literary work, Kurunthogai 221, penned by Uraiyoor Mudhukotranaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, conveying her angst as the man is delayed beyond his promised season of return.

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In this episode, we listen to a lady in angst, as depicted in Sangam Literary work, Kurunthogai 220, penned by Okoor Maasathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing her sorrow as the man continued to stay away.

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In this episode, we perceive a subtle technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 219, penned by Velloor Kizhaar Makanaar Venpoothiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive an angry sort of determination, as portrayed in Sangam Literary work, Kurunthogai 218, penned by Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s concern about the lady’s ability to bear with the man’s parting.

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In this episode, we listen to the rationalisation behind a difficult decision, as depicted in Sangam Literary work, Kurunthogai 217, penned by Thangaal Mudakkollanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, persuading the lady to follow the man’s proposed solution to their problem.

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In this episode, we perceive the angst of a parted lady, as portrayed in Sangam Literary work, Kurunthogai 216, penned by Kachipettu Kanchi Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words of concern about the lady’s ability to bear with the man’s parting.

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In this episode, we listen to comforting words, as portrayed in Sangam Literary work, Kurunthogai 215, penned by Madurai Alakkar Gnaalar Makanaar Mallanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, promising the lady that her man would return soon.

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In this episode, we perceive curious events around courtship, as depicted in Sangam Literary work, Kurunthogai 214, penned by Koodaloor Kizhaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady’s kith and kin, in response to arrangements for a ritual.

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In this episode, we relish an alluring scene in nature as an instance of a person’s determination, as depicted in Sangam Literary work, Kurunthogai 213, penned by Kachipettu Kaanji Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s worry that the man would return halfway from his mission.

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In this episode, we listen to persuasive words, as portrayed in Sangam Literary work, Kurunthogai 212, penned by Neythal Kaarkiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, bringing a request to tryst from the man.

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In this episode, we listen to words allaying anxiety, as portrayed in Sangam Literary work, Kurunthogai 211, penned by Kaavanmullai Poothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s words of worry about the man, who had parted away.

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In this episode, we learn of offerings made to birds and the significance of bird calls, as depicted in Sangam Literary work, Kurunthogai 210, penned by Kaakkai Paadiniyaar Nachellaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the man, in response to his praise about the friend’s comforting presence to the lady in the man’s absence.

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In this episode, we observe how a man expresses his affection after a long separation, as portrayed in Sangam Literary work, Kurunthogai 209, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to the confidante, passing on a message to the lady listening nearby.

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In this episode, we perceive a lady’s state of mind in a moment of domestic crisis, as depicted in Sangam Literary work, Kurunthogai 208, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words that the lady must bear with the man’s parting.

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In this episode, we perceive an interesting reaction to a message conveyed, as depicted in Sangam Literary work, Kurunthogai 207, penned by Uraiyanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, in response to the confidante’s news that the man has parted away.

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In this episode, we listen to a person’s perception about the paradox of love, as portrayed in Sangam Literary work, Kurunthogai 206, penned by Aiyoor Mudavanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s words of chiding about the man’s changed state.

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In this episode, we relish a picturesque comparison, as portrayed in Sangam Literary work, Kurunthogai 205, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words of concern as to how the lady would bear with the man’s parting.

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In this episode, we perceive a realistic portrait of the abstract emotion of love, as depicted in Sangam Literary work, Kurunthogai 204, penned by Milaiperunkanthanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man’s friend to the man, in response to the man’s recent changed state.

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In this episode, we perceive the clarity in a lady’s mind, as depicted in Sangam Literary work, Kurunthogai 203, penned by Nedumpalliyathanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, expressing her inability to accept the man’s request at reconciliation.

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In this episode, we perceive the angst in a lady’s heart about her beloved’s changed state, as depicted in Sangam Literary work, Kurunthogai 202, penned by Alloor Nanmullaiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the lady to her confidante, refusing the man, entry to their home.

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In this episode, we perceive the recollection of a past kindness, as portrayed in Sangam Literary work, Kurunthogai 201, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words when she visits the lady’s marital home.

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In this episode, we relish references to the rain, portrayed in Sangam Literary work, Kurunthogai 200, penned by Avvaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, in response to the friend’s words of consolation that the promised season of the man’s return had not yet arrived.

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In this episode, we perceive the depth of a man’s love for his lady, as depicted in Sangam Literary work, Kurunthogai 199, penned by Paranar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, in response to the confidante’s message that the lady has been confined to her house.

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In this episode, we perceive a stack of similes that illustrate elements of life in ancient Tamil country, as depicted in Sangam Literary work, Kurunthogai 198, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, requesting him to change the spot where he trysts with the lady.

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In this episode, we perceive the form a season takes in the mind of a lady, as depicted in Sangam Literary work, Kurunthogai 197, penned by Kachipettu Nannaakaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, conveying her torment as the man continues to be parted away.

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In this episode, we listen to an inference about the changing nature of a person’s love, as depicted in Sangam Literary work, Kurunthogai 196, penned by Milai Kanthanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, refusing his request to reconcile with the lady.

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In this episode, we observe a lady’s state of mind as evening approaches, as portrayed in Sangam Literary work, Kurunthogai 195, penned by Theratharanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, expressing her angst as the man remains parted away.

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In this episode, we perceive the precise reasons for a lady’s angst, as portrayed in Sangam Literary work, Kurunthogai 194, penned by Kovarthanaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man is delayed beyond his promised season of return.

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In this episode, we perceive the contentment in a lady, as portrayed in Sangam Literary work, Kurunthogai 193, penned by Arisil Kizhaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s comment, when she visited the lady in her marital home.

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In this episode, we relish a striking connection between an element of nature and a jeweller’s object, as portrayed in Sangam Literary work, Kurunthogai 192, penned by Kachipettu Nannaakaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting.

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In this episode, we perceive a lady’s response to the man’s absence, as portrayed in Sangam Literary work, Kurunthogai 191, penned by an anonymous poet. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, as the friend expressed worry about the lady’s ability to bear with the man’s parting.

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In this episode, we perceive a lady’s wondering question about the man, as portrayed in Sangam Literary work, Kurunthogai 190, penned by Poothampullanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of lady to her confidante, expressing her state of mind as she’s parted away from the man.

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In this episode, we observe a man’s masterplan to hurry home to his beloved, as depicted in Sangam Literary work, Kurunthogai 189, penned by Madurai Eelathu Poothanthevanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his charioteer, passing on a subtle message to his wife, listening nearby.

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In this episode, we perceive a lady’s angst as the season changes, as depicted in Sangam Literary work, Kurunthogai 188, penned by Madurai Alakkar Gnaalar Makanaar Mallanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, as the man is delayed beyond his promised season of return.

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In this episode, we observe the unshakeable trust in a beloved, as portrayed in Sangam Literary work, Kurunthogai 187, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, in response to the confidante’s words berating the parted man for the delay in returning to the lady.

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In this episode, we perceive a lady’s state of mind impacted by the changing seasons, as depicted in Sangam Literary work, Kurunthogai 186, penned by Okkoor Maasaathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing how she feels, as the man is delayed beyond his promised season of return.

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In this episode, we perceive a subtle technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 185, penned by Madurai Aruvai Vaanikan Ilavettanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to the confidante’s question about the lady’s changed state, even as the man was trysting with her.

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In this episode, we understand a man’s perception about a lady he met recently, as portrayed in Sangam Literary work, Kurunthogai 184, penned by Arya Arasan Yaazh Piramathathan, a king said to be from northern India. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the man to his friend, in response to the friend’s words scolding him for his changed behaviour.

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In this episode, we observe the effect of the changing season on nature, as portrayed in Sangam Literary work, Kurunthogai 183, penned by Avvaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry about the ability of the lady to bear with the man’s parting.

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In this episode, we perceive a young man’s desperation, as depicted in Sangam Literary work, Kurunthogai 182, penned by Madal Paadiya Maathankeeranaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his heart, passing on a pointed message to the lady’s confidante, listening nearby.

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In this episode, we perceive the conviction in a married lady about the way to be, as portrayed in Sangam Literary work, Kurunthogai 181, penned by Killimangalam Kizhaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, in response to the confidante’s words of rebuke about the man.

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In this episode, we perceive a thoughtful consolation as depicted in Sangam Literary work, Kurunthogai 180, penned by Kachipettu Nannaakaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing the man’s difficult path in his quest for wealth and concealing an assurance within.

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In this episode, we perceive an intriguing technique in persuasion, as depicted in Sangam Literary work, Kurunthogai 179, penned by Kuttuvan Kannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, concealing a hidden message in her words to him.

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In this episode, we perceive two precise similes to portray a person’s state of mind, as depicted in Sangam Literary work, Kurunthogai 178, penned by Nedumpalliyathaiyaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the confidante to the man, when visiting the man and lady at their home after their wedding.

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In this episode, we hear words of reassurance, as portrayed in Sangam Literary work, Kurunthogai 177, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, on observing the man’s arrival to tryst with the lady.

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In this episode, we perceive a unique technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 176, penned by Varumulaiyaarithiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying the worry in her heart and concealing a hidden message about the lady’s path forward.

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In this episode, we perceive the bold attitude of a lady, as depicted in Sangam Literary work, Kurunthogai 175, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words of reproach that the lady must bear with the man’s parting.

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In this episode, we observe the struggle between seeking wealth and showing kindness, as portrayed in Sangam Literary work, Kurunthogai 174, penned by Venpoothiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her anguish on hearing about the man’s intention to part away.

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In this episode, we observe curious customs in courtship, as portrayed in Sangam Literary work, Kurunthogai 173, penned by Madurai Kanji Pulavanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the confidante, when she refuses to accept his request to tryst with the lady.

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In this episode, we perceive the anguish of a lady separated from her beloved, as portrayed in Sangam Literary work, Kurunthogai 172, penned by Kachipettu Nannaakaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, in response to the friend’s words of worry about the lady bearing with the man’s parting.

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In this episode, we observe significant events in ancient matrimony, as depicted in Sangam Literary work, Kurunthogai 171, penned by Poonganuthiraiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, as the friend worries about the man’s parting away.

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In this episode, we listen to the echo of total trust in a beloved, as depicted in Sangam Literary work, Kurunthogai 170, penned by Karuvoor Kizhaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, who was worried that the lady would be unable to bear with the man’s parting.

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In this episode, we listen to words of anger expressing discontent within, as depicted in Sangam Literary work, Kurunthogai 169, penned by Velli Veethiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, as he tries to allay her ire about his parting away with a courtesan.

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In this episode, we relish a sensory experience involving flowers in the rain, as depicted in Sangam Literary work, Kurunthogai 168, penned by Siraikudi Aanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, in response to its insistence that he part away from the lady in search of wealth.

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In this episode, we perceive a quaint scene of domestic bliss, as portrayed in Sangam Literary work, Kurunthogai 167, penned by Koodalur Kizhaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady’s foster-mother to the birth-mother, narrating events that transpired in the lady’s marital home.

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In this episode, we observe how a city transforms in the view of a beholder, as depicted in Sangam Literary work, Kurunthogai 166, penned by Koodaloor Kizhar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, conveying the lady’s state as she’s confined to the house.

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In this episode, we observe the frenzied state of a heart in the first rush of love, as depicted in Sangam Literary work, Kurunthogai 165, penned by Paranar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the man to his heart, after the lady’s confidante refuses his request to tryst with the lady.

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In this episode, we observe negative emotions between two women, as depicted in Sangam Literary work, Kurunthogai 164, penned by Mangudi Maruthanaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the courtesan to her friend, while passing on a pointed message to the lady’s friends, listening nearby.

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In this episode, we perceive how a lady projects her feelings on an element of land, as depicted in Sangam Literary work, Kurunthogai 163, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the sea, lamenting about her state, as she remains parted away from the man.

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In this episode, we listen to how a man’s words to a flower echoes his deep feelings, as portrayed in Sangam Literary work, Kurunthogai 162, penned by Karuvoor Pavuthiranaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the man to a wild jasmine, as he returns homeward after completing his mission.

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In this episode, we observe a domestic scene and understand its hidden implications, as depicted in Sangam Literary work, Kurunthogai 161, penned by Nakirar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, passing on a message to the man, listening nearby.

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In this episode, we relish references to a bird that lived in ancient India, as depicted in Sangam Literary work, Kurunthogai 160, penned by Madurai Maruthan Ilanaakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to her friend’s consolation that the man would soon return.

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In this episode, we perceive a subtle technique of persuasion, as depicted in Sangam Literary work, Kurunthogai 159, penned by Vadama Vannakkan Perisaathanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we listen in to a conversation with a rain cloud, as depicted in Sangam Literary work, Kurunthogai 158, penned by Avvaiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the rain, while passing on a hidden message to the man, listening nearby.

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In this episode, we perceive fear in the heart of a lady, as portrayed in Sangam Literary work, Kurunthogai 157, penned by Alloor Nanmullaiyaar. The verse is situated in the agricultural lands of ‘Marutham’ and speaks in the voice of the lady, conveying the thoughts in her heart, at the prospect of parting with her beloved.

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In this episode, we learn of the customs of a particular sect of people in ancient times, as depicted in Sangam Literary work, Kurunthogai 156, penned by Pandiyan Enaathi Nedunkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s words of chiding about the man’s changed behaviour.

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In this episode, we relish references to intriguing objects used in ancient times, as depicted in Sangam Literary work, Kurunthogai 155, penned by Urodakathu Kantharathanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her angst at not hearing news of the man’s return.

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In this episode, we perceive scenes from nature echoing the lady’s emotions, as depicted in Sangam Literary work, Kurunthogai 154, penned by Madurai Seethalathai Saathanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her inability to bear with the man’s parting.

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In this episode, we listen to the changes in a lady’s perception, as portrayed in Sangam Literary work, Kurunthogai 153, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, explaining the reason the confidante must present to the man to persuade him to seek her hand in marriage.

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In this episode, we perceive intriguing references to tortoise eggs, as portrayed in Sangam Literary work, Kurunthogai 152, penned by Killimangalam Kizhaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, in response to her friend’s frustration that the lady was not bearing well with the man’s parting.

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In this episode, we perceive the struggles in a man’s mind as he decides between love and wealth, as depicted in Sangam Literary work, Kurunthogai 151, penned by Thoongaloriyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, conveying his decision concerning parting with the lady to go in search of wealth.

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In this episode, we observe the puzzled wonderment in a lady, as depicted in Sangam Literary work, Kurunthogai 150, penned by Maadaloor Kizhaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, when her friend approaches her about a tryst by night, with the man.

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In this episode, we perceive the importance accorded to a woman’s shyness, as portrayed in Sangam Literary work, Kurunthogai 149, penned by Velli Veethiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, on hearing that the lady had to elope away with the man.

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In this episode, we relish stacked similes that tell us a tale of parting, as depicted in Sangam Literary work, Kurunthogai 148, penned by Ilankeeranthaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, in response to her friend’s consolation about the man’s return.

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In this episode, we relish the magical feelings evoked by a dream, as depicted in Sangam Literary work, Kurunthogai 147, penned by Koperunchozhan. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to a dream, conveying his bittersweet emotions, as he remains parted away from the lady.

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In this episode, we listen to tidings of joy, as portrayed in Sangam Literary work, Kurunthogai 146, penned by Velliveethiyaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s worry that her kith and kin would reject the offer of marriage put forth by the man’s family.

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In this episode, we perceive the indignation in a lady about how the world around receives her sorrow, as depicted in Sangam Literary work, Kurunthogai 145, penned by Kollan Azhisiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, one night, when the man is away, seeking wealth to win her hand.

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In this episode, we perceive the change in circumstances in the life of a young girl, as depicted in Sangam Literary work, Kurunthogai 144, penned by Madurai Aasiriyar Kodan Kotranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the foster-mother, agonising over her daughter’s elopement.

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In this episode, we listen to an effective consolation, as depicted in Sangam Literary work, Kurunthogai 143, penned by Madurai Kanakkaayanaar Makanaar Nakkeeranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying words of positivity about the man’s return.

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In this episode, we perceive the poignant feelings in a man, as portrayed in Sangam Literary work, Kurunthogai 142, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, expressing his angst in parting with his lady after their union.

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In this episode, we perceive scenes from the mountain country echoing fears within, as portrayed in Sangam Literary work, Kurunthogai 141, penned by Madurai Perunkollanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, passing on a message to the man, listening nearby.

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In this episode, we perceive a distinctive technique of registering dissent, as depicted in Sangam Literary work, Kurunthogai 140, penned by Alloor Nanmullaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to her friend’s comment about bearing with the man’s separation.

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In this episode, we perceive the projection of human concerns on other life around, as depicted in Sangam Literary work, Kurunthogai 139, penned by Okkoor Maasaathiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry to the lady’s house.

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In this episode, we relish references to nature stitched seamlessly into this song on relationships, as depicted in Sangam Literary work, Kurunthogai 138, penned by Kollan Azhisi. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive a unique way of allaying anxiety about separation, as portrayed in Sangam Literary work, Kurunthogai 137, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to the lady, in response to her fears about his parting away.

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In this episode, we perceive the natural correlation between animal and human life, as depicted in Sangam Literary work, Kurunthogai 136, penned by Milai Perunkanthanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, detailing the misunderstood nature of love.

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In this episode, we perceive the priorities in the life of men and women, as portrayed in Sangam Literary work, Kurunthogai 135, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s fear that the man was preparing to part away.

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In this episode, we look at the spread of the land in a mountain country and see the lady’s emotions there, as portrayed in Sangam Literary work, Kurunthogai 134, penned by Kovengai Perunkathavanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, expressing her yearning for the man’s return.

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In this episode, we observe how a mountain farmer’s field speaks the hope in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 133, penned by Uraiyoor Muthukannan Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, as the man delays seeking her hand in marriage.

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In this episode, we listen to a description of a beloved in the words of a heart in love, as depicted in Sangam Literary work, Kurunthogai 132, penned by Sirakudi Aanthaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, in response to the friend’s words chiding the man for his unstable behaviour after falling in love.

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In this episode, we perceive how a simile from a farming field prints tracks of the heart, as portrayed in Sangam Literary work, Kurunthogai 131, penned by Or Er Uzhavanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, as his mission ends and his promised season of return approaches.

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In this episode, we perceive a persuasive argument to pacify an anxious heart, as depicted in Sangam Literary work, Kurunthogai 130, penned by Velli Veethiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying her anxiety about the man, who had parted away.

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In this episode, we listen to the beat of a passionate heart, as echoed by Sangam Literary work, Kurunthogai 129, penned by Koperunchozhan, a poet-king. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, explaining the reason for the recent changes in him.

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In this episode, we relish a precise simile from the natural world that pinpoints to the emotions within, as depicted in Sangam Literary work, Kurunthogai 128, penned by Paranar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man to his heart, expressing his dejection at being unable to meet his lady at the trysting spot.

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In this episode, we take in a scene from the fields of a farming town and perceive the consequences of a lie, as depicted in Sangam Literary work, Kurunthogai 127, penned by Orambokiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, in response to the words of the singer, sent as a messenger by the man to allay the anger of his lady.

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In this episode, we observe the projection of inner angst on the outer world, as portrayed in Sangam Literary work, Kurunthogai 126, penned by Okkoor Maasaathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her pain as the man remains parted away.

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In this episode, we hear the echo of the heart in an image from nature, as portrayed in Sangam Literary work, Kurunthogai 125, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the sound reasoning in a pertinent question, as portrayed in Sangam Literary work, Kurunthogai 124, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the man, as he prepares to part away from the lady.

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In this episode, we observe the ingenuity of a person in conveying urgency, as portrayed in Sangam Literary work, Kurunthogai 123, penned by Aiyoor Mudavanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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In this episode, we listen to a lady’s lament about the imminent evening, as portrayed in Sangam Literary work, Kurunthogai 122, penned by Orambokiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, illustrating the effect of an evening on her mind.

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In this episode, we perceive a case of mistakes and their consequences, as portrayed in Sangam Literary work, Kurunthogai 121, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying how she had been disappointed once before, mistaking sounds around for the man’s call to tryst.

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In this episode, we listen to abstract notions about wealth and joy, as depicted in Sangam Literary work, Kurunthogai 120, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, in a message of consolation when being unable to meet with the lady at their trysting spot.

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In this episode, we listen to a man echo his inner emotions by narrating a scene in the wild, as depicted in Sangam Literary work, Kurunthogai 119, penned by Sathinaathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his friend, expressing the reason for the recent change in his composure.

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