Podcast Archive

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In this episode, we perceive the changing thoughts in a person’s mind, as depicted in Sangam Literary work, Puranaanooru 43, penned about Maavalathaan, the younger brother of Chozha king Nalankilli, by the poet Thaamarpal Kannanaar. Set in the category of ‘Vaagai Thinai’ or ‘king’s victory’, the verse illustrates how this royal personality won the heart of an angered poet.

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In this episode, we perceive the wealth and satisfaction in a land, as depicted in Sangam Literary work, Puranaanooru 42, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Idaikaadanaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘king’s victory’ and talks about the many ways the king’s rule brings joy to the people of his land.

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In this episode, we perceive the fury of a king in a battle, as depicted in Sangam Literary work, Puranaanooru 41, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Kovoor Kizhaar. Set in the category of ‘Vanji Thinai’ or ‘King’s prowess in the battlefield’, the verse elaborates on the state of people in enemy nations.

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In this episode, we perceive a symbolic transformation of power, as depicted in Sangam Literary work, Puranaanooru 40, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Avoor Moolankizhaar. Set in the category of ‘Paadaan Thinai’ or ‘king’s praise’, the verse renders words of advice to bring forever fame to the name of this Chozha king.

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In this episode, we perceive an indirect technique of rendering laurels unto a king, as depicted in Sangam Literary work, Puranaanooru 39, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Maarokkathu Nappasalaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘king’s praise’, the verse describes the glories of this Chozha king and his ancestors.

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In this episode, we listen to a glowing tribute to a king, as depicted in Sangam Literary work, Puranaanooru 38, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Avoor Moolankizhaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘king’s praise’ and speaks about power of the Chozha king and the prosperity in his domain.

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In this episode, we perceive the intrepid nature of a king, as portrayed in Sangam Literary work, Puranaanooru 37, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Maarokkathu Nappasalaiyaar. Set in the category of ‘Vaagai Thinai’ or ‘king’s victory’, the verse renders indirect praise by depicting the strength of an enemy king.

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In this episode, we listen to an argument for defending honour in the battlefield, as depicted in Sangam Literary work, Puranaanooru 36, penned about the Chozha king Kulamutrathu Thunjiya Killivalavan by the poet Aalathoor Kizhaar. The verse is set in the category of ‘Vanji Thinai’ or ‘king’s prowess in the battlefield’ and renders a pointed message about an enemy ruler to the Chozha king.

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In this episode, we listen to thoughtful words of advice rendered to a king, as depicted in Sangam Literary work, Puranaanooru 35, penned about the Chozha king Kulamutrathu Thunjiya Killivalavan by the poet Vellaikudi Naakanaar. Set in the category of ‘Paadaan Thinai’ or ‘king’s praise’, the verse focuses on the importance of rendering justice to the farming subjects in a reign.

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In this episode, we perceive the respect and gratitude that a king inspires, as depicted in Sangam Literary work, Puranaanooru 34, penned about the Chozha king Kulamutrathu Thunjiya Killivalavan by the poet Aalathoor Kizhaar. The verse is set in the category of ‘Paadaan Thinai’ or ‘king’s praise’ and speaks of the benevolence of this Chozha ruler.

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In this episode, we learn of a king’s victorious exploits in an enemy land, as depicted in Sangam Literary work, Puranaanooru 33, penned about the Chozha King Nalankilli, by the poet Kovoor Kizhaar. Set in the category of ‘Vaagai Thinai’ or ‘king’s victory’, the verse speaks about the luminous presence of a king at the scene of war.

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In this episode, we listen to a glowing tribute to a king, as depicted in Sangam Literary work, Puranaanooru 32, penned about the Chozha King Nalankilli, by the poet Kovoor Kizhaar. The verse is set in the category of ‘Paadaan Thinai’ or ‘king’s praise’ and speaks about the wealth and generosity of an ancient monarch.

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In this episode, we perceive a king’s capabilities in the battlefield as depicted in Sangam Literary work, Puranaanooru 31, penned about the Chozha King Nalankilli, by the poet Kovoor Kizhaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse speaks about the consequences of the king’s prowess in war.

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In this episode, we perceive the trade and prosperity of an ancient nation, as depicted in Sangam Literary work, Puranaanooru 30, penned about the Chozha king Nalankilli by the poet Uraiyoor Muthukannan Saathanaar. The verse is set in the category of ‘Paadaan Thinai’ or ‘king’s praise’ and talks about the nature of this Chozha king.

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In this episode, we listen to words of advice rendered to a king, as portrayed in Sangam Literary work, Puranaanooru 29, penned about the Chozha king Nalankilli by the poet Uraiyoor Muthukannan Saathanaar. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse visualises the life this Chozha king shall lead.

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In this episode, we perceive the prosperity of a king’s land, as portrayed in Sangam Literary work, Puranaanooru 28, penned about the Chozha king Nalankilli by the poet Uraiyoor Muthukannan Saathanaar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’ and renders words of advice to this Chozha king on living a worthy life.

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In this episode, we perceive stunning similes regarding life and death, as depicted in Sangam Literary work, Puranaanooru 27, penned about the Chozha king Nalankilli by the poet Uraiyoor Muthukannan Saathanaar. Set in the category of ‘Pothiviyial Thinai’ or ‘miscellaneous matters’, the verse renders words of advice to this Chozha king.

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In this episode, we listen to an account of a war ritual, as depicted in Sangam Literary work, Puranaanooru 26, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Mangudi Kizhaar. The verse is set in the category of ‘Vaagai Thinai’ or ‘king’s victory’ and speaks of the king’s enemies and their curious claim to fame.

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In this episode, we perceive ancient customs during and after a battle, as portrayed in Sangam Literary work, Puranaanooru 25, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Kallaadanaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse talks about the events and consequences of the battle at Thalaiyaalankaanam.

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In this episode, we relish joyous moments from the lives of common people in ancient times, as portrayed in Sangam Literary work, Puranaanooru 24, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Mangudi Kizhaar. The verse is set in the category of ‘Pothiviyal Thinai’ or ‘miscellaneous matters’ and renders thoughts on living a good life unto this Pandya king.

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In this episode, we perceive scenes of destruction in war, as depicted in Sangam Literary work, Puranaanooru 23, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Kallaadanaar. Set in the category of ‘Vaagai Thinai’ or ‘a king’s victory’, the verse presents the elements of ruin in the king’s enemy nations.

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In this episode, we perceive the portrait of a king’s land, as depicted in Sangam Literary work, Puranaanooru 22, penned about the Chera King Yaanaikatchey Maantharancheral Irumporai, by the poet Kurunkozhiyoor Kizhaar. The verse is set in the category of ‘Vaagai Thinai’ or ‘a king’s victory’ and speaks of protection and peace in this king’s domain.

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In this episode, we learn of the design of an ancient fort, as portrayed in Sangam Literary work, Puranaanooru 21, penned about the Pandya King Kaanapereyil Kadantha Ukkira Peruvazhuthi by the poet Aiyoor Moolankizhaar. Set in the category of ‘Vaagai Thinai’ or ‘king’s victory’, the verse celebrates the capture of a famous fort in Sangam times.

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In this episode, we relish a heartwarming portrayal of a king’s rule, as depicted in Sangam Literary work, Puranaanooru 20, penned about the Chera King Yaanaikatchey Maantharancheral Irumporai, by the poet Kurunkozhiyoor Kizhaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘a king’s victory’ and elaborates on the elements in this king’s just and victorious reign.

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In this episode, we listen to the exploits of a king on a battlefield, as portrayed in Sangam Literary work, Puranaanooru 19, penned about the Pandya king Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Kudapulaviyanaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘a king’s victory’ and speaks of how the king won over seven rival rulers at a famous battle in Tamil history.

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In this episode, we listen to sound advice rendered to a king, as depicted in Sangam Literary work, Puranaanooru 18, penned about the Pandya king Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Kudapulaviyanaar. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse renders insight on the priorities of ancient nations.

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In this episode, we perceive the courage and determination of a king, as depicted in Sangam Literary work, Puranaanooru 17, penned for the Chera King Yaanaikatchey Maantharancheral Irumporai, by the poet Kurunkozhiyoor Kizhaar. The verse is set in the category of ‘Vaagai Thinai’ or ‘celebration of a king’s victory’ and talks about the past and present of this charismatic king.

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In this episode, we perceive a king’s actions in a war, as portrayed in Sangam Literary work, Puranaanooru 16, penned about the Chozha King Raasasooyam Vetta Perunarkilli by the poet Paandarankannanaar. Set in the category of ‘Vanji Thinai’ or ‘a king’s prowess in the battlefield’, the verse talks about the ruin brought about on enemy lands.

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In this episode, we perceive two dimensions of a king, as portrayed in Sangam Literary work, Puranaanooru 15, penned about the Pandya King Palyaakasaalai Muthukudumi Peruvazhuthi by the poet Nettimaiyaar. The verse is situated in the category of ‘Paadan Thinai’ or ‘praise of a king’ and speaks of the post-war actions of a king in an enemy land.

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In this episode, we perceive a portrait of a king through the dynamic depiction of his hands, as illustrated in Sangam Literary work, Puranaanooru 14, penned about the Chera King Kadunko Vaazhiyaathan by the poet Kabilar. Set in the category of ‘Paadaan Thinai’ or ‘praise of a king’, the verse brings in a nuanced contrast in its depiction of a physical feature.

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In this episode, we listen to a description of a king’s land, as depicted in Sangam Literary work, Puranaanooru 13, penned about the Chozha King Mudithalai Koperunarkilli, by the poet Uraiyur Enicheri Mudamosiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘praise of a king’ and wishes safety for the king, who finds himself in a precarious situation.

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In this episode, we perceive an interesting technique of celebrating a king, as depicted in Sangam Literary work, Puranaanooru 12, penned about the Pandya King Palyaakasaalai Muthukudumi Peruvazhuthi by the poet Nettimaiyaar. Set in the category of ‘Paadan Thinai’ or ‘praise of a king’, the verse brings out the duality in a king’s personality.

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In this episode, we perceive the courage, fame and generosity of a king, as portrayed in Sangam Literary work, Puranaanooru 11, penned for the Chera King Paalai Paadiya Perunkadunko, by the poet Peymakal Ilaveyiniyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘praise of a king’ and elaborates the joyous elements in the king’s town and the specifics of his rewards to performers.

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In this episode, we learn of the fairness and fame of a king, as depicted in Sangam Literary work, Puranaanooru 10, penned about the Chozha King Neythalankaanal Ilanchetchenni by the poet Oonpothi Pasunkudaiyaar. Set in the category of ‘Paadan Thinai’ or ‘praise of a king’, the verse describes the qualities of justice, hospitality and courage in this king.

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In this episode, we listen to words about a king’s nature, as depicted in Sangam Literary work, Puranaanooru 9, penned about the Pandya King Palyaakasaalai Muthukudumi Peruvazhuthi by the poet Nettimaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘praise of a king’ and demonstrates acutely the kind of person the ruler is.

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In this episode, we perceive a comparison between the sun and a king, as portrayed in Sangam Literary work, Puranaanooru 8, about the Chera King Kadunko Vaazhiyaathan, sung by the poet Kabilar. Set in the category of ‘Paadan Thinai’ or ‘praise of a king’, the verse describes a ruler by outlining his motivations and qualities and placing him in parallel to a celestial object.

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In this episode, we perceive the pitiable state of a king’s enemies, as portrayed in Sangam Literary work, Puranaanooru 7, penned for the Chozha king Karikaalan by the poet Karunkuzhal Aathanaar. The verse is situated in the category of ‘Vanji Thinai’ or ‘a king’s prowess in the battlefield’, and depicts the past and present of an enemy nation.

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In this episode, we perceive the fame and glory of a ruler, as portrayed in Sangam Literary work, Puranaanooru 6, penned for the Pandya king Palyaakasaalai Muthukudumi Peruvazhuthi, by the poet Kaari Kizhaar. Set in the category of ‘Paadan Thinai’ or ‘praise of a king’, the verse etches a detailed portrait of a monarch and renders blessings unto him.

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In this episode, we listen to words of advice rendered to a king, as depicted in Sangam Literary work, Puranaanooru 5, penned for the Chera king Karuvooreriya Olvaal Koperuncheral, by poet Nariveroouthalaiyaar. The verse is set in the category of ‘Padaan Thinai’, praising a king and showing him the way forward.

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In this episode, we perceive scenes from war, as depicted in Sangam Literary work, Puranaanooru 4, sung about the Chozha king Uruvappahrer Ilanchetchenni by the poet Paranar. The verse is set in the category of ‘Vanji Thinai’ or ‘a portrait of a warrior king’, elaborating the state of the said king’s enemies.

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In this episode, we listen to a tribute sung to a Pandya king, as portrayed in Sangam Literary work, Puranaanooru 3, penned for the king Karunkai Olvaal Perumpeyar Vazhuthi by the poet Irumpidarthalaiyaar. The verse is set in the category of ‘Paadaan Thinai’, celebrating the qualities of this Pandiya king, said to be the maternal uncle of the renowned ‘Karikaala Chozhan’ of the Sangam era.

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In this episode, we listen to words of praise rendered unto a king, as portrayed in Sangam Literary work, Puranaanooru 2, sung to the Chera ruler ‘Perunchotru Uthiyan Cheralathan’ by the poet ‘Muranjiyur Mudinaakanaar.’ The verse is grouped under the category of ‘Paadan Thinai’, which is a ‘paean’ listing the laudable qualities of a person.

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In this episode, we perceive praises to a God, as portrayed in Sangam Literary work, Puranaanooru 1, penned by Baaratham Paadiya Perunthevanaar. Puranaanooru, which we begin to explore today, is about the outer life of Sangam people, presenting information about historical events and social dynamics of this era. This particular song is an invocation to God Shiva, added as part of the collection by this poet, who is believed to have been from a later period.

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In this episode, we listen to a lady’s perception of her changing circumstances, as portrayed in the last of the ‘Kurunthogai’ verses, Sangam Literary work, Kurunthogai 401, penned by Ammovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to herself, expressing her thoughts on her confinement at home.

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In this episode, we listen to words of heartfelt gratitude, as depicted in Sangam Literary work, Kurunthogai 400, penned by Peyanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, on returning home after his long journey away from the lady.

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In this episode, we relish an apt simile that acutely depicts a lady’s situation, as portrayed in Sangam Literary work, Kurunthogai 399, penned by Paranar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, as the man delays seeking her hand in marriage.

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In this episode, we listen to a sharp response to words of advice, as portrayed in Sangam Literary work, Kurunthogai 398, penned by Paalai Paadiya Perungkadungko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, as the man remains parted away.

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In this episode, we perceive a thoughtful farewell message, as portrayed in Sangam Literary work, Kurunthogai 397, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, as he prepares to part away in search of wealth.

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In this episode, we listen to a mother’s shocked words, as portrayed in Sangam Literary work, Kurunthogai 396, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady’s mother, on learning that her daughter had eloped with the man.

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In this episode, we perceive the helplessness in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 395, penned by an anonymous poet. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, reflecting on her suffering-filled situation, as the man remains parted away.

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In this episode, we perceive the aptness of a simile from nature, as portrayed in Sangam Literary work, Kurunthogai 394, penned by Kuriyiraiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, speaking of the man in a disparaging tone, as he remains parted away.

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In this episode, we learn of historical incidents in a song on relationships, as depicted in Sangam Literary work, Kurunthogai 393, penned by Paranar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive a unique technique of persuasion, as depicted in Sangam Literary work, Kurunthogai 392, penned by Thumbiser Keeranaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to a bee, passing on a pointed message to the man, listening nearby.

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In this episode, we perceive the effect of rains on land and life, as depicted in Sangam Literary work, Kurunthogai 391, penned by Pon Maniyaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, relating the tormenting elements in her surroundings, as the man remains parted away.

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In this episode, we learn about a specific danger in travelling at night, as depicted in Sangam Literary work, Kurunthogai 390, penned by Uraiyoor Mudhukottranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of a wayfarer to the man, offering words of timely advice.

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In this episode, we perceive the jubilation on hearing a good news, as portrayed in Sangam Literary work, Kurunthogai 389, penned by Vettakannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, revealing positive developments with respect to the lady’s marriage.

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In this episode, we relish a picturesque simile that sketches perfect belief in another, as portrayed in Sangam Literary work, Kurunthogai 388, penned by Avvaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, insisting that the lady could bear the journey through the drylands in the company of the man.

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In this episode, we listen to the distress of a lady as she contemplates an evening and night ahead of her, as depicted in Sangam Literary work, Kurunthogai 387, penned by Kangul Vellathaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear better with the man’s parting.

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In this episode, we perceive how the time of the day changes its nature in the mind of a maiden, as portrayed in Sangam Literary work, Kurunthogai 386, penned by Velliveethiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words that the lady must bear better with the man’s parting.

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In this episode, we relish scenes from the wild in a mountain country, as depicted in Sangam Literary work, Kurunthogai 385, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, subtly requesting the friend to reveal the lady’s relationship to her kith and kin.

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In this episode, we listen to a strong refusal, as portrayed in Sangam Literary work, Kurunthogai 384, penned by Orambokiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the man, denying him entry to the lady’s house.

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In this episode, we listen to a person’s angst arising out of the indecision of another, as depicted in Sangam Literary work, Kurunthogai 383, penned by Padumarathu Mosi Keeranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, explaining her difficult situation relating to the lady’s elopement with the man.

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In this episode, we observe the changing seasons and their consequences, as portrayed in Sangam Literary work, Kurunthogai 382, penned by Kurunkeeranaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, allaying the lady’s worry that the man remains parted away even after the promised season of return had arrived.

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In this episode, we observe a counter-intuitive method of offering consolation, as depicted in Sangam Literary work, Kurunthogai 381, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, speaking in a disparaging tone about the lady’s relationship with the man.

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In this episode, we observe an intriguing technique of consolation, as portrayed in Sangam Literary work, Kurunthogai 380, penned by Karuvoor Kathapillai. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, relating how the man continues to remain parted away.

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In this episode, we perceive a unique method of making an announcement, as portrayed in Sangam Literary work, Kurunthogai 379, penned by an anonymous poet. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a pointed message to the lady’s kith and kin, listening nearby.

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In this episode, we listen to a mother’s wishes for the well-being of her daughter, as depicted in Sangam Literary work, Kurunthogai 378, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady’s mother, on hearing that her daughter had eloped away with the man.

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In this episode, we observe the discovery of solace in the midst of discomfort, as depicted in Sangam Literary work, Kurunthogai 377, penned by Mosi Kotranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry that the lady is not bearing well with the man’s parting.

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In this episode, we relish picturesque descriptions of a lady’s qualities, as depicted in Sangam Literary work, Kurunthogai 376, penned by Padumarathu Mosikotranaar. Set in the coasts of ‘Neythal’, the verse speaks in the voice of the man to his heart, expressing why he is unable to part with the lady to go in search of wealth.

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In this episode, we perceive a curious way of persuading another, as depicted in Sangam Literary work, Kurunthogai 375, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, while passing on a hidden message to the man, listening nearby.

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In this episode, we relish a unique simile involving a bird’s actions, as depicted in Sangam Literary work, Kurunthogai 374, penned by Uraiyoor Palkaayanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, explaining how the events unfolding in the lady’s life came about.

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In this episode, we listen to words depicting deep trust, as portrayed in Sangam Literary work, Kurunthogai 373, penned by Madurai Kollam Pullanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, asking the lady not to heed the slander in town about the lady’s relationship with the man.

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In this episode, we perceive a visually compelling technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 372, penned by Vitrootru Mootheyinanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the portrayal of love as an affliction, as depicted in Sangam Literary work, Kurunthogai 371, penned by Uraiyoor Muthukootranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, explaining why she is unable to bear with the man’s parting.

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In this episode, we listen to defensive words to clarify a situation, as depicted in Sangam Literary work, Kurunthogai 370, penned by Villakaviralinaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the courtesan, in response to disparaging words spoken by the lady, as the lady’s friends listen nearby.

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In this episode, we listen to a decisive plan of action as depicted in Sangam Literary work, Kurunthogai 369, penned by Kudavaayil Keerathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing the need for the lady to elope away with the man.

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In this episode, we observe the joyous anticipation of the future, as portrayed in Sangam Literary work, Kurunthogai 368, penned by Nakirar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, on hearing that the man has arrived to claim her hand in marriage.

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In this episode, we perceive a thoughtful way of communicating something, as depicted in Sangam Literary work, Kurunthogai 367, penned by Madurai Maruthan Ilanakanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, showing her the way to carry on.

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In this episode, we listen to wise words about the inevitability of an event, as portrayed in Sangam Literary work, Kurunthogai 366, penned by Peri Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady’s mother, revealing the lady’s relationship with the man.

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In this episode, we observe the acute effects of pining in a lady, as depicted in Sangam Literary work, Kurunthogai 365, penned by Madurai Nalvelliyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, explaining the lady’s inability to bear with his parting.

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In this episode, we perceive envy and quarrel over a man, as portrayed in Sangam Literary work, Kurunthogai 364, penned by Avvaiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of a courtesan, passing on a pointed message to the friends of another courtesan.

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In this episode, we perceive a nuanced approach to dissuading someone, as depicted in Sangam Literary work, Kurunthogai 363, penned by Selloor Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, when he tells her of his intention to part away from the lady to go in search of wealth.

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In this episode, we observe the courage of a person in questioning false beliefs, as portrayed in Sangam Literary work, Kurunthogai 362, penned by Vempatroor Kannan Koothanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the priest Velan, passing on a clear message about the lady’s relationship with the man to the listening kith and kin.

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In this episode, we perceive how solace can come from unexpected corners, as portrayed in Sangam Literary work, Kurunthogai 361, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to that friend’s appreciation that the lady had bore well with the man’s parting.

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In this episode, we perceive the intricate thought process of a Sangam lady in a critical situation, as portrayed in Sangam Literary work, Kurunthogai 360, penned by Madurai Eelathu Poothanthevanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, passing on a pointed message to the man, listening nearby.

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In this episode, we perceive a happy moment of reconciliation, as depicted in Sangam Literary work, Kurunthogai 359, penned by Peyanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the bard, relating how the man has managed to allay the anger of his wife and reunite with her.

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In this episode, we listen to consoling words rendered to an anxious heart, as depicted in Sangam Literary work, Kurunthogai 358, penned by Kotranaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, as the man remains parted away.

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In this episode, we gaze at soaring mountains and falling stars, as portrayed in Sangam Literary work, Kurunthogai 357, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive shock and disbelief in the voice of a mother, as portrayed in Sangam Literary work, Kurunthogai 356, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady’s mother, on hearing about the lady’s elopement with the man.

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In this episode, we observe an ancient mountain village at a particular time of the day, as depicted in Sangam Literary work, Kurunthogai 355, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, as he arrives at the lady’s house for his nightly tryst.

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In this episode, we listen to philosophical words rendered in a moment of angst, as portrayed in Sangam Literary work, Kurunthogai 354, penned by Kayathoor Kizhaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry to the lady’s house.

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In this episode, we perceive contrasting scenes and emotions, as depicted in Sangam Literary work, Kurunthogai 353, penned by Uraiyoor Muthukootranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we relish a striking plant-animal simile, as portrayed in Sangam Literary work, Kurunthogai 352, penned by Kadiyaloor Uruthirankannanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her distress as the man remains parted away.

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In this episode, we perceive the perfect fusion of elements in nature and emotions in human nature, as depicted in Sangam Literary work, Kurunthogai 351, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, conveying a happy news to her friend.

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In this episode, we perceive a technique to effect acceptance, as depicted in Sangam Literary work, Kurunthogai 350, penned by Aalathoor Kizhaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of confidante to the lady, asking her to bear better with the man’s parting.

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In this episode, we reflect on honour in charity, as portrayed in Sangam Literary work, Kurunthogai 349, penned by Saathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a pointed message to the man, listening nearby.

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In this episode, we perceive the projection of an emotion on an element in nature, as depicted in Sangam Literary work, Kurunthogai 348, penned by Maavalathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante rendering the lady, an assurance that the man will not part away from her.

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In this episode, we relish a picturesque comparison between plant and animal life, as portrayed in Sangam Literary work, Kurunthogai 347, penned by Kaaviripoompattinathu Chentham Kannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, expressing his inability to part with the lady.

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In this episode, we perceive how a person reads the heart of another, as portrayed in Sangam Literary work, Kurunthogai 346, penned by Vaayil Ilankannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, subtly persuading her to tryst with the man by night.

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In this episode, we listen to words inviting a person to stay, as depicted in Sangam Literary work, Kurunthogai 345, penned by Andar Makan Kuruvaluthiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, requesting him to tryst with the lady by night.

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In this episode, we listen to a lady’s angst as evening descends, as portrayed in Sangam Literary work, Kurunthogai 344, penned by Kurungudi Maruthanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man continues to be parted away, in his quest for wealth.

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In this episode, we perceive an expression of deep confidence, as depicted in Sangam Literary work, Kurunthogai 343, penned by Eelathu Poothanthevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, requesting the lady to consider eloping with the man.

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In this episode, we observe how a relationship crisis is projected on elements of nature, as depicted in Sangam Literary work, Kurunthogai 342, penned by Kaaviripoompattinathu Kantharathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the man, bidding him to seek the lady’s hand in marriage.

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In this episode, we perceive the changes spring brings to a grove and a lady in love, as depicted in Sangam Literary work, Kurunthogai 341, penned by Milaikizhaar Nalvettanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s question about how the lady would bear with the man’s parting, as the promised season of return arrives.

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In this episode, we perceive the changing stance of a heart, as depicted in Sangam Literary work, Kurunthogai 340, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, when the confidante conveys the man’s request to tryst with the lady by night.

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In this episode, we observe a unique way of cheering someone, as depicted in Sangam Literary work, Kurunthogai 339, penned by Peyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, stressing the need to bear with the man’s parting.

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In this episode, we relish a serene scene in the wild, as depicted in Sangam Literary work, Kurunthogai 338, penned by Perunkundroor Kizhaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring her of the man’s return.

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In this episode, we perceive markers of a woman’s maturity, as depicted in Sangam Literary work, Kurunthogai 337, penned by Pothukkayathu Keeranthaiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to the confidante, in response to the confidante’s refusal for the man’s request to tryst with the lady.

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In this episode, we listen to an instance of tactful refusal and skilful persuasion, as depicted in Sangam Literary work, Kurunthogai 336, penned by Kundriyanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, questioning his intention to tryst with the lady by night, in a thoughtful way.

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In this episode, we relish a scene involving wildlife in the mountains, as depicted in Sangam Literary work, Kurunthogai 335, penned by Irunthaiyoor Kotran Pulavanaar. Set in the hills of Kurinji, the verse speaks in the voice of the confidante to the man, refusing him his request of nightly tryst with the lady.

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In this episode, we learn of the precarious situation a lady finds herself in, and of her subtle note of hope, as depicted in Sangam Literary work, Kurunthogai 334, penned by Ilampoothanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, in response to the friend’s question as to whether the lady could bear with the man’s parting.

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In this episode, we listen to a solution suggested for a sensitive situation, as portrayed in Sangam Literary work, Kurunthogai 333, penned by Uzhunthinaim Pulavanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, expressing her idea to reveal the lady’s relationship with the man to her kith and kin.

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In this episode, we relish an apt metaphor for marital bliss, as depicted in Sangam Literary work, Kurunthogai 332, penned by Madurai Maruthankizhaar Makanaar Ilampothanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a pointed message to the man, listening nearby.

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In this episode, we listen to assuring words, as portrayed in Sangam Literary work, Kurunthogai 331, penned by Vaadaa Prapanthanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing that the man will not part away.

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In this episode, we relish intricate similes involving an age-old occupation, as depicted in Sangam Literary work, Kurunthogai 330, penned by Kazhaarkeeran Eyitriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, asking a question about the man, as he remains parted away.

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In this episode, we perceive the struggle in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 329, penned by Othalaanthaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear better with the man’s parting.

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In this episode, we see how a scene of war depicts a situation in love, as portrayed in Sangam Literary work, Kurunthogai 328, penned by the historian poet, Paranar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, consoling her in the man’s absence and assuring her that the rumours that spread will act only for the lady’s good.

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In this episode, we relish a unique way of scolding a person, as portrayed in Sangam Literary work, Kurunthogai 327, penned by Amoovanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to a river, passing on a pointed message to the man, listening nearby.

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In this episode, we perceive an intricate technique of persuasion as portrayed in Sangam Literary work, Kurunthogai 326, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we observe the sorrow afflicting a lady, as depicted in Sangam Literary work, Kurunthogai 325, penned by Nannaakaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s worry about the lady’s ability to bear with the man’s parting.

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In this episode, we perceive the state of mind of three different people acutely, as portrayed in Sangam Literary work, Kurunthogai 324, penned by Kavai Maganaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, subtly persuading him to choose the path of permanent union with the lady.

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In this episode, we listen with a smile to the urgency in the man’s voice, as portrayed in Sangam Literary work, Kurunthogai 323, penned by Pathadi Vaigalaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, urging him to hasten the journey homeward.

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In this episode, we observe the determination in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 322, penned by Aiyoor Mudavanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words of displeasure at the man, as he listens nearby.

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In this episode, we understand the dangers of nightly travel in the past, as depicted in Sangam Literary work, Kurunthogai 321, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, expressing the need to reveal the lady’s relationship to her kith and kin.

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In this episode, we breathe in the scents on an ancient shore, as depicted in Sangam Literary work, Kurunthogai 320, penned by Thumbiser Keeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the rising angst in a lady’s heart as the season changes, as portrayed in Sangam Literary work, Kurunthogai 319, penned by Thaayankannanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.

Podcast: Play in new window | Download