Podcast Archive

SangamLit

Kurunthogai 199 – An everlasting love

In this episode, we perceive the depth of a man’s love for his lady, as depicted in Sangam Literary work, Kurunthogai 199, penned by Paranar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, in response to the confidante’s message that the lady has been confined to her house.

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Kurunthogai 198 – Full grown millets and the future

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In this episode, we perceive a stack of similes that illustrate elements of life in ancient Tamil country, as depicted in Sangam Literary work, Kurunthogai 198, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, requesting him to change the spot where he trysts with the lady.

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Kurunthogai 197 – Rains and winds of yore

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In this episode, we perceive the form a season takes in the mind of a lady, as depicted in Sangam Literary work, Kurunthogai 197, penned by Kachipettu Nannaakaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, conveying her torment as the man continues to be parted away.

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Kurunthogai 196 – Sweet as a mountain spring

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In this episode, we listen to an inference about the changing nature of a person’s love, as depicted in Sangam Literary work, Kurunthogai 196, penned by Milai Kanthanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, refusing his request to reconcile with the lady.

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Kurunthogai 195 – A wax doll in a hot breeze

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In this episode, we observe a lady’s state of mind as evening approaches, as portrayed in Sangam Literary work, Kurunthogai 195, penned by Theratharanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, expressing her angst as the man remains parted away.

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Kurunthogai 194 – The tormenting two

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In this episode, we perceive the precise reasons for a lady’s angst, as portrayed in Sangam Literary work, Kurunthogai 194, penned by Kovarthanaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man is delayed beyond his promised season of return.

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Kurunthogai 193 – The scent of his wild jasmines

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In this episode, we perceive the contentment in a lady, as portrayed in Sangam Literary work, Kurunthogai 193, penned by Arisil Kizhaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s comment, when she visited the lady in her marital home.

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Kurunthogai 192 – Golden pollen on black wings

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In this episode, we relish a striking connection between an element of nature and a jeweller’s object, as portrayed in Sangam Literary work, Kurunthogai 192, penned by Kachipettu Nannaakaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting.

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Kurunthogai 191 – The returning stranger

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In this episode, we perceive a lady’s response to the man’s absence, as portrayed in Sangam Literary work, Kurunthogai 191, penned by an anonymous poet. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, as the friend expressed worry about the lady’s ability to bear with the man’s parting.

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Kurunthogai 190 – Tinkling of a single bell

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In this episode, we perceive a lady’s wondering question about the man, as portrayed in Sangam Literary work, Kurunthogai 190, penned by Poothampullanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of lady to her confidante, expressing her state of mind as she’s parted away from the man.

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Kurunthogai 189 – A plan to rush back home

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In this episode, we observe a man’s masterplan to hurry home to his beloved, as depicted in Sangam Literary work, Kurunthogai 189, penned by Madurai Eelathu Poothanthevanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his charioteer, passing on a subtle message to his wife, listening nearby.

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Kurunthogai 188 – A rainy evening in the forests

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In this episode, we perceive a lady’s angst as the season changes, as depicted in Sangam Literary work, Kurunthogai 188, penned by Madurai Alakkar Gnaalar Makanaar Mallanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, as the man is delayed beyond his promised season of return.

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Kurunthogai 187 – A mountain goat in the shade

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In this episode, we observe the unshakeable trust in a beloved, as portrayed in Sangam Literary work, Kurunthogai 187, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, in response to the confidante’s words berating the parted man for the delay in returning to the lady.

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Kurunthogai 186 – Smiling jasmines and rain showers

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In this episode, we perceive a lady’s state of mind impacted by the changing seasons, as depicted in Sangam Literary work, Kurunthogai 186, penned by Okkoor Maasaathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing how she feels, as the man is delayed beyond his promised season of return.

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Kurunthogai 185 – A flame-lily on a mountain rock

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In this episode, we perceive a subtle technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 185, penned by Madurai Aruvai Vaanikan Ilavettanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to the confidante’s question about the lady’s changed state, even as the man was trysting with her.

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Kurunthogai 184 – Caught in her net

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In this episode, we understand a man’s perception about a lady he met recently, as portrayed in Sangam Literary work, Kurunthogai 184, penned by Arya Arasan Yaazh Piramathathan, a king said to be from northern India. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the man to his friend, in response to the friend’s words scolding him for his changed behaviour.

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Kurunthogai 183 – Scenes of togetherness

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In this episode, we observe the effect of the changing season on nature, as portrayed in Sangam Literary work, Kurunthogai 183, penned by Avvaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry about the ability of the lady to bear with the man’s parting.

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Kurunthogai 182 – Messenger on a palmyra horse

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In this episode, we perceive a young man’s desperation, as depicted in Sangam Literary work, Kurunthogai 182, penned by Madal Paadiya Maathankeeranaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his heart, passing on a pointed message to the lady’s confidante, listening nearby.

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Kurunthogai 181 – Trust and purpose

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In this episode, we perceive the conviction in a married lady about the way to be, as portrayed in Sangam Literary work, Kurunthogai 181, penned by Killimangalam Kizhaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, in response to the confidante’s words of rebuke about the man.

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Kurunthogai 180 – Unbent by an elephant herd

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In this episode, we perceive a thoughtful consolation as depicted in Sangam Literary work, Kurunthogai 180, penned by Kachipettu Nannaakaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing the man’s difficult path in his quest for wealth and concealing an assurance within.

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Kurunthogai 179 – The lady’s mountain hamlet

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In this episode, we perceive an intriguing technique in persuasion, as depicted in Sangam Literary work, Kurunthogai 179, penned by Kuttuvan Kannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, concealing a hidden message in her words to him.

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Kurunthogai 178 – Rare as a clear crescent

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In this episode, we perceive two precise similes to portray a person’s state of mind, as depicted in Sangam Literary work, Kurunthogai 178, penned by Nedumpalliyathaiyaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the confidante to the man, when visiting the man and lady at their home after their wedding.

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Kurunthogai 177 – A seeker of togetherness

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In this episode, we hear words of reassurance, as portrayed in Sangam Literary work, Kurunthogai 177, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, on observing the man’s arrival to tryst with the lady.

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Kurunthogai 176 – Muddied is the mind

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In this episode, we perceive a unique technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 176, penned by Varumulaiyaarithiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying the worry in her heart and concealing a hidden message about the lady’s path forward.

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Kurunthogai 175 – Calm amidst the buzz

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In this episode, we perceive the bold attitude of a lady, as depicted in Sangam Literary work, Kurunthogai 175, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words of reproach that the lady must bear with the man’s parting.

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Kurunthogai 174 – Separated by a rousing call

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In this episode, we observe the struggle between seeking wealth and showing kindness, as portrayed in Sangam Literary work, Kurunthogai 174, penned by Venpoothiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her anguish on hearing about the man’s intention to part away.

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Kurunthogai 173 – Path to a palmyra horse

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In this episode, we observe curious customs in courtship, as portrayed in Sangam Literary work, Kurunthogai 173, penned by Madurai Kanji Pulavanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the confidante, when she refuses to accept his request to tryst with the lady.

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Kurunthogai 172 – Fluttering bats and fatigued bellows

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In this episode, we perceive the anguish of a lady separated from her beloved, as portrayed in Sangam Literary work, Kurunthogai 172, penned by Kachipettu Nannaakaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, in response to the friend’s words of worry about the lady bearing with the man’s parting.

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Kurunthogai 171 – An animal in a fish-net

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In this episode, we observe significant events in ancient matrimony, as depicted in Sangam Literary work, Kurunthogai 171, penned by Poonganuthiraiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, as the friend worries about the man’s parting away.

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Kurunthogai 170 – An elephantine trust

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In this episode, we listen to the echo of total trust in a beloved, as depicted in Sangam Literary work, Kurunthogai 170, penned by Karuvoor Kizhaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, who was worried that the lady would be unable to bear with the man’s parting.

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Kurunthogai 169 – A vessel for fresh fish

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In this episode, we listen to words of anger expressing discontent within, as depicted in Sangam Literary work, Kurunthogai 169, penned by Velli Veethiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, as he tries to allay her ire about his parting away with a courtesan.

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Kurunthogai 168 – An opened box of jasmines

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In this episode, we relish a sensory experience involving flowers in the rain, as depicted in Sangam Literary work, Kurunthogai 168, penned by Siraikudi Aanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, in response to its insistence that he part away from the lady in search of wealth.

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Kurunthogai 167 – A labour of love

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In this episode, we perceive a quaint scene of domestic bliss, as portrayed in Sangam Literary work, Kurunthogai 167, penned by Koodalur Kizhaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady’s foster-mother to the birth-mother, narrating events that transpired in the lady’s marital home.

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Kurunthogai 166 – Seabirds in a town

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In this episode, we observe how a city transforms in the view of a beholder, as depicted in Sangam Literary work, Kurunthogai 166, penned by Koodaloor Kizhar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, conveying the lady’s state as she’s confined to the house.

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Kurunthogai 165 – Intoxicated by her tresses

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In this episode, we observe the frenzied state of a heart in the first rush of love, as depicted in Sangam Literary work, Kurunthogai 165, penned by Paranar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the man to his heart, after the lady’s confidante refuses his request to tryst with the lady.

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Kurunthogai 164 – Let the waves take me

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In this episode, we observe negative emotions between two women, as depicted in Sangam Literary work, Kurunthogai 164, penned by Mangudi Maruthanaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the courtesan to her friend, while passing on a pointed message to the lady’s friends, listening nearby.

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Kurunthogai 163 – Lament of the sea

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In this episode, we perceive how a lady projects her feelings on an element of land, as depicted in Sangam Literary work, Kurunthogai 163, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the sea, lamenting about her state, as she remains parted away from the man.

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Kurunthogai 162 – Smile of a wild jasmine

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In this episode, we listen to how a man’s words to a flower echoes his deep feelings, as portrayed in Sangam Literary work, Kurunthogai 162, penned by Karuvoor Pavuthiranaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the man to a wild jasmine, as he returns homeward after completing his mission.

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Kurunthogai 161 – Elephant in the rain

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In this episode, we observe a domestic scene and understand its hidden implications, as depicted in Sangam Literary work, Kurunthogai 161, penned by Nakirar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, passing on a message to the man, listening nearby.

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Kurunthogai 160 – Torment of twin birds

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In this episode, we relish references to a bird that lived in ancient India, as depicted in Sangam Literary work, Kurunthogai 160, penned by Madurai Maruthan Ilanaakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to her friend’s consolation that the man would soon return.

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Kurunthogai 159 – Blooming of a young woman

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In this episode, we perceive a subtle technique of persuasion, as depicted in Sangam Literary work, Kurunthogai 159, penned by Vadama Vannakkan Perisaathanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 158 – A question to the rain cloud

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In this episode, we listen in to a conversation with a rain cloud, as depicted in Sangam Literary work, Kurunthogai 158, penned by Avvaiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the rain, while passing on a hidden message to the man, listening nearby.

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Kurunthogai 157 – A sword-like dawn

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In this episode, we perceive fear in the heart of a lady, as portrayed in Sangam Literary work, Kurunthogai 157, penned by Alloor Nanmullaiyaar. The verse is situated in the agricultural lands of ‘Marutham’ and speaks in the voice of the lady, conveying the thoughts in her heart, at the prospect of parting with her beloved.

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Kurunthogai 156 – A cure for the separated

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In this episode, we learn of the customs of a particular sect of people in ancient times, as depicted in Sangam Literary work, Kurunthogai 156, penned by Pandiyan Enaathi Nedunkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s words of chiding about the man’s changed behaviour.

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Kurunthogai 155 – Seed boxes and chariot bells

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In this episode, we relish references to intriguing objects used in ancient times, as depicted in Sangam Literary work, Kurunthogai 155, penned by Urodakathu Kantharathanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her angst at not hearing news of the man’s return.

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Kurunthogai 154 – Notes in a drylands birdsong

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In this episode, we perceive scenes from nature echoing the lady’s emotions, as depicted in Sangam Literary work, Kurunthogai 154, penned by Madurai Seethalathai Saathanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her inability to bear with the man’s parting.

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Kurunthogai 153 – A dark and winding path

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In this episode, we listen to the changes in a lady’s perception, as portrayed in Sangam Literary work, Kurunthogai 153, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, explaining the reason the confidante must present to the man to persuade him to seek her hand in marriage.

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Kurunthogai 152 – On motherless eggs and more

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In this episode, we perceive intriguing references to tortoise eggs, as portrayed in Sangam Literary work, Kurunthogai 152, penned by Killimangalam Kizhaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, in response to her friend’s frustration that the lady was not bearing well with the man’s parting.

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Kurunthogai 151 – A pouncing bird of prey

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In this episode, we perceive the struggles in a man’s mind as he decides between love and wealth, as depicted in Sangam Literary work, Kurunthogai 151, penned by Thoongaloriyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, conveying his decision concerning parting with the lady to go in search of wealth.

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Kurunthogai 150 – Soaring and fading

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In this episode, we observe the puzzled wonderment in a lady, as depicted in Sangam Literary work, Kurunthogai 150, penned by Maadaloor Kizhaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, when her friend approaches her about a tryst by night, with the man.

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Kurunthogai 149 – The flood of love

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In this episode, we perceive the importance accorded to a woman’s shyness, as portrayed in Sangam Literary work, Kurunthogai 149, penned by Velli Veethiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, on hearing that the lady had to elope away with the man.

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Kurunthogai 148 – The rains are here

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In this episode, we relish stacked similes that tell us a tale of parting, as depicted in Sangam Literary work, Kurunthogai 148, penned by Ilankeeranthaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, in response to her friend’s consolation about the man’s return.

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Kurunthogai 147 – Talking to a dream

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In this episode, we relish the magical feelings evoked by a dream, as depicted in Sangam Literary work, Kurunthogai 147, penned by Koperunchozhan. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to a dream, conveying his bittersweet emotions, as he remains parted away from the lady.

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Kurunthogai 146 – An assembly of the wise

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In this episode, we listen to tidings of joy, as portrayed in Sangam Literary work, Kurunthogai 146, penned by Velliveethiyaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s worry that her kith and kin would reject the offer of marriage put forth by the man’s family.

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Kurunthogai 145 – Unending nights of a village

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In this episode, we perceive the indignation in a lady about how the world around receives her sorrow, as depicted in Sangam Literary work, Kurunthogai 145, penned by Kollan Azhisiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, one night, when the man is away, seeking wealth to win her hand.

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Kurunthogai 144 – From soft shores to stone paths

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In this episode, we perceive the change in circumstances in the life of a young girl, as depicted in Sangam Literary work, Kurunthogai 144, penned by Madurai Aasiriyar Kodan Kotranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the foster-mother, agonising over her daughter’s elopement.

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Kurunthogai 143 – The unchanging change

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In this episode, we listen to an effective consolation, as depicted in Sangam Literary work, Kurunthogai 143, penned by Madurai Kanakkaayanaar Makanaar Nakkeeranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying words of positivity about the man’s return.

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Kurunthogai 142 – Sighs of separation

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In this episode, we perceive the poignant feelings in a man, as portrayed in Sangam Literary work, Kurunthogai 142, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, expressing his angst in parting with his lady after their union.

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Kurunthogai 141 – Dangers in the night

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In this episode, we perceive scenes from the mountain country echoing fears within, as portrayed in Sangam Literary work, Kurunthogai 141, penned by Madurai Perunkollanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, passing on a message to the man, listening nearby.

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Kurunthogai 140 – Chameleon in the path

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In this episode, we perceive a distinctive technique of registering dissent, as depicted in Sangam Literary work, Kurunthogai 140, penned by Alloor Nanmullaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to her friend’s comment about bearing with the man’s separation.

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Kurunthogai 139 – Clucking cries of slander

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In this episode, we perceive the projection of human concerns on other life around, as depicted in Sangam Literary work, Kurunthogai 139, penned by Okkoor Maasaathiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry to the lady’s house.

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Kurunthogai 138 – Falling flowers at midnight

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In this episode, we relish references to nature stitched seamlessly into this song on relationships, as depicted in Sangam Literary work, Kurunthogai 138, penned by Kollan Azhisi. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 137 – No one at the gates

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In this episode, we perceive a unique way of allaying anxiety about separation, as portrayed in Sangam Literary work, Kurunthogai 137, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to the lady, in response to her fears about his parting away.

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Kurunthogai 136 – The nature of love

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In this episode, we perceive the natural correlation between animal and human life, as depicted in Sangam Literary work, Kurunthogai 136, penned by Milai Perunkanthanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, detailing the misunderstood nature of love.

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Kurunthogai 135 – That which is life to women and men

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In this episode, we perceive the priorities in the life of men and women, as portrayed in Sangam Literary work, Kurunthogai 135, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s fear that the man was preparing to part away.

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Kurunthogai 134 – Desolate branch and deserting cascade

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In this episode, we look at the spread of the land in a mountain country and see the lady’s emotions there, as portrayed in Sangam Literary work, Kurunthogai 134, penned by Kovengai Perunkathavanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, expressing her yearning for the man’s return.

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Kurunthogai 133 – A sprouting leaf of faith

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In this episode, we observe how a mountain farmer’s field speaks the hope in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 133, penned by Uraiyoor Muthukannan Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, as the man delays seeking her hand in marriage.

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Kurunthogai 132 – A calf’s look of love

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In this episode, we listen to a description of a beloved in the words of a heart in love, as depicted in Sangam Literary work, Kurunthogai 132, penned by Sirakudi Aanthaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, in response to the friend’s words chiding the man for his unstable behaviour after falling in love.

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Kurunthogai 131 – Farmer with a single plough

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In this episode, we perceive how a simile from a farming field prints tracks of the heart, as portrayed in Sangam Literary work, Kurunthogai 131, penned by Or Er Uzhavanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, as his mission ends and his promised season of return approaches.

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Kurunthogai 130 – Beyond Above Across

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In this episode, we perceive a persuasive argument to pacify an anxious heart, as depicted in Sangam Literary work, Kurunthogai 130, penned by Velli Veethiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying her anxiety about the man, who had parted away.

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Kurunthogai 129 – Bound by ropes of love

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In this episode, we listen to the beat of a passionate heart, as echoed by Sangam Literary work, Kurunthogai 129, penned by Koperunchozhan, a poet-king. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, explaining the reason for the recent changes in him.

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Kurunthogai 128 – Yearning for past delights

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In this episode, we relish a precise simile from the natural world that pinpoints to the emotions within, as depicted in Sangam Literary work, Kurunthogai 128, penned by Paranar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man to his heart, expressing his dejection at being unable to meet his lady at the trysting spot.

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Kurunthogai 127 – Lying bard and leaping carp

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In this episode, we take in a scene from the fields of a farming town and perceive the consequences of a lie, as depicted in Sangam Literary work, Kurunthogai 127, penned by Orambokiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, in response to the words of the singer, sent as a messenger by the man to allay the anger of his lady.

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Kurunthogai 126 – Smile of seasonal flowers

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In this episode, we observe the projection of inner angst on the outer world, as portrayed in Sangam Literary work, Kurunthogai 126, penned by Okkoor Maasaathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her pain as the man remains parted away.

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Kurunthogai 125 – With a weakened wing

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In this episode, we hear the echo of the heart in an image from nature, as portrayed in Sangam Literary work, Kurunthogai 125, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 124 – Desolate spaces near and far

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In this episode, we perceive the sound reasoning in a pertinent question, as portrayed in Sangam Literary work, Kurunthogai 124, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the man, as he prepares to part away from the lady.

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Kurunthogai 123 – Here comes the boat

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In this episode, we observe the ingenuity of a person in conveying urgency, as portrayed in Sangam Literary work, Kurunthogai 123, penned by Aiyoor Mudavanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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Kurunthogai 122 – The approaching evening

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In this episode, we listen to a lady’s lament about the imminent evening, as portrayed in Sangam Literary work, Kurunthogai 122, penned by Orambokiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, illustrating the effect of an evening on her mind.

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Kurunthogai 121 – On a mistaken branch

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In this episode, we perceive a case of mistakes and their consequences, as portrayed in Sangam Literary work, Kurunthogai 121, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying how she had been disappointed once before, mistaking sounds around for the man’s call to tryst.

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Kurunthogai 120 – Reaching for the unreachable

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In this episode, we listen to abstract notions about wealth and joy, as depicted in Sangam Literary work, Kurunthogai 120, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, in a message of consolation when being unable to meet with the lady at their trysting spot.

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Kurunthogai 119 – Tormented by a young snake

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In this episode, we listen to a man echo his inner emotions by narrating a scene in the wild, as depicted in Sangam Literary work, Kurunthogai 119, penned by Sathinaathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his friend, expressing the reason for the recent change in his composure.

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Kurunthogai 118 – At the open gate at sundown

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In this episode, we learn of an ancient custom set in the midst of a lady’s anxiety, as depicted in Sangam Literary work, Kurunthogai 118, penned by Nannaakaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, lamenting about how the man had not returned to tryst with her.

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Kurunthogai 117 – Scuttling crabs and slipping bangles

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In this episode, we hear the beat of life in nature and perceive the heart of a lady in love, as portrayed in Sangam Literary work, Kurunthogai 117, penned by Kundriyanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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Kurunthogai 116 – Black sands of joy

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In this episode, we perceive the passionate recollection of a past joy, as portrayed in Sangam Literary work, Kurunthogai 116, penned by Ilangkeeranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, delighting in the memory of his lady’s tresses.

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Kurunthogai 115 – To love and to cherish

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In this episode, we listen to a heartfelt request to ensure the welfare of a friend, as portrayed in Sangam Literary work, Kurunthogai 115, penned by Kabilar. Situated in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, as he prepares to elope away with the lady.

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Kurunthogai 114 – On a bed of blue-lilies

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In this episode, we observe how inanimate objects echo the inner landscape, as portrayed in Sangam Literary work, Kurunthogai 114, penned by Ponnaakanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying news about his trysting with the lady.

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Kurunthogai 113 – Route to the Rendezvous

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In this episode, we gather fascinating facets about the lifestyle of ancients, as depicted in Sangam Literary work, Kurunthogai 113, penned by Maathirathanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, conveying that he should tryst with the lady at an alternative spot.

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Kurunthogai 112 – The hanging broken branch

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In this episode, we perceive the angst of a torn heart, as portrayed in Sangam Literary work, Kurunthogai 112, penned by Aalathoor Kilaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying her feelings as the man continues to delay seeking her hand in marriage.

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Kurunthogai 111 – The elephantine hill

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In this episode, we relish the ingenuity of the confidante in her indirect persuasion, as portrayed in Sangam Literary work, Kurunthogai 111, penned by Theenmathi Naakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 110 – Flowers in the cold wind

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In this episode, we perceive the effect of seasonal winds, as depicted in Sangam Literary work, Kurunthogai 110, penned by Killimangalam Kilaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, echoing her extreme dejection at the man’s continued absence.

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Kurunthogai 109 – Shrimps on the seashore

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In this episode, we observe a technique of subtle persuasion, as portrayed in Sangam literary work, Kurunthogai 109, penned by Nambi Kuttuvanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 108 – Stars in the twilight sky

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In this episode, we perceive the beauty of changing seasons, as depicted in Sangam Literary work, Kurunthogai 108, penned by Vaayilaan Thevanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing her inability to bear with the man’s parting any longer.

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Kurunthogai 107 – Curse on the crowing rooster

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In this episode, we perceive the fury of a person, woken up from sweet slumber, as portrayed in Sangam Literary work, Kurunthogai 107, penned by Madurai Kannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the lady to a rooster, conveying her ire at the bird’s crowing in the morning.

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Kurunthogai 106 – Flowing down and leaping above

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In this episode, we perceive the acceptance of a man’s request for reconciliation, as depicted in Sangam Literary work, Kurunthogai 106, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, conveying that she is appeased by the man’s message.

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Kurunthogai 105 – A peacock’s possessed dance

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In this episode, we perceive agricultural customs in a mountain country, as depicted in Sangam Literary work, Kurunthogai 105, penned by Nakirar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, relaying her frustration at the man’s delay in seeking her hand in marriage.

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Kurunthogai 104 – Pearls on a broken string

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In this episode, we perceive the fierce attack of pining in winter, as depicted in Sangam Literary work, Kurunthogai 104, penned by Kaavanmullai Poothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing how difficult it is for her, to bear with the man’s parting.

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Kurunthogai 103 – Swirling winds of sorrow

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In this episode, we perceive the changing seasons and its impact on a lady’s thoughts, as depicted in Sangam Literary work, Kurunthogai 103, penned by Vaayilaan Thevanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, conveying her emotions as the man is delayed beyond his promised season of return.

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Kurunthogai 102 – Tormenting flames of thought

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In this episode, we perceive the torment in a lady’s heart, as depicted in Sangam Literary work, Kurunthogai 102, penned by Avvaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, explaining her state of mind, as the man continues to stay away.

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Kurunthogai 101 – Worlds cannot compare

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In this episode, we perceive the high esteem a man holds for his marital life, as depicted in Sangam Literary work, Kurunthogai 101, penned by Paroovu Movaai Pathumanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, in response to its insistence that he part with the lady to go in search of wealth.

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Kurunthogai 100 – Mountain rice and elephant tusk

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In this episode, we perceive facets of mountain farming, as depicted in Sangam Literary work, Kurunthogai 100, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, describing the land of the lady who had won his heart.

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Kurunthogai 99 – A flood in a cupped hand

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In this episode, we relish a picturesque parallel to the feeling of love, as portrayed in Sangam Literary work, Kurunthogai 99, penned by Avvaiyaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the man to the confidante, in response to her question asking whether he thought of the lady when he was away on his mission.

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Kurunthogai 98 – Wishing for a messenger

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In this episode, we listen to a heartfelt wish for a messenger, as portrayed in Sangam Literary work, Kurunthogai 98, penned by Kokulamutranaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, revealing her angst as the man continues to stay away even after the promised season of return.

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Kurunthogai 97 – From here and now

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In this episode, we hear the lament of a lady, as depicted in Sangam Literary work, Kurunthogai 97, penned by Venboothi. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing her angst at the man’s delay in seeking her hand in marriage.

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Kurunthogai 96 – A tree by a cascade

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In this episode, we infer a lady’s trust in her man, as depicted in Sangam Literary work, Kurunthogai 96, penned by Alloor Nanmullaiyaar. Set in the mountains of ‘Kurunji’, the verse speaks in the voice of the lady to the confidante, responding with anger to her friend’s words of complaint about the man’s delay in seeking the lady’s hand.

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Kurunthogai 95 – Subdued by a soft drop

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In this episode, we relish an exquisite interaction between the elements, as depicted in Sangam Literary work, Kurunthogai 95, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, explaining the reason for his troubled state.

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Kurunthogai 94 – Reflecting on the rains

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In this episode, we observe a lady’s conviction as well as her concern for her beloved, as depicted in Sangam Literary work, Kurunthogai 94, penned by Kathakannan. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to her confidante, allaying the friend’s worry that the lady would not be able to bear with the man’s parting.

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Kurunthogai 93 – Shading the hues of fury

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In this episode, we perceive a philosophical interpretation for the presence of anger, as depicted in Sangam Literary work, Kurunthogai 93, penned by Alloor Nanmullaiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, refusing her friend’s request to reconcile her with the man.

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Kurunthogai 92 – To a nest at sunset

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In this episode, we observe the projection of one’s emotions on elements in nature, as portrayed in Sangam Literary work, Kurunthogai 92, penned by Thamodharanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, one evening, when the man, who had parted with her, continued to stay away.

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Kurunthogai 91 – Crashing fruit and coveting fish

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In this episode, we perceive plant and animal life in a farmland as well as the generous and war-seeking nature of a king, as portrayed in Sangam Literary work, Kurunthogai 91, penned by the famous Sangam-age female poet, Avvaiyaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the lady to her heart, reprimanding it as it rushes towards the man, returning from the company of courtesans.

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Kurunthogai 90 – Journey of a jackfruit

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In this episode, we relish scenes from a rain-soaked mountain landscape, as portrayed in Sangam Literary work, Kurunthogai 90, penned by Madurai Eluthaalan Senthampoothanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.

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Kurunthogai 89 – To the beat of pestle on stone

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In this episode, we learn of a unique song, sung by women as they hull grain in a mortar, as portrayed in Sangam Literary work, Kurunthogai 89, penned by Paranar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to herself, while conveying a pointed message to the man, listening nearby.

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Kurunthogai 88 – Flowing from the peaks

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In this episode, we perceive scenes from a mountain country, echoing the love life of a lady, as depicted in Sangam Literary work, Kurunthogai 88, penned by Madurai Kathakkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying the man’s intention to tryst with the lady by night.

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Kurunthogai 87 – Vengeful spirit and virtuous man

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In this episode, we observe how a lady tries to placate god’s fury, as depicted in Sangam Literary work, Kurunthogai 87, penned by Kabilar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to a god, explaining how the man is not to be blamed for her state of mind.

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Kurunthogai 86 – The cue of cowbells

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In this episode, we perceive the loneliness of a lovelorn lady on a winter’s night, as depicted in Sangam Literary work, Kurunthogai 86, penned by Vennkotranaar. Set in the mountains of ‘Kurunji’, the verse speaks in the voice of the lady to the confidante, expressing her feelings as the man continues to stay away.

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Kurunthogai 85 – On sparrows and sugarcanes

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In this episode, we relish a blissful scene from a house sparrow’s life, as portrayed in Sangam Literary work, Kurunthogai 85, penned by Vadama Vannakkan Thamotharanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the singer, who has been sent as a messenger by the man to plead his cause at the lady’s house.

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Kurunthogai 84 – A sweating waterlily

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In this episode, we perceive the moment of revelation about a subtle event in the past, as portrayed in Sangam Literary work, Kurunthogai 84, penned by Mosi Keeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the foster-mother, on learning that the lady has eloped with the man.

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Kurunthogai 83 – Ambrosia and Affluence

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In this episode, we relish the jubilation of hearing a much-awaited news, as depicted in Sangam Literary work, Kurunthogai 83, penned by Vennpoothanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante, celebrating the foster-mother’s words and conveying a significant message to the lady.

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Kurunthogai 82 – Flowering crops and flowing tears

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In this episode, we see how the changing seasons affect the growing crops and the pining lady, as depicted in Sangam Literary work, Kurunthogai 82, penned by Kaduvan Mallanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the confidante’s consolation that the man will return soon.

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Kurunthogai 81 – Path to perfecting promises

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In this episode, we perceive the way a person is guided towards the right path, as portrayed in Sangam Literary work, Kurunthogai 81, penned by Vadama Vannakkan Perisaathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, reminding him of his obligations to the lady.

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Kurunthogai 80 – Protecting herd and heart

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In this episode, we perceive the outcome of negative feelings, as depicted in Sangam Literary work, Kurunthogai 80, penned by Avvaiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the courtesan, passing on a pointed message to the lady’s friends, listening nearby.

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Kurunthogai 79 – Piercing call of a pigeon

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In this episode, we listen to the sorrowful words of a pining lady, as portrayed in Sangam Literary work, Kurunthogai 79, penned by Kudavaayil Keeranakkanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her anxiety about the man’s parting away.

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Kurunthogai 78 – The folly of falling in love

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In this episode, we perceive an interesting perspective on love, as depicted in Sangam Literary work, Kurunthogai 78, penned by Nakirar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of a friend to the man, chiding the man for the state he finds himself in.

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Kurunthogai 77 – The shade of stone graves

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In this episode, we hear the justification of a lady’s anxiety, as depicted in Sangam Literary work, Kurunthogai 77, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, conveying her concerns about the man’s parting away.

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Kurunthogai 76 – Assailed by winter winds

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In this episode, we perceive the effect of the man’s plans to part away on the lady, as portrayed in Sangam Literary work, Kurunthogai 76, penned by Killimangalam Kilaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying that she was already aware of the man’s intention to part away.

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Kurunthogai 75 – Bringer of golden words

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In this episode, we perceive the excitement in receiving a much-expected news, as portrayed in Sangam Literary work, Kurunthogai 75, penned by Padumaraththu Mosi Keeranaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the singer-messenger, in response to his words about the man’s arrival.

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Kurunthogai 74 – Soaring honour and shackled love

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In this episode, we relish similes from the natural world that reflect the inner landscape, as depicted in Sangam Literary work, Kurunthogai 74, penned by Vitta Kuthiraiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, subtly persuading her to accept the man’s request to tryst with the lady.

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Kurunthogai 73 – A little cunning needed

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In this episode, we perceive a historical event interwoven with a confidante’s cunning, as portrayed in Sangam Literary work, Kurunthogai 73, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, explaining the reasons for her recent refusals to the man’s requests to tryst with the lady.

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Kurunthogai 72 – Her flower-like arrow eyes

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In this episode, we observe the effect of seeing a lady’s eyes on a young man, as portrayed in Sangam Literary work, Kurunthogai 72, penned by Mallanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, responding to his query about the reason for the changes in the man.

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Kurunthogai 71 – His health and wealth

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In this episode, we observe a struggle in a man’s mind and its resolution, as depicted in Sangam Literary work, Kurunthogai 71, penned by Karuvoor Othagnaaniyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, in response to its persuasion that he part away in search of wealth.

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Kurunthogai 70 – At a loss for words

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In this episode, we observe a young man expressing his jubilant state of mind, as portrayed in Sangam Literary work, Kurunthogai 70, penned by Orampokiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, attempting to describe the lady’s nature, after his union with her.

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Kurunthogai 69 – Pushed by grief

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In this episode, we explore the echo of human emotions in animals, as depicted in Sangam Literary work, Kurunthogai 69, penned by Kadunthotkara Veeranaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly refusing his request for a nightly tryst.

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Kurunthogai 68 – Mists of melancholy

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In this episode, we learn of how the changing season sings a song of yearning, as depicted in Sangam Literary work, Kurunthogai 68, penned by Alloor Nanmullaiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting.

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Kurunthogai 67 – Neem fruits and gold coins

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In this episode, we relish a precious simile, as portrayed in Sangam Literary work, Kurunthogai 67, penned by Alloor Nanmullaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her angst at the man’s delay in returning.

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Kurunthogai 66 – Golden flowers and rain showers

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In this episode, we observe a unique way of consoling an anxious heart, as depicted in Sangam Literary work, Kurunthogai 66, penned by Kovarthanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, allaying her worry about the man’s absence, even after the promised season of return.

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Kurunthogai 65 – The speaking season of showers

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In this episode, we observe how the changing season torments a lady, as depicted in Sangam Literary work, Kurunthogai 65, penned by Kovoor Kilaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing the angst in her heart during the man’s parting away.

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Kurunthogai 64 – Eager eyes and heavy heart

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In this episode, we empathise with a feeling of anxious anticipation, as depicted in Sangam Literary work, Kurunthogai 64, penned by Karuvoor Kathapillai. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to her confidante, in response to her friend’s words of consolation about the man’s return.

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Kurunthogai 63 – Pondering on parting away

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In this episode, we perceive the tussle between being with a beloved and parting away to earn wealth, as depicted in Sangam Literary work, Kurunthogai 63, penned by Ugaaikudi Kilaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, expressing how impossible it is, to execute what it desires.

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Kurunthogai 62 – The embrace of flowers

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In this episode, we observe the delight of a young man, at the prospect of meeting his beloved, as depicted in Sangam Literary work, Kurunthogai 62, penned by Siraikudi Aanthaiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his heart, expressing his exuberance, when recollecting his prior union with the lady.

SangamLit

Kurunthogai 61 – Toy carts and tight bangles

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In this episode, we perceive a unique way of rendering a refusal, as portrayed in Sangam Literary work, Kurunthogai 61, penned by Thumbiser Keeranaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the messengers, declining the man’s request seeking entry to the lady’s house.

SangamLit

Kurunthogai 60 – Relishing the unreachable

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In this episode, we sense the emotions within through a striking simile, as portrayed in Sangam Literary work, Kurunthogai 60, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, depicting her angst-filled state after the man’s parting away.

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Kurunthogai 59 – Alluring forehead and unattainable wealth

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In this episode, we perceive the art of allaying anxiety, as depicted in Sangam Literary work, Kurunthogai 59, penned by Mosikeeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, consoling her friend as she worries about the man’s parting away.

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Kurunthogai 58 – Melting on a hot rock

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In this episode, we empathise with an emotion, expressed with an arresting image, as portrayed in Sangam Literary work, Kurunthogai 58, penned by Velliveethiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s rebuke about the man’s behaviour.

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Kurunthogai 57 – An unending togetherness

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In this episode, we perceive the depth of bonding between the man and the lady, as depicted in Sangam Literary work, Kurunthogai 57, penned by Siraikudi Aanthaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing her angst at being placed under guard at home and prevented from trysting with the man.

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Kurunthogai 56 – Drinking from a puddle

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In this episode, we perceive the hardships in travelling, as depicted in Sangam Literary work, Kurunthogai 56, penned by Siraikkudi Aanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, mid-way in his journey through the drylands.

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Kurunthogai 55 – Splashing waves and swirling winds

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In this episode, we observe a technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 55, penned by Neythal Kaarkiyaar, a female poet from the Sangam age, whose name, which means ‘rain cloud’, left me with a smile. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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Kurunthogai 54 – Bent bamboo and flying fish rods

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In this episode, we see the dynamism of emotions reflected in elements of nature, as portrayed in Sangam Literary work, Kurunthogai 54, penned by Meeneri Thoondilaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying her angst at the man’s delay in formalising their union.

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Kurunthogai 53 – Petals, puffed rice and promises

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In this episode, we perceive picturesque similes to describe the elements on land, as depicted in Sangam Literary work, Kurunthogai 53, penned by Koperuncholan, a poet-king from the Early Chola dynasty. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, pressing him to seek the lady’s hand without further delay.

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Kurunthogai 52 – A momentous friendship

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In this episode, we listen to an explanation about the turn of events, as depicted in Sangam Literary work, Kurunthogai 52, penned by Panampaaranaar. The verse is situated in mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying the reason why preparations were ongoing for the lady’s marriage with the man.

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Kurunthogai 51 – Scattered flowers on the shore

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In this episode, we hear of events that bring good news to the lady, as portrayed in Sangam Literary work, Kurunthogai 51, penned by Kundriyanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of confidante to the lady, allaying the lady’s anxiety about the delay in the man’s return to seek her hand in marriage.

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Kurunthogai 50 – Shining shores and slipping bangles

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In this episode, we perceive the consequence of loneliness in a lady, as depicted in Sangam Literary work, Kurunthogai 50, penned by Kundriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the messengers, sent by the man, conveying her angst when they come seeking entry to her house.

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Kurunthogai 49 – In this life and the next

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In this episode, we perceive an act of forgiveness, as depicted in Sangam Literary work, Kurunthogai 49, penned by Ammoovanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the man, conveying her acceptance of him, when he returns to her after being with the courtesan.

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Kurunthogai 48 – Abandoned doll and desired word

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In this episode, we perceive the yearning to allay a friend’s suffering, as depicted in Sangam Literary work, Kurunthogai 48, penned by Poonganuthiraiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante, expressing her angst about the lady’s state of mind.

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Kurunthogai 47 – Illusions and disillusions

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In this episode, we relish a delightful conversation, as portrayed in Sangam Literary work, Kurunthogai 47, penned by Neduvennilavinaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the moon, passing on an indirect message to the man, listening nearby.

SangamLit

Kurunthogai 46 – Sparrow’s play and a departed’s day

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In this episode, we observe a day in the life of a house sparrow, as depicted in Sangam Literary work, Kurunthogai 46, penned by Maamalaadanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, allaying her friend’s worry that she would not be able to bear with the man’s parting.

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Kurunthogai 45 – Pursuits of prosperity

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In this episode, we perceive the muddle in the mind of a lady, as captured in Sangam Literary work, Kurunthogai 45, penned by Aalangudi Vanganaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante, passing on a hidden message to the man’s messengers, listening nearby.

SangamLit

Kurunthogai 44 – A foster-mother’s frustrating quest

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In this episode, we listen to a person’s fatigue in a quest, as depicted in Sangam Literary work, Kurunthogai 44, penned by Velli Veethiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady’s foster mother, expressing her frustration at not seeing the man and lady she set out to find.

SangamLit

Kurunthogai 43 – Bitten by a cobra

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In this episode, we perceive the nuanced expression about one’s state of mind, as portrayed in Sangam Literary work, Kurunthogai 43, penned by Avvaiyaar. Situated in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, conveying her feelings about the man’s parting away.

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Kurunthogai 42 – Day echoes of night rain

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In this episode, we perceive the art of subtlety, as portrayed in Sangam Literary work, Kurunthogai 42, penned by Kabilar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the man, refusing in a hidden manner, to accept his request to tryst with the lady by night.

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Kurunthogai 41 – Festivities and forsakenness

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In this episode, we relish a striking simile that reveals the lady’s state of mind, as depicted in Sangam Literary work, Kurunthogai 41, penned by Anilaadu Mundrilaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing the feelings within during the man’s parting away.

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Kurunthogai 40 – One as rain and red earth

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In this episode, we relish an unforgettable imagery for the magic that is love, as portrayed in Sangam Literary work, Kurunthogai 40, penned by Sempulapeyaneeraar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the lady, allaying her fears that he would part away from her.

SangamLit

Kurunthogai 39 – Hot winds of pining

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In this episode, we perceive a deep concern for another, as depicted in Sangam Literary work, Kurunthogai 39, penned by Avvaiyaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing what makes her worried about the man’s parting away.

SangamLit

Kurunthogai 38 – Bearing with parting

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In this episode, we perceive the pain in parting, as portrayed in Sangam Literary work, Kurunthogai 38, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting away.

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Kurunthogai 37 – Love in the path he treads

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In this episode, we relish an act of love in nature, as depicted in Sangam Literary work, Kurunthogai 37, penned by Paalai Paadiya Perungkadungko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, consoling her saying that the man has every reason to return soon to her.

SangamLit

Kurunthogai 36 – Spreading vines and sleeping elephants

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In this episode, we hear the echo of a promise from a picturesque scene in nature, as portrayed in Sangam Literary work, Kurunthogai 36, penned by Paranar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, consoling her friend, who seem worried about how the lady would bear with the man’s parting.

SangamLit

Kurunthogai 35 – Tears of the rain

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In this episode, we hear the voice of seasons in the changing scenes in nature, as portrayed in Sangam Literary work, Kurunthogai 35, penned by Kalaarkeeran Eyitriyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, conveying the reason for her misery.

SangamLit

Kurunthogai 34 – Din of a jubilant return

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In this episode, we see the confluence of nature and history on a lady’s forehead, as portrayed in Sangam Literary work, Kurunthogai 34, penned by Kolli Kannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the lady, conveying a jubilant news to her.

SangamLit

Kurunthogai 33 – Words of a wandering musician

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In this episode, we perceive a portrait of a travelling musician, as depicted in Sangam Literary work, Kurunthogai 33, penned by Padumarathu Mosikeeranaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, conveying that the singer, who has been sent as a messenger by the man, finds favour in her eyes.

SangamLit

Kurunthogai 32 – Oblivious to time

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In this episode, we perceive how love distorts time, as depicted in Sangam Literary work, Kurunthogai 32, penned by Alloor Nanmullaiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to the confidante, seeking her help to further his relationship with the lady.

SangamLit

Kurunthogai 31 – Dancers in love

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In this episode, we perceive a curious way of how the lady reveals her love relationship, as depicted in Sangam Literary work, Kurunthogai 31, penned by Aathimanthiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, passing on a hidden message about the man.

SangamLit

Kurunthogai 30 – A so-true false dream

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In this episode, we reflect on a well-known aspect of our lives, hearing another’s experience, as depicted in Sangam Literary work, Kurunthogai 30, penned by Kachipettu Nannaakaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, in response to her friend’s question about the reason for her distress.

SangamLit

Kurunthogai 29 – An embrace of acceptance

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In this episode, we relish a picturesque scene from a mountain country, as depicted in Sangam Literary work, Kurunthogai 29, penned by Avvaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, after being refused a tryst by night with the lady.

SangamLit

Kurunthogai 28 – Slumbering town and suffering lady

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In this episode, we observe the helplessness of a lady, as portrayed by Sangam Literary work, Kurunthogai 28, penned by Avvaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, conveying her angst as the man is delayed in his return.

SangamLit

Kurunthogai 27 – Split milk and spoilt beauty

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In this episode, we perceive how a well-chosen simile explains the lady’s state, as portrayed in Sangam Literary work, Kurunthogai 27, penned by Velli Veethiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, in response to her friend’s worry as to how the lady would bear with the man’s parting away.

SangamLit

Kurunthogai 26 – Truth in a monkey’s eyes

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In this episode, we perceive a picturesque scene, revealing hidden secrets, as depicted in Sangam Literary work, Kurunthogai 26, penned by Kollan Alisi. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady’s kith and kin, after hearing the fortune-teller’s divination about the lady’s ill-health.

SangamLit

Kurunthogai 25 – A witness to love

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In this episode, we perceive the soaring worry in a lady about the man’s commitment, as depicted in Sangam Literary work, Kurunthogai 25, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, expressing the helplessness of her situation, as the man continues to delay seeking her hand.

SangamLit

Kurunthogai 24 – Smashed to a pulp

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In this episode, we perceive how elements in nature paint the angst in a heart, as depicted in Sangam Literary work, Kurunthogai 24, penned by Paranar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to her confidante, as the man’s promised season of return arrives.

SangamLit

Kurunthogai 23 – That momentous mountain song

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In this episode, we perceive a subtle way of revealing a secret, as portrayed in Sangam Literary work, Kurunthogai 23, penned by Avvaiyaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to a fortune-teller, passing on a hidden message about the lady’s relationship with the man.

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Kurunthogai 22 – A fragrant branch in spring

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In this episode, we observe a convincing technique of consolation, as depicted in Sangam Literary work, Kurunthogai 22, penned by Cheramaan Enthai. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, allaying her fears about the man’s parting away.

SangamLit

Kurunthogai 21 – The golden glow of trust

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In this episode, we perceive the expression of an unshakeable faith in a person, as portrayed in Sangam Literary work, Kurunthogai 21, penned by Othalaanthaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her state of mind about the man’s delayed return.

SangamLit

Kurunthogai 20 – The wise and the unwise

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In this episode, we perceive abstractions around the theme of gathering wealth, as depicted in Sangam Literary work, Kurunthogai 20, penned by Koperuncholan, a poet-king, belonging to the Early Chola dynasty during the Sangam period. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, on hearing the news that the man had parted away to gather wealth.

SangamLit

Kurunthogai 19 – The strange flower at home

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In this episode, we glean facts about history and a household, as depicted in Sangam Literary work, Kurunthogai 19, penned by Paranar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the man to his heart, lamenting about the lack of forgiveness from the lady.

SangamLit

Kurunthogai 18 – The small and the huge

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In this episode, we relish references to a delicious fruit, native to South India, as portrayed in Sangam Literary work, Kurunthogai 18, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, persuading him to seek the lady’s hand in marriage.

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Kurunthogai 17 – A sequence of consequence

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In this episode, we learn of the details in a curious custom of courting, as depicted in Sangam Literary work, Kurunthogai 17, penned by Pereyil Muruvalaar. The verse is situated in the mountains of ‘Kurunji’ and speaks in the voice of the man to the confidante, conveying the probable consequence of her refusal to heed to his requests towards furthering his relationship with the lady.

SangamLit

Kurunthogai 16 – Wild call in a wasteland

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In this episode, we relish a unique simile and the hope it evokes, as portrayed in Sangam Literary work, Kurunthogai 16, penned by Paalai Paadiya Perunkadungko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, conveying a positive thought to alleviate the lady’s suffering about the man’s parting away.

SangamLit

Kurunthogai 15 – Truth of a relationship

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In this episode, we observe the acceptance of an unexpected event, as depicted in Sangam Literary work, Kurunthogai 15, penned by Avvaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady’s foster mother to the birth mother, announcing the truth about the lady’s relationship.

SangamLit

Kurunthogai 14 – Threat of a ride

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In this episode, we perceive a social custom and its implications, as portrayed in Sangam Literary work, Kurunthogai 14, penned by Thol Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the confidante, in a subtle threat about his course of action, after her rejection of his request.

SangamLit

Kurunthogai 13 – Rain and Return

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In this episode, we bask in the beauty of the mountain country, portrayed in Sangam Literary work, Kurunthogai 13, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, explaining the reasons for her ill-health, after the man had parted away.

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Kurunthogai 12 – Parched and perilous path

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In this episode, we get a glimpse of the dangers in ancient travel, as depicted in Sangam Literary work, Kurunthogai 12, penned by Othalaanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady, perceiving the worry in her confidante about her state, after the man had parted away.

SangamLit

Kurunthogai 11 – Onward to wherever he is

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In this episode, we perceive the angst in a lady, propelling her on an unthinkable path, as portrayed in Sangam Literary work, Kurunthogai 11, penned by Mamoolanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her heart, as her confidante listens nearby.

SangamLit

Kurunthogai 10 – A unique welcome

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In this episode, we perceive the magnanimity of a lady, as depicted in Sangam Literary work, Kurunthogai 10, penned by Orambokiyar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, allowing him entry into the lady’s house.

SangamLit

Kurunthogai 9 – A mother-like maiden

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In this episode, we observe how a forgiving nature blooms like a blue lotus, as depicted in Sangam Literary work, Kurunthogai 9, penned by Kayamanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, allowing him entry to the lady’s house.

SangamLit

Kurunthogai 8 – His son’s mother

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In this episode, we perceive some mind games in action, as portrayed in Sangam Literary work, Kurunthogai 8, penned by Aalangudi Vanganaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the courtesan, passing on a hidden message to the lady’s friends, listening nearby.

SangamLit

Kurunthogai 7 – A tale of two feet

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In this episode, we glimpse at both nature and culture through the lens of relationship, as depicted in Sangam Literary work, Kurunthogai 7, penned by Perumpathumanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of wayfarers, who happen to come across a couple in their journey.

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Kurunthogai 6 – An echoing silence

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In this episode, we perceive the loneliness in a lady at a dark hour, as portrayed in Sangam Literary work, Kurunthogai 6, penned by Pathumanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing the angst in her heart at the man’s parting away.

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Kurunthogai 5 – A sleeping seabird

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In this episode, we pay a visit to a seashore and perceive the symptoms of an age-old disease, as depicted in Sangam Literary work, Kurunthogai 5, penned by Nariveruthalaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, pondering on her state, after the man’s parting away.

SangamLit

Kurunthogai 4 – A searing teardrop

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In this episode, we perceive the angst in a lady’s heart, parted from her beloved, as portrayed in Sangam Literary work, Kurunthogai 4, penned by Kaamancher Kulathaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the words of the lady to her confidante, expressing the anguish within.

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Kurunthogai 3 – Wider higher deeper

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In this episode, we travel to a lush mountain country, as portrayed in Sangam Literary work, Kurunthogai 3, penned by Thevakulathaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, rejecting her friend’s rebuke of the man, as he listens nearby.

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Kurunthogai 2 – A drop of delicious honey

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In this episode, we relish the expressed ecstasy of being in love, as depicted in Sangam Literary work, Kurunthogai 2, penned by Iraiyanaar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of a man to a bee, raising a question and revealing his passion.

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Kurunthogai 1 – A splash of divine red

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I’m excited to explore the world of Kurunthogai along with you. Kurunthogai, in a nutshell, can be called ancient Tamil haikus, verses that power-pack love and nature in capsule-sized doses! In this episode, we are welcomed by the glowing red of Murugan’s mountain country, as portrayed in Sangam literary work, Kurunthogai 1, penned by Thippu Tholaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, refusing to accept his gift of flowers for the lady.

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Natrinai 400 – Meeting and Parting

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In this episode, we perceive the fertility of a farming village and the fortitude in a loyal heart, as portrayed in Sangam Literary work, Natrinai 400, penned by Alangudi Vanganaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of a courtesan to the man, expressing how indispensable he is to her life.

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