Podcast Archive

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In this episode, we perceive intricate elements from the seashore revealing the inner world, as portrayed in Sangam Literary work, Natrinai 199, penned by Peri Sathanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, refusing to accept words of consolation and expressing the angst in her heart.

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In this episode, we perceive the anguish in a mother missing her daughter, as portrayed in Sangam Literary work, Natrinai 198, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of a foster mother to a couple she meets on the way, as she searches for her daughter, who has eloped away.

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In this episode, we experience the meaning that dark clouds impart to a pining lady, as depicted in Sangam Literary work, Natrinai 197, penned by Nakirar. The verse is set in the drylands of ‘Paalai’ and speaks in the consoling voice of the confidante to the lady, conveying a positive message to the lady’s pining heart.

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In this episode, we listen to a curious conversation with the moon, as depicted in Sangam Literary work, Natrinai 196, penned by Vellaikudi Nakanaar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the lady to the moon, attempting to make it reveal the path where the man, who has parted away, traverses.

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In this episode, we relish the rich imagery inspired by the scenes on a seashore, as portrayed in Sangam Literary work, Natrinai 195, penned by an anonymous poet. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying the pained state of the lady, owing to the man’s lethargy in seeking her hand in marriage.

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In this episode, we explore life and wildlife in the mountain country, depicted in Sangam Literary work, Natrinai 194, penned by Madurai Maruthan Ilanaakanaar. Set in the mountain landscape of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the journey of a breeze, as portrayed in Sangam Literary work, Natrinai 193, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape of ‘drylands’ and speaks in the voice of the lady to the northern wind, pleading to not torment her at a time when the man has parted away.

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In this episode, we relish scenes from a mountain jungle, as portrayed in Sangam Literary work, Natrinai 192, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to a lady, as she refuses to accept a tryst with him at night, fearing for his safety.

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In this episode, we perceive a picturesque scene from the life of a seaside hamlet, as depicted in Sangam Literary work, Natrinai 191, penned by Ulochanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying a subtle message to the man, listening nearby.

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In this episode, we delight in the description of an ancient city, as depicted in Sangam Literary work, Natrinai 190, written by an anonymous poet. Set in the ‘Kurinji’ landscape of mountain country, the verse speaks in the voice of a man to his heart, urging the confidante, listening nearby, to help him win the affection of the lady.

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In this episode, we receive a lesson in the art of consolation, as portrayed in Sangam Literary work, Natrinai 189, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape or the drylands and speaks in the voice of the confidante to the lady, conveying words of solace to her pining heart.

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In this episode, we learn an intricate technique to convey intention and the philosophical truth ingrained within, as depicted in Sangam Literary work, Natrinai 188, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, conveying a subtle but strong reprimand about his delay in seeking the lady’s hand in marriage.

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In this episode, we take up a sensory travel to a sunset moment, as sketched by Sangam Literary work, Natrinai 187, penned by the Sangam-age namesake of an adored female poet, Avvaiyaar. The verse is set in the ‘Neythal’ landscape or coastal regions and speaks in the voice of the lady, as she mulls over the parting of the man, at the end of his tryst by day.

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In this episode, we perceive scenes from nature throwing light on an attitude of acceptance, as depicted in Sangam Literary work, Natrinai 186, penned by an anonymous poet. Set in the drylands region of ‘Paalai’, the verse speaks in the confident voice of the lady, relieving fears in the confidante’s mind about the consequences of the man’s departure.

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In this episode, we learn fascinating facts about an ancient hill country, as portrayed in Sangam Literary work, Natrinai 185, penned by an anonymous poet. The verse is set in the mountainous landscape of ‘Kurinji’ and speaks in the voice of the man to his friend, seeking his help to win the affection of the lady in his heart.

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In this episode, we perceive the poignant emotions of a mother missing her daughter, as depicted in Sangam Literary work, Natrinai 184, written by an anonymous poet. Set in the drylands of the ‘Paalai’ landscape, the verse speaks in the voice of the mother, expressing her inconsolable sadness after her daughter’s departure.

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In this episode, we understand the thread that ties economics and emotions, as portrayed in Sangam Literary work, Natrinai 183, penned by an anonymous poet. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the man, expressing the pain the lady would feel at his parting away.

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In this episode, we perceive the intricate way of conveying intention by concealing it in an image from nature, as portrayed in Sangam Literary work, Natrinai 182, penned by an anonymous poet. Set in the ‘Kurinji’ landscape of mountain country, the verse speaks in the voice of the confidante to the lady, conveying a pointed message to the man, listening nearby.

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In this episode, we sense the jubilation in a man’s return to his home, as portrayed in Sangam literary work, Natrinai 181, penned by an anonymous poet. The verse is set in the ‘Mullai’ landscape or forest country and speaks in the voice of a confidante, conveying that the lady will be redeemed from her joyless state by the man’s return.

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In this episode, we relish the intricate tapestry of imagery interwoven with the history and life of the land, as portrayed in Sangam literary work, Natrinai 180, penned by an anonymous poet. Set in the agricultural region of ‘Marutham’, the verse speaks in the voice of the confidante, in a complaining tone about the ceaseless love-quarrel between the man and the lady.

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In this episode, we listen to a surprised mother’s reminiscences about her daughter, as depicted in Sangam Literary work, Natrinai 179, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape and speaks in the voice of a mother, expressing disbelief when she discovers that her daughter has eloped with a man.

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In this episode, we perceive scenes from the coast reflecting emotions within, as portrayed in Sangam Literary work, Natrinai 178, penned by an anonymous poet. Set in the coastal region of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, intending to convey a hidden message to the man listening nearby.

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In this episode, we relish the contrasting imagery to paint the emotions in parting, as depicted in Sangam literary work, Natrinai 177, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape or drylands and speaks in the voice of the lady to the confidante, expressing her discovery of the man’s intention to part away.

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In this episode, we relish the rich imagery from the fragrant hills of ancient times, as portrayed in Sangam literary work, Natrinai 176, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’ the verse speaks in the voice of a courtesan to her friend, the dancer, passing on a hidden message of warning to the friends of the lady’s confidante, who are listening nearby.

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In this episode, we perceive scenes from a coastal land that sketch for us, the intricacies of inner life, as portrayed in Sangam literary work, Natrinai 175, written by an anonymous poet. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, nudging the man listening nearby, to seek the lady’s hand in marriage.

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In this episode, we perceive the emotions of a lady in distress, as portrayed in Sangam literary work, Natrinai 174, written by an anonymous poet. Set in the drylands of ‘Paalai’ landscape, the poem speaks in the voice of the lady to her confidante, responding to the question about her inexplicable sadness.

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In this episode, we learn about cultural and religious notions, as portrayed in Sangam literary work, Natrinai 173, penned by an anonymous poet. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying a hidden message to the man listening nearby.

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In this episode, we dwell on the exquisite feeling of kinship extended to a tree, as portrayed in Sangam literary work, Natrinai 172, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, refusing him a tryst by day with the lady and nudging him to seek the lady’s hand in marriage.

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In this episode, we marvel at the nuanced instances from life used to portray the pain in parting, as depicted in Sangam literary work, Natrinai 171, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape of drylands and speaks in the voice of the confidante to the lady, conveying to her the message about the man’s parting away.

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In this episode, we learn about a moment in history through the poetic device of a simile, as depicted in Sangam literary work, Natrinai 170, penned by an anonymous poet. Set in ‘Marutham’ or the agricultural lands, the verse speaks in the voice of the confidante to her friends, refusing entry to a danseuse to a festival being held at home.

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In this episode, we perceive the yearning in the heart of a man returning home, as portrayed in Sangam literary work, Natrinai 169, penned by an anonymous poet. The verse is set in the forest country of ‘Mullai’ and speaks in the voice of the man to his heart, on completing a far-away mission, as his thoughts turn homeward.

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In this episode, we relish the sensuous details of life in the mountains, as portrayed in Sangam literary work, Natrinai 168, written by an anonymous poet. Set in the lush hill country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, chiding him subtly for not seeking a formal union with the lady.

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In this episode, we perceive nature and history revealing the inner landscape, as depicted in Sangam literary work, Natrinai 167, penned by an anonymous poet. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the singer-messenger, refusing to accept the messenger’s words of appeasement.

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In this episode, we marvel at the importance accorded to love and family, as portrayed in Sangam literary work, Natrinai 166, penned by an anonymous poet. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the voice of the man to his lady, allaying fears of his parting away in her heart.

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In this episode, we perceive hunting beliefs and marriage customs, as portrayed in Sangam literary work, Natrinai 165, penned by an anonymous poet. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, advising her as marriage proposals from strangers pour in.

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In this episode, we appreciate the foresight of the confidante in predicting the man’s safe return, as depicted in Sangam literary work, Natrinai 164, penned by an anonymous poet. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, conveying in a subtle manner, good tidings about the man’s arrival.

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In this episode, we sense the feeling of relief on hearing good tidings, as depicted in Sangam literary work, Natrinai 163, penned by an anonymous poet. The verse is set in the coastal regions of ‘Neythal’ landscape and speaks in the voice of the confidante to the lady, conveying a happy news concerning the man.

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In this episode, we understand perceptions about women taking up travel, as portrayed in Sangam Literary work, Natrinai 162, penned by an anonymous poet. Set in the ‘Paalai’ or drylands region, the verse speaks in the voice of the man to his lady, as he sets out on a journey.

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In this episode, we relish the thoughts expressed by a man returning home, as portrayed in Sangam literary work, Natrinai 161, penned by an anonymous poet. The verse is set in the forest country of ‘Mullai’ region and speaks in the voice of a man to his charioteer, as he talks about the journey back home.

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In this episode, we understand the effects of falling in love, as portrayed in Sangam Literary work, Natrinai 160, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to his friend, in response to that friend’s angry words about the man’s changed behaviour.

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In this episode, we relish scenes from an ancient shore and a subtle message that lies in store, as depicted in Sangam Literary work, Natrinai 159, penned by Kannam Pullanaar. The verse is set in the coastal landscape of ‘Neythal’ regions and speaks in the voice of the confidante to the man, bidding him in a hidden message, to seek the lady’s hand in marriage.

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In this episode, we perceive the subtle ways of communicating intention, as portrayed in Sangam literary work, Natrinai 158, penned by Vellaikkudi Naakanaar. Set in the ‘Kurinji’ landscape of mountain country, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man listening nearby.

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In this episode, we perceive the pain of separation, portrayed in Sangam Literary work, Natrinai 157, penned by Ilavettanaar. The verse is set in the ‘Paalai’ landscape or the drylands and speaks in the voice of a man to his heart, when he’s away from the lady on a mission, as he realises that the time of his promised return is near.

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In this episode, we witness a thoughtful technique in refusing something, as depicted in Sangam Literary work, Natrinai 156, penned by Kannan Kottranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, when he arrives to tryst with the lady that night.

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In this episode, we smile at the exuberant expression of love, as portrayed in Sangam Literary work, Natrinai 155, penned by Paraayanaar. The poem is set in the ‘Neythal’ landscape of coastal regions and speaks in the elated voice of the man, revealing his emotions on meeting with the lady for the second time.

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In this episode, we picture scenes from a jungle on a dark night, as depicted in Sangam Literary work, Natrinai 154, penned by Nallaavoor Kizhaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man listening nearby.

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In this episode, we relish the expanse of the inner world illustrated with elements of nature and culture, as portrayed in Sangam Literary work, Natrinai 153, penned by Thanimaganaar. The verse is situated in the ‘Paalai’ landscape or drylands and speaks in the voice of the lady, relating her pained state after the parting away of her man.

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In this episode, we empathise with the feelings portrayed in Sangam Literary work, Natrinai 152, penned by Alamperi Saathanaar. Set in the coastal regions of the ‘Neythal’ landscape, the verse speaks in the anguished voice of a man, relating his pained state, as the confidante listens nearby.

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In this episode, we relish the imagery-filled scenes from a mountain country, portrayed in Sangam Literary work, Natrinai 151, written by Ilanaganaar. The verse is set in the ‘Kurinji’ landscape or mountainous regions and speaks in the voice of the confidante to the lady, passing on hidden messages to the man, listening nearby.

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In this episode, we listen to an insightful conversation, as depicted in Sangam Literary work, Natrinai 150, penned by Kaduvan Ilamallanaar. Set in the ‘Marutham’ landscape of agricultural lands, the verse speaks in the voice of a courtesan to a singer-messenger, revealing her feelings about the errant man.

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In this episode, we understand the impact of societal pressures on inner life, as portrayed in Sangam Literary work, Natrinai 149, penned by Ulochanaar. The poem is set in the coastal landscape of ‘Neythal’ regions and speaks in the voice of the confidante to the lady, bidding her to elope with the man, considering the troublesome situation in the town.

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In this episode, we perceive danger and determination in a drylands path, as depicted in Sangam Literary work, Natrinai 148, penned by Kallampaalanaar. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the confident voice of the confidante to the lady, about the man’s harsh journey in search of wealth.

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In this episode, we relish a comical scene in a millet field, as depicted in Sangam Literary work, Natrinai 147, written by Kollampakkanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, relaying a curious incident involving the lady and her mother, to the man, listening nearby.

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In this episode, we understand a curious social custom, as portrayed in Sangam Literary work, Natrinai 146, penned by Kantharathanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the man to his heart, passing on a nuanced message to the confidante, listening nearby.

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In this episode, we observe inner and outer life by the seas, as depicted in Sangam Literary work, Natrinai 145, penned by Nambi Kuttuvan. The verse is set in the ‘Neythal’ landscape and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the dangers of a hill country at night, as portrayed in Sangam Literary work, Natrinai 144, written by Kachippettu Perunthachanaar. Set in the mountainous regions of ‘Kurinji’ landscape, the verse speaks in the worried voice of the lady to her confidante, as the man listens nearby.

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In this episode, we observe a mother’s state of mind, as portrayed in Sangam Literary work, Natrinai 143, written by Kannakaaran Kotranaar. The verse is set in the ‘Paalai’ landscape or ‘drylands’ and speaks in the lamenting voice of a mother, after her daughter elopes with the man.

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In this episode, we perceive the portrayal of a Sangam woman, as depicted in Sangam Literary work, Natrinai 142, written by Idaikaadanaar. Set in the forest country of ‘Mullai’ landscape, the verse speaks in the voice of a man to his charioteer, requesting him to rush to the lady’s village.

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In this episode, we relish the novel similes that paint the inner and outer world, as portrayed in Sangam Literary work, Natrinai 141, written by Salliyankumaranaar. The verse is set in the ‘Paalai’ region or the drylands and speaks in the voice of a man to his heart, expressing his inability to part from the lady and go in search of wealth.

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In this episode, we appreciate the nuanced details about a mountain girl’s life, as depicted in Sangam Literary work, Natrinai 140, penned by Poothan Kannanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to his heart, bidding it to be patient, as he tries to secure the affection of the lady.

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In this episode, we rejoice in the grace of a rain shower, as portrayed in Sangam Literary work, Natrinai 139, penned by Perungkousikanaar. The verse is set in the forest country of ‘Mullai’ and speaks in the voice of a man to the rain, extolling it for the help it has extended to him.

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In this episode, we appreciate the rich imagery employed in Sangam Literary work, Natrinai 138, penned by Ammoovanaar. Set in the coastal lands of ‘Neythal’, the poem speaks in the voice of the confidante to the lady, consoling her and conveying a message to the man, listening nearby.

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In this episode, we gather some fascinating facets about flora and fauna, as portrayed in Sangam Literary work, Natrinai 137, written by Perungkannanaar. The verse is set in the ‘Paalai’ landscape or drylands and speaks in the voice of the man to his heart, as he responds to its urging to part away from the lady, in search of wealth.

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In this episode, we relish the rich expressions, portrayed in Sangam Literary work, Natrinai 136, penned by Natrangkotranaar. Set in the mountain country of ‘Kurinji’ lands, the verse speaks in the voice of the lady to the confidante, expressing a nuanced message to the man, listening nearby.

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In this episode, we perceive the intricate ways of conveying information, as portrayed in Sangam Literary work, Natrinai 135, written by Kathapillaiyaar. The verse is set in the coastal landscape of ‘Neythal’ regions and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we celebrate the happy tidings, as depicted in Sangam Literary work, Natrinai 134, penned by an anonymous poet. Set in the ‘Kurinji’ landscape of mountainous regions, the verse speaks in the voice of the confidante to the lady, laying to dust, the lady’s fears about being unable to meet with her man.

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In this episode, we relish the rich imagery in revealing the inner world, as portrayed in Sangam Literary work, Natrinai 133, written by Natramanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to her words of consolation.

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In this episode, we appreciate the capture of life in a seaside mansion, as portrayed in Sangam Literary work, Natrinai 132, penned by an anonymous poet. Set in the ‘Neythal’ landscape of coastal regions, the verse speaks in the voice of the confidante to the lady, highlighting the difficult situation to the man listening nearby.

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In this episode, we perceive a nuanced way of deflecting praise, as depicted in Sangam Literary work, Natrinai 131, written by Ulochanaar. The poem is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the man, in response to a grateful word from him.

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In this episode, we travel to an ancient town by the sea and witness a scene of parting, as portrayed in Sangam Literary work, Natrinai 130, penned by Neythal Thathanaar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, expressing the inconsolable sadness in her heart.

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In this episode, we perceive a novel way of sharing disconcerting news, as depicted in Sangam Literary work, Natrinai 129, written by the Sangam-age Avvaiyaar, a prolific female poet who has penned more than 50 Sangam poems. Though the name is the same, Avvaiyaar of ‘Aathichoodi’ fame, belonged to the later medieval period. The poem is set in the ‘Kurinji’ landscape or mountain country and speaks in the voice of the confidante to the lady, conveying a hard-to-accept message in a subtle manner.

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In this episode, we marvel at the deep bond between friends, as portrayed in Sangam Literary work, Natrinai 128, written by Narchendanaar, this being the only poem penned by this poet. Set in the mountain country of ‘Kurinji’, the poem speaks in the voice of the confidante to the lady, conveying she knows the heart of her friend, even without words any.

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In this episode, we relish the scenes from a seaside village, portrayed in Sangam Literary work, Natrinai 127, penned by Seethalai Saathanaar. The verse is set in the ‘Neythal’ landscape of coastal regions and speaks in the voice of the confidante to the singer-messenger, refusing him entry to the lady’s house.

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In this episode, we appreciate the abstractions on age and ambition, as portrayed in Sangam Literary work, Natrinai 126, penned by an anonymous poet. Set in the drylands of the ‘Paalai’ landscape, the verse speaks in the voice of a man to his heart, stressing on the futility of undertaking a journey seeking wealth.

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In this episode, we appreciate the richness of metaphor and imagery in Sangam Literary work, Natrinai 125, penned by an anonymous poet. The poem is set in the ‘Kurinji’ landscape or mountain country and speaks in the voice of the confidante to the lady, consoling and advising her with regard to the man’s delay in seeking a formal union.

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In this episode, we relish the rich visuals depicted in Sangam Literary work, Natrinai 124, written by Mosi Kannathanaar. Set in the coastal regions of ‘Neythal’ landscape, the verse speaks in the voice of the confidante to the man, bidding him to give up his plans of parting from the lady.

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In this episode, we perceive the sunny life of a Sangam girl on an ancient shore, as portrayed in Sangam Literary work, Natrinai 123, written by Kanji Pulavanaar. The verse is set in the coastal regions of ‘Neythal’ landscape and speaks in the voice of the confidante to the lady, intending to convey a hidden message to the man, listening nearby.

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In this episode, we appreciate the ingenuity in moving another to action, as portrayed in Sangam Literary work, Natrinai 122, written by Sengkannanaar. Set in the Kurinji landscape of mountain country, the verse speaks in the voice of the confidante to the lady, conveying a layered message to the man, listening nearby.

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In this episode, we perceive the anticipation and joy in reuniting, as portrayed in Sangam Literary work, Natrinai 121, written by Oru Sirai Periyanaar. The poem is set in the forest country of ‘Mullai’ and speaks in the voice of a charioteer to his master, expressing positivity and hope about the man’s reunion with the lady.

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In this episode, we unearth intricate details about a living culture, as portrayed in Sangam Literary work, Natrinai 120, written by Maankudi Kilaar. Set in the agricultural landscape of ‘Marutham’, the poem speaks in the voice of the man to himself, as he hatches a plan to win back the affection of his enraged lady.

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In this episode, we relish the rich imagery depicted in Sangam Literary work, Natrinai 119, penned by Perunkundroor Kilaar. The poem is set in the ‘Kurinji’ landscape or the lush mountain country and speaks in the voice of the confidante to the lady, expressing a subtle message to the man, listening nearby.

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In this episode, we perceive the effect of changing seasons on the land and the mind, as portrayed in Sangam Literary work, Natrinai 118, penned by Perunkadunko, a poet-king from the Chera dynasty. Set in the ‘Paalai’ landscape, the poem speaks in the voice of the lady to the confidante, describing the pained state of her heart.

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In this episode, we savour the sights of an ancient evening and sympathise with a person’s pain, as portrayed in Sangam Literary work, Natrinai 117, written by Kundriyanaar. The verse is set in the ‘Neythal’ landscape or the ‘coastal regions’ and speaks in the voice of the lady to her confidante, expressing the inconsolable pain in her heart at being separated from her man.

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In this episode, we marvel at the philosophical abstractions and natural imagery, depicted in Sangam Literary work, Natrinai 116, written by Kantharathanaar. Set in the ‘Kurinji’ landscape of mountain country, the poem speaks in the voice of the lady to the confidante, expressing dejection about her deserted situation.

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In this episode, we relish the changing seasons in the mind, as depicted in Sangam Literary work, Natrinai 115, penned by an anonymous poet. The verse is set in the ‘Mullai’ landscape of forest country and speaks in the voice of the confidante to the lady, filling her with optimism about the man’s return.

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In this episode, we perceive the innovative way of conveying intention through vivid images, as portrayed in Sangam Literary work Natrinai 114, written by Tholkabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.

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In this episode, we perceive the impact of separation on inner life, as depicted in Sangam Literary work, Natrinai 113, written by Ilangkeeranaar. The verse is set in the ‘Paalai’ landscape or the ‘drylands’ and speaks in the surprised voice of a man to himself, as he reflects on his parting from the lady.

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In this episode, we perceive how nature influences inner life, as depicted in Sangam Literary work, Natrinai 112, written by Perunkundroor Kilaar. Set in the mountain country of ‘Kurinji’, the poem speaks in the comforting voice of the confidante to the lady, conveying a positive message about the man’s return.

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In this episode, we relish the rich poetic imagery, portrayed in Sangam Literary work, Natrinai 111, penned by an anonymous poet. The verse is set in the ‘Neythal’ landscape or the coastal regions and speaks in the consoling voice of the confidante to the lady, conveying a positive omen about the man’s return from his journey.

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In this episode, we marvel at the metamorphosis of a young girl, depicted in Sangam Literary work, Natrinai 110, written by Pothanaar. Set in the ‘Paalai’ landscape, the poem speaks in the voice of a foster-mother to the lady’s mother, relaying news of how the lady is faring in her husband’s home.

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In this episode, we perceive deep facets of inner life, depicted in Sangam Literary work, Natrinai 109, written by Meeli Perumpathumanaar, this being his only Sangam poem. The verse is set in the ‘Paalai’ landscape and revolves around the theme of separation. Speaking in the voice of the lady to her confidante, the poem expresses the anguish in the lady’s heart, as the man has not returned from his journey.

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In this episode, we marvel at the ingenious ways of moving another to action, as portrayed in Sangam Literary work, Natrinai 108, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, conveying a hidden message to him.

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In this episode, we relish the metaphors in nature, as portrayed in Sangam Literary work, Natrinai 107, penned by an anonymous poet. The poem is set in the ‘Paalai’ region or the drylands and revolves around the theme of separation. Speaking in the voice of the lady to her confidante, the poem expresses the ironic situation the lady finds herself in, after the man parts away to go on a journey.

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In this episode, we relish the visual imagery in painting the mind, as depicted in Sangam Literary work, Natrinai 106, written by Thondaimaan Ilanthiraiyan, a poet-king who ruled with ‘Kanchi’ as his capital. Set in the ‘Neythal’ landscape of coastal regions, the verse speaks in the voice of the man to his charioteer, recollecting a past event and subtly urging him to hurry towards the lady’s village by the sea.

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In this episode, we appreciate the deep awareness of inner life, as portrayed in Sangam Literary work, Natrinai 105, written by Mudathirumaaran. The verse is set in the ‘Paalai’ landscape or the drylands and speaks in the voice of the man to his heart, motivating it to move forward as it languishes stuck in the anguishing journey.

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In this episode, we perceive the nuanced expression of intention, portrayed in Sangam Literary work, Natrinai 104, written by Peri Saathanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the anguished voice of the lady to her confidante, passing on a hidden message to the man listening nearby.

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In this episode, we see echoes of human life in the animal world, as depicted in Sangam Literary work, Natrinai 103, written by Maruthan Ilanaakanaar. The verse is set in the ‘Paalai’ landscape or the drylands and speaks in the voice of a man to his heart, bidding it to guide him in the right direction.

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In this episode, we marvel at the natural world depicted in Sangam Literary work, Natrinai 102, written by Sembiyanaar, this being his only Sangam poem. Set in the lush mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to a parrot, nudging it to carry a message to her man.

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In this episode, we relish a song of passion by an ancient shore, portrayed in Sangam Literary Work, Natrinai 101, written by Velliyanthinnanaar, this being his only Sangam poem. The poem is in the ‘Neythal’ landscape or the coastal regions and speaks in the voice of the man to be heard by the confidante, relaying his love for the lady.

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In this episode, we relish nature’s influences, cultural practices and patrons’ glories in Sangam Literary work, Natrinai 100, penned by the historian-poet Paranar. Set in the agricultural landscape of Marutham, the poem speaks in the voice of a courtesan to her friend, the dancer, as the lady’s confidante listens by.

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In this episode, we relish the novel ways of interpreting things, as depicted in Sangam Literary work, Natrinai 99, written by Ilanthiraiyanaar. The verse is set in the forest country of ‘Mullai’ and speaks in the voice of the confidante to the lady, consoling her as she worries about the absence of her man.

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In this episode, we relish the intricate methods of conveying intention as expressed in Sangam Literary work, Natrinai 98, written by Ukkira Peruvazhuthi, a famous poet-king, from Sangam times. Set in the ‘Kurinji’ landscape of mountain country, the poem speaks in the voice of the confidante to the man, passing on a hidden message to make him hasten his marriage with the lady.

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In this episode, we savour the portrait of inner life, depicted in Sangam Literary work, Natrinai 97, written by Maaran Vazhuthi, who’s said to be a poet-king from Sangam times. The verse is set in the forest country of ‘Mullai’ and speaks in the inconsolable voice of the lady to her confidante, expressing her anguish about the man’s absence.

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In this episode, we take in the fragrance of feelings depicted in Sangam Literary work, Natrinai 96, written by Kokulamutranaar. Set in the shores of the ‘Neythal’ landscape, the verse speaks in the voice of the confidante to the lady, while passing on a hidden message to the man, listening nearby.

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In this episode, we appreciate the timelessness of love, depicted in Sangam Literary work, Natrinai 95, written by Kottampalavanaar, this being his only Sangam poem. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the man to his friend, describing the whereabouts of his lady and declaring his love.

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In this episode, we appreciate the creative expression, portrayed in Sangam Literary work, Natrinai 94, written by Ilanthiraiyanaar. Set in the ‘Neythal’ landscape of coastal regions, the verse speaks in the voice of the lady to her confidante, conveying a message from her heart to the man, listening nearby.

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In this episode, we empathise with the pain of parting, portrayed in Sangam Literary work, Natrinai 93, written by Malaiyanaar, this being his only Sangam poem. True to his name which means ‘a man of the mountains’, the verse is situated in the lush mountain country of ‘Kurinji’. The verse speaks in the voice of the confidante to the man, expressing the consequences of the man’s delaying his formal union with the lady.

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In this episode, we relish the scenes from the wild that unfold in Sangam Literary work, Natrinai 92, penned by an anonymous poet. Set in the drylands of the ‘Paalai’ landscape, the poem speaks in the voice of the confidante to the lady, talking about the man who has parted away.

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In this episode, we relish the joy and celebration, portrayed in Sangam Literary work, Natrinai 91, written by Pisiraanthaiyaar. The verse is set in the ‘Neythal’ region or the coastal lands and speaks in the voice of the confidante to the lady, bringing good tidings about the man’s arrival.

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In this episode, we gather elements from life in an ancient town, depicted in Sangam Literary work, Natrinai 90, written by Anjil Anjiyaar. Set in the agricultural landscape of ‘Marutham’, the poem speaks in the voice of the confidante to the lady, indirectly refusing entry to the singer, who has been sent as a messenger by the man.

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In this episode, we realise the impact of weather on inner life, portrayed in Sangam Literary work, Natrinai 89, written by Ilampulloor Kaavithi. The poem is set in the ‘Mullai’ region or the ‘forest lands’ and speaks in the voice of the confidante to the lady, passing on a subtle message regarding the man’s arrival.

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In this episode, we appreciate the connection between nature and philosophy, depicted in Sangam Literary work, Natrinai 88, written by Nallanthuvanaar. Set in the ‘Kurinji’ landscape of mountain country, the poem speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we journey through world of dreams, depicted in Sangam Literary work, Natrinai 87, written by Nakkannaiyaar. The poem is set in the ‘Neythal’ landscape or the coastal regions and speaks in the voice of the lady to her confidante, sharing the sensations from a dream she had.

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In this episode, we relish the journey of seasons and sensations, depicted in Sangam Literary work, Natrinai 86, written by Nakkirar. Set in the ‘Paalai’ landscape, the poem speaks in the jubilant voice of the confidante to the lady, conveying the news of the man’s return.

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In this episode, we relish the ingenuity in expressing intent, depicted in Sangam Literary work, Natrinai 85, written by Nalvilakkanaar, this being his only Sangam poem. The verse is set in the ‘Kurinji’ landscape or the mountain country and speaks in the voice of the confidante to the lady, passing on a subtle message to the man listening nearby.

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In this episode, we reflect on the conflict between ambition and affection portrayed in Sangam Literary work, Natrinai 84, penned by an anonymous poet. Set in the ‘Paalai’ landscape of drylands, the poem speaks in the inconsolable voice of the lady to her confidante, expressing her angst at her man’s parting away.

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In this episode, we marvel at the poetic feast spread out in Sangam Literary work, Natrinai 83, written by Perunthevanaar. The poem is set in the ‘Kurinji’ landscape of mountain country and speaks in the voice of the confidante to an owl, passing on a hidden message to the man listening nearby.

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In this episode, we perceive the ways of life depicted in Sangam Literary work, Natrinai 82, written by Ammallanaar, his only Sangam entry. Set in the mountain country of ‘Kurinji’, the poem speaks in the voice of the man to the lady, expressing his feelings, after a covert union with her.

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In this episode, we relish the life and love depicted in Sangam Literary work, Natrinai 81, written by Akamban Maalaathanaar, this being his only Sangam poem. The poem is set in the ‘Mullai’ landscape or the forest regions and revolves around the theme of patient waiting. Speaking in the voice of the man to his charioteer, the verse expresses the man’s wish to rush home at the end of his task, so that he could bask in his lady’s smile.

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In this episode, we reflect on a deep truth depicted in Sangam Literary work, Natrinai 80, written by Poothan Thevanaar. Set in the agricultural landscape of ‘Marutham’, the poem speaks in the voice of the man to his heart, passing on a pointed message to the confidante, listening nearby.

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In this episode, we take a walk through the inner and outer world laid out in Sangam Literary work, Natrinai 79, written by Kannakanaar. The poem is set in the ‘Paalai’ landscape or the drylands and revolves around the theme of separation. Speaking in the voice of the lady to her confidante, the poem expresses the anxiety in the lady’s heart on perceiving the man’s intention to part away on a journey.

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In this episode, we partake in the flower-shower of joy depicted in Sangam Literary work, Natrinai 78, written by Keerankeeranaar, this being his only entry in Sangam poetry. The verse is set in the ‘Neythal’ landscape or the coastal regions and speaks in the voice of the confidante to the lady, conveying good tidings regarding the man’s arrival.