Podcast Archive

SangamLit

Kalithogai 116 – Anger and Acceptance

In this episode, we perceive a conflict between a lady and a man, as depicted in Sangam Literary work, Kalithogai 116, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and portrays the relentlessness of a man’s pursuit.

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Kalithogai 115 – Angst and Assurance

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In this episode, we perceive the fearful stance of the lady, as portrayed in Sangam Literary work, Kalithogai 115, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and sketches a domestic scene and its consequences in the life of the lady.

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Kalithogai 114 – Virtue in a wedding

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In this episode, we perceive a lady’s anxious state, portrayed in Sangam Literary work, Kalithogai 114, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and sketches the agony of a lady as momentous events unfold before her.

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Kalithogai 113 – Recollect and Regain

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In this episode, we listen to a intriguing conversation, as depicted in Sangam Literary work, Kalithogai 113, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and presents hidden layers in the relationship of a man and his lady.

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Kalithogai 112 – Risk and Reward

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In this episode, we perceive a lady’s change of stance, portrayed in Sangam Literary work, Kalithogai 112, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and etches the determined pursuit of a man.

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Kalithogai 111 – Reject and Revert

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In this episode, we listen to a lady’s plea to a friend, as depicted in Sangam Literary work, Kalithogai 111, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and sketches the petition and dismissal of a man’s requests.

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Kalithogai 110 – Love that struggles to wait

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In this episode, we perceive a conversation between a lovelorn man and his beloved, as portrayed in Sangam Literary work, Kalithogai 110, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and presents elements that echo the soul of this land.

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Kalithogai 109 – A mesmerising maiden

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In this episode, we listen to a heart’s outpouring, as portrayed in Sangam Literary work, Kalithogai 109, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and etches the mesmerising beauty of a maiden.

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Kalithogai 108 – A war of words

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In this episode, we see sparks fly in a couple’s conversation, as conveyed in Sangam Literary work, Kalithogai 108, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and reveals interesting perspectives about work in ancient times.

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Kalithogai 107 – On garlands and good news

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In this episode, we listen to an amusing conversation, as portrayed in Sangam Literary work, Kalithogai 107, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and paints both the confusion and the relief in the mind of a lady.

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Kalithogai 106 – Courage in the everyday

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In this episode, we perceive the practical aspects of bull taming, as portrayed in Sangam Literary work, Kalithogai 106, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and reveals the value of courage in a man as seen from the eyes of their beloved maiden.

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Kalithogai 105 – Victory in an arena

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In this episode, we perceive conflict and triumph in a bull taming arena, as depicted in Sangam Literary work, Kalithogai 105, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and reveals happy tidings in the lady’s life.

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Kalithogai 104 – Soaring above slander

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In this episode, we listen to a detailed account of bull taming events, as portrayed in Sangam Literary work, Kalithogai 104, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and echoes a lady’s pride in her beloved’s conquest in the arena.

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Kalithogai 103 – A field of love and war

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In this episode, we perceive dynamic scenes from a bull taming arena, as portrayed in Sangam Literary work, Kalithogai 103, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and relays the importance accorded to courage and determination in an ancient culture.

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Kalithogai 102 – Fought and Won

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In this episode, we listen to an account of a jubilant bull taming, as depicted in Sangam Literary work, Kalithogai 102, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and sketches the determination of a young man to win the one he loves.

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Kalithogai 101 – A fight for love

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In this episode, we perceive the ancient Tamil custom of taming a bull, as portrayed in Sangam Literary work, Kalithogai 101, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and conveys the connection of this ancient custom to the lady’s life.

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Kalithogai 100 – Living true to the praise

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In this episode, we perceive the intersection of different aspects of life, as portrayed in Sangam Literary work, Kalithogai 100, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and pleads for a king’s kindness.

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Kalithogai 99 – Caring for the near and dear

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In this episode, we hear a passionate speech in support of another, as depicted in Sangam Literary work, Kalithogai 99, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and puts forth a plea to a king.

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Kalithogai 98 – A river bathing ritual fight

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In this episode, we perceive the practice of bathing in the fresh waters of a river, as portrayed in Sangam Literary work, Kalithogai 98, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and portrays an element of the land in a new light.

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Kalithogai 97 – On parading an elephant

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In this episode, we perceive a scoffing retort, as depicted in Sangam Literary work, Kalithogai 97, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and connects the characteristics of a woman and an elephant.

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Kalithogai 96 – On riding a horse

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In this episode, we listen to an imaginative response to a dishonest explanation, as portrayed in Sangam Literary work, Kalithogai 96, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and renders a comparative study of women and horses.

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Kalithogai 95 – The quail fight quarrel

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In this episode, we perceive fighting over the truth, as depicted in Sangam Literary work, Kalithogai 95, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and renders details about quail fights in ancient times.

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Kalithogai 94 – A unique duet of love

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In this episode, we perceive a unique love story, as portrayed in Sangam Literary work, Kalithogai 94, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the coming together journey of two striking personalities.

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Kalithogai 93 – Being with gods

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In this episode, we perceive a sarcastic response to a dubious explanation, as depicted in Sangam Literary work, Kalithogai 93, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches an animated conversation.

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Kalithogai 92 – Desire in a dream

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In this episode, we listen to the narration of a dream, as portrayed in Sangam Literary work, Kalithogai 92, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and presents a fused portrait of dream and reality.

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Kalithogai 91 – Sarcasm and Surrender

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In this episode, we listen to a conflict-ridden conversation, as depicted in Sangam Literary work, Kalithogai 91, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and traces how the lady’s words turn from scoffing to submission.

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Kalithogai 90 – Truly seen or dream scene

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In this episode, we observe the trajectory of a conflict, as depicted in Sangam Literary work, Kalithogai 90, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and etches a tale of denial and acceptance.

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Kalithogai 89 – Pleading and conceding

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In this episode, we perceive sparks fly in a domestic quarrel, as portrayed in Sangam Literary work, Kalithogai 89, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and relates a heated exchange between a couple.

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Kalithogai 88 – Fearing the swearing

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In this episode, we observe the inferences of a lady’s perceptive eyes, as depicted in Sangam Literary work, Kalithogai 88, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and etches the quarrelling and conflict in a household.

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Kalithogai 87 – Sulk and Soothe

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In this episode, we encounter an animated exchange between the lady and the man, as depicted in Sangam Literary work, Kalithogai 87, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches a situation of domestic conflict.

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Kalithogai 86 – To be and not be

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In this episode, we listen to advice offered by a mother to her young son, as portrayed in Sangam Literary work, Kalithogai 86, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and contrasts the positive and negative qualities of a man.

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Kalithogai 85 – Drink up the milk

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In this episode, we listen to a mother’s words to her child, as depicted in Sangam Literary work, Kalithogai 85, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and paints a portrait of the adornments on a child in an affluent household.

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Kalithogai 84 – The one at fault

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In this episode, we perceive the lady’s ire, as portrayed in Sangam Literary work, Kalithogai 84, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the inferences in the lady’s mind about the intentions of courtesans.

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Kalithogai 83 – Spear through a sore wound

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In this episode, we perceive the angst of the lady, as depicted in Sangam Literary work, Kalithogai 83, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reveals the consequences of the man’s actions on the lady.

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Kalithogai 82 – Venture not anymore

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In this episode, we listen to a lady’s admonition to her son, as portrayed in Sangam Literary work, Kalithogai 82, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the man’s infidelity.

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Kalithogai 81 – Storming and calming

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In this episode, we listen to a striking interaction between the man and the lady, as depicted in Sangam Literary work, Kalithogai 81, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reveals the man’s attempts at allaying the lady’s ire.

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Kalithogai 80 – Sweet child of mine

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In this episode, we perceive the lady’s affection for her son, as portrayed in Sangam Literary work, Kalithogai 80, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and conveys a hidden message.

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Kalithogai 79 – Embrace not the little one

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In this episode, we listen to a lady’s words of rebuke to her man, as depicted in Sangam Literary work, Kalithogai 79, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and spotlights moments of affection.

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Kalithogai 78 – Reflection on the return

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In this episode, we listen to the lady’s perspective on the man’s thoughts, as portrayed in Sangam Literary work, Kalithogai 78, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reflects the lady’s clarity and perception.

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Kalithogai 77 – Enemy called the heart

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In this episode, we perceive the lady’s loss owing to the man’s actions, as portrayed in Sangam Literary work, Kalithogai 77, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the lady’s state of despair.

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Kalithogai 76 – Past acts and future hope

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In this episode, we perceive elements of a different landscape appearing in the farmlands domain, as portrayed in Sangam Literary work, Kalithogai 76, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches a lady’s way of revealing her relationship with the man to her friend.

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Kalithogai 75 – The fate to forego anger

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In this episode, we perceive the reasons for the lady’s restraint, as depicted in Sangam Literary work, Kalithogai 75, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and highlights the man’s crafty nature.

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Kalithogai 74 – Flower-hopping bee

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In this episode, we listen to the sharp censure of the lady, as portrayed in Sangam Literary work, Kalithogai 74, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and vividly sketches the man’s infidelity.

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Kalithogai 73 – Foolproof vision

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In this episode, we observe the perceptive eyes of the lady, as depicted in Sangam Literary work, Kalithogai 73, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and talks about the deceptive actions of the man.

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Kalithogai 72 – The signs of others

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In this episode, we listen to an anguished question, as depicted in Sangam Literary work, Kalithogai 72, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and provides insight about the prominent workers in a town setting.

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Kalithogai 71 – Debunking false oaths

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In this episode, we perceive a lady’s fury at her man, as depicted in Sangam Literary work, Kalithogai 71, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the lady’s disappointment in the words of the man’s supporters.

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Kalithogai 70 – A wake-up call

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In this episode, we listen to many sounds that arise in a town, as depicted in Sangam Literary work, Kalithogai 70, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and portrays the formidable foes of sleep.

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Kalithogai 69 – Seeing through deception

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In this episode, we listen to the sharp words of a lady, as depicted in Sangam Literary work, Kalithogai 69, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the man’s activities with courtesans.

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Kalithogai 68 – Illusory relationship

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In this episode, we perceive the anguished questions in the mind of the lady, as portrayed in Sangam Literary work, Kalithogai 68, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the illusory nature of the man’s relationship.

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Kalithogai 67 – The heart’s betrayal

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In this episode, we listen to a lady’s lament, as depicted in Sangam Literary work, Kalithogai 67, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and echoes a feeling of betrayal in the lady.

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Kalithogai 66 – Forgotten home and furious lady

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In this episode, we perceive the ire of a lady towards her man, as portrayed in Sangam Literary work, Kalithogai 66, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the escapades of the man with courtesans.

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Kalithogai 65 – A trap for a tiger

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In this episode, we listen to a curious incident that unfolded one night, as portrayed in Sangam Literary work, Kalithogai 65, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and attempts to convey the gravity of the situation in an indirect manner.

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Kalithogai 64 – The golden treasure

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In this episode, we listen to a playful conversation between a man and lady in love, as depicted in Sangam Literary work, Kalithogai 64, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and etches an attempt to reconcile a disgruntled person.

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Kalithogai 63 – A hidden acceptance

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In this episode, we perceive an exchange of words to unearth the truth, as depicted in Sangam Literary work, Kalithogai 63, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the confidante’s attempts at bringing together the man and the lady.

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Kalithogai 62 – Laying siege on love

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In this episode, we perceive the transformation in a lady’s heart, as portrayed in Sangam Literary work, Kalithogai 62, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the manner in which the man wins over the lady’s reservations against him.

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Kalithogai 61 – All I seek is her grace

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In this episode, we listen to an interesting conversation between three people, as depicted in Sangam Literary work, Kalithogai 61, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals the man’s situation and the confidante’s support.

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Kalithogai 60 – Pleading for the man

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In this episode, we listen to an animated conversation between two women, as portrayed in Sangam Literary work, Kalithogai 60, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and presents a situation where the confidante pleads the man’s case in the court of the lady’s mind!

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Kalithogai 59 – Penances in vain

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In this episode, we listen to a man’s attempt to convince a maiden, as depicted in Sangam Literary work, Kalithogai 59, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and informs us about certain customs of penances undertaken by Sangam women.

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Kalithogai 58 – The fault of her kin

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In this episode, we listen to a man’s angst, as depicted in Sangam Literary work, Kalithogai 58, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and depicts an ancient strategy employed to win love.

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Kalithogai 57 – Her beauty and her power

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In this episode, we listen to a long list of praises, as depicted in Sangam Literary work, Kalithogai 57, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals both the glory of a king and the power of a maiden.

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Kalithogai 56 – Wooing with words

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In this episode, we listen to the words of a man in love, as depicted in Sangam Literary work, Kalithogai 56, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and expresses admiration for a lady.

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Kalithogai 55 – An incident of intimacy

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In this episode, we listen to an account of a lady’s first meeting with a man, as portrayed in Sangam Literary work, Kalithogai 55, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals an incident to the confidante.

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Kalithogai 54 – Fame of a friend

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In this episode, we hear the lady speaking her truth, as depicted in Sangam Literary work, Kalithogai 54, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and seeks the help of a friend.

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Kalithogai 53 – From languishing to flourishing

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In this episode, we perceive the lady’s state in the man’s absence, as depicted in Sangam Literary work, Kalithogai 53, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and appeals to the man’s kindness to remedy a distressing situation.

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Kalithogai 52 – The future wished for

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In this episode, we listen to an argument for seeking an alternative path, as depicted in Sangam Literary work, Kalithogai 52, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the danger of discovery to a man intent on trysting by night.

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Kalithogai 51 – Antics of a scamp

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In this episode, we listen to a fascinating incident in the life of the lady, as portrayed in Sangam Literary work, Kalithogai 51, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches a delightful moment of love’s blooming.

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Kalithogai 50 – Protect with your kind heart

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In this episode, we listen to the confidante’s counsel, as portrayed in Sangam Literary work, Kalithogai 50, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and argues for a protective attitude towards the lady.

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Kalithogai 49 – Come not at night

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In this episode, we perceive clear arguments mentioned to persuade a person, as portrayed in Sangam Literary work, Kalithogai 49, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals the dangers in a tryst by night.

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Kalithogai 48 – Lady’s angst

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In this episode, we perceive the lady’s state of angst, as depicted in Sangam Literary work, Kalithogai 48, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and seeks a resolution for the lady’s suffering.

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Kalithogai 47 – Confidante’s dilemma

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In this episode, we perceive the confusions in the mind of the confidante, as depicted in Sangam Literary work, Kalithogai 47, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and presents the confidante’s attempts to resolve the man’s quandary.

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Kalithogai 46 – Being the messenger bee

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In this episode, we perceive the lady’s angst, as portrayed in Sangam Literary work, Kalithogai 46, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and narrates the thoughts revolving around a missed rendezvous.

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Kalithogai 45 – Piercing words

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In this episode, we listen to words that bring about transformation, as portrayed in Sangam Literary work, Kalithogai 45, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and relays good tidings to the lady.

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Kalithogai 44 – Become the cure

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In this episode, we listen to a passionate plea, as depicted in Sangam Literary work, Kalithogai 44, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and etches the virtue of the lady.

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Kalithogai 43 – Transformed by thoughts

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In this episode, we hear the praises of the man, as portrayed in Sangam Literary work, Kalithogai 43, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals the effect of singing about the man on the lady.

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Kalithogai 42 – Radiant rays of trust

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In this episode, we perceive the lady’s trust in the man, as depicted in Sangam Literary work, Kalithogai 42, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and relates a joyous incident in the lady’s life.

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Kalithogai 41 – Trajectory of prosperity

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In this episode, we perceive the prosperity of a mountain country, as portrayed in Sangam Literary work, Kalithogai 41, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals the power of words in changing a heart.

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Kalithogai 40 – Traits of his mountains

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In this episode, we listen to varying narratives about a mountain country, as depicted in Sangam Literary work, Kalithogai 40, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and conveys the good tidings of a transformation.

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Kalithogai 39 – From love to marriage

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In this episode, we listen to an animated conversation, as depicted in Sangam Literary work, Kalithogai 39, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the events around revealing a lady’s love to her kin.

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Kalithogai 38 – The path to permanent joy

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In this episode, we perceive intriguing similes that capture the lady’s changing state, as portrayed in Sangam Literary work, Kalithogai 38, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and relates the success of the confidante’s initiative.

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Kalithogai 37 – A conversation on love

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In this episode, we perceive a unique strategy in communication, as depicted in Sangam Literary work, Kalithogai 37, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and narrates an incident that unfolded in the millet fields.

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Kalithogai 36 – Expression and Empathy

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In this episode, we perceive the anxiety of the lady, as portrayed in Sangam Literary work, Kalithogai 36, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals troubling questions in the lady’s mind.

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Kalithogai 35 – Truthfulness of a king

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In this episode, we observe how the passage of time was perceived, as depicted in Sangam Literary work, Kalithogai 35, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and narrates the changes in spring.

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Kalithogai 34 – Honour and dishonour

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In this episode, we observe abstract traits projected on a person’s state of mind, as portrayed in Sangam Literary work, Kalithogai 34, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and hints about virtues considered right and wrong in the Sangam era.

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Kalithogai 33 – A mocking world

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In this episode, we perceive how the changes in the season affects the lady, as portrayed in Sangam Literary work, Kalithogai 33, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals an intricate truth about perception.

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Kalithogai 32 – The season that cures

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In this episode, we observe the changes that accompanies the season of spring, as portrayed in Sangam Literary work, Kalithogai 32, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and concludes with a message of joy.

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Kalithogai 31 – The tormenting weather

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In this episode, we perceive a poignant question and its resounding response, as depicted in Sangam Literary work, Kalithogai 31, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents a dual portrait of anxiety and consolation.

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Kalithogai 30 – He cannot remain away

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In this episode, we perceive the support rendered by a bard, as depicted in Sangam Literary work, Kalithogai 30, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and sketches the prior acts of the man.

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Kalithogai 29 – Sweet words

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In this episode, we perceive a message of good tidings, as portrayed in Sangam Literary work, Kalithogai 29, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and talks about the many elements that bring anxiety to the lady in the man’s absence.

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Kalithogai 28 – Worry not

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In this episode, we listen to a lady’s lament and a confidante’s consolation, as portrayed in Sangam Literary work, Kalithogai 28, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and narrates the seasonal changes in spring.

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Kalithogai 27 – A return in time

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In this episode, we perceive pertinent similes to describe a person’s state of mind, as portrayed in Sangam Literary work, Kalithogai 27, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals the thoughtfulness of the man.

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Kalithogai 26 – In the season of spring

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In this episode, we listen to the questions in the mind of a lady, as depicted in Sangam Literary work, Kalithogai 26, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and concludes with a reassuring message.

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Kalithogai 25 – Changing nature

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In this episode, we perceive striking similes on human nature, as depicted in Sangam Literary work, Kalithogai 25, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and talks about the state of the lady in the event of the man’s parting away.

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Kalithogai 24 – Words in a dream

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In this episode, we perceive the lady’s inferences about the man’s course of action, as portrayed in Sangam Literary work, Kalithogai 24, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and sketches a dream study.

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Kalithogai 23 – Feelings of forsakenness

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In this episode, we listen to the lady’s feelings of despair, as depicted in Sangam Literary work, Kalithogai 23, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and vividly sketches the shades of abandonment.

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Kalithogai 22 – Then and Now

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In this episode, we observe a unique technique of persuasion, as portrayed in Sangam Literary work, Kalithogai 22, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and depicts the changing stance of the man.

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Kalithogai 21 – Stance of wealth

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In this episode, we perceive the changing stance of the man, as portrayed in Sangam Literary work, Kalithogai 21, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and depicts the nature of wealth.

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Kalithogai 20 – The together deer

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In this episode, we perceive the lady’s persuasive words, as portrayed in Sangam Literary work, Kalithogai 20, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and etches the value of togetherness.

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Kalithogai 19 – Ask not about me

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In this episode, we perceive the confidante’s disappointment in the man’s decision, as depicted in Sangam Literary work, Kalithogai 19, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and depicts the consequences of the man’s parting.

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Kalithogai 18 – On togetherness

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In this episode, we listen to the confidante’s plea to the man, as depicted in Sangam Literary work, Kalithogai 18, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and portrays the irreplaceable importance of togetherness.

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Kalithogai 17 – The perfect cure

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In this episode, we perceive picturesque similes employed to persuade a person, as depicted in Sangam Literary work, Kalithogai 17, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents the power of the right words at the right time.

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Kalithogai 16 – Seeking the grace of gods

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In this episode, we perceive the deep love in the lady for the man who has parted away, as portrayed in Sangam Literary work, Kalithogai 16, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals nuanced perspectives about seeking the help of gods.

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Kalithogai 15 – Purpose of parting away

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In this episode, we listen to strong arguments against parting away, as portrayed in Sangam Literary work, Kalithogai 15, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and sketches a vivid portrait of the drylands’ denizens.

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Kalithogai 14 – Seek not the other wealth

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In this episode, we listen to the confidante’s admonition about parting away, as portrayed in Sangam Literary work, Kalithogai 14, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals the man’s stance then and now.

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Kalithogai 13 – Behold the terrible drylands

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In this episode, we perceive a detailed account on the drylands, as depicted in Sangam Literary work, Kalithogai 13, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents a glimpse of the lady’s protected life.

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Kalithogai 12 – Youth and Wealth

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In this episode, we perceive the battle between seeking wealth and being with a beloved, as depicted in Sangam Literary work, Kalithogai 12, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and stresses on the importance of love during youth.

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Kalithogai 11 – In the shade of a beloved

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In this episode, we perceive scenes of kindness in the wild, as depicted in Sangam Literary work, Kalithogai 11, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents insights about the purpose of seeking wealth.

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Kalithogai 10 – A tree in the drylands

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In this episode, we listen to arguments against parting away, as depicted in Sangam Literary work, Kalithogai 10, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and portrays a place using human qualities.

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Kalithogai 9 – Born here for another elsewhere

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In this episode, we perceive a profound philosophy, as portrayed in Sangam Literary work, Kalithogai 9, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents the consoling words said to an anxious heart.

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Kalithogai 8 – Desire not fading wealth

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In this episode, we listen to reflections on the nature of wealth, as portrayed in Sangam Literary work, Kalithogai 8, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and ponders on the question of what is lasting wealth.

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Kalithogai 7 – Wealth versus Life

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In this episode, we listen to a piercing question put forth, as portrayed in Sangam Literary work, Kalithogai 7, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and narrates the consequences of the man’s preparations to part away.

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Kalithogai 6 – Take me along

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In this episode, we perceive the immense love in a lady, as depicted in Sangam Literary work, Kalithogai 6, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals the determination in the mind of a young woman.

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Kalithogai 5 – The mirror to the within

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In this episode, we perceive an effort of persuasion, as portrayed in Sangam Literary work, Kalithogai 5, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and narrates the state of the lady if the man were to part away.

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Kalithogai 4 – Exuberant Expressions

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In this episode, we observe the intricate interactions between the man and the lady, as portrayed in Sangam Literary work, Kalithogai 4, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and depicts the dangers in a journey to seek wealth.

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Kalithogai 3 – Seeing her in nature

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In this episode, we listen to a conversation about the man’s parting, as portrayed in Sangam Literary work, Kalithogai 3, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals the impact of nature on human emotions.

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Kalithogai 2 – The notes of a lute

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In this episode, we hear the jubilant voice of the lady’s confidante, as depicted in Sangam Literary work, Kalithogai 2, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and ponders on the question of what is true wealth.

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Kalithogai 1 – The Furious and the Serene

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In this episode, we perceive the roles of a god and his consort, as depicted in Sangam Literary work, Kalithogai 1, penned by an anonymous poet. Kalithogai is a collection of musical verses in the ‘Aham’ or ‘Inner life’ classification of Sangam Literature. This first verse is a prayer song, believed to be added to this collection at a later period.

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Ainkurunooru 491-500: Ripples of the Return

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In this episode, we perceive the celebration in the man’s return home, as portrayed in Sangam Literary work, Ainkurunooru 491-500, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.

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Ainkurunooru 481-490: Hasten the Horses

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In this episode, we perceive the urgency in the man’s command to his charioteer, as portrayed in Sangam Literary work, Ainkurunooru 481-490, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.

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Ainkurunooru 471-480: Ballad of the Bearer Bard

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In this episode, we perceive the role of bard as a messenger of love, as depicted in Sangam Literary work, Ainkurunooru 471-480, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.

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Ainkurunooru 461-470: Consolation of the Confidante

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In this episode, we listen to hopeful words rendered to an anxious heart, as portrayed in Sangam Literary work, Ainkurunooru 461-470, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.

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Ainkurunooru 451-460: Tears from the Homefront

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In this episode, we perceive the yearning of the lady, as depicted in Sangam Literary work, Ainkurunooru 451-460, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.

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Ainkurunooru 441-450: Heartbeats from the battlefield

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In this episode, we listen to the laments of the man, as portrayed in Sangam Literary work, Ainkurunooru 441-450, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.

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Ainkurunooru 431-440: Ode to the Flowering Forest

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In this episode, we perceive the effect of the rains on a domain, as depicted in Sangam Literary work, Ainkurunooru 431-440, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.

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Ainkurunooru 421-430: Assorted Allusions

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In this episode, we listen to various perspectives on parting away, as depicted in Sangam Literary work, Ainkurunooru 421-430, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.

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Ainkurunooru 411-420: This Time This Place

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In this episode, we listen to joyous words about the arrival of a season, as portrayed in Sangam Literary work, Ainkurunooru 411-420, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.

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Ainkurunooru 401-410: Music of Togetherness

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In this episode, we listen to the sweet reminiscences of the lady’s foster mother, as portrayed in Sangam Literary work, Ainkurunooru 401-410, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.

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Ainkurunooru 391-400: Return of the Daughter

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In this episode, we perceive joyful scenes of homecoming, as depicted in Sangam Literary work, Ainkurunooru 391-400, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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Ainkurunooru 381-390: Portraits of the Parted Pair

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In this episode, we perceive the observations of travellers, as depicted in Sangam Literary work, Ainkurunooru 381-390, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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Ainkurunooru 371-380: Ballad of the Melancholic Mother

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In this episode, we listen to the lament of a mother, as depicted in Sangam Literary work, Ainkurunooru 371-380, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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Ainkurunooru 361-370: About Her About Him

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In this episode, we listen to perspectives about people, as portrayed in Sangam Literary work, Ainkurunooru 361-370, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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Ainkurunooru 351-360: Here he comes

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In this episode, we listen to the joyous news of the man’s return, as portrayed in Sangam Literary work, Ainkurunooru 351-360, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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Ainkurunooru 341-350: The Season of Love

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In this episode, we perceive the arrival of the promised season, as portrayed in Sangam Literary work, Ainkurunooru 341-350, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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Ainkurunooru 331-340: Laments of the Lady

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In this episode, we perceive the lady’s emotions after the man’s parting, as portrayed in Sangam Literary work, Ainkurunooru 331-340, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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Ainkurunooru 321-330: Thoughts of the Beloved

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In this episode, we travel to the parched spaces in the midst of the drylands, as depicted in Sangam Literary work, Ainkurunooru 321-330, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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Ainkurunooru 311-320: Journey of the Parted

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In this episode, we perceive the emotions in parting, as depicted in Sangam Literary work, Ainkurunooru 311-320, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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Ainkurunooru 301-310: Part not away

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In this episode, we listen to the strong words of the confidante, as portrayed in Sangam Literary work, Ainkurunooru 300-310, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.

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Ainkurunooru 291-300: Trail of the Peacock’s Tail

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In this episode, we observe the dance of the peacock, as portrayed in Sangam Literary work, Ainkurunooru 291-300, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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Ainkurunooru 281-290: In Gratitude to the Parrots

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In this episode, we perceive scenes involving parrots in a mountain field, as depicted in Sangam Literary work, Ainkurunooru 281-290, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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Ainkurunooru 271-280: Tales of the mountain monkey

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In this episode, we follow the trail of a monkey, as portrayed in Sangam Literary work, Ainkurunooru 271-280, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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Ainkurunooru 261-270: Ballad of the Boar

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In this episode, we observe the antics of a wild boar, as portrayed in Sangam Literary work, Ainkurunooru 261-270, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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Ainkurunooru 251-260: Portrait of a mountain man

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In this episode, we get to know a mountain dweller, as depicted in Sangam Literary work Ainkurunooru 251-260, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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Ainkurunooru 241-250: Divining the Truth

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In this episode, we perceive events around a divination ritual, as portrayed in Sangam Literary work Ainkurunooru 241-250, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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Ainkurunooru 231-240: Alas The Poor Lass

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In this episode, we perceive parting pain and hear of daring plans, as depicted in Sangam Literary work Ainkurunooru 231-240, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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Ainkurunooru 221-230: Conversations between Companions

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In this episode, we perceive the emotions around parting, as portrayed in Sangam Literary work, Ainkurunooru 221-230, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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Ainkurunooru 211-220: Words to a mountain woman

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In this episode, we observe the elements and emotions in an ancient hill country, as depicted in Sangam Literary work, Ainkurunooru 211-220, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the poet Kabilar.

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Ainkurunooru 201-210: The man and his mountain

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In this episode, we explore the sights and emotions of the hill country, as portrayed in Sangam Literary work, Ainkurunooru 201-210, situated in the ‘Kurinji’ or ‘Mountain landscape’ and penned by the prolific poet Kabilar.

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Ainkurunooru 191-200: Tell O Shell

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In this episode, we listen to the stories echoing from the sounds of shell bangles, as portrayed in Sangam Literary work, Ainkurunooru 191-200, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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Ainkurunooru 181-190: Ballad of the Blue Lotus

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In this episode, we perceive the beauty of a blue lotus, as depicted in Sangam Literary work, Ainkurunooru 181-190, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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Ainkurunooru 171-180: Ticket to Thondi

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In this episode, we perceive the glory of an ancient seaside town, as depicted in Sangam Literary work, Ainkurunooru 171-180, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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Ainkurunooru 161-170: On the wings of a gull

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In this episode, we hop in step with a white sea gull to learn of the love dynamics between the man and the lady, as depicted in Sangam Literary work, Ainkurunooru 161-170, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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Ainkurunooru 151-160: Case of Mistaken Identity

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In this episode, we perceive the allegorical actions of a stork and a white seabird chick, as depicted in Sangam Literary work, Ainkurunooru 151-160, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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Ainkurunooru 141-150: Tigerclaw Tales

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In this episode, we observe changing scenes around an element of the seashore, as portrayed in Sangam Literary work, Ainkurunooru 141-150, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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Ainkurunooru 131-140: Breaking Bard

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In this episode, we hear the rebuke rendered to a bard, as portrayed in Sangam Literary work, Ainkurunooru 131-140, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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Ainkurunooru 121-130: Image of Innocence

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In this episode, we perceive a portrait of a naive maiden, as depicted in Sangam Literary work, Ainkurunooru 121-130, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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Ainkurunooru 111-120: Lament of the Lady

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In this episode, we listen to words rendered to the confidante, as portrayed in Sangam Literary work, Ainkurunooru 111-120, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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Ainkurunooru 101-110: For Mother’s Attention

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In this episode, we listen to the confidante’s words about the man and lady, as portrayed in Sangam Literary work, Ainkurunooru 101-110, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.

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Ainkurunooru 91 to 100: Ballad of the Buffalo

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In this episode, we observe the antics of a buffalo, as depicted in Sangam Literary work, Ainkurunooru 91 to 100, situated in the ‘Marutham’ or ‘Farmlands landscape’ and penned by the poet Orambokiyar.

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Ainkurunooru 81 to 90 – Speaking of Sulking

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In this episode, we perceive many variations of sulking, as depicted in Sangam Literary work, Ainkurunooru 81 to 90, situated in the ‘Marutham’ or ‘Farmlands landscape’ and penned by the poet Orambokiyar.

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Ainkurunooru 71 to 80 – Tales of Bath

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In this episode, we take a deep dive into the bathing culture of the ancients, as depicted in Sangam Literary work, Ainkurunooru 71 to 80, situated in the ‘Marutham’ or ‘Farmlands landscape’ and penned by the poet Orambokiyar.

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Ainkurunooru 61 to 70 – Lady in the spotlight

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In this episode, we perceive the emotions of the lady, as depicted in Sangam Literary work, Ainkurunooru 61 to 70, situated in the ‘Marutham’ or ‘Farmlands landscape’ and penned by the poet Orambokiyar.

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Ainkurunooru 51 to 60 – Heed to the Confidante

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In this episode, we hear the impactful words of the lady’s confidante, as depicted in Sangam Literary work, Ainkurunooru 51 to 60, situated in the ‘Marutham’ or ‘Farmlands landscape’ and penned by the poet Orambokiyar.

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Ainkurunooru 41 to 50: A Sulk Story

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In this episode, we take in glimpses of a sulking lady, as depicted in Sangam Literary work, Ainkurunooru 41 to 50, situated in the ‘Marutham’ or ‘Farmlands landscape’ and penned by the poet Orambokiyar.

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Ainkurunooru 31 to 40: For the Confidante’s Ears

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In this episode, we listen to words addressed to a friend, as depicted in Sangam Literary work, Ainkurunooru 31 to 40, situated in the ‘Marutham’ or ‘Farmlands landscape’ and penned by the poet Orambokiyar.

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Ainkurunooru 21 to 30 – Faces of the Crab

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In this episode, we perceive the antics of crabs, as depicted in Sangam Literary work, Ainkurunooru 21 to 30, situated in the ‘Marutham’ or ‘Farmlands landscape’ and penned by the poet Orambokiyar.

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Ainkurunooru 11 to 20 – Reeds of sorrow

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In this episode, we listen to the lamenting words of a lady, as depicted in Sangam Literary work, Ainkurunooru 11 to 20, situated in the ‘Marutham’ or ‘Farmlands landscape’ and penned by the poet Orambokiyar.

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Ainkurunooru 1 to 10 – Wishes: Hers and Mine

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In this episode, we start our exploration of a new Sangam Literary work, ‘Ainkurunooru’ or ‘Five Hundred Short Poems’. As the name clearly indicates, there are five hundred verses in this collection. However, it’s the organisation of these five hundred verses that is unique among the entire Sangam collection. These five hundred verses have a major classification of 5 different landscapes such as ‘Marutham’, ‘Neythal’, ‘Kurinji’, ‘Mullai’ and ‘Paalai’ with a perfect slicing of hundred songs each. And the entirety of these hundred songs within one landscape has been sung by a single poet. This is in contrast to the arrangement of verses we have seen this far in Natrinai, Kurunthogai and Puranaanooru, with a random sequencing of songs sung by various poets. Not only that, each of these hundred songs is further subdivided into ten sections of ten songs each, with one unifying theme. Without further ado, let’s jump into our first 10, ‘Wishes – Hers and Mine’ in Ainkurunooru, situated in the ‘Marutham’ or ‘Farmlands landscape’, penned by the poet Orambokiyar.

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Puranaanooru 400 – A leader par excellence

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In this episode, we perceive the noble qualities of a respected leader, as depicted in Sangam Literary work, Puranaanooru 400, penned about the Chozha King Nalankilli by the poet Kovoor Kizhaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse reveals nuances about the king’s compassion and administration.

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Puranaanooru 399 – A wish fulfilled

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In this episode, we perceive a poet’s dilemma and its resolution, as portrayed in Sangam Literary work, Puranaanooru 399, penned about the Leader Thaamaan Thondrikon by the Poet Aiyoor Mudavanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and talks about the thoughtful and boundless generosity of a patron.

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Puranaanooru 398 – A selfless generosity

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In this episode, we observe acts of generosity, straight from the heart, as portrayed in Sangam Literary work, Puranaanooru 398, penned about the Chera King Vanjan by the poet Thiruthaamanaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse reveals the request of a supplicant and the response from the patron.

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Puranaanooru 397 – Music of the morning

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In this episode, we perceive the absolute trust in a patron’s protection, as portrayed in Sangam Literary work, Puranaanooru 397, penned about the Chozha King Kulamuttrathu Thunjiya Killivalavan by the poet Erukkattoor Thaayankannanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and describes in detail the moments of meeting between the ruler and supplicant.

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Puranaanooru 396 – Generosity sans limits

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In this episode, we perceive the boundless generosity of a ruler, as portrayed in Sangam Literary work, Puranaanooru 396, penned about the Velir King Vaattraattru Ezhiniyaathan by the poet Mangudi Kizhaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse echoes the pride of a supplicant about his patron.

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Puranaanooru 395 – Prosperous Pidavoor

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In this episode, we perceive a day in the life of a lush ancient town, as depicted in Sangam Literary work, Puranaanooru 395, penned about the Leader Chozhanaattu Pidavoor Kizhaarmakan Perunchaathan by the poet Madurai Nakeerar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse talks about the unceasing generosity of this leader.

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Puranaanooru 394 – Never will I ever

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In this episode, we perceive a striking poetic device deployed with dexterity, as portrayed in Sangam Literary work, Puranaanooru 394 penned about the Leader Chozhiya Enaathi Thirukkuttuvan by the poet Chonattu Erichaloor Madalan Madurai Kumaranaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse sketches the leader’s generosity in a unique manner.

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Puranaanooru 393 – Seeking from a famous king

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In this episode, we perceive the wishes in the heart of a supplicant, as portrayed in Sangam Literary work, Puranaanooru 393, penned about the Chozha King Kulamuttrathu Thunjiya Killivalavan by the poet Nalliraiyanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and etches with striking similes, the present state of a person.

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Puranaanooru 392 – Heir to history

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In this episode, we listen to the greatness of a king in war and peace, as depicted in Sangam Literary work, Puranaanooru 392, penned about the Velir King Poguttu Ezhini by the poet Avvaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and reveals a fascinating fact in the history of agriculture.

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Puranaanooru 391 – Endless fields of plenty

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In this episode, we perceive the journey of a people in search of a better life, as portrayed in Sangam Literary work, Puranaanooru 391, penned about the Leader Poraiyaatrukizhaan, by the poet Kalladanaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse expresses the hope of finding refuge in the domain of this prosperous ruler.

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Puranaanooru 390 – Allayer of angst

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In this episode, we perceive the thoughtful generosity of a much-celebrated king, as depicted in Sangam Literary work, Puranaanooru 390, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse talks about all the ways the leader allayed the suffering of a supplicant.

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Puranaanooru 389 – Generous in life and beyond

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In this episode, we hear of an ancestor’s fame, as depicted in Sangam Literary work, Puranaanooru 389, penned about the Leader Naller Muthiyan by the poet Kallil Aathiraiyanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and puts forth a request to a leader of a hilly domain.

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Puranaanooru 388 – The fame of a name

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In this episode, we listen to impressive words of praise about a lord of a minor domain, as depicted in Sangam Literary work, Puranaanooru 388, penned about the Leader Pannan by the poet Madurai Alakkar Gnaalalaar Makanaar Mallanaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse talks about a poet’s determination to spread the fame of this ruler.

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Puranaanooru 387 – Victory and generosity

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In this episode, we listen to the glory of a king in war and compassion, as portrayed in Sangam Literary work, Puranaanooru 387, penned about the Chera King Selvakadungo Vaazhiyaathan by the poet Kundrukatpaaliyaathanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and renders a heartfelt blessing upon this ruler.

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Puranaanooru 386 – Riches and rendering

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In this episode, we perceive the prosperity of a country, as portrayed in Sangam Literary work, Puranaanooru 386, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Kovoor Kizhaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse proclaims the trust in this patron’s generosity.

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Puranaanooru 385 – Far-reaching hospitality

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In this episode, we learn of the compassion of a patron, as depicted in Sangam Literary work, Puranaanooru 385, penned about the local leader Ambar Kizhaan by the poet Kallaadanaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse delivers a heartfelt blessing.

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Puranaanooru 384 – Days of abundance

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In this episode, we observe the natural wealth of a leader’s region, as portrayed in Sangam Literary work, Puranaanooru 384, penned for the Leader Karumbanoor Kizhaan by the poet Purathinai Nannaakanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and depicts the boundless trust in a patron’s generosity.

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Puranaanooru 383 – A worry-free tomorrow

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In this episode, we perceive the trust of a poet in a patron, as portrayed in Sangam Literary work, Puranaanooru 383, penned about the Leader Aviyan by the poet Maarokaththu Nappasalaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse reveals the emotions of the poet after receiving the leader’s patronage.

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Puranaanooru 382 – Singing bards and shivering kings

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In this episode, we hear of a king’s fame, as depicted in Sangam Literary work, Puranaanooru 382, penned for the Chozha King Nalankilli by the poet Kovoor Kizhaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and reveals the respect held for this ruler in the hearts of many.

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Puranaanooru 381 – Epitome of hospitality

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In this episode, we meet with an icon of hospitality, as depicted in Sangam Literary work, Puranaanooru 381, penned for the Leader Karumbanoor Kizhaan by the poet Purathinai Nannaakanaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse reveals the promise rendered by this patron to his supplicants.

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Puranaanooru 380 – Strength and innocence

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In this episode, we perceive the nuanced portrait of a leader, as depicted in Sangam Literary work, Puranaanooru 380, penned for the local leader Nanjil Valluvan by the poet Karuvoor Kathapillai. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse talks about the personality and generosity of this patron.

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Puranaanooru 379 – A cloud of compassion

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In this episode, we perceive the eagerness of a poet in meeting with a patron, as portrayed in Sangam Literary work, Puranaanooru 379, penned for the Leader Oymaan Villiyaathan by the poet Purathinai Nannakanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and paints a portrait of a patron’s generosity.

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Puranaanooru 378 – Laughter in the air

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In this episode, we perceive the ecstatic joy of a poet’s family, as depicted in Sangam Literary work, Puranaanooru 378, penned for the Chozha King Cheruppaazhi Erintha Ilanchetchenni by the poet Oonpothi Pasunkudaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse portrays the victory and wealth of this king.

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Puranaanooru 377 – A peerless protector

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In this episode, we listen to the fame and glory of a king, as depicted in Sangam Literary work, Puranaanooru 377, penned for the Chozha King Rasasooyam Vetta Perunar Killi by the poet Ulochanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and sketches a poet’s awe in seeing a patron’s kindness.

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Puranaanooru 376 – A moment of compassion

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In this episode, we perceive a poet’s contentment, as portrayed in Sangam Literary work, Puranaanooru 376, penned for Leader Oymaan Nalliyakodan by the poet Purathinai Nannaakanaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse sketches an unforgettable moment in the life of a poet.

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Puranaanooru 375 – The last refuge

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In this episode, we hear the lament of a poet, as depicted in Sangam Literary work, Puranaanooru 375, penned for the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse spotlights the generosity of this king in the contrast of a barren background.

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Puranaanooru 374 – Ode to a mountain king

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In this episode, we listen to music rendered in a picturesque place, as portrayed in Sangam Literary work, Puranaanooru 374, penned for the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and extols the glory of a king.

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Puranaanooru 373 – Seeking the victor’s reward

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In this episode, we perceive the many ways a king has attained victory in a battlefield, as portrayed in Sangam Literary work, Puranaanooru 373, penned for the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Kovoor Kizhaar. Set in the category of ‘Vaagai Thinai’ or ‘Victory’, the verse spotlights a war zone from the perspective of the affected others.

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Puranaanooru 372 – A ruthless ritual

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In this episode, we perceive a battlefield ritual, as depicted in Sangam Literary work, Puranaanooru 372, penned for the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Maankudi Kizhaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘Victory’ and reveals a poet’s reason for arriving in a battle zone.

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Puranaanooru 371 – For a victory over poverty

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In this episode, we perceive the events of a battlefield, as depicted in Sangam Literary work, Puranaanooru 371, penned for the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Kallaadanaar. Set in the category of ‘Vaagai Thinai’ or ‘Victory’, the verse presents an impoverished poet’s perspective of a king’s conquest.

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Puranaanooru 370 – In search of sustenance

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In this episode, we listen to a supplicant’s difficult journey, as depicted in Sangam Literary work, Puranaanooru 370, penned for the Chozha King Cheruppaazhi Erintha Ilanchetchenni by the poet Oonpothi Pasunkudaiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘Victory’ and sketches the terrible state of a battlefield.

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Puranaanooru 369 – A crop of corpses

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In this episode, we observe a perfect instance of projection, as depicted in Sangam Literary work, Puranaanooru 369, penned for the Chera King Kadalottiya Velkelu Kuttuvan by the poet Paranar. Set in the category of ‘Vaagai Thinai’ or ‘Victory’, the verse puts forth a specific request to a winning king in the battlefield.

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Puranaanooru 368 – Gift in the battlefield

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In this episode, we perceive bloodshed and loss in a battlefield, as depicted in Sangam Literary work, Puranaanooru 368, penned for the Chera king Kudakko Neduncheralathan by the poet Kazhaathalaiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘Victory’ and talks about a king’s generosity in the midst of great strife.

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Puranaanooru 367 – Blessing upon the three

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In this episode, we listen to a blessing rendered unto three kings, as portrayed in Sangam Literary work, Puranaanooru 367, penned for the Chera king Maavenko, Chozha king Perunarkilli and Pandya king Ukkira Peruvazhuthi by the poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse celebrates the unity of these three kings.

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