Natrinai 337 – Forgoing the fragrance

In this episode, we reflect on abstract truths about love and wealth, as depicted in Sangam Literary work, Natrinai 337, penned by Paalai Paadiya Perunkadunko, a Chera King. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, expressing her dissent on hearing the news of his intention to part away.

Natrinai 336 – Wild in the hills

In this episode, we perceive scenes from a wild mountain country, as portrayed in Sangam Literary work, Natrinai 336, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, insisting that he avoid the dangerous paths at night and passing on a subtle message within.

Natrinai 335 – Yearning without a cure

In this episode, we perceive how the sensations of the world paints angst in a heart, as portrayed in Sangam Literary work, Natrinai 335, penned by Velliveethiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady, expressing the pain in her heart on a lonely night.

Natrinai 334 – A monkey’s midnight tryst

In this episode, we relish a day in the life of a mountain monkey, as depicted in Sangam Literary work, Natrinai 334, penned by Aiyoor Mudavanaar. The verse is situated in the hill country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying a hidden message to her about the man’s tryst by night.

Natrinai 333 – Assurance of an animal

In this episode, we perceive a friend’s concern and consolation in Sangam Literary work, Natrinai 333, penned by Kallikudi Pootham Pullanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, conveying a reassuring message about the man’s return.

Natrinai 332 – Thirsting in the pond

In this episode, we perceive the beating concern in the heart of a lady in love, as depicted in Sangam Literary work, Natrinai 332, penned by Kundroor Kilaar Makan Kannathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, passing on a hidden message to the man, listening nearby.

Natrinai 331 – Strangers welcome

In this episode, we relish references to a picturesque village by the sea, as portrayed in Sangam Literary work, Natrinai 331, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, accepting his request to tryst by night with the lady.

Natrinai 330 – Seeking the dark shade

In this episode, we observe scenes from a farmland and perceive the complexities of life therein, as portrayed in Sangam Literary work, Natrinai 330, penned by Aalankudi Vankanaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry into the lady’s house.

Natrinai 329 – Falling feather and flying arrow

In this episode, we observe the dangers in the life of ancient wayfarers, as depicted in Sangam Literary work, Natrinai 329, penned by Madurai Maruthankilaar Makanaar Sokuthanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying anxiety in her friend about the man, who has parted away.

Natrinai 328 – Fertile field and festive event

In this episode, we perceive the prosperity of a mountain land, as portrayed in Sangam Literary work, Natrinai 328, penned by Tholkabilar. The verse is set in hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying words of consolation, as her friend grieves over the delay in the man’s return.

Natrinai 327 – Responsibility of the righteous

In this episode, we unravel a series of abstractions revolving around trust and love, as portrayed in Sangam Literary work, Natrinai 327, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, expressing her angst over the man’s delay in seeking her hand in marriage.

Natrinai 326 – Smelly fish and sneezing monkey

In this episode, we relish a picturesque portrayal of a mountain country, as depicted in Sangam Literary work, Natrinai 326, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

Natrinai 325 – Hungry bear and hurt lady

In this episode, we perceive the art of persuasion aided by metaphors from the wild, as depicted in Sangam Literary work, Natrinai 325, penned by Madurai Kaarulaviyan Koothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, requesting him to give up his intention to part away from the lady.

Natrinai 324 – Cotton feet and stony path

In this episode, we perceive a marked transition in the life of a young girl, as depicted in Sangam Literary work, Natrinai 324, penned by Kayamanaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of wayfarers, who sight the lady and the man in the drylands path, as they elope away together.

Natrinai 323 – On bees and trees

In this episode, we relish the sights of an ancient seaside village, as portrayed in Sangam Literary work, Natrinai 323, penned by Vadama Vannakkan Perisathanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, paving the way for his nightly tryst with the lady.

Natrinai 322 – Pouncing tiger and pining lady

In this episode, we observe social customs related to health and marriage, as depicted in Sangam Literary work, Natrinai 322, penned by Madurai Paalasiriyan Chenthan Kotranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man listening nearby.

Natrinai 321 – Red heart racing home

In this episode, we perceive the heart of a man yearning to be with his beloved, as depicted in Sangam Literary work, Natrinai 321, penned by Mathurai Alakkar Gnaalaar Makanaar Mallanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, bidding him to hasten homeward.

Natrinai 320 – A trot through the street

In this episode, we perceive glimpses into history through the glasses of societal reactions, as portrayed in Sangam Literary work, Natrinai 320, penned by Kabilar. The verse is set in the agricultural landscape of ‘Marutham’ and speaks in the voice of a courtesan to her friend, passing on a pointed message to the man, listening nearby.

Natrinai 319 – Sleep like a fish

In this episode, we perceive the mood of a seaside town at midnight, as depicted in Sangam Literary work, Natrinai 319, penned by Vinaitholil Sokeeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man, echoing the anguish in his heart, as he’s unable to tryst with the lady.

Natrinai 318 – Listen to the lament

In this episode, we perceive the power of projection in conveying an emotion, as portrayed in Sangam Literary work, Natrinai 318, penned by Paalai Paadiya Perunkadunko. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the man, on hearing about his intention to part away.

Natrinai 317 – Claimant of the millets

In this episode, we take a walk through a millet field in a mountain country and perceive life and love therein, as depicted in Sangam Literary work, Natrinai 317, penned by Madurai Poovanda Naakan Vettanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

Natrinai 316 – Foolish cloud and flowering bud

In this episode, we smile at the smartness of the confidante, as portrayed in Sangam Literary work, Natrinai 316, penned by Idaikaadanaar. The verse is set in the forest regions of ‘Mullai’ and speaks in the voice of the confidante to the lady, consoling her friend as rain clouds loom on the horizon.

Natrinai 315 – Battered boat and castaway cattle

In this episode, we perceive deep reflections on abandonment and ageing, as portrayed in Sangam Literary work, Natrinai 315, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of a courtesan to the man, as he prepares to reunite with his lady.

Natrinai 314 – Fleeting life and fading youth

In this episode, we perceive pithy words about the fleeting nature of life, as depicted in Sangam Literary work, Natrinai 314, penned by Mupper Naakanaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the lady, conveying her anguish over the man’s parting away.

Natrinai 313 – A harvest of flowers

In this episode, we relish references to flowers in a mountain country, as portrayed in Sangam Literary work, Natrinai 313, penned by Thankaal Porkkollan Vennaakanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 312 – Shivering in summer

In this episode, we perceive echoes of empathy in the heart of a man, as depicted in Sangam Literary work, Natrinai 312, penned by Kalaarkeeran Eyitriyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, expressing his worry about the lady, when he parts away.

Natrinai 311 – An all-weather assertion

In this episode, we relish the evergreen fortune of a seaside hamlet, as depicted in Sangam Literary work, Natrinai 311, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, bidding her to disregard the slanderous talk about town and await the arrival of her man.

Natrinai 310 – Startled by a fish

In this episode, we observe ancient customs in an agricultural country, as portrayed in Sangam Literary work, Natrinai 310, penned by Paranar. The verse is set in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the dancer, who has been sent as a messenger by the man, seeking entry to the lady’s house.

Natrinai 309 – One with the mountain rain

In this episode, we perceive the beauty of an unshakeable faith, as depicted in Sangam Literary work, Natrinai 309, penned by Kabilar. Set in the mountain country of Kurinji, the verse speaks in the words of the lady to her confidante, allaying the sadness in her friend, as the man delays formalising his union with the lady.

Natrinai 308 – A melting heart

In this episode, we zoom in on the emotions in parting, as portrayed in Sangam Literary work, Natrinai 308, penned by Eyinanthai Magan Ilankeeranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, conveying his decision about parting away from the lady.

Natrinai 307 – A mischievous companion

In this episode, we relish the naughtiness of the confidante, as portrayed in Sangam literary work, Natrinai 307, penned by Ammoovanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying an idea to play a prank on the man, who was delaying his arrival to the trysting spot.

Natrinai 306 – A mountain harvest

In this episode, we observe transitions in a mountain field, as depicted in Sangam Literary work, Natrinai 306, penned by Urodakathu Kantharathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 305 – A mother’s worry

In this episode, we perceive a mother’s worry about her daughter, as portrayed in Sangam Literary work, Natrinai 305, penned by Kayamanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the mother to the lady’s confidante, expressing how she misses her daughter, who has eloped away with the man.

Natrinai 304 – Contrast of the emotions

In this episode, we perceive references to music and mythology, as depicted in Sangam literary work, Natrinai 304, penned by Maarokkathu Nappasalaiyaar, a female poet from the Sangam era. Situated in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, expressing her angst as the man delays seeking her hand in marriage.

Natrinai 303 – Call of the lovebird

In this episode, we listen to an evergreen question asked in love, as portrayed in Sangam Literary work, Natrinai 303, penned by Madurai Aarulaviyanaattu Aalamperi Sathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, wondering about the thoughts of the man, who has parted away from her.

Natrinai 302 – Flowers of the season

In this episode, we observe the anguish in parting, as portrayed in Sangam Literary work, Natrinai 302, penned by Madurai Maruthan Ilanaakanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady, expressing her angst, as the man is delayed beyond his promised time of return.

Natrinai 301 – Beauty of the mountains

In this episode, we perceive elements of the mountain country reflect in the portrait of a lady, as depicted in Sangam Literary work, Natrinai 301, penned by Pandiyan Maaran Valuthi. The verse is situated in the hill regions of ‘Kurinji’ and speaks in the voice of the confidante to herself, describing mother’s love and refusing the man’s attempt to tryst with the lady.

Natrinai 300 – The beseeching elephant

In this episode, we perceive thought-provoking similes depicted in Sangam Literary work, Natrinai 300, penned by Paranar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the courtesan to the singer-messenger, rejecting the man’s attempts at reconciliation.

Natrinai 299 – The spreading spray

In this episode, we perceive intriguing methods of persuasion, as portrayed in Sangam Literary work, Natrinai 299, penned by Vadama Vannakkan Perisathanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 298 – The startled eagle

In this episode, we perceive scenes from a dry and harsh land echo the conflict in a man’s mind, as depicted in Sangam Literary work, Natrinai 298, penned by Vitrootru Vannakkan Thathanaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, expressing his thoughts about parting away to the listening lady.

Natrinai 297 – The retreating rooster

In this episode, we perceive scenes from a Sangam household tell a tale of inner life, as portrayed in Sangam Literary work, Natrinai 297, penned by Madurai Alakkar Gnaalaar Makanaar Mallanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

Natrinai 296 – Golden blooms in the shower

In this episode, we perceive the personification of a tree, as portrayed in Sangam Literary work, Natrinai 296, penned by Kuthirai Thariyanaar. Set in the drylands landscape of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing her angst on receiving the news of the man’s intent to part away.

Natrinai 295 – Strange ships in the port

In this episode, we travel to an ancient sea port and take in life and love there, as portrayed in Sangam Literary work, Natrinai 295, penned by the renowned Sangam-age female poet, Avvaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying the lady’s state and subtly persuading him to seek the lady’s hand in marriage.

Natrinai 294 – Fragrance of the flame lily

In this episode, we relish news of joy and bliss, as depicted in Sangam Literary work, Natrinai 294, penned by Puthukkayathu Vannakkan Kampoor Kilaan. Set in the mountain country of Kurinji, the verse speaks in the voice of the confidante to the lady’s kith and kin, conveying her impressions of her friend’s health after a visit to the lady’s marital home.

Natrinai 293 – Ancient pot of enduring emotions

In this episode, we celebrate references to the antiquity of pottery even as we listen to a lament, as portrayed in Sangam Literary work, Natrinai 293, penned by Kayamanaar. The verse is set in the drylands landscape of ‘Paalai’ and speaks in the voice of the lady’s mother, expressing the angst in her heart, at her daughter’s parting away with the man.

Natrinai 292 – Creeper around the torso

In this episode, we explore the natural wealth of a mountainous region and perceive the wealth of emotion within, as portrayed in Sangam Literary work, Natrinai 292, penned by Nalvettanaar. Set in the hill country of ‘Kurinji’, the verse speaks in the voice of the confidante, assuming the lady’s voice, to persuade the man to seek the lady’s hand in marriage.

Natrinai 291 – Receding waters and returning man

In this episode, we observe an interleaving of history and nature to depict feelings within, as portrayed in Sangam Literary work, Natrinai 291, penned by Kabilar. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the singer, who has been sent as a messenger by the man.

Natrinai 290 – A wanted water lily

In this episode, we observe scenes from an ancient agricultural region reflecting the inner landscape in marital relations, as depicted in Sangam Literary work, Natrinai 290, penned by Madurai Maruthan Ilanakanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the confidante to the lady, passing on a pointed message to the singer, who has come to the lady’s house as a messenger from the man.

Natrinai 289 – Burning root and pouring rain

In this episode, we perceive the unshakeable faith in the mind of a lady, as depicted in Sangam Literary work, Natrinai 289, penned by Marunkoor Pattinathu Chenthan Kumaranaar. The verse is set in the forest landscape of ‘Mullai’ and speaks in the voice of the lady to her friend, expressing both angst and assurance, as she faces the delay in the man’s return.

Natrinai 288 – Dancing in the sunshine

In this episode, we observe ancient beliefs about health and marriage in a mountain country, as portrayed in Sangam Literary work, Natrinai 288, penned by Kulambanaar. Set in the hill landscape of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 287 – Crocodiles in the mind

In this episode, we perceive the transition of a mind from assurance to angst, as depicted in Sangam Literary work, Natrinai 287, penned by Ulochanaar. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the lady to her confidante, passing on a subtle message to the man, listening nearby.

Natrinai 286 – Comfort and consolation

In this episode, we perceive a thoughtful instance of the fine art of consolation, as portrayed in Sangam Literary work, Natrinai 286, penned by Thuraikkurumaavir Paalankotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, comforting her, as she struggles to handle the parting away of the man.

Natrinai 285 – The hunter’s prize

In this episode, we perceive the inner and outer aspects of life in a mountain land, as portrayed in Sangam Literary work, Natrinai 285, penned by Madurai Kollan Vennaakanaar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 284 – Pulled apart by elephants

In this episode, we perceive the struggle between love and duty, as portrayed in Sangam Literary work, Natrinai 284, penned by Theypuri Palankayitrinaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man, expressing the war waging in his inner world.

Natrinai 283 – The assurance of the sun

In this episode, we observe the strength of the sun blaze in this poem on persuasion, as portrayed in Sangam Literary work, Natrinai 283, penned by Madurai Maruthan Ilanaakanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, prompting him to choose the righteous path.

Natrinai 282 – Dispelling clouds of distraction

In this episode, we relish the meeting point of nature and culture in a mountain country, as depicted in Sangam Literary work, Natrinai 282, penned by Nalloor Siru Meythaaviyaar. Set in the hilly regions of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 281 – The dream of a crow

In this episode, we perceive how the dream of a bird tells us the tale of love, as depicted in Sangam Literary work, Natrinai 281, penned by a female poet, Kazhaarkeeran Eyitriyaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, refusing to accept the confidante’s words of consolation.

Natrinai 280 – Angry, not me

In this episode, we relish the richness of poetic imagery that paints for us the world then, as portrayed in Sangam Literary work, Natrinai 280, penned by Paranar. Set in the agricultural lands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, in response to the straying man’s message, seeking entry to the lady’s house.

Natrinai 279 – Those feet I cannot see

In this episode, we relish a poetic feast, filled with elements from nature and culture, as depicted in Sangam Literary work, Natrinai 279, penned by Kayamanaar. The verse is set in the drylands of ‘Paalai’ landscape and speaks in the voice of the mother, on hearing that her daughter has parted away with the man.

Natrinai 278 – What’s left on a tree

In this episode, we relish nuanced descriptions of a seashore tree, as portrayed in Sangam Literary work, Natrinai 278, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, conveying jubilant news of the man’s return to claim the lady’s hand.

Natrinai 277 – Beastliness of a bee

In this episode, we perceive a unique way of expressing inner suffering, as portrayed in Sangam Literary work, Natrinai 277, penned by Thumbi Ser Keeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of a lady to a bee, expressing her anguish at the bee’s seeming indifference to her plight.

Natrinai 276 – A rightful rest

In this episode, we gather nuanced notions about the life of two different cultures that co-existed in an ancient mountain country, as depicted in Sangam Literary work, Natrinai 276, penned by Thol Kabilar. Set in the hill landscape of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, as he prepares to leave after his tryst-by-day with the lady.

Natrinai 275 – The naive flower

In this episode, we relish the storytelling power of a metaphor, as portrayed in Sangam Literary work, Natrinai 275, penned by Ammoovanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, in response to her confidante’s words of consolation, as the man listens by.

Natrinai 274 – The spontaneous shower

In this episode, we relish words of consolation, as depicted in Sangam Literary work, Natrinai 274, penned by Kaavanmullai Poothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, offering words of comfort to allay the lady’s worry about the man’s travels through the drylands.

Natrinai 273 – The esteemed elephant

In this episode, we perceive intriguing methods of persuasion, as portrayed in Sangam Literary work, Natrinai 273, penned by Madurai Ilambaalaasiriyan Senthan Koothanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

Natrinai 272 – Seek for me, O mate

In this episode, we take a walk on an ancient shore and perceive the story of longing and love in store, as depicted in Sangam Literary work, Natrinai 272, penned by Mukkal Aasaan Nalvellaiyaar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, passing on a hidden message to the man, listening nearby.

Natrinai 271 – Let Death be put to death

In this episode, we perceive notions of death from this heartrending song of a mother, as portrayed in Sangam Literary work, Natrinai 271, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape and speaks in the despairing voice of a mother, on hearing that her daughter has parted from her, in the company of a man.

Natrinai 270 – A tale of tresses

In this episode, we delve into a historic event and the implications of war and hair that hides within, as portrayed in Sangam Literary work, Natrinai 270, penned by Paranar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the confidante to the man, in a hidden bid to rouse the listening lady to welcome him back into her house.

Natrinai 269 – A vine that binds

In this episode, we relish a scene in an ancient Tamil household, as depicted in Sangam Literary work, Natrinai 269, penned by Eyinanthai Magan Ilankeeranaar. The verse is set in the drylands of ‘Paalai’ landscape and speaks in the voice of the confidante to the man, in an attempt to dissuade him from parting with the lady.

Natrinai 268 – The honey-drizzling flower

In this episode, we relish references to a rare flower in the mountain country, as portrayed in Sangam Literary work, Natrinai 268, penned by Veripaadiya Kaamakkanniyaar, a female poet from the Sangam era. Set in the mountainous regions of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 267 – The clawing crab

In this episode, we travel to a seashore grove and learn about the pangs of love, as portrayed in Sangam Literary work, Natrinai 267, penned by Kabilar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

Natrinai 266 – Born to be worn

In this episode, we perceive a moment of acceptance, as depicted in Sangam Literary work, Natrinai 266, penned by Kachipettu Ilanthachanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the man, agreeing to his decision to part away on a mission.

Natrinai 265 – On kings and yearnings

In this episode, we bask in an abundance of similes that turns out to be a history lesson, as portrayed in Sangam Literary work, Natrinai 265, penned by Paranar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the man to his heart, passing on a subtle message to the lady’s confidante, listening nearby.

Natrinai 264 – Tresses wafting in the wind

In this episode, we relish scenes from a rain-washed day and perceive the reflection of love in words, as depicted in Sangam Literary work, Natrinai 264, penned by Aavoor Kaavithikal Saathevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his lady, bidding her gently to hasten her walk towards their destination.

Natrinai 263 – A catch for the mate

In this episode, we understand the nuances of man-woman communication in ancient Tamil land, as portrayed in Sangam Literary work, Natrinai 263, penned by Ilaveyinanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.

Natrinai 262 – The path to pursue

In this episode, we observe a man’s mind mulling over love and wealth, as depicted in Sangam Literary work, Natrinai 262, penned by Perunthalai Saathanaar. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the voice of the man, as he reflects on what his parting away will do to the lady’s health and beauty.

Natrinai 261 – In the mouth of a mountain snake

In this episode, we perceive the dangers of traversing a mountain path at night, as portrayed in Sangam Literary work, Natrinai 261, penned by Senthan Poothanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

Natrinai 260 – Akin to a buffalo

In this episode, we follow the movements of a buffalo to learn the reason for a lady’s anger, as depicted in Sangam Literary work, Natrinai 260, penned by Paranar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the lady to the man, conveying that she’s still vexed with him, unable to forget his recent behaviour.

Natrinai 259 – Ripe for harvest

In this episode, we delight in scenes of togetherness in the mountain country, as portrayed in Sangam Literary work, Natrinai 259, penned by Kotrankotranaar. The verse is set in the mountainous regions of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 258 – The feasting crow

In this episode, we travel to an ancient seaport and explore life and love, as portrayed in Sangam Literary work, Natrinai 258, penned by Nakkirar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, relaying to him the news of the lady’s confinement.

Natrinai 257 – Golden flowers on the barren rock

In this episode, we observe the lay of a mountain country and perceive the inner landscape, as portrayed in Sangam Literary work, Natrinai 257, penned by Vannakkan Sorumarunkumaranaar. The verse is set in the mountainous regions of ‘Kurinji’ and speaks in the voice of the confidante to the man, bidding him subtly to seek the lady’s hand in marriage.

Natrinai 256 – Rain or shine

In this episode, we perceive the vivid way a lady’s fears about her man’s parting are allayed, as portrayed in Sangam Literary work, Natrinai 256, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the comforting voice of the man to his lady, promising not to part away from her.

Natrinai 255 – The menacing mountain path

In this episode, we partake in an action-packed midnight adventure in a mountain country, as portrayed in Sangam Literary work, Natrinai 255, penned by Aalamperi Saathanaar. The verse is set in the mountainous regions of ‘Kurinji’ and speaks in the voice of the lady to her confidante, looking with fear at the jungle path the man traverses to meet her.

Natrinai 254 – Sweet and salty

In this episode, we travel to a salty shore and listen to a sweet conversation, as portrayed in Sangam Literary work, Natrinai 254, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, conveying excessive words of reassurance as the man prepares to part away, dejected at the lack of response.

Natrinai 253 – The coveted mountain

In this episode, we glimpse at aspects of history and sociology in an ancient land, as depicted in Sangam Literary work, Natrinai 253, penned by Kabilar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

Natrinai 252 – Cicada in the hollow

In this episode, we perceive rich similes and metaphors painting the inner landscape, as portrayed in Sangam Literary work, Natrinai 252, penned by Ammeyyan Naakanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, intending to calm the lady, who is worried by the man’s intention to part away.

Natrinai 251 – The monkey’s mountain fruit

In this episode, we listen to a curious conversation with millets, as depicted in Sangam Literary work, Natrinai 251, penned by Madurai Perumaruthan Ilanaakanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to millets growing in the field, conveying a hidden message to the man, listening nearby.

Natrinai 250 – Toddler in the street

In this episode, we perceive the novel techniques employed by an estranged man to allay the ire of his lady, as portrayed in Sangam Literary work, Natrinai 250, penned by Madurai Olaikadaiyathaar Nalvellaiyaar. Set in the agricultural landscape of ‘Marutham’, the verse speaks in the voice of the man to the singer-messenger, in a bid to make the lady, who is listening, welcome him back to the house.

Natrinai 249 – Startled horse and sorrowful heart

In this episode, we relish the rich natural imagery that reflects inner landscape, as portrayed in Sangam Literary work, Natrinai 249, penned by Ulochanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, expressing her angst as the man has not returned from his mission to gather wealth.

Natrinai 248 – Fooled by fake thunder

In this episode, we relish a unique way of dissuading despair, as depicted in Sangam Literary work, Natrinai 248, penned by Kaasiban Keeranaar. Set in the forest country of ‘Mullai’, the verse speaks in the voice of the confidante to a cloud, in a bid to comfort the lady, who is disheartened by the arrival of the rains.

Natrinai 247 – Flattened cloud and fine forehead

In this episode, we perceive a unique way of changing the heart of another, as portrayed in Sangam Literary work, Natrinai 247, penned by Paranar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the man, conveying a subtle message as he prepares to part away on a mission.

Natrinai 246 – A trustful gaze

In this episode, we observe how events in nature become tools of consolation, as depicted in Sangam Literary work, Natrinai 246, penned by Kaappiyan Chenthanaar. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the voice of the confidante to the lady, relaying a heartening message about the man’s arrival.

Natrinai 245 – Reading the reflection of love

In this episode, we perceive the nuances in courtship during ancient times, as portrayed in Sangam Literary work, Natrinai 245, penned by Allankeeranaar. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the lady, trying to understand the lady’s mind as she conveys a message from the man.

Natrinai 244 – The mystery in music

In this episode, we relish references to myth and music, as depicted in Sangam Literary work, Natrinai 244, penned by Kootrankumaranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, subtly expressing her approval for the confidante’s intent to reveal the lady’s heart to her mother.

Natrinai 243 – The roll of a dice

In this episode, we listen to life advice from a pair of birds in love, as portrayed in Sangam Literary work, Natrinai 243, penned by Kaamakkani Pasalaiyaar, a female poet from Sangam times. The verse is set in the drylands of ‘Paalai’ landscape and speaks in the voice of the lady, expressing her anguish at the man’s parting away in search of wealth.

Natrinai 242 – Hesitant deer and hastening chariot

In this episode, we see the blooming of flowers on a rainy morning and listen to the beating heart of a man rushing home, as portrayed in Sangam Literary work, Natrinai 242, penned by Vilikatpethai Perunkannanaar. Set in the forest country of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, bidding him to rush homeward!

Natrinai 241 – Fading wealth

In this episode, we observe the angst that parting away leaves behind, as depicted in Sangam Literary work, Natrinai 241, penned by Madurai Perumaruthanaar. The verse is set in the ‘Paalai’ landscape of drylands and speaks in the voice of the lady to her confidante, refusing to accept the words of consolation, as she is afflicted by the pain of parting.

Natrinai 240 – The worlds within

In this episode, we look into the heart of a man, who has parted away from his love, as portrayed in Sangam Literary work, Natrinai 240, penned by Nappaalathanaar. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the voice of a man to his heart, as he languishes with the pain of parting.

Natrinai 239 – Walking on waterlilies

In this episode, we perceive scenes from a seashore reflecting the concerns in the mind of a lady, as portrayed in Sangam Literary work, Natrinai 239, penned by Kundriyanaar. The verse is set in the ‘Neythal’ landscape and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 238 – Sulking at the skies

In this episode, we listen to a lady’s anguish, as she admonishes a raincloud, as illustrated in Sangam Literary work, Natrinai 238, penned by Kantharathanaar. Set in the forest country of ‘Mullai’, the verse speaks in the voice of the lady to the raincloud, scolding it for arriving there without the company of the man, who has parted away from her.

Natrinai 237 – The rising rainclouds

In this episode, we perceive the message in a rain cloud, as depicted in Sangam Literary work, Natrinai 237, penned by Kaarikkannanaar. The verse is set in the drylands of ‘Paalai’ landscape and speaks in the voice of the confidante to the lady, surprised at the lady’s equanimity as the man continues to stay away on his mission.

Natrinai 236 – Medicine in the mountain breeze

In this episode, we listen to a song of angst depicting a lady’s suffering, as portrayed in Sangam Literary work, Natrinai 236, penned by Nambi Kuttuvanaar. Set in the mountain country of Kurinji, the verse speaks in the voice of the lady to the confidante, conveying a hidden message to the man, listening nearby.

Natrinai 235 – The scent of marital bliss

In this episode, we relish how metaphors paint a vision of joy, as portrayed in Sangam Literary work, Natrinai 235, penned by an anonymous poet. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying the jubilant news of the man’s arrival to seek the lady’s hand in marriage.

Natrinai 234 – On cities and festivities

In this episode, we learn about ancient social customs and cultural festivals, as depicted in Sangam Literary work, Natrinai 234, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady’s mother to the lady’s father, when the man arrives to seek the lady’s hand in marriage accompanied by elders and family.

Natrinai 233 – The hiding monkey

In this episode, we perceive unique ways of conveying intention, as portrayed in Sangam Literary work, Natrinai 233, penned by Anjil Aanthaiyaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying a subtle message to the man, listening nearby.

Natrinai 232 – Taste of married life

In this episode, we perceive issues in inner life reflected in scenes of wildlife, as portrayed in Sangam Literary work, Natrinai 232, penned by Mudhuvenkannanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, bidding him to stay the night at the lady’s house, as he prepares to leave after his tryst by day.

Natrinai 231 – Guided by the seven stars

In this episode, we marvel at the rich imagery that brings out life in ancient times, as depicted in Sangam Literary work, Natrinai 231, penned by Ilanaakanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 230 – The flower and the star

In this episode, we perceive scenic descriptions depicting social dynamics, as portrayed in Sangam Literary work, Natrinai 230, penned by Alangudi Vanganaar. Set in the agricultural landscape of Marutham, the verse speaks in the voice of the confidante to the man, refusing him entry into the lady’s house.

Natrinai 229 – The waiting northern wind

In this episode, we observe the conflict around separation from a beloved, as portrayed in Sangam Literary work, Natrinai 229, penned by an anonymous poet. The verse is set in the drylands of ‘Paalai’ landscape and speaks in the voice of the confidante to the man, in response to his news about parting away from the lady on a mission.

Natrinai 228 – Dutiful cloud and despairing elephant

In this episode, we perceive the power of metaphors in conveying intention intricately, as portrayed in Sangam Literary work, Natrinai 228, penned by Mudathirumaaranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a subtle message to the man, listening nearby.

Natrinai 227 – The roaring rumours

In this episode, we relish images from an ancient city and the poetic imagery it evokes, as portrayed in Sangam Literary work, Natrinai 227, penned by Thevanaar. The verse is set in the ‘Neythal’ landscape by the shore, and speaks in the voice of the confidante to the man, urging him to seek the lady’s hand without further delay.

Natrinai 226 – The base on which it stands

In this episode, we reflect upon philosophical truths portrayed in Sangam Literary work, Natrinai 226, penned by Kaniyan Poongundranaar. Set in the ‘Paalai’ landscape of drylands, the verse speaks in the voice of the lady to the confidante, expressing her grief over the man’s parting away in search of wealth.

Natrinai 225 – On strength and fragility

In this episode, we perceive images from the mountain country portraying the intricacies of inner life, as depicted in Sangam Literary work, Natrinai 225, penned by Kabilar. The verse is set in ‘Kurinji’ or the mountainous regions and speaks in the voice of the lady to her confidante, refusing to be consoled as the man is delayed in his return to her.

Natrinai 224 – The season of love

In this episode, we perceive how the changing seasons affect inner life, as portrayed in Sangam Literary work, Natrinai 224, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, on being informed about the man’s parting away on a mission.

Natrinai 223 – An impossible tryst

In this episode, we appreciate the intelligent way of communicating a refusal, as portrayed in Sangam Literary work, Natrinai 223, penned by Ulochanaar. The verse is set in the ‘Neythal’ landscape or coastal regions and speaks in the voice of the confidante to the man, bidding him to give up his tryst by day and concealing a hidden message within.

Natrinai 222 – Seing afar on a swing

In this episode, we perceive the art of gentle persuasion in influencing another, as portrayed in Sangam Literary work, Natrinai 222, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.

Natrinai 221 – Hasten to home sweet home

In this episode, we delight in the anticipated joy, glowing in the heart of a man returning home, as depicted in Sangam Literary work, Natrinai 221, penned by Idaikaadanaar. The verse is set in the forest country of ‘Mullai’ and speaks in the voice of the man to his charioteer, bidding him to hasten homeward.

Natrinai 220 – The wisdom of children

In this episode, we learn about social dynamics and cultural practices, as portrayed in Sangam Literary work, Natrinai 220, penned by Kundukat Paaliyaathanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the man to himself, conveying a sharp message to the confidante, listening nearby.

Natrinai 219 – The lustrous glow of trust

In this episode, we perceive the unshakeable faith glowing within a lady in love, as portrayed by Sangam Literary work, Natrinai 219, penned by Thaayankannanaar. The verse is set in the ‘Neythal’ landscape or coastal regions and speaks in the voice of the lady to her confidante, expressing her belief in the man’s promise to her.

Natrinai 218 – Piercing birdsongs at dusk

In this episode, we perceive the atmosphere of an ancient village at dusk and the mood this evokes within, as portrayed in Sangam Literary work, Natrinai 218, penned by Kidangil Kaavithi Keerankannanaar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, rejecting the confidante’s words of consolation and expressing the angst in her heart, as the man delays seeking her hand in marriage.

Natrinai 217 – The postponed forgiveness

In this episode, we relish the intricate use of poetic imagery, as portrayed in Sangam literary work, Natrinai 217, penned by Kabilar. Although the verse is set in the mountain country of ‘Kurinji’, it revolves around the theme of a love-quarrel, a theme more commonly found in the agricultural landscape. The poem speaks in the words of the lady to her confidante, conveying a refusal to the man’s request to seek entry to their house.

Natrinai 216 – A woman scorned

In this episode, we hear the laments and lore around a woman jilted in love, as depicted in Sangam Literary work, Natrinai 216, penned by Madurai Maruthan Ilanaakanaar. Set in the agricultural landscape of ‘Marutham’, the verse speaks in the voice of the courtesan to her friends, so as to convey a message to the lady through the lady’s friends, listening nearby.

Natrinai 215 – On and off at once

In this episode, we observe how words are used to say one thing and mean another, as depicted in Sangam Literary work, Natrinai 215, penned by Madurai Chullam Pothanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, as he prepares to leave after trysting with the lady by day.

Natrinai 214 – Laughter of the rain cloud

In this episode, we perceive gender differences with regard to life priorities, as portrayed in Sangam Literary work, Natrinai 214, penned by Karuvoor Kosanaar. Set in the ‘Paalai’ landscape, the verse speaks in the voice of the lady to her confidante, conveying the pain of separation, as the man has not returned home in the promised time.

Natrinai 213 – The art of small talk

In this episode, we observe the rich poetry in the art of small talk, as depicted in Sangam Literary work, Natrinai 213, written by Kachippettu Perunthachanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the man to the lady and her confidante, intending to seek the confidante’s help in securing the affections of the lady.

Natrinai 212 – Homeward bound

In this episode, we perceive the joy in a man’s return to his home, as portrayed in Sangam Literary work, Natrinai 212, penned by Kudavaayil Keerathanaar. Set in the drylands of the ‘Paalai’ landscape, the verse speaks in the voice of the confidante to the lady, on hearing about the man returning homeward from his long journey.

Natrinai 211 – Attack of the seabird

In this episode, we perceive scenes from the shore reflecting the inner life of the lady, as portrayed in Sangam Literary work, Natrinai 211, penned by Kottiyoor Nallanthaiyaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to herself, while conveying a hidden message to the man, listening nearby.

Natrinai 210 – Ageless wealth

In this episode, we gather an ageless perspective about wealth, as portrayed in Sangam literary work, Natrinai 210, penned by Milai Kilaar Nalvettanaar. Set in the agricultural landscape of ‘Marutham’, the verse speaks in the voice of the confidante to the man, chiding him subtly for causing misery to the lady.

Natrinai 209 – Seeds few grains many

In this episode, we relish the richness of expression, as portrayed in Sangam Literary work, Natrinai 209, penned by Nochi Niyamkilaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the man to his heart, intending it to be overheard by the lady’s confidante.

Natrinai 208 – Persuasion of the rain cloud

In this episode, we perceive the fine art of consoling a friend in anguish, as depicted in Sangam Literary work, Natrinai 208, penned by Nochi Niyamankilaar. Set in the ‘Paalai’ landscape of drylands, the verse speaks in the voice of the confidante to the lady, allaying the agony that fills the lady’s heart when she hears news about the man’s parting away.

Natrinai 207 – Fenced from danger

In this episode, we visit a seaside hamlet and perceive scenes from inner and outer life, as depicted in Sangam Literary work, Natrinai 207, penned by an anonymous poet. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the foster-mother, declaring the truth of the lady’s relationship with the man, as the danger of marriage to a stranger looms ahead.

Natrinai 206 – An auspicious bloom

In this episode, we perceive the cultural significance of natural elements, as portrayed in Sangam Literary work, Natrinai 206, penned by Aiyoor Mudavanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.

Natrinai 205 – A fragile femininity

In this episode, we perceive the battle between love and duty, as portrayed in Sangam Literary work, Natrinai 205, penned by Ilanakanaar. The verse is set in the drylands of ‘Paalai’ region and speaks in the voice of the confidante to the man, highlighting the consequences of the man’s decision to part away in search of wealth.

Natrinai 204 – His unforgettable dear

In this episode, we perceive the passion throbbing in the heart of a mountain youth, as portrayed in Sangam Literary work, Natrinai 204, penned by Mallanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the anguished voice of the man to his heart, while intending the message to be overhead by the lady’s confidante.

Natrinai 203 – Resonating waves and words

In this episode, we inhale the fragrance of life in an ancient seashore village, as portrayed in Sangam Literary work, Natrinai 203, written by Ulochanaar. The verse is set in the coastal regions of ‘Neythal’ landscape and speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.

Natrinai 202 – Guarding elephant and glowing flowers

In this episode, we unearth fascinating facts about nature and culture, as portrayed in Sangam Literary work, Natrinai 202, penned by Perungkadungo. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to the lady, motivating her with a promise, as they elope from the lady’s village.

Natrinai 201 – An enduring love

In this episode, we relish the natural beauty of a hill country and the deep meaning that the image of a statue imparts, as portrayed in Sangam Literary work, Natrinai 201, penned by Paranar. The verse is set in the mountainous regions of ‘Kurinji’ and speaks in the voice of the man to his friend, in response to that friend’s advice about forgetting the lady, who has won the man’s heart.

Natrinai 200 – A shout from the rooftops

In this episode, we learn of a festival custom in a farming town, as portrayed in Sangam Literary work, Natrinai 200, penned by Koodaloor Palkannanaar. Set in the agricultural landscape of ‘Marutham’, the verse speaks in the voice of the confidante to the potter, rejecting the request of the singer-messenger to seek entry for the man into the lady’s house.

Natrinai 199 – Shuddering in the storm

In this episode, we perceive intricate elements from the seashore revealing the inner world, as portrayed in Sangam Literary work, Natrinai 199, penned by Peri Sathanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, refusing to accept words of consolation and expressing the angst in her heart.

Natrinai 198 – In the likeness of a daughter

In this episode, we perceive the anguish in a mother missing her daughter, as portrayed in Sangam Literary work, Natrinai 198, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of a foster mother to a couple she meets on the way, as she searches for her daughter, who has eloped away.

Natrinai 197 – Painting the skies with hope

In this episode, we experience the meaning that dark clouds impart to a pining lady, as depicted in Sangam Literary work, Natrinai 197, penned by Nakirar. The verse is set in the drylands of ‘Paalai’ and speaks in the consoling voice of the confidante to the lady, conveying a positive message to the lady’s pining heart.

Natrinai 196 – The fate of the waning moon

In this episode, we listen to a curious conversation with the moon, as depicted in Sangam Literary work, Natrinai 196, penned by Vellaikudi Nakanaar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the lady to the moon, attempting to make it reveal the path where the man, who has parted away, traverses.

Natrinai 195 – A call to action

In this episode, we relish the rich imagery inspired by the scenes on a seashore, as portrayed in Sangam Literary work, Natrinai 195, penned by an anonymous poet. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying the pained state of the lady, owing to the man’s lethargy in seeking her hand in marriage.

Natrinai 194 – Returning the kindness

In this episode, we explore life and wildlife in the mountain country, depicted in Sangam Literary work, Natrinai 194, penned by Madurai Maruthan Ilanaakanaar. Set in the mountain landscape of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 193 – A plea to the breeze

In this episode, we perceive the journey of a breeze, as portrayed in Sangam Literary work, Natrinai 193, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape of ‘drylands’ and speaks in the voice of the lady to the northern wind, pleading to not torment her at a time when the man has parted away.

Natrinai 192 – In the light of your love

In this episode, we relish scenes from a mountain jungle, as portrayed in Sangam Literary work, Natrinai 192, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to a lady, as she refuses to accept a tryst with him at night, fearing for his safety.

Natrinai 191 – Glowing flowers and flowing grace

In this episode, we perceive a picturesque scene from the life of a seaside hamlet, as depicted in Sangam Literary work, Natrinai 191, penned by Ulochanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying a subtle message to the man, listening nearby.

Natrinai 190 – Akin to a city

In this episode, we delight in the description of an ancient city, as depicted in Sangam Literary work, Natrinai 190, written by an anonymous poet. Set in the ‘Kurinji’ landscape of mountain country, the verse speaks in the voice of a man to his heart, urging the confidante, listening nearby, to help him win the affection of the lady.

Natrinai 189 – Hunter’s net and spider’s web

In this episode, we receive a lesson in the art of consolation, as portrayed in Sangam Literary work, Natrinai 189, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape or the drylands and speaks in the voice of the confidante to the lady, conveying words of solace to her pining heart.

Natrinai 188 – The good and the bad

In this episode, we learn an intricate technique to convey intention and the philosophical truth ingrained within, as depicted in Sangam Literary work, Natrinai 188, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, conveying a subtle but strong reprimand about his delay in seeking the lady’s hand in marriage.

Natrinai 187 – As the sun sets within

In this episode, we take up a sensory travel to a sunset moment, as sketched by Sangam Literary work, Natrinai 187, penned by the Sangam-age namesake of an adored female poet, Avvaiyaar. The verse is set in the ‘Neythal’ landscape or coastal regions and speaks in the voice of the lady, as she mulls over the parting of the man, at the end of his tryst by day.

Natrinai 186 – Moisture of a compassionate music

In this episode, we perceive scenes from nature throwing light on an attitude of acceptance, as depicted in Sangam Literary work, Natrinai 186, penned by an anonymous poet. Set in the drylands region of ‘Paalai’, the verse speaks in the confident voice of the lady, relieving fears in the confidante’s mind about the consequences of the man’s departure.

Natrinai 185 – Slain by a goddess

In this episode, we learn fascinating facts about an ancient hill country, as portrayed in Sangam Literary work, Natrinai 185, penned by an anonymous poet. The verse is set in the mountainous landscape of ‘Kurinji’ and speaks in the voice of the man to his friend, seeking his help to win the affection of the lady in his heart.

Natrinai 184 – The pupil of my eye

In this episode, we perceive the poignant emotions of a mother missing her daughter, as depicted in Sangam Literary work, Natrinai 184, written by an anonymous poet. Set in the drylands of the ‘Paalai’ landscape, the verse speaks in the voice of the mother, expressing her inconsolable sadness after her daughter’s departure.

Natrinai 183 – A barter of emotions

In this episode, we understand the thread that ties economics and emotions, as portrayed in Sangam Literary work, Natrinai 183, penned by an anonymous poet. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the man, expressing the pain the lady would feel at his parting away.

Natrinai 182 – The unescorted elephant

In this episode, we perceive the intricate way of conveying intention by concealing it in an image from nature, as portrayed in Sangam Literary work, Natrinai 182, penned by an anonymous poet. Set in the ‘Kurinji’ landscape of mountain country, the verse speaks in the voice of the confidante to the lady, conveying a pointed message to the man, listening nearby.

Natrinai 181 – Back to the nest

In this episode, we sense the jubilation in a man’s return to his home, as portrayed in Sangam literary work, Natrinai 181, penned by an anonymous poet. The verse is set in the ‘Mullai’ landscape or forest country and speaks in the voice of a confidante, conveying that the lady will be redeemed from her joyless state by the man’s return.

Natrinai 180 – On warring kings and couples

In this episode, we relish the intricate tapestry of imagery interwoven with the history and life of the land, as portrayed in Sangam literary work, Natrinai 180, penned by an anonymous poet. Set in the agricultural region of ‘Marutham’, the verse speaks in the voice of the confidante, in a complaining tone about the ceaseless love-quarrel between the man and the lady.

Natrinai 179 – Stolen by a cow

In this episode, we listen to a surprised mother’s reminiscences about her daughter, as depicted in Sangam Literary work, Natrinai 179, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape and speaks in the voice of a mother, expressing disbelief when she discovers that her daughter has eloped with a man.

Natrinai 178 – Sleepless on a branch

In this episode, we perceive scenes from the coast reflecting emotions within, as portrayed in Sangam Literary work, Natrinai 178, penned by an anonymous poet. Set in the coastal region of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, intending to convey a hidden message to the man listening nearby.

Natrinai 177 – Soaring fire and swamping flood

In this episode, we relish the contrasting imagery to paint the emotions in parting, as depicted in Sangam literary work, Natrinai 177, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape or drylands and speaks in the voice of the lady to the confidante, expressing her discovery of the man’s intention to part away.

Natrinai 176 – Budding lilies and buzzing bees

In this episode, we relish the rich imagery from the fragrant hills of ancient times, as portrayed in Sangam literary work, Natrinai 176, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’ the verse speaks in the voice of a courtesan to her friend, the dancer, passing on a hidden message of warning to the friends of the lady’s confidante, who are listening nearby.

Natrinai 175 – Flame of fish oil

In this episode, we perceive scenes from a coastal land that sketch for us, the intricacies of inner life, as portrayed in Sangam literary work, Natrinai 175, written by an anonymous poet. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, nudging the man listening nearby, to seek the lady’s hand in marriage.

Natrinai 174 – Crooning bird and countering tiger

In this episode, we perceive the emotions of a lady in distress, as portrayed in Sangam literary work, Natrinai 174, written by an anonymous poet. Set in the drylands of ‘Paalai’ landscape, the poem speaks in the voice of the lady to her confidante, responding to the question about her inexplicable sadness.

Natrinai 173 – Seeing god within

In this episode, we learn about cultural and religious notions, as portrayed in Sangam literary work, Natrinai 173, penned by an anonymous poet. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying a hidden message to the man listening nearby.

Natrinai 172 – Shade of a sister

In this episode, we dwell on the exquisite feeling of kinship extended to a tree, as portrayed in Sangam literary work, Natrinai 172, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, refusing him a tryst by day with the lady and nudging him to seek the lady’s hand in marriage.

Natrinai 171 – Solace for sleepless eyes

In this episode, we marvel at the nuanced instances from life used to portray the pain in parting, as depicted in Sangam literary work, Natrinai 171, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape of drylands and speaks in the voice of the confidante to the lady, conveying to her the message about the man’s parting away.

Natrinai 170 – Dancer at the gate

In this episode, we learn about a moment in history through the poetic device of a simile, as depicted in Sangam literary work, Natrinai 170, penned by an anonymous poet. Set in ‘Marutham’ or the agricultural lands, the verse speaks in the voice of the confidante to her friends, refusing entry to a danseuse to a festival being held at home.

Natrinai 169 – Lizard on the wall

In this episode, we perceive the yearning in the heart of a man returning home, as portrayed in Sangam literary work, Natrinai 169, penned by an anonymous poet. The verse is set in the forest country of ‘Mullai’ and speaks in the voice of the man to his heart, on completing a far-away mission, as his thoughts turn homeward.

Natrinai 168 – Drizzling honey and drifting sandalwood

In this episode, we relish the sensuous details of life in the mountains, as portrayed in Sangam literary work, Natrinai 168, written by an anonymous poet. Set in the lush hill country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, chiding him subtly for not seeking a formal union with the lady.

Natrinai 167 – Refused bird and fused flowers

In this episode, we perceive nature and history revealing the inner landscape, as depicted in Sangam literary work, Natrinai 167, penned by an anonymous poet. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the singer-messenger, refusing to accept the messenger’s words of appeasement.

Natrinai 166 – Glowing lady and playing child

In this episode, we marvel at the importance accorded to love and family, as portrayed in Sangam literary work, Natrinai 166, penned by an anonymous poet. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the voice of the man to his lady, allaying fears of his parting away in her heart.

Natrinai 165 – Failed hunt and familial hold

In this episode, we perceive hunting beliefs and marriage customs, as portrayed in Sangam literary work, Natrinai 165, penned by an anonymous poet. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, advising her as marriage proposals from strangers pour in.

Natrinai 164 – Redemption in a return

In this episode, we appreciate the foresight of the confidante in predicting the man’s safe return, as depicted in Sangam literary work, Natrinai 164, penned by an anonymous poet. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, conveying in a subtle manner, good tidings about the man’s arrival.

Natrinai 163 – Two trees at dawn

In this episode, we sense the feeling of relief on hearing good tidings, as depicted in Sangam literary work, Natrinai 163, penned by an anonymous poet. The verse is set in the coastal regions of ‘Neythal’ landscape and speaks in the voice of the confidante to the lady, conveying a happy news concerning the man.

Natrinai 162 – A woman’s journey

In this episode, we understand perceptions about women taking up travel, as portrayed in Sangam Literary work, Natrinai 162, penned by an anonymous poet. Set in the ‘Paalai’ or drylands region, the verse speaks in the voice of the man to his lady, as he sets out on a journey.

Natrinai 161 – Omen of a return

In this episode, we relish the thoughts expressed by a man returning home, as portrayed in Sangam literary work, Natrinai 161, penned by an anonymous poet. The verse is set in the forest country of ‘Mullai’ region and speaks in the voice of a man to his charioteer, as he talks about the journey back home.

Natrinai 160 – When love blooms

In this episode, we understand the effects of falling in love, as portrayed in Sangam Literary work, Natrinai 160, penned by an anonymous poet. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to his friend, in response to that friend’s angry words about the man’s changed behaviour.

Natrinai 159 – Soothing waves and subtle words

In this episode, we relish scenes from an ancient shore and a subtle message that lies in store, as depicted in Sangam Literary work, Natrinai 159, penned by Kannam Pullanaar. The verse is set in the coastal landscape of ‘Neythal’ regions and speaks in the voice of the confidante to the man, bidding him in a hidden message, to seek the lady’s hand in marriage.

Natrinai 158 – Blood-red stains of slander

In this episode, we perceive the subtle ways of communicating intention, as portrayed in Sangam literary work, Natrinai 158, penned by Vellaikkudi Naakanaar. Set in the ‘Kurinji’ landscape of mountain country, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man listening nearby.

Natrinai 157 – The river of parting

In this episode, we perceive the pain of separation, portrayed in Sangam Literary work, Natrinai 157, penned by Ilavettanaar. The verse is set in the ‘Paalai’ landscape or the drylands and speaks in the voice of a man to his heart, when he’s away from the lady on a mission, as he realises that the time of his promised return is near.

Natrinai 156 – A tactful refusal

In this episode, we witness a thoughtful technique in refusing something, as depicted in Sangam Literary work, Natrinai 156, penned by Kannan Kottranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, when he arrives to tryst with the lady that night.

Natrinai 155 – A smile in reply

In this episode, we smile at the exuberant expression of love, as portrayed in Sangam Literary work, Natrinai 155, penned by Paraayanaar. The poem is set in the ‘Neythal’ landscape of coastal regions and speaks in the elated voice of the man, revealing his emotions on meeting with the lady for the second time.

Natrinai 154 – Steering in the right path

In this episode, we picture scenes from a jungle on a dark night, as depicted in Sangam Literary work, Natrinai 154, penned by Nallaavoor Kizhaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man listening nearby.

Natrinai 153 – The last man standing

In this episode, we relish the expanse of the inner world illustrated with elements of nature and culture, as portrayed in Sangam Literary work, Natrinai 153, penned by Thanimaganaar. The verse is situated in the ‘Paalai’ landscape or drylands and speaks in the voice of the lady, relating her pained state after the parting away of her man.

Natrinai 152 – Setting sun and soaring pain

In this episode, we empathise with the feelings portrayed in Sangam Literary work, Natrinai 152, penned by Alamperi Saathanaar. Set in the coastal regions of the ‘Neythal’ landscape, the verse speaks in the anguished voice of a man, relating his pained state, as the confidante listens nearby.

Natrinai 151 – Anxious monkey and avenging man

In this episode, we relish the imagery-filled scenes from a mountain country, portrayed in Sangam Literary work, Natrinai 151, written by Ilanaganaar. The verse is set in the ‘Kurinji’ landscape or mountainous regions and speaks in the voice of the confidante to the lady, passing on hidden messages to the man, listening nearby.

Natrinai 150 – Annexed fort and angered mother

In this episode, we listen to an insightful conversation, as depicted in Sangam Literary work, Natrinai 150, penned by Kaduvan Ilamallanaar. Set in the ‘Marutham’ landscape of agricultural lands, the verse speaks in the voice of a courtesan to a singer-messenger, revealing her feelings about the errant man.

Natrinai 149 – Rumorous town and runaway lady

In this episode, we understand the impact of societal pressures on inner life, as portrayed in Sangam Literary work, Natrinai 149, penned by Ulochanaar. The poem is set in the coastal landscape of ‘Neythal’ regions and speaks in the voice of the confidante to the lady, bidding her to elope with the man, considering the troublesome situation in the town.

Natrinai 148 – Dangerous path and determined wait

In this episode, we perceive danger and determination in a drylands path, as depicted in Sangam Literary work, Natrinai 148, penned by Kallampaalanaar. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the confident voice of the confidante to the lady, about the man’s harsh journey in search of wealth.

Natrinai 147 – Burgled fields and blurted words

In this episode, we relish a comical scene in a millet field, as depicted in Sangam Literary work, Natrinai 147, written by Kollampakkanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, relaying a curious incident involving the lady and her mother, to the man, listening nearby.

Natrinai 146 – Canopy of concern

In this episode, we understand a curious social custom, as portrayed in Sangam Literary work, Natrinai 146, penned by Kantharathanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the man to his heart, passing on a nuanced message to the confidante, listening nearby.

Natrinai 145 – Flowers by the seashore

In this episode, we observe inner and outer life by the seas, as depicted in Sangam Literary work, Natrinai 145, penned by Nambi Kuttuvan. The verse is set in the ‘Neythal’ landscape and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Natrinai 144 – Dashing past the danger

In this episode, we perceive the dangers of a hill country at night, as portrayed in Sangam Literary work, Natrinai 144, written by Kachippettu Perunthachanaar. Set in the mountainous regions of ‘Kurinji’ landscape, the verse speaks in the worried voice of the lady to her confidante, as the man listens nearby.

Natrinai 143 – Flying away from the nest

In this episode, we observe a mother’s state of mind, as portrayed in Sangam Literary work, Natrinai 143, written by Kannakaaran Kotranaar. The verse is set in the ‘Paalai’ landscape or ‘drylands’ and speaks in the lamenting voice of a mother, after her daughter elopes with the man.

Natrinai 142 – Whistling past time’s echo

In this episode, we perceive the portrayal of a Sangam woman, as depicted in Sangam Literary work, Natrinai 142, written by Idaikaadanaar. Set in the forest country of ‘Mullai’ landscape, the verse speaks in the voice of a man to his charioteer, requesting him to rush to the lady’s village.

Natrinai 141 – Flowing from a riverbed

In this episode, we relish the novel similes that paint the inner and outer world, as portrayed in Sangam Literary work, Natrinai 141, written by Salliyankumaranaar. The verse is set in the ‘Paalai’ region or the drylands and speaks in the voice of a man to his heart, expressing his inability to part from the lady and go in search of wealth.

Natrinai 140 – The game in a mountain mansion

In this episode, we appreciate the nuanced details about a mountain girl’s life, as depicted in Sangam Literary work, Natrinai 140, penned by Poothan Kannanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to his heart, bidding it to be patient, as he tries to secure the affection of the lady.

Natrinai 139 – The music in a rain shower

In this episode, we rejoice in the grace of a rain shower, as portrayed in Sangam Literary work, Natrinai 139, penned by Perungkousikanaar. The verse is set in the forest country of ‘Mullai’ and speaks in the voice of a man to the rain, extolling it for the help it has extended to him.

Natrinai 138 – The nest on a broken cart

In this episode, we appreciate the rich imagery employed in Sangam Literary work, Natrinai 138, penned by Ammoovanaar. Set in the coastal lands of ‘Neythal’, the poem speaks in the voice of the confidante to the lady, consoling her and conveying a message to the man, listening nearby.

Copyright © 2019 Nandini Karky