Podcast Archive

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In this episode, we perceive how a king’s actions are placed in parallel with the weather’s changes, as portrayed in Sangam Literary work, Natrinai 381, penned by Avvaiyaar, the renowned female poet from the Sangam era. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of lady to the confidante, expressing her grief as the man has not returned from his mission by the promised season.

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In this episode, we observe a heated situation at a home, as depicted in Sangam Literary work, Natrinai 380, penned by Koodaloor Palkannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the singer-messenger, refusing the man entry to his house.

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In this episode, we delight in the insightful portrait of a person and the natural beauty of ancient spots, as depicted in Sangam Literary work, Natrinai 379, penned by Kudavaayil Keerathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, refusing his request to tryst with the lady.

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In this episode, we perceive the anguish in a lady’s heart on a lonely night, as depicted in Sangam Literary work, Natrinai 378, penned by Vadama Vannakkan Perisaathanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the dilemma in a man’s heart, as portrayed in Sangam Literary work, Natrinai 377, penned by Madal Paadiya Maathankeeranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the man to himself, passing on a pointed message to the confidante, listening nearby.

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In this episode, we perceive how a parrot is invited to be a messenger, as portrayed in Sangam Literary work, Natrinai 376, penned by Kabilar. The verse is set in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to a parrot, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive a direct call to action, as portrayed in Sangam Literary work, Natrinai 375, penned by Pothumpil Kilaar Makanaar Venkanni. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, persuading him to seek the lady’s hand in marriage.

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In this episode, we relish a man’s celebration of his wife’s hospitality, as depicted in Sangam Literary work, Natrinai 374, penned by Vanparanar. The verse is set in the forest regions of ‘Mullai’ and speaks in the voice of the man to wayfarers he meets on his journey homeward.

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In this episode, we relish references to the harvest season and its significance to mountain folk, as depicted in Sangam Literary work, Natrinai 373, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the novel technique of combining consolation and persuasion, as portrayed in Sangam Literary work, Natrinai 372, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying assuring words to her and passing on a hidden message to the man, listening nearby.

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In this episode, we observe the changes in the weather and the effect it has on minds, as portrayed in Sangam Literary work, Natrinai 371, penned by the renowned female poet, Avvaiyaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, conveying the need to rush homeward.

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In this episode, we sense the joy in a home, where a child is born, as echoed by Sangam Literary work, Natrinai 370, penned by Uraiyoor Kathuvaai Saathanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the man to his companion, the singer-messenger, reminiscing a past moment, in a bid to soften the lady’s anger.

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In this episode, we perceive references to faraway ranges and rivers, as portrayed in Sangam Literary work, Natrinai 369, penned by Madurai Olai Kadayathaar Nalvellaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, refusing to accept her friend’s words of consolation.

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In this episode, we perceive elements of a lady’s life in the mountain country, as depicted in Sangam literary work, Natrinai 368, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

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In this episode, we hear the jubilant news of a man’s imminent homecoming, as portrayed in Sangam Literary work, Natrinai 367, penned by Nakkirar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, conveying to her that good times are arriving at her doorstep.

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In this episode, we perceive the struggle between seeking wealth and being with a beloved, as portrayed in Sangam Literary work, Natrinai 366, penned by Madurai Eelathu Poothan Thevanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, conveying his decision not to part away from the lady.

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In this episode, we hear a preposterous suggestion and infer the intricate art of persuasion, as portrayed in Sangam Literary work, Natrinai 365, penned by Killimankalankilaar Makanaar Chera Kovanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a pointed message to the man, listening nearby.

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In this episode, we perceive the pain of separation, as portrayed in Sangam Literary work, Natrinai 364, penned by Kidangil Kaavithi Perunkotranaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to her confidante, expressing the anguish in her heart at the man’s delay in returning.

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In this episode, we relish the subtle art of persuasion, as portrayed in Sangam Literary work, Natrinai 363, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, passing on a hidden message to him.

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In this episode, we relish words of understanding to a beloved, as depicted in Sangam Literary work, Natrinai 362, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man, encouraging the lady, as they elope away.

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In this episode, we relish the celebration of a man’s homecoming, as portrayed in Sangam Literary work, Natrinai 361, penned by Madurai Peraalavaayar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante, in response to the helpers’ worried query about the man’s delay in returning.

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In this episode, we perceive unique similes that express elements of a love quarrel, as depicted in Sangam Literary work, Natrinai 360, penned by Orambogiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry into the lady’s house.

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In this episode, we perceive the analysis of a dilemma, as depicted in Sangam Literary work, Natrinai 359, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, attempting to read her friend’s mind.

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In this episode, we perceive metaphors of hope, as portrayed in Sangam Literary work, Natrinai 358, penned by Nakkirar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing the angst in her heart at the man’s parting away to seek wealth.

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In this episode, we perceive an echo of a lady’s trust, as portrayed in Sangam Literary work, Natrinai 357, penned by Kuramagal Kuri Eyini. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, allaying the worry in her friend’s heart.

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In this episode, we infer the intersection of mythology and science in this song of yearning, as portrayed in Sangam Literary work, Natrinai 356, penned by Paranar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to his heart, conveying his dejection at being refused the lady’s hand in marriage.

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In this episode, we perceive unique similes in poetry and innovative techniques of persuasion, as portrayed in Sangam Literary work, Natrinai 355, penned by an anonymous poet. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the man, urging him to alleviate the lady’s suffering.

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In this episode, we are teleported to an ancient bustling shore, as portrayed in Sangam Literary work, Natrinai 354, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

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In this episode, we perceive the art of subtle persuasion, as portrayed in Sangam Literary work, Natrinai 353, penned by Kabilar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the man, expressing concern about the nightly path he treads to tryst with the lady.

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In this episode, we unearth a treasure trove of facets related to wild life in the ancient drylands, as depicted in Sangam Literary work, Natrinai 352, penned by Madurai Pallimaruthankilaar Makanar Sokuthanaar. The verse is situated in the dry regions of ‘Paalai’ and speaks in the voice of the man, conveying his confused state of mind, as he journeys on, in search of wealth.

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In this episode, we unearth fascinating facts about life and love in the mountain country, as depicted in Sangam Literary work, Natrinai 351, penned by Madurai Kannathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the mother, suggesting the right cure for the lady’s pallor.

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In this episode, we relish scenes from a paddy field and reflect on a lady’s ire, as portrayed in Sangam Literary work, Natrinai 350, penned by Paranar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, refusing to allow him entry to their house.

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In this episode, we perceive the activities of a young man courting a girl by the seashore, as portrayed in Sangam Literary work, Natrinai 349, penned by Milai Kilaar Nalvettanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man, passing on a pointed message to the confidante, listening nearby.

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In this episode, we hear the lament of a lady on a picturesque night, as depicted in Sangam Literary work, Natrinai 348, penned by Velliveethiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady, expressing her angst at being parted away from her man.

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In this episode, we perceive the art of concealing a wish for the future within the forces of nature, as portrayed in Sangam Literary work, Natrinai 347, penned by Perunkundroor Kilaar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of the lady to her confidante, expressing her worry, as the man continues to delay formalising his union.

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In this episode, we listen to a lonely man’s yearning, as portrayed in Sangam Literary work, Natrinai 346, penned by Eyinanthai Magan Ilankeeranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, reflecting on his desolate situation, after having parted away from his lady.

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In this episode, we perceive a rousing call to action, as depicted in Sangam Literary work, Natrinai 345, penned by Nambi Kuttuvanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, bidding him to seek the lady’s hand in marriage, without further delay.

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In this episode, we perceive hidden ways of persuasion, as portrayed in Sangam Literary work, Natrinai 344, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive scenes at dusk in an ancient village and peer into a lady’s heart, as portrayed in Sangam Literary work, Natrinai 343, penned by Karuvoor Kathapillai Saathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, conveying her angst at being separated from the man.

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In this episode, we explore relationship dynamics in ancient times, as depicted in Sangam Literary work, Natrinai 342, penned by Mosi Keeranaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to herself, conveying a pointed message to the lady, listening nearby.

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In this episode, we perceive the emotions felt by a man at war, as he reflects on his family back home, as portrayed in Sangam Literary work, Natrinai 341, penned by Madurai Maruthan Ilanaakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of a man, lamenting about his loneliness, one cold night.

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In this episode, we swim with a fish and peer into a heart, guided by the flow of Natrinai 340, penned by Nakirar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, expressing her feelings about his recent behaviour.

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In this episode, we observe an intricate technique of persuasion, as portrayed in Sangam Literary work, Natrinai 339, penned by Seethalai Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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In this episode, we perceive a bird’s call bearing the burden of a lady’s pain, as portrayed in Sangam Literary work, Natrinai 338, penned by Madurai Aarulaviyanattu Aalamperi Saathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, rejecting her friend’s words, which asked her to bear with the situation, as the man stays away.

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In this episode, we reflect on abstract truths about love and wealth, as depicted in Sangam Literary work, Natrinai 337, penned by Paalai Paadiya Perunkadunko, a Chera King. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, expressing her dissent on hearing the news of his intention to part away.

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In this episode, we perceive scenes from a wild mountain country, as portrayed in Sangam Literary work, Natrinai 336, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, insisting that he avoid the dangerous paths at night and passing on a subtle message within.

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In this episode, we perceive how the sensations of the world paints angst in a heart, as portrayed in Sangam Literary work, Natrinai 335, penned by Velliveethiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady, expressing the pain in her heart on a lonely night.

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In this episode, we relish a day in the life of a mountain monkey, as depicted in Sangam Literary work, Natrinai 334, penned by Aiyoor Mudavanaar. The verse is situated in the hill country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying a hidden message to her about the man’s tryst by night.

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In this episode, we perceive a friend’s concern and consolation in Sangam Literary work, Natrinai 333, penned by Kallikudi Pootham Pullanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, conveying a reassuring message about the man’s return.

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In this episode, we perceive the beating concern in the heart of a lady in love, as depicted in Sangam Literary work, Natrinai 332, penned by Kundroor Kilaar Makan Kannathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we relish references to a picturesque village by the sea, as portrayed in Sangam Literary work, Natrinai 331, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, accepting his request to tryst by night with the lady.

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In this episode, we observe scenes from a farmland and perceive the complexities of life therein, as portrayed in Sangam Literary work, Natrinai 330, penned by Aalankudi Vankanaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry into the lady’s house.

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In this episode, we observe the dangers in the life of ancient wayfarers, as depicted in Sangam Literary work, Natrinai 329, penned by Madurai Maruthankilaar Makanaar Sokuthanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying anxiety in her friend about the man, who has parted away.

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In this episode, we perceive the prosperity of a mountain land, as portrayed in Sangam Literary work, Natrinai 328, penned by Tholkabilar. The verse is set in hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying words of consolation, as her friend grieves over the delay in the man’s return.

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In this episode, we unravel a series of abstractions revolving around trust and love, as portrayed in Sangam Literary work, Natrinai 327, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, expressing her angst over the man’s delay in seeking her hand in marriage.

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In this episode, we relish a picturesque portrayal of a mountain country, as depicted in Sangam Literary work, Natrinai 326, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

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In this episode, we perceive the art of persuasion aided by metaphors from the wild, as depicted in Sangam Literary work, Natrinai 325, penned by Madurai Kaarulaviyan Koothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, requesting him to give up his intention to part away from the lady.

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In this episode, we perceive a marked transition in the life of a young girl, as depicted in Sangam Literary work, Natrinai 324, penned by Kayamanaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of wayfarers, who sight the lady and the man in the drylands path, as they elope away together.

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In this episode, we relish the sights of an ancient seaside village, as portrayed in Sangam Literary work, Natrinai 323, penned by Vadama Vannakkan Perisathanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, paving the way for his nightly tryst with the lady.

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In this episode, we observe social customs related to health and marriage, as depicted in Sangam Literary work, Natrinai 322, penned by Madurai Paalasiriyan Chenthan Kotranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man listening nearby.

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In this episode, we perceive the heart of a man yearning to be with his beloved, as depicted in Sangam Literary work, Natrinai 321, penned by Mathurai Alakkar Gnaalaar Makanaar Mallanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, bidding him to hasten homeward.

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In this episode, we perceive glimpses into history through the glasses of societal reactions, as portrayed in Sangam Literary work, Natrinai 320, penned by Kabilar. The verse is set in the agricultural landscape of ‘Marutham’ and speaks in the voice of a courtesan to her friend, passing on a pointed message to the man, listening nearby.

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In this episode, we perceive the mood of a seaside town at midnight, as depicted in Sangam Literary work, Natrinai 319, penned by Vinaitholil Sokeeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man, echoing the anguish in his heart, as he’s unable to tryst with the lady.

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In this episode, we perceive the power of projection in conveying an emotion, as portrayed in Sangam Literary work, Natrinai 318, penned by Paalai Paadiya Perunkadunko. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the man, on hearing about his intention to part away.

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In this episode, we take a walk through a millet field in a mountain country and perceive life and love therein, as depicted in Sangam Literary work, Natrinai 317, penned by Madurai Poovanda Naakan Vettanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

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In this episode, we smile at the smartness of the confidante, as portrayed in Sangam Literary work, Natrinai 316, penned by Idaikaadanaar. The verse is set in the forest regions of ‘Mullai’ and speaks in the voice of the confidante to the lady, consoling her friend as rain clouds loom on the horizon.

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In this episode, we perceive deep reflections on abandonment and ageing, as portrayed in Sangam Literary work, Natrinai 315, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of a courtesan to the man, as he prepares to reunite with his lady.

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In this episode, we perceive pithy words about the fleeting nature of life, as depicted in Sangam Literary work, Natrinai 314, penned by Mupper Naakanaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the lady, conveying her anguish over the man’s parting away.

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In this episode, we relish references to flowers in a mountain country, as portrayed in Sangam Literary work, Natrinai 313, penned by Thankaal Porkkollan Vennaakanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive echoes of empathy in the heart of a man, as depicted in Sangam Literary work, Natrinai 312, penned by Kalaarkeeran Eyitriyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, expressing his worry about the lady, when he parts away.

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In this episode, we relish the evergreen fortune of a seaside hamlet, as depicted in Sangam Literary work, Natrinai 311, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, bidding her to disregard the slanderous talk about town and await the arrival of her man.

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In this episode, we observe ancient customs in an agricultural country, as portrayed in Sangam Literary work, Natrinai 310, penned by Paranar. The verse is set in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the dancer, who has been sent as a messenger by the man, seeking entry to the lady’s house.

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In this episode, we perceive the beauty of an unshakeable faith, as depicted in Sangam Literary work, Natrinai 309, penned by Kabilar. Set in the mountain country of Kurinji, the verse speaks in the words of the lady to her confidante, allaying the sadness in her friend, as the man delays formalising his union with the lady.

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In this episode, we zoom in on the emotions in parting, as portrayed in Sangam Literary work, Natrinai 308, penned by Eyinanthai Magan Ilankeeranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, conveying his decision about parting away from the lady.

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In this episode, we relish the naughtiness of the confidante, as portrayed in Sangam literary work, Natrinai 307, penned by Ammoovanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying an idea to play a prank on the man, who was delaying his arrival to the trysting spot.

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In this episode, we observe transitions in a mountain field, as depicted in Sangam Literary work, Natrinai 306, penned by Urodakathu Kantharathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive a mother’s worry about her daughter, as portrayed in Sangam Literary work, Natrinai 305, penned by Kayamanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the mother to the lady’s confidante, expressing how she misses her daughter, who has eloped away with the man.

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In this episode, we perceive references to music and mythology, as depicted in Sangam literary work, Natrinai 304, penned by Maarokkathu Nappasalaiyaar, a female poet from the Sangam era. Situated in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, expressing her angst as the man delays seeking her hand in marriage.

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In this episode, we listen to an evergreen question asked in love, as portrayed in Sangam Literary work, Natrinai 303, penned by Madurai Aarulaviyanaattu Aalamperi Sathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, wondering about the thoughts of the man, who has parted away from her.

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In this episode, we observe the anguish in parting, as portrayed in Sangam Literary work, Natrinai 302, penned by Madurai Maruthan Ilanaakanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady, expressing her angst, as the man is delayed beyond his promised time of return.

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In this episode, we perceive elements of the mountain country reflect in the portrait of a lady, as depicted in Sangam Literary work, Natrinai 301, penned by Pandiyan Maaran Valuthi. The verse is situated in the hill regions of ‘Kurinji’ and speaks in the voice of the confidante to herself, describing mother’s love and refusing the man’s attempt to tryst with the lady.

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In this episode, we perceive thought-provoking similes depicted in Sangam Literary work, Natrinai 300, penned by Paranar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the courtesan to the singer-messenger, rejecting the man’s attempts at reconciliation.

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In this episode, we perceive intriguing methods of persuasion, as portrayed in Sangam Literary work, Natrinai 299, penned by Vadama Vannakkan Perisathanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive scenes from a dry and harsh land echo the conflict in a man’s mind, as depicted in Sangam Literary work, Natrinai 298, penned by Vitrootru Vannakkan Thathanaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, expressing his thoughts about parting away to the listening lady.

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In this episode, we perceive scenes from a Sangam household tell a tale of inner life, as portrayed in Sangam Literary work, Natrinai 297, penned by Madurai Alakkar Gnaalaar Makanaar Mallanaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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In this episode, we perceive the personification of a tree, as portrayed in Sangam Literary work, Natrinai 296, penned by Kuthirai Thariyanaar. Set in the drylands landscape of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing her angst on receiving the news of the man’s intent to part away.

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In this episode, we travel to an ancient sea port and take in life and love there, as portrayed in Sangam Literary work, Natrinai 295, penned by the renowned Sangam-age female poet, Avvaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying the lady’s state and subtly persuading him to seek the lady’s hand in marriage.

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In this episode, we relish news of joy and bliss, as depicted in Sangam Literary work, Natrinai 294, penned by Puthukkayathu Vannakkan Kampoor Kilaan. Set in the mountain country of Kurinji, the verse speaks in the voice of the confidante to the lady’s kith and kin, conveying her impressions of her friend’s health after a visit to the lady’s marital home.

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In this episode, we celebrate references to the antiquity of pottery even as we listen to a lament, as portrayed in Sangam Literary work, Natrinai 293, penned by Kayamanaar. The verse is set in the drylands landscape of ‘Paalai’ and speaks in the voice of the lady’s mother, expressing the angst in her heart, at her daughter’s parting away with the man.

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In this episode, we explore the natural wealth of a mountainous region and perceive the wealth of emotion within, as portrayed in Sangam Literary work, Natrinai 292, penned by Nalvettanaar. Set in the hill country of ‘Kurinji’, the verse speaks in the voice of the confidante, assuming the lady’s voice, to persuade the man to seek the lady’s hand in marriage.

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In this episode, we observe an interleaving of history and nature to depict feelings within, as portrayed in Sangam Literary work, Natrinai 291, penned by Kabilar. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the singer, who has been sent as a messenger by the man.

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In this episode, we observe scenes from an ancient agricultural region reflecting the inner landscape in marital relations, as depicted in Sangam Literary work, Natrinai 290, penned by Madurai Maruthan Ilanakanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the confidante to the lady, passing on a pointed message to the singer, who has come to the lady’s house as a messenger from the man.

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In this episode, we perceive the unshakeable faith in the mind of a lady, as depicted in Sangam Literary work, Natrinai 289, penned by Marunkoor Pattinathu Chenthan Kumaranaar. The verse is set in the forest landscape of ‘Mullai’ and speaks in the voice of the lady to her friend, expressing both angst and assurance, as she faces the delay in the man’s return.

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In this episode, we observe ancient beliefs about health and marriage in a mountain country, as portrayed in Sangam Literary work, Natrinai 288, penned by Kulambanaar. Set in the hill landscape of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the transition of a mind from assurance to angst, as depicted in Sangam Literary work, Natrinai 287, penned by Ulochanaar. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the lady to her confidante, passing on a subtle message to the man, listening nearby.

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In this episode, we perceive a thoughtful instance of the fine art of consolation, as portrayed in Sangam Literary work, Natrinai 286, penned by Thuraikkurumaavir Paalankotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, comforting her, as she struggles to handle the parting away of the man.

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In this episode, we perceive the inner and outer aspects of life in a mountain land, as portrayed in Sangam Literary work, Natrinai 285, penned by Madurai Kollan Vennaakanaar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the struggle between love and duty, as portrayed in Sangam Literary work, Natrinai 284, penned by Theypuri Palankayitrinaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man, expressing the war waging in his inner world.

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In this episode, we observe the strength of the sun blaze in this poem on persuasion, as portrayed in Sangam Literary work, Natrinai 283, penned by Madurai Maruthan Ilanaakanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, prompting him to choose the righteous path.

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In this episode, we relish the meeting point of nature and culture in a mountain country, as depicted in Sangam Literary work, Natrinai 282, penned by Nalloor Siru Meythaaviyaar. Set in the hilly regions of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive how the dream of a bird tells us the tale of love, as depicted in Sangam Literary work, Natrinai 281, penned by a female poet, Kazhaarkeeran Eyitriyaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, refusing to accept the confidante’s words of consolation.

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In this episode, we relish the richness of poetic imagery that paints for us the world then, as portrayed in Sangam Literary work, Natrinai 280, penned by Paranar. Set in the agricultural lands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, in response to the straying man’s message, seeking entry to the lady’s house.

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In this episode, we relish a poetic feast, filled with elements from nature and culture, as depicted in Sangam Literary work, Natrinai 279, penned by Kayamanaar. The verse is set in the drylands of ‘Paalai’ landscape and speaks in the voice of the mother, on hearing that her daughter has parted away with the man.

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In this episode, we relish nuanced descriptions of a seashore tree, as portrayed in Sangam Literary work, Natrinai 278, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, conveying jubilant news of the man’s return to claim the lady’s hand.

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In this episode, we perceive a unique way of expressing inner suffering, as portrayed in Sangam Literary work, Natrinai 277, penned by Thumbi Ser Keeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of a lady to a bee, expressing her anguish at the bee’s seeming indifference to her plight.

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In this episode, we gather nuanced notions about the life of two different cultures that co-existed in an ancient mountain country, as depicted in Sangam Literary work, Natrinai 276, penned by Thol Kabilar. Set in the hill landscape of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, as he prepares to leave after his tryst-by-day with the lady.

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In this episode, we relish the storytelling power of a metaphor, as portrayed in Sangam Literary work, Natrinai 275, penned by Ammoovanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, in response to her confidante’s words of consolation, as the man listens by.

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In this episode, we relish words of consolation, as depicted in Sangam Literary work, Natrinai 274, penned by Kaavanmullai Poothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, offering words of comfort to allay the lady’s worry about the man’s travels through the drylands.

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In this episode, we perceive intriguing methods of persuasion, as portrayed in Sangam Literary work, Natrinai 273, penned by Madurai Ilambaalaasiriyan Senthan Koothanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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In this episode, we take a walk on an ancient shore and perceive the story of longing and love in store, as depicted in Sangam Literary work, Natrinai 272, penned by Mukkal Aasaan Nalvellaiyaar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive notions of death from this heartrending song of a mother, as portrayed in Sangam Literary work, Natrinai 271, penned by an anonymous poet. The verse is set in the ‘Paalai’ landscape and speaks in the despairing voice of a mother, on hearing that her daughter has parted from her, in the company of a man.

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In this episode, we delve into a historic event and the implications of war and hair that hides within, as portrayed in Sangam Literary work, Natrinai 270, penned by Paranar. Set in the coastal landscape of ‘Neythal’, the verse speaks in the voice of the confidante to the man, in a hidden bid to rouse the listening lady to welcome him back into her house.

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In this episode, we relish a scene in an ancient Tamil household, as depicted in Sangam Literary work, Natrinai 269, penned by Eyinanthai Magan Ilankeeranaar. The verse is set in the drylands of ‘Paalai’ landscape and speaks in the voice of the confidante to the man, in an attempt to dissuade him from parting with the lady.

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In this episode, we relish references to a rare flower in the mountain country, as portrayed in Sangam Literary work, Natrinai 268, penned by Veripaadiya Kaamakkanniyaar, a female poet from the Sangam era. Set in the mountainous regions of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we travel to a seashore grove and learn about the pangs of love, as portrayed in Sangam Literary work, Natrinai 267, penned by Kabilar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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In this episode, we perceive a moment of acceptance, as depicted in Sangam Literary work, Natrinai 266, penned by Kachipettu Ilanthachanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the man, agreeing to his decision to part away on a mission.

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In this episode, we bask in an abundance of similes that turns out to be a history lesson, as portrayed in Sangam Literary work, Natrinai 265, penned by Paranar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the man to his heart, passing on a subtle message to the lady’s confidante, listening nearby.

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In this episode, we relish scenes from a rain-washed day and perceive the reflection of love in words, as depicted in Sangam Literary work, Natrinai 264, penned by Aavoor Kaavithikal Saathevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his lady, bidding her gently to hasten her walk towards their destination.

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In this episode, we understand the nuances of man-woman communication in ancient Tamil land, as portrayed in Sangam Literary work, Natrinai 263, penned by Ilaveyinanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.

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In this episode, we observe a man’s mind mulling over love and wealth, as depicted in Sangam Literary work, Natrinai 262, penned by Perunthalai Saathanaar. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the voice of the man, as he reflects on what his parting away will do to the lady’s health and beauty.

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In this episode, we perceive the dangers of traversing a mountain path at night, as portrayed in Sangam Literary work, Natrinai 261, penned by Senthan Poothanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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In this episode, we follow the movements of a buffalo to learn the reason for a lady’s anger, as depicted in Sangam Literary work, Natrinai 260, penned by Paranar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the lady to the man, conveying that she’s still vexed with him, unable to forget his recent behaviour.