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In this episode, we observe how a city transforms in the view of a beholder, as depicted in Sangam Literary work, Kurunthogai 166, penned by Koodaloor Kizhar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, conveying the lady’s state as she’s confined to the house.
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In this episode, we observe the frenzied state of a heart in the first rush of love, as depicted in Sangam Literary work, Kurunthogai 165, penned by Paranar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the man to his heart, after the lady’s confidante refuses his request to tryst with the lady.
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In this episode, we observe negative emotions between two women, as depicted in Sangam Literary work, Kurunthogai 164, penned by Mangudi Maruthanaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the courtesan to her friend, while passing on a pointed message to the lady’s friends, listening nearby.
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In this episode, we perceive how a lady projects her feelings on an element of land, as depicted in Sangam Literary work, Kurunthogai 163, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the sea, lamenting about her state, as she remains parted away from the man.
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In this episode, we listen to how a man’s words to a flower echoes his deep feelings, as portrayed in Sangam Literary work, Kurunthogai 162, penned by Karuvoor Pavuthiranaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the man to a wild jasmine, as he returns homeward after completing his mission.
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In this episode, we observe a domestic scene and understand its hidden implications, as depicted in Sangam Literary work, Kurunthogai 161, penned by Nakirar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, passing on a message to the man, listening nearby.
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In this episode, we relish references to a bird that lived in ancient India, as depicted in Sangam Literary work, Kurunthogai 160, penned by Madurai Maruthan Ilanaakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to her friend’s consolation that the man would soon return.
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In this episode, we perceive a subtle technique of persuasion, as depicted in Sangam Literary work, Kurunthogai 159, penned by Vadama Vannakkan Perisaathanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we listen in to a conversation with a rain cloud, as depicted in Sangam Literary work, Kurunthogai 158, penned by Avvaiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the rain, while passing on a hidden message to the man, listening nearby.
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In this episode, we perceive fear in the heart of a lady, as portrayed in Sangam Literary work, Kurunthogai 157, penned by Alloor Nanmullaiyaar. The verse is situated in the agricultural lands of ‘Marutham’ and speaks in the voice of the lady, conveying the thoughts in her heart, at the prospect of parting with her beloved.
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In this episode, we learn of the customs of a particular sect of people in ancient times, as depicted in Sangam Literary work, Kurunthogai 156, penned by Pandiyan Enaathi Nedunkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s words of chiding about the man’s changed behaviour.
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In this episode, we relish references to intriguing objects used in ancient times, as depicted in Sangam Literary work, Kurunthogai 155, penned by Urodakathu Kantharathanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her angst at not hearing news of the man’s return.
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In this episode, we perceive scenes from nature echoing the lady’s emotions, as depicted in Sangam Literary work, Kurunthogai 154, penned by Madurai Seethalathai Saathanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her inability to bear with the man’s parting.
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In this episode, we listen to the changes in a lady’s perception, as portrayed in Sangam Literary work, Kurunthogai 153, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, explaining the reason the confidante must present to the man to persuade him to seek her hand in marriage.
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In this episode, we perceive intriguing references to tortoise eggs, as portrayed in Sangam Literary work, Kurunthogai 152, penned by Killimangalam Kizhaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, in response to her friend’s frustration that the lady was not bearing well with the man’s parting.
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In this episode, we perceive the struggles in a man’s mind as he decides between love and wealth, as depicted in Sangam Literary work, Kurunthogai 151, penned by Thoongaloriyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, conveying his decision concerning parting with the lady to go in search of wealth.
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In this episode, we observe the puzzled wonderment in a lady, as depicted in Sangam Literary work, Kurunthogai 150, penned by Maadaloor Kizhaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, when her friend approaches her about a tryst by night, with the man.
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In this episode, we perceive the importance accorded to a woman’s shyness, as portrayed in Sangam Literary work, Kurunthogai 149, penned by Velli Veethiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, on hearing that the lady had to elope away with the man.
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In this episode, we relish stacked similes that tell us a tale of parting, as depicted in Sangam Literary work, Kurunthogai 148, penned by Ilankeeranthaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, in response to her friend’s consolation about the man’s return.
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In this episode, we relish the magical feelings evoked by a dream, as depicted in Sangam Literary work, Kurunthogai 147, penned by Koperunchozhan. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to a dream, conveying his bittersweet emotions, as he remains parted away from the lady.
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In this episode, we listen to tidings of joy, as portrayed in Sangam Literary work, Kurunthogai 146, penned by Velliveethiyaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s worry that her kith and kin would reject the offer of marriage put forth by the man’s family.
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In this episode, we perceive the indignation in a lady about how the world around receives her sorrow, as depicted in Sangam Literary work, Kurunthogai 145, penned by Kollan Azhisiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, one night, when the man is away, seeking wealth to win her hand.
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In this episode, we perceive the change in circumstances in the life of a young girl, as depicted in Sangam Literary work, Kurunthogai 144, penned by Madurai Aasiriyar Kodan Kotranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the foster-mother, agonising over her daughter’s elopement.
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In this episode, we listen to an effective consolation, as depicted in Sangam Literary work, Kurunthogai 143, penned by Madurai Kanakkaayanaar Makanaar Nakkeeranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying words of positivity about the man’s return.
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In this episode, we perceive the poignant feelings in a man, as portrayed in Sangam Literary work, Kurunthogai 142, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, expressing his angst in parting with his lady after their union.
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In this episode, we perceive scenes from the mountain country echoing fears within, as portrayed in Sangam Literary work, Kurunthogai 141, penned by Madurai Perunkollanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, passing on a message to the man, listening nearby.
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In this episode, we perceive a distinctive technique of registering dissent, as depicted in Sangam Literary work, Kurunthogai 140, penned by Alloor Nanmullaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to her friend’s comment about bearing with the man’s separation.
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In this episode, we perceive the projection of human concerns on other life around, as depicted in Sangam Literary work, Kurunthogai 139, penned by Okkoor Maasaathiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry to the lady’s house.
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In this episode, we relish references to nature stitched seamlessly into this song on relationships, as depicted in Sangam Literary work, Kurunthogai 138, penned by Kollan Azhisi. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive a unique way of allaying anxiety about separation, as portrayed in Sangam Literary work, Kurunthogai 137, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to the lady, in response to her fears about his parting away.
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In this episode, we perceive the natural correlation between animal and human life, as depicted in Sangam Literary work, Kurunthogai 136, penned by Milai Perunkanthanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, detailing the misunderstood nature of love.
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In this episode, we perceive the priorities in the life of men and women, as portrayed in Sangam Literary work, Kurunthogai 135, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s fear that the man was preparing to part away.
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In this episode, we look at the spread of the land in a mountain country and see the lady’s emotions there, as portrayed in Sangam Literary work, Kurunthogai 134, penned by Kovengai Perunkathavanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, expressing her yearning for the man’s return.
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In this episode, we observe how a mountain farmer’s field speaks the hope in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 133, penned by Uraiyoor Muthukannan Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, as the man delays seeking her hand in marriage.
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In this episode, we listen to a description of a beloved in the words of a heart in love, as depicted in Sangam Literary work, Kurunthogai 132, penned by Sirakudi Aanthaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, in response to the friend’s words chiding the man for his unstable behaviour after falling in love.
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In this episode, we perceive how a simile from a farming field prints tracks of the heart, as portrayed in Sangam Literary work, Kurunthogai 131, penned by Or Er Uzhavanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, as his mission ends and his promised season of return approaches.
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In this episode, we perceive a persuasive argument to pacify an anxious heart, as depicted in Sangam Literary work, Kurunthogai 130, penned by Velli Veethiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying her anxiety about the man, who had parted away.
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In this episode, we listen to the beat of a passionate heart, as echoed by Sangam Literary work, Kurunthogai 129, penned by Koperunchozhan, a poet-king. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, explaining the reason for the recent changes in him.
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In this episode, we relish a precise simile from the natural world that pinpoints to the emotions within, as depicted in Sangam Literary work, Kurunthogai 128, penned by Paranar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man to his heart, expressing his dejection at being unable to meet his lady at the trysting spot.
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In this episode, we take in a scene from the fields of a farming town and perceive the consequences of a lie, as depicted in Sangam Literary work, Kurunthogai 127, penned by Orambokiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, in response to the words of the singer, sent as a messenger by the man to allay the anger of his lady.
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In this episode, we observe the projection of inner angst on the outer world, as portrayed in Sangam Literary work, Kurunthogai 126, penned by Okkoor Maasaathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her pain as the man remains parted away.
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In this episode, we hear the echo of the heart in an image from nature, as portrayed in Sangam Literary work, Kurunthogai 125, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the sound reasoning in a pertinent question, as portrayed in Sangam Literary work, Kurunthogai 124, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the man, as he prepares to part away from the lady.
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In this episode, we observe the ingenuity of a person in conveying urgency, as portrayed in Sangam Literary work, Kurunthogai 123, penned by Aiyoor Mudavanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.
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In this episode, we listen to a lady’s lament about the imminent evening, as portrayed in Sangam Literary work, Kurunthogai 122, penned by Orambokiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, illustrating the effect of an evening on her mind.
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In this episode, we perceive a case of mistakes and their consequences, as portrayed in Sangam Literary work, Kurunthogai 121, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying how she had been disappointed once before, mistaking sounds around for the man’s call to tryst.
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In this episode, we listen to abstract notions about wealth and joy, as depicted in Sangam Literary work, Kurunthogai 120, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, in a message of consolation when being unable to meet with the lady at their trysting spot.
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In this episode, we listen to a man echo his inner emotions by narrating a scene in the wild, as depicted in Sangam Literary work, Kurunthogai 119, penned by Sathinaathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his friend, expressing the reason for the recent change in his composure.
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In this episode, we learn of an ancient custom set in the midst of a lady’s anxiety, as depicted in Sangam Literary work, Kurunthogai 118, penned by Nannaakaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, lamenting about how the man had not returned to tryst with her.
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In this episode, we hear the beat of life in nature and perceive the heart of a lady in love, as portrayed in Sangam Literary work, Kurunthogai 117, penned by Kundriyanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.
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In this episode, we perceive the passionate recollection of a past joy, as portrayed in Sangam Literary work, Kurunthogai 116, penned by Ilangkeeranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, delighting in the memory of his lady’s tresses.
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In this episode, we listen to a heartfelt request to ensure the welfare of a friend, as portrayed in Sangam Literary work, Kurunthogai 115, penned by Kabilar. Situated in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, as he prepares to elope away with the lady.
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In this episode, we observe how inanimate objects echo the inner landscape, as portrayed in Sangam Literary work, Kurunthogai 114, penned by Ponnaakanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying news about his trysting with the lady.
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In this episode, we gather fascinating facets about the lifestyle of ancients, as depicted in Sangam Literary work, Kurunthogai 113, penned by Maathirathanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, conveying that he should tryst with the lady at an alternative spot.
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In this episode, we perceive the angst of a torn heart, as portrayed in Sangam Literary work, Kurunthogai 112, penned by Aalathoor Kilaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying her feelings as the man continues to delay seeking her hand in marriage.
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In this episode, we relish the ingenuity of the confidante in her indirect persuasion, as portrayed in Sangam Literary work, Kurunthogai 111, penned by Theenmathi Naakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the effect of seasonal winds, as depicted in Sangam Literary work, Kurunthogai 110, penned by Killimangalam Kilaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, echoing her extreme dejection at the man’s continued absence.
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In this episode, we observe a technique of subtle persuasion, as portrayed in Sangam literary work, Kurunthogai 109, penned by Nambi Kuttuvanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the beauty of changing seasons, as depicted in Sangam Literary work, Kurunthogai 108, penned by Vaayilaan Thevanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing her inability to bear with the man’s parting any longer.
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In this episode, we perceive the fury of a person, woken up from sweet slumber, as portrayed in Sangam Literary work, Kurunthogai 107, penned by Madurai Kannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the lady to a rooster, conveying her ire at the bird’s crowing in the morning.
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In this episode, we perceive the acceptance of a man’s request for reconciliation, as depicted in Sangam Literary work, Kurunthogai 106, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, conveying that she is appeased by the man’s message.
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In this episode, we perceive agricultural customs in a mountain country, as depicted in Sangam Literary work, Kurunthogai 105, penned by Nakirar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, relaying her frustration at the man’s delay in seeking her hand in marriage.
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In this episode, we perceive the fierce attack of pining in winter, as depicted in Sangam Literary work, Kurunthogai 104, penned by Kaavanmullai Poothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing how difficult it is for her, to bear with the man’s parting.
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In this episode, we perceive the changing seasons and its impact on a lady’s thoughts, as depicted in Sangam Literary work, Kurunthogai 103, penned by Vaayilaan Thevanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, conveying her emotions as the man is delayed beyond his promised season of return.
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In this episode, we perceive the torment in a lady’s heart, as depicted in Sangam Literary work, Kurunthogai 102, penned by Avvaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, explaining her state of mind, as the man continues to stay away.
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In this episode, we perceive the high esteem a man holds for his marital life, as depicted in Sangam Literary work, Kurunthogai 101, penned by Paroovu Movaai Pathumanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, in response to its insistence that he part with the lady to go in search of wealth.
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In this episode, we perceive facets of mountain farming, as depicted in Sangam Literary work, Kurunthogai 100, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, describing the land of the lady who had won his heart.
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In this episode, we relish a picturesque parallel to the feeling of love, as portrayed in Sangam Literary work, Kurunthogai 99, penned by Avvaiyaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the man to the confidante, in response to her question asking whether he thought of the lady when he was away on his mission.
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In this episode, we listen to a heartfelt wish for a messenger, as portrayed in Sangam Literary work, Kurunthogai 98, penned by Kokulamutranaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, revealing her angst as the man continues to stay away even after the promised season of return.
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In this episode, we hear the lament of a lady, as depicted in Sangam Literary work, Kurunthogai 97, penned by Venboothi. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing her angst at the man’s delay in seeking her hand in marriage.
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In this episode, we infer a lady’s trust in her man, as depicted in Sangam Literary work, Kurunthogai 96, penned by Alloor Nanmullaiyaar. Set in the mountains of ‘Kurunji’, the verse speaks in the voice of the lady to the confidante, responding with anger to her friend’s words of complaint about the man’s delay in seeking the lady’s hand.
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In this episode, we relish an exquisite interaction between the elements, as depicted in Sangam Literary work, Kurunthogai 95, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, explaining the reason for his troubled state.
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In this episode, we observe a lady’s conviction as well as her concern for her beloved, as depicted in Sangam Literary work, Kurunthogai 94, penned by Kathakannan. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to her confidante, allaying the friend’s worry that the lady would not be able to bear with the man’s parting.
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In this episode, we perceive a philosophical interpretation for the presence of anger, as depicted in Sangam Literary work, Kurunthogai 93, penned by Alloor Nanmullaiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, refusing her friend’s request to reconcile her with the man.
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In this episode, we observe the projection of one’s emotions on elements in nature, as portrayed in Sangam Literary work, Kurunthogai 92, penned by Thamodharanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, one evening, when the man, who had parted with her, continued to stay away.
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In this episode, we perceive plant and animal life in a farmland as well as the generous and war-seeking nature of a king, as portrayed in Sangam Literary work, Kurunthogai 91, penned by the famous Sangam-age female poet, Avvaiyaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the lady to her heart, reprimanding it as it rushes towards the man, returning from the company of courtesans.
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In this episode, we relish scenes from a rain-soaked mountain landscape, as portrayed in Sangam Literary work, Kurunthogai 90, penned by Madurai Eluthaalan Senthampoothanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.
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In this episode, we learn of a unique song, sung by women as they hull grain in a mortar, as portrayed in Sangam Literary work, Kurunthogai 89, penned by Paranar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to herself, while conveying a pointed message to the man, listening nearby.
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In this episode, we perceive scenes from a mountain country, echoing the love life of a lady, as depicted in Sangam Literary work, Kurunthogai 88, penned by Madurai Kathakkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying the man’s intention to tryst with the lady by night.
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In this episode, we observe how a lady tries to placate god’s fury, as depicted in Sangam Literary work, Kurunthogai 87, penned by Kabilar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to a god, explaining how the man is not to be blamed for her state of mind.
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In this episode, we perceive the loneliness of a lovelorn lady on a winter’s night, as depicted in Sangam Literary work, Kurunthogai 86, penned by Vennkotranaar. Set in the mountains of ‘Kurunji’, the verse speaks in the voice of the lady to the confidante, expressing her feelings as the man continues to stay away.
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In this episode, we relish a blissful scene from a house sparrow’s life, as portrayed in Sangam Literary work, Kurunthogai 85, penned by Vadama Vannakkan Thamotharanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the singer, who has been sent as a messenger by the man to plead his cause at the lady’s house.
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In this episode, we perceive the moment of revelation about a subtle event in the past, as portrayed in Sangam Literary work, Kurunthogai 84, penned by Mosi Keeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the foster-mother, on learning that the lady has eloped with the man.
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In this episode, we relish the jubilation of hearing a much-awaited news, as depicted in Sangam Literary work, Kurunthogai 83, penned by Vennpoothanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante, celebrating the foster-mother’s words and conveying a significant message to the lady.
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In this episode, we see how the changing seasons affect the growing crops and the pining lady, as depicted in Sangam Literary work, Kurunthogai 82, penned by Kaduvan Mallanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the confidante’s consolation that the man will return soon.
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In this episode, we perceive the way a person is guided towards the right path, as portrayed in Sangam Literary work, Kurunthogai 81, penned by Vadama Vannakkan Perisaathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, reminding him of his obligations to the lady.
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In this episode, we perceive the outcome of negative feelings, as depicted in Sangam Literary work, Kurunthogai 80, penned by Avvaiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the courtesan, passing on a pointed message to the lady’s friends, listening nearby.
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In this episode, we listen to the sorrowful words of a pining lady, as portrayed in Sangam Literary work, Kurunthogai 79, penned by Kudavaayil Keeranakkanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her anxiety about the man’s parting away.
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In this episode, we perceive an interesting perspective on love, as depicted in Sangam Literary work, Kurunthogai 78, penned by Nakirar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of a friend to the man, chiding the man for the state he finds himself in.
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In this episode, we hear the justification of a lady’s anxiety, as depicted in Sangam Literary work, Kurunthogai 77, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, conveying her concerns about the man’s parting away.
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In this episode, we perceive the effect of the man’s plans to part away on the lady, as portrayed in Sangam Literary work, Kurunthogai 76, penned by Killimangalam Kilaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying that she was already aware of the man’s intention to part away.
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In this episode, we perceive the excitement in receiving a much-expected news, as portrayed in Sangam Literary work, Kurunthogai 75, penned by Padumaraththu Mosi Keeranaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the singer-messenger, in response to his words about the man’s arrival.
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In this episode, we relish similes from the natural world that reflect the inner landscape, as depicted in Sangam Literary work, Kurunthogai 74, penned by Vitta Kuthiraiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, subtly persuading her to accept the man’s request to tryst with the lady.
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In this episode, we perceive a historical event interwoven with a confidante’s cunning, as portrayed in Sangam Literary work, Kurunthogai 73, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, explaining the reasons for her recent refusals to the man’s requests to tryst with the lady.
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In this episode, we observe the effect of seeing a lady’s eyes on a young man, as portrayed in Sangam Literary work, Kurunthogai 72, penned by Mallanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, responding to his query about the reason for the changes in the man.
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In this episode, we observe a struggle in a man’s mind and its resolution, as depicted in Sangam Literary work, Kurunthogai 71, penned by Karuvoor Othagnaaniyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, in response to its persuasion that he part away in search of wealth.
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In this episode, we observe a young man expressing his jubilant state of mind, as portrayed in Sangam Literary work, Kurunthogai 70, penned by Orampokiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, attempting to describe the lady’s nature, after his union with her.
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In this episode, we explore the echo of human emotions in animals, as depicted in Sangam Literary work, Kurunthogai 69, penned by Kadunthotkara Veeranaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly refusing his request for a nightly tryst.
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In this episode, we learn of how the changing season sings a song of yearning, as depicted in Sangam Literary work, Kurunthogai 68, penned by Alloor Nanmullaiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting.
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In this episode, we relish a precious simile, as portrayed in Sangam Literary work, Kurunthogai 67, penned by Alloor Nanmullaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her angst at the man’s delay in returning.
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In this episode, we observe a unique way of consoling an anxious heart, as depicted in Sangam Literary work, Kurunthogai 66, penned by Kovarthanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, allaying her worry about the man’s absence, even after the promised season of return.
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In this episode, we observe how the changing season torments a lady, as depicted in Sangam Literary work, Kurunthogai 65, penned by Kovoor Kilaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing the angst in her heart during the man’s parting away.
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In this episode, we empathise with a feeling of anxious anticipation, as depicted in Sangam Literary work, Kurunthogai 64, penned by Karuvoor Kathapillai. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to her confidante, in response to her friend’s words of consolation about the man’s return.
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In this episode, we perceive the tussle between being with a beloved and parting away to earn wealth, as depicted in Sangam Literary work, Kurunthogai 63, penned by Ugaaikudi Kilaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, expressing how impossible it is, to execute what it desires.
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In this episode, we observe the delight of a young man, at the prospect of meeting his beloved, as depicted in Sangam Literary work, Kurunthogai 62, penned by Siraikudi Aanthaiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his heart, expressing his exuberance, when recollecting his prior union with the lady.
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In this episode, we perceive a unique way of rendering a refusal, as portrayed in Sangam Literary work, Kurunthogai 61, penned by Thumbiser Keeranaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the messengers, declining the man’s request seeking entry to the lady’s house.
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In this episode, we sense the emotions within through a striking simile, as portrayed in Sangam Literary work, Kurunthogai 60, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, depicting her angst-filled state after the man’s parting away.
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In this episode, we perceive the art of allaying anxiety, as depicted in Sangam Literary work, Kurunthogai 59, penned by Mosikeeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, consoling her friend as she worries about the man’s parting away.
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In this episode, we empathise with an emotion, expressed with an arresting image, as portrayed in Sangam Literary work, Kurunthogai 58, penned by Velliveethiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s rebuke about the man’s behaviour.
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In this episode, we perceive the depth of bonding between the man and the lady, as depicted in Sangam Literary work, Kurunthogai 57, penned by Siraikudi Aanthaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing her angst at being placed under guard at home and prevented from trysting with the man.
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In this episode, we perceive the hardships in travelling, as depicted in Sangam Literary work, Kurunthogai 56, penned by Siraikkudi Aanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, mid-way in his journey through the drylands.
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In this episode, we observe a technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 55, penned by Neythal Kaarkiyaar, a female poet from the Sangam age, whose name, which means ‘rain cloud’, left me with a smile. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.
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In this episode, we see the dynamism of emotions reflected in elements of nature, as portrayed in Sangam Literary work, Kurunthogai 54, penned by Meeneri Thoondilaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying her angst at the man’s delay in formalising their union.
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In this episode, we perceive picturesque similes to describe the elements on land, as depicted in Sangam Literary work, Kurunthogai 53, penned by Koperuncholan, a poet-king from the Early Chola dynasty. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, pressing him to seek the lady’s hand without further delay.
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In this episode, we listen to an explanation about the turn of events, as depicted in Sangam Literary work, Kurunthogai 52, penned by Panampaaranaar. The verse is situated in mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying the reason why preparations were ongoing for the lady’s marriage with the man.
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In this episode, we hear of events that bring good news to the lady, as portrayed in Sangam Literary work, Kurunthogai 51, penned by Kundriyanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of confidante to the lady, allaying the lady’s anxiety about the delay in the man’s return to seek her hand in marriage.
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In this episode, we perceive the consequence of loneliness in a lady, as depicted in Sangam Literary work, Kurunthogai 50, penned by Kundriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the messengers, sent by the man, conveying her angst when they come seeking entry to her house.
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In this episode, we perceive an act of forgiveness, as depicted in Sangam Literary work, Kurunthogai 49, penned by Ammoovanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the man, conveying her acceptance of him, when he returns to her after being with the courtesan.
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In this episode, we perceive the yearning to allay a friend’s suffering, as depicted in Sangam Literary work, Kurunthogai 48, penned by Poonganuthiraiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante, expressing her angst about the lady’s state of mind.
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In this episode, we relish a delightful conversation, as portrayed in Sangam Literary work, Kurunthogai 47, penned by Neduvennilavinaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the moon, passing on an indirect message to the man, listening nearby.
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In this episode, we observe a day in the life of a house sparrow, as depicted in Sangam Literary work, Kurunthogai 46, penned by Maamalaadanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, allaying her friend’s worry that she would not be able to bear with the man’s parting.
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In this episode, we perceive the muddle in the mind of a lady, as captured in Sangam Literary work, Kurunthogai 45, penned by Aalangudi Vanganaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante, passing on a hidden message to the man’s messengers, listening nearby.
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In this episode, we listen to a person’s fatigue in a quest, as depicted in Sangam Literary work, Kurunthogai 44, penned by Velli Veethiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady’s foster mother, expressing her frustration at not seeing the man and lady she set out to find.
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In this episode, we perceive the nuanced expression about one’s state of mind, as portrayed in Sangam Literary work, Kurunthogai 43, penned by Avvaiyaar. Situated in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, conveying her feelings about the man’s parting away.
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In this episode, we perceive the art of subtlety, as portrayed in Sangam Literary work, Kurunthogai 42, penned by Kabilar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the man, refusing in a hidden manner, to accept his request to tryst with the lady by night.
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In this episode, we relish a striking simile that reveals the lady’s state of mind, as depicted in Sangam Literary work, Kurunthogai 41, penned by Anilaadu Mundrilaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing the feelings within during the man’s parting away.
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In this episode, we relish an unforgettable imagery for the magic that is love, as portrayed in Sangam Literary work, Kurunthogai 40, penned by Sempulapeyaneeraar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the lady, allaying her fears that he would part away from her.
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In this episode, we perceive a deep concern for another, as depicted in Sangam Literary work, Kurunthogai 39, penned by Avvaiyaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing what makes her worried about the man’s parting away.
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In this episode, we perceive the pain in parting, as portrayed in Sangam Literary work, Kurunthogai 38, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting away.
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In this episode, we relish an act of love in nature, as depicted in Sangam Literary work, Kurunthogai 37, penned by Paalai Paadiya Perungkadungko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, consoling her saying that the man has every reason to return soon to her.
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In this episode, we hear the echo of a promise from a picturesque scene in nature, as portrayed in Sangam Literary work, Kurunthogai 36, penned by Paranar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, consoling her friend, who seem worried about how the lady would bear with the man’s parting.
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In this episode, we hear the voice of seasons in the changing scenes in nature, as portrayed in Sangam Literary work, Kurunthogai 35, penned by Kalaarkeeran Eyitriyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, conveying the reason for her misery.
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In this episode, we see the confluence of nature and history on a lady’s forehead, as portrayed in Sangam Literary work, Kurunthogai 34, penned by Kolli Kannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the lady, conveying a jubilant news to her.
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In this episode, we perceive a portrait of a travelling musician, as depicted in Sangam Literary work, Kurunthogai 33, penned by Padumarathu Mosikeeranaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, conveying that the singer, who has been sent as a messenger by the man, finds favour in her eyes.
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In this episode, we perceive how love distorts time, as depicted in Sangam Literary work, Kurunthogai 32, penned by Alloor Nanmullaiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to the confidante, seeking her help to further his relationship with the lady.
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In this episode, we perceive a curious way of how the lady reveals her love relationship, as depicted in Sangam Literary work, Kurunthogai 31, penned by Aathimanthiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, passing on a hidden message about the man.
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In this episode, we reflect on a well-known aspect of our lives, hearing another’s experience, as depicted in Sangam Literary work, Kurunthogai 30, penned by Kachipettu Nannaakaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, in response to her friend’s question about the reason for her distress.
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In this episode, we relish a picturesque scene from a mountain country, as depicted in Sangam Literary work, Kurunthogai 29, penned by Avvaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, after being refused a tryst by night with the lady.
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In this episode, we observe the helplessness of a lady, as portrayed by Sangam Literary work, Kurunthogai 28, penned by Avvaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, conveying her angst as the man is delayed in his return.
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In this episode, we perceive how a well-chosen simile explains the lady’s state, as portrayed in Sangam Literary work, Kurunthogai 27, penned by Velli Veethiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, in response to her friend’s worry as to how the lady would bear with the man’s parting away.
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In this episode, we perceive a picturesque scene, revealing hidden secrets, as depicted in Sangam Literary work, Kurunthogai 26, penned by Kollan Alisi. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady’s kith and kin, after hearing the fortune-teller’s divination about the lady’s ill-health.
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In this episode, we perceive the soaring worry in a lady about the man’s commitment, as depicted in Sangam Literary work, Kurunthogai 25, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, expressing the helplessness of her situation, as the man continues to delay seeking her hand.
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In this episode, we perceive how elements in nature paint the angst in a heart, as depicted in Sangam Literary work, Kurunthogai 24, penned by Paranar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to her confidante, as the man’s promised season of return arrives.
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In this episode, we perceive a subtle way of revealing a secret, as portrayed in Sangam Literary work, Kurunthogai 23, penned by Avvaiyaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to a fortune-teller, passing on a hidden message about the lady’s relationship with the man.
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In this episode, we observe a convincing technique of consolation, as depicted in Sangam Literary work, Kurunthogai 22, penned by Cheramaan Enthai. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, allaying her fears about the man’s parting away.
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In this episode, we perceive the expression of an unshakeable faith in a person, as portrayed in Sangam Literary work, Kurunthogai 21, penned by Othalaanthaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her state of mind about the man’s delayed return.
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In this episode, we perceive abstractions around the theme of gathering wealth, as depicted in Sangam Literary work, Kurunthogai 20, penned by Koperuncholan, a poet-king, belonging to the Early Chola dynasty during the Sangam period. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, on hearing the news that the man had parted away to gather wealth.
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In this episode, we glean facts about history and a household, as depicted in Sangam Literary work, Kurunthogai 19, penned by Paranar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the man to his heart, lamenting about the lack of forgiveness from the lady.
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In this episode, we relish references to a delicious fruit, native to South India, as portrayed in Sangam Literary work, Kurunthogai 18, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, persuading him to seek the lady’s hand in marriage.
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In this episode, we learn of the details in a curious custom of courting, as depicted in Sangam Literary work, Kurunthogai 17, penned by Pereyil Muruvalaar. The verse is situated in the mountains of ‘Kurunji’ and speaks in the voice of the man to the confidante, conveying the probable consequence of her refusal to heed to his requests towards furthering his relationship with the lady.
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In this episode, we relish a unique simile and the hope it evokes, as portrayed in Sangam Literary work, Kurunthogai 16, penned by Paalai Paadiya Perunkadungko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, conveying a positive thought to alleviate the lady’s suffering about the man’s parting away.
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In this episode, we observe the acceptance of an unexpected event, as depicted in Sangam Literary work, Kurunthogai 15, penned by Avvaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady’s foster mother to the birth mother, announcing the truth about the lady’s relationship.
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In this episode, we perceive a social custom and its implications, as portrayed in Sangam Literary work, Kurunthogai 14, penned by Thol Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the confidante, in a subtle threat about his course of action, after her rejection of his request.
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In this episode, we bask in the beauty of the mountain country, portrayed in Sangam Literary work, Kurunthogai 13, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, explaining the reasons for her ill-health, after the man had parted away.
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In this episode, we get a glimpse of the dangers in ancient travel, as depicted in Sangam Literary work, Kurunthogai 12, penned by Othalaanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady, perceiving the worry in her confidante about her state, after the man had parted away.
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In this episode, we perceive the angst in a lady, propelling her on an unthinkable path, as portrayed in Sangam Literary work, Kurunthogai 11, penned by Mamoolanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her heart, as her confidante listens nearby.
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In this episode, we perceive the magnanimity of a lady, as depicted in Sangam Literary work, Kurunthogai 10, penned by Orambokiyar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, allowing him entry into the lady’s house.
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In this episode, we observe how a forgiving nature blooms like a blue lotus, as depicted in Sangam Literary work, Kurunthogai 9, penned by Kayamanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, allowing him entry to the lady’s house.
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In this episode, we perceive some mind games in action, as portrayed in Sangam Literary work, Kurunthogai 8, penned by Aalangudi Vanganaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the courtesan, passing on a hidden message to the lady’s friends, listening nearby.
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In this episode, we glimpse at both nature and culture through the lens of relationship, as depicted in Sangam Literary work, Kurunthogai 7, penned by Perumpathumanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of wayfarers, who happen to come across a couple in their journey.
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In this episode, we perceive the loneliness in a lady at a dark hour, as portrayed in Sangam Literary work, Kurunthogai 6, penned by Pathumanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing the angst in her heart at the man’s parting away.
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In this episode, we pay a visit to a seashore and perceive the symptoms of an age-old disease, as depicted in Sangam Literary work, Kurunthogai 5, penned by Nariveruthalaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, pondering on her state, after the man’s parting away.
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In this episode, we perceive the angst in a lady’s heart, parted from her beloved, as portrayed in Sangam Literary work, Kurunthogai 4, penned by Kaamancher Kulathaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the words of the lady to her confidante, expressing the anguish within.
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In this episode, we travel to a lush mountain country, as portrayed in Sangam Literary work, Kurunthogai 3, penned by Thevakulathaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, rejecting her friend’s rebuke of the man, as he listens nearby.
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In this episode, we relish the expressed ecstasy of being in love, as depicted in Sangam Literary work, Kurunthogai 2, penned by Iraiyanaar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of a man to a bee, raising a question and revealing his passion.
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I’m excited to explore the world of Kurunthogai along with you. Kurunthogai, in a nutshell, can be called ancient Tamil haikus, verses that power-pack love and nature in capsule-sized doses! In this episode, we are welcomed by the glowing red of Murugan’s mountain country, as portrayed in Sangam literary work, Kurunthogai 1, penned by Thippu Tholaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, refusing to accept his gift of flowers for the lady.
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In this episode, we perceive the fertility of a farming village and the fortitude in a loyal heart, as portrayed in Sangam Literary work, Natrinai 400, penned by Alangudi Vanganaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of a courtesan to the man, expressing how indispensable he is to her life.
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In this episode, we delight in the lush scenes of a mountain country, as depicted in Sangam Literary work, Natrinai 399, penned by Thol Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we observe scenes at sunset on a seashore, as portrayed in Sangam Literary work, Natrinai 398, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, about the lady’s state of mind on a prior evening.
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In this episode, we perceive abstract observations on love and death, as portrayed in Sangam Literary work, Natrinai 397, penned by Ammoovanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, expressing in a unique manner how she will bear with the man’s separation.
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In this episode, we relish picturesque scenes from a mountain country, as portrayed in Sangam Literary work, Natrinai 396, penned by an anonymous poet. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, persuading him to seek the lady’s hand, without further delay.
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In this episode, we observe an assertive technique of persuasion, as portrayed in Sangam Literary work, Natrinai 395, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, pressing him in a hidden manner, to seek the lady’s hand in marriage.
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In this episode, we perceive the joy in a man’s homecoming, as depicted in Sangam Literary work, Natrinai 394, penned by Avvaiyaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of wayfarers, seeing the man returning homeward from a mission.
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In this episode, we perceive a joyous celebration, as portrayed in Sangam Literary work, Natrinai 393, penned by Kovoor Kizhaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying the news of the man’s arrival to the lady’s house.
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In this episode, we perceive the comfort in alternatives, as depicted in Sangam Literary work, Natrinai 392, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, seeking her consent for the nightly tryst, as the man, listens nearby.
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In this episode, we perceive a moment when consolation is rendered to a worried heart, as depicted in Sangam Literary work, Natrinai 391, penned by Paalai Paadiya Perungkadungko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying the anxiety in her friend’s heart about the man’s parting away.
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In this episode, we perceive the emotion of possessiveness, as portrayed in Sangam Literary work, Natrinai 390, penned by Avvaiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of a courtesan to her friend, passing on a hidden message to the friends of another courtesan.
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In this episode, we observe changes in nature and its effect on inner lives, as portrayed in Sangam Literary work, Natrinai 389, penned by Kaveripoompattinathu Senkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.
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In this episode, we perceive the life of fisherfolk and the dreams it reflects, as portrayed in Sangam Literary work, Natrinai 388, penned by Madurai Marutham Kizhaar Makanaar Perunkannanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.
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In this episode, we listen to the consoling words of an empathetic friend, as depicted in Sangam Literary work, Natrinai 387, penned by Pothumpil Kizhaar Makanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, conveying positivity about the man’s return.
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In this episode, we perceive a unique technique of changing a person’s heart, as portrayed in Sangam Literary work, Natrinai 386, penned by Thangaal Athireyan Chenkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, reflecting on past events that reveal the lady’s good judgement.
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In this episode, we relish an unfinished poem with lines lost in time and yet, shining timeless with the words it contains, as portrayed in Sangam Literary work, Natrinai 385, penned by an anonymous poet. The verse is surmised to be in the ‘Neythal’ landscape or coastal regions and thought to speak in the voice of the confidante to the man, possibly pressing him to seek the lady’s hand in marriage.
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In this episode, we listen to the ecstatic words of a man, whose dream has been fulfilled, as depicted in Sangam Literary work, Natrinai 384, penned by Paalai Paadiya Perungkadungko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, observing the lady walking ahead, as they elope away to the man’s town.
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In this episode, we hear the echo of the life of wildlife in a mountain country, as portrayed in Sangam Literary work, Natrinai 383, penned by Koliyoor Kizhaar Makanaar Chezhiyanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, expressing the dangers in the nightly path he takes to tryst with the lady.
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In this episode, we perceive the determination of an anguished lady, as portrayed in Sangam Literary work, Natrinai 382, penned by Nikandan Kalaikottu Thandanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, conveying the need to hide their emotions from those around them.
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In this episode, we perceive how a king’s actions are placed in parallel with the weather’s changes, as portrayed in Sangam Literary work, Natrinai 381, penned by Avvaiyaar, the renowned female poet from the Sangam era. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of lady to the confidante, expressing her grief as the man has not returned from his mission by the promised season.
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In this episode, we observe a heated situation at a home, as depicted in Sangam Literary work, Natrinai 380, penned by Koodaloor Palkannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the singer-messenger, refusing the man entry to his house.
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In this episode, we delight in the insightful portrait of a person and the natural beauty of ancient spots, as depicted in Sangam Literary work, Natrinai 379, penned by Kudavaayil Keerathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, refusing his request to tryst with the lady.
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In this episode, we perceive the anguish in a lady’s heart on a lonely night, as depicted in Sangam Literary work, Natrinai 378, penned by Vadama Vannakkan Perisaathanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the dilemma in a man’s heart, as portrayed in Sangam Literary work, Natrinai 377, penned by Madal Paadiya Maathankeeranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the man to himself, passing on a pointed message to the confidante, listening nearby.
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In this episode, we perceive how a parrot is invited to be a messenger, as portrayed in Sangam Literary work, Natrinai 376, penned by Kabilar. The verse is set in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to a parrot, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive a direct call to action, as portrayed in Sangam Literary work, Natrinai 375, penned by Pothumpil Kilaar Makanaar Venkanni. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, persuading him to seek the lady’s hand in marriage.
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In this episode, we relish a man’s celebration of his wife’s hospitality, as depicted in Sangam Literary work, Natrinai 374, penned by Vanparanar. The verse is set in the forest regions of ‘Mullai’ and speaks in the voice of the man to wayfarers he meets on his journey homeward.
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In this episode, we relish references to the harvest season and its significance to mountain folk, as depicted in Sangam Literary work, Natrinai 373, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.
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In this episode, we perceive the novel technique of combining consolation and persuasion, as portrayed in Sangam Literary work, Natrinai 372, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying assuring words to her and passing on a hidden message to the man, listening nearby.
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In this episode, we observe the changes in the weather and the effect it has on minds, as portrayed in Sangam Literary work, Natrinai 371, penned by the renowned female poet, Avvaiyaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, conveying the need to rush homeward.
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In this episode, we sense the joy in a home, where a child is born, as echoed by Sangam Literary work, Natrinai 370, penned by Uraiyoor Kathuvaai Saathanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the man to his companion, the singer-messenger, reminiscing a past moment, in a bid to soften the lady’s anger.
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In this episode, we perceive references to faraway ranges and rivers, as portrayed in Sangam Literary work, Natrinai 369, penned by Madurai Olai Kadayathaar Nalvellaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, refusing to accept her friend’s words of consolation.
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In this episode, we perceive elements of a lady’s life in the mountain country, as depicted in Sangam literary work, Natrinai 368, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.
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In this episode, we hear the jubilant news of a man’s imminent homecoming, as portrayed in Sangam Literary work, Natrinai 367, penned by Nakkirar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, conveying to her that good times are arriving at her doorstep.
