Podcast Archive

SangamLit

Kurunthogai 137 – No one at the gates

In this episode, we perceive a unique way of allaying anxiety about separation, as portrayed in Sangam Literary work, Kurunthogai 137, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to the lady, in response to her fears about his parting away.

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Kurunthogai 136 – The nature of love

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In this episode, we perceive the natural correlation between animal and human life, as depicted in Sangam Literary work, Kurunthogai 136, penned by Milai Perunkanthanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, detailing the misunderstood nature of love.

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Kurunthogai 135 – That which is life to women and men

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In this episode, we perceive the priorities in the life of men and women, as portrayed in Sangam Literary work, Kurunthogai 135, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s fear that the man was preparing to part away.

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Kurunthogai 134 – Desolate branch and deserting cascade

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In this episode, we look at the spread of the land in a mountain country and see the lady’s emotions there, as portrayed in Sangam Literary work, Kurunthogai 134, penned by Kovengai Perunkathavanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, expressing her yearning for the man’s return.

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Kurunthogai 133 – A sprouting leaf of faith

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In this episode, we observe how a mountain farmer’s field speaks the hope in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 133, penned by Uraiyoor Muthukannan Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, as the man delays seeking her hand in marriage.

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Kurunthogai 132 – A calf’s look of love

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In this episode, we listen to a description of a beloved in the words of a heart in love, as depicted in Sangam Literary work, Kurunthogai 132, penned by Sirakudi Aanthaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, in response to the friend’s words chiding the man for his unstable behaviour after falling in love.

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Kurunthogai 131 – Farmer with a single plough

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In this episode, we perceive how a simile from a farming field prints tracks of the heart, as portrayed in Sangam Literary work, Kurunthogai 131, penned by Or Er Uzhavanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, as his mission ends and his promised season of return approaches.

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Kurunthogai 130 – Beyond Above Across

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In this episode, we perceive a persuasive argument to pacify an anxious heart, as depicted in Sangam Literary work, Kurunthogai 130, penned by Velli Veethiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying her anxiety about the man, who had parted away.

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Kurunthogai 129 – Bound by ropes of love

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In this episode, we listen to the beat of a passionate heart, as echoed by Sangam Literary work, Kurunthogai 129, penned by Koperunchozhan, a poet-king. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, explaining the reason for the recent changes in him.

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Kurunthogai 128 – Yearning for past delights

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In this episode, we relish a precise simile from the natural world that pinpoints to the emotions within, as depicted in Sangam Literary work, Kurunthogai 128, penned by Paranar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man to his heart, expressing his dejection at being unable to meet his lady at the trysting spot.

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Kurunthogai 127 – Lying bard and leaping carp

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In this episode, we take in a scene from the fields of a farming town and perceive the consequences of a lie, as depicted in Sangam Literary work, Kurunthogai 127, penned by Orambokiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, in response to the words of the singer, sent as a messenger by the man to allay the anger of his lady.

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Kurunthogai 126 – Smile of seasonal flowers

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In this episode, we observe the projection of inner angst on the outer world, as portrayed in Sangam Literary work, Kurunthogai 126, penned by Okkoor Maasaathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her pain as the man remains parted away.

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Kurunthogai 125 – With a weakened wing

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In this episode, we hear the echo of the heart in an image from nature, as portrayed in Sangam Literary work, Kurunthogai 125, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 124 – Desolate spaces near and far

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In this episode, we perceive the sound reasoning in a pertinent question, as portrayed in Sangam Literary work, Kurunthogai 124, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the man, as he prepares to part away from the lady.

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Kurunthogai 123 – Here comes the boat

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In this episode, we observe the ingenuity of a person in conveying urgency, as portrayed in Sangam Literary work, Kurunthogai 123, penned by Aiyoor Mudavanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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Kurunthogai 122 – The approaching evening

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In this episode, we listen to a lady’s lament about the imminent evening, as portrayed in Sangam Literary work, Kurunthogai 122, penned by Orambokiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, illustrating the effect of an evening on her mind.

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Kurunthogai 121 – On a mistaken branch

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In this episode, we perceive a case of mistakes and their consequences, as portrayed in Sangam Literary work, Kurunthogai 121, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying how she had been disappointed once before, mistaking sounds around for the man’s call to tryst.

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Kurunthogai 120 – Reaching for the unreachable

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In this episode, we listen to abstract notions about wealth and joy, as depicted in Sangam Literary work, Kurunthogai 120, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, in a message of consolation when being unable to meet with the lady at their trysting spot.

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Kurunthogai 119 – Tormented by a young snake

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In this episode, we listen to a man echo his inner emotions by narrating a scene in the wild, as depicted in Sangam Literary work, Kurunthogai 119, penned by Sathinaathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his friend, expressing the reason for the recent change in his composure.

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Kurunthogai 118 – At the open gate at sundown

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In this episode, we learn of an ancient custom set in the midst of a lady’s anxiety, as depicted in Sangam Literary work, Kurunthogai 118, penned by Nannaakaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, lamenting about how the man had not returned to tryst with her.

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Kurunthogai 117 – Scuttling crabs and slipping bangles

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In this episode, we hear the beat of life in nature and perceive the heart of a lady in love, as portrayed in Sangam Literary work, Kurunthogai 117, penned by Kundriyanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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Kurunthogai 116 – Black sands of joy

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In this episode, we perceive the passionate recollection of a past joy, as portrayed in Sangam Literary work, Kurunthogai 116, penned by Ilangkeeranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, delighting in the memory of his lady’s tresses.

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Kurunthogai 115 – To love and to cherish

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In this episode, we listen to a heartfelt request to ensure the welfare of a friend, as portrayed in Sangam Literary work, Kurunthogai 115, penned by Kabilar. Situated in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, as he prepares to elope away with the lady.

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Kurunthogai 114 – On a bed of blue-lilies

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In this episode, we observe how inanimate objects echo the inner landscape, as portrayed in Sangam Literary work, Kurunthogai 114, penned by Ponnaakanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, conveying news about his trysting with the lady.

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Kurunthogai 113 – Route to the Rendezvous

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In this episode, we gather fascinating facets about the lifestyle of ancients, as depicted in Sangam Literary work, Kurunthogai 113, penned by Maathirathanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, conveying that he should tryst with the lady at an alternative spot.

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Kurunthogai 112 – The hanging broken branch

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In this episode, we perceive the angst of a torn heart, as portrayed in Sangam Literary work, Kurunthogai 112, penned by Aalathoor Kilaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying her feelings as the man continues to delay seeking her hand in marriage.

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Kurunthogai 111 – The elephantine hill

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In this episode, we relish the ingenuity of the confidante in her indirect persuasion, as portrayed in Sangam Literary work, Kurunthogai 111, penned by Theenmathi Naakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 110 – Flowers in the cold wind

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In this episode, we perceive the effect of seasonal winds, as depicted in Sangam Literary work, Kurunthogai 110, penned by Killimangalam Kilaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, echoing her extreme dejection at the man’s continued absence.

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Kurunthogai 109 – Shrimps on the seashore

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In this episode, we observe a technique of subtle persuasion, as portrayed in Sangam literary work, Kurunthogai 109, penned by Nambi Kuttuvanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 108 – Stars in the twilight sky

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In this episode, we perceive the beauty of changing seasons, as depicted in Sangam Literary work, Kurunthogai 108, penned by Vaayilaan Thevanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing her inability to bear with the man’s parting any longer.

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Kurunthogai 107 – Curse on the crowing rooster

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In this episode, we perceive the fury of a person, woken up from sweet slumber, as portrayed in Sangam Literary work, Kurunthogai 107, penned by Madurai Kannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the lady to a rooster, conveying her ire at the bird’s crowing in the morning.

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Kurunthogai 106 – Flowing down and leaping above

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In this episode, we perceive the acceptance of a man’s request for reconciliation, as depicted in Sangam Literary work, Kurunthogai 106, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, conveying that she is appeased by the man’s message.

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Kurunthogai 105 – A peacock’s possessed dance

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In this episode, we perceive agricultural customs in a mountain country, as depicted in Sangam Literary work, Kurunthogai 105, penned by Nakirar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, relaying her frustration at the man’s delay in seeking her hand in marriage.

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Kurunthogai 104 – Pearls on a broken string

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In this episode, we perceive the fierce attack of pining in winter, as depicted in Sangam Literary work, Kurunthogai 104, penned by Kaavanmullai Poothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing how difficult it is for her, to bear with the man’s parting.

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Kurunthogai 103 – Swirling winds of sorrow

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In this episode, we perceive the changing seasons and its impact on a lady’s thoughts, as depicted in Sangam Literary work, Kurunthogai 103, penned by Vaayilaan Thevanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, conveying her emotions as the man is delayed beyond his promised season of return.

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Kurunthogai 102 – Tormenting flames of thought

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In this episode, we perceive the torment in a lady’s heart, as depicted in Sangam Literary work, Kurunthogai 102, penned by Avvaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, explaining her state of mind, as the man continues to stay away.

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Kurunthogai 101 – Worlds cannot compare

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In this episode, we perceive the high esteem a man holds for his marital life, as depicted in Sangam Literary work, Kurunthogai 101, penned by Paroovu Movaai Pathumanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, in response to its insistence that he part with the lady to go in search of wealth.

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Kurunthogai 100 – Mountain rice and elephant tusk

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In this episode, we perceive facets of mountain farming, as depicted in Sangam Literary work, Kurunthogai 100, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, describing the land of the lady who had won his heart.

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Kurunthogai 99 – A flood in a cupped hand

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In this episode, we relish a picturesque parallel to the feeling of love, as portrayed in Sangam Literary work, Kurunthogai 99, penned by Avvaiyaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the man to the confidante, in response to her question asking whether he thought of the lady when he was away on his mission.

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Kurunthogai 98 – Wishing for a messenger

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In this episode, we listen to a heartfelt wish for a messenger, as portrayed in Sangam Literary work, Kurunthogai 98, penned by Kokulamutranaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, revealing her angst as the man continues to stay away even after the promised season of return.

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Kurunthogai 97 – From here and now

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In this episode, we hear the lament of a lady, as depicted in Sangam Literary work, Kurunthogai 97, penned by Venboothi. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing her angst at the man’s delay in seeking her hand in marriage.

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Kurunthogai 96 – A tree by a cascade

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In this episode, we infer a lady’s trust in her man, as depicted in Sangam Literary work, Kurunthogai 96, penned by Alloor Nanmullaiyaar. Set in the mountains of ‘Kurunji’, the verse speaks in the voice of the lady to the confidante, responding with anger to her friend’s words of complaint about the man’s delay in seeking the lady’s hand.

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Kurunthogai 95 – Subdued by a soft drop

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In this episode, we relish an exquisite interaction between the elements, as depicted in Sangam Literary work, Kurunthogai 95, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, explaining the reason for his troubled state.

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Kurunthogai 94 – Reflecting on the rains

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In this episode, we observe a lady’s conviction as well as her concern for her beloved, as depicted in Sangam Literary work, Kurunthogai 94, penned by Kathakannan. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to her confidante, allaying the friend’s worry that the lady would not be able to bear with the man’s parting.

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Kurunthogai 93 – Shading the hues of fury

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In this episode, we perceive a philosophical interpretation for the presence of anger, as depicted in Sangam Literary work, Kurunthogai 93, penned by Alloor Nanmullaiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, refusing her friend’s request to reconcile her with the man.

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Kurunthogai 92 – To a nest at sunset

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In this episode, we observe the projection of one’s emotions on elements in nature, as portrayed in Sangam Literary work, Kurunthogai 92, penned by Thamodharanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, one evening, when the man, who had parted with her, continued to stay away.

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Kurunthogai 91 – Crashing fruit and coveting fish

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In this episode, we perceive plant and animal life in a farmland as well as the generous and war-seeking nature of a king, as portrayed in Sangam Literary work, Kurunthogai 91, penned by the famous Sangam-age female poet, Avvaiyaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the lady to her heart, reprimanding it as it rushes towards the man, returning from the company of courtesans.

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Kurunthogai 90 – Journey of a jackfruit

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In this episode, we relish scenes from a rain-soaked mountain landscape, as portrayed in Sangam Literary work, Kurunthogai 90, penned by Madurai Eluthaalan Senthampoothanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a hidden message to the man, listening nearby.

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Kurunthogai 89 – To the beat of pestle on stone

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In this episode, we learn of a unique song, sung by women as they hull grain in a mortar, as portrayed in Sangam Literary work, Kurunthogai 89, penned by Paranar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to herself, while conveying a pointed message to the man, listening nearby.

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Kurunthogai 88 – Flowing from the peaks

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In this episode, we perceive scenes from a mountain country, echoing the love life of a lady, as depicted in Sangam Literary work, Kurunthogai 88, penned by Madurai Kathakkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying the man’s intention to tryst with the lady by night.

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Kurunthogai 87 – Vengeful spirit and virtuous man

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In this episode, we observe how a lady tries to placate god’s fury, as depicted in Sangam Literary work, Kurunthogai 87, penned by Kabilar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to a god, explaining how the man is not to be blamed for her state of mind.

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Kurunthogai 86 – The cue of cowbells

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In this episode, we perceive the loneliness of a lovelorn lady on a winter’s night, as depicted in Sangam Literary work, Kurunthogai 86, penned by Vennkotranaar. Set in the mountains of ‘Kurunji’, the verse speaks in the voice of the lady to the confidante, expressing her feelings as the man continues to stay away.

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Kurunthogai 85 – On sparrows and sugarcanes

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In this episode, we relish a blissful scene from a house sparrow’s life, as portrayed in Sangam Literary work, Kurunthogai 85, penned by Vadama Vannakkan Thamotharanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the singer, who has been sent as a messenger by the man to plead his cause at the lady’s house.

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Kurunthogai 84 – A sweating waterlily

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In this episode, we perceive the moment of revelation about a subtle event in the past, as portrayed in Sangam Literary work, Kurunthogai 84, penned by Mosi Keeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the foster-mother, on learning that the lady has eloped with the man.

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Kurunthogai 83 – Ambrosia and Affluence

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In this episode, we relish the jubilation of hearing a much-awaited news, as depicted in Sangam Literary work, Kurunthogai 83, penned by Vennpoothanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante, celebrating the foster-mother’s words and conveying a significant message to the lady.

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Kurunthogai 82 – Flowering crops and flowing tears

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In this episode, we see how the changing seasons affect the growing crops and the pining lady, as depicted in Sangam Literary work, Kurunthogai 82, penned by Kaduvan Mallanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the confidante’s consolation that the man will return soon.

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Kurunthogai 81 – Path to perfecting promises

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In this episode, we perceive the way a person is guided towards the right path, as portrayed in Sangam Literary work, Kurunthogai 81, penned by Vadama Vannakkan Perisaathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, reminding him of his obligations to the lady.

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Kurunthogai 80 – Protecting herd and heart

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In this episode, we perceive the outcome of negative feelings, as depicted in Sangam Literary work, Kurunthogai 80, penned by Avvaiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the courtesan, passing on a pointed message to the lady’s friends, listening nearby.

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Kurunthogai 79 – Piercing call of a pigeon

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In this episode, we listen to the sorrowful words of a pining lady, as portrayed in Sangam Literary work, Kurunthogai 79, penned by Kudavaayil Keeranakkanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her anxiety about the man’s parting away.

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Kurunthogai 78 – The folly of falling in love

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In this episode, we perceive an interesting perspective on love, as depicted in Sangam Literary work, Kurunthogai 78, penned by Nakirar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of a friend to the man, chiding the man for the state he finds himself in.

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Kurunthogai 77 – The shade of stone graves

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In this episode, we hear the justification of a lady’s anxiety, as depicted in Sangam Literary work, Kurunthogai 77, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, conveying her concerns about the man’s parting away.

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Kurunthogai 76 – Assailed by winter winds

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In this episode, we perceive the effect of the man’s plans to part away on the lady, as portrayed in Sangam Literary work, Kurunthogai 76, penned by Killimangalam Kilaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying that she was already aware of the man’s intention to part away.

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Kurunthogai 75 – Bringer of golden words

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In this episode, we perceive the excitement in receiving a much-expected news, as portrayed in Sangam Literary work, Kurunthogai 75, penned by Padumaraththu Mosi Keeranaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the singer-messenger, in response to his words about the man’s arrival.

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Kurunthogai 74 – Soaring honour and shackled love

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In this episode, we relish similes from the natural world that reflect the inner landscape, as depicted in Sangam Literary work, Kurunthogai 74, penned by Vitta Kuthiraiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, subtly persuading her to accept the man’s request to tryst with the lady.

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Kurunthogai 73 – A little cunning needed

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In this episode, we perceive a historical event interwoven with a confidante’s cunning, as portrayed in Sangam Literary work, Kurunthogai 73, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, explaining the reasons for her recent refusals to the man’s requests to tryst with the lady.

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Kurunthogai 72 – Her flower-like arrow eyes

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In this episode, we observe the effect of seeing a lady’s eyes on a young man, as portrayed in Sangam Literary work, Kurunthogai 72, penned by Mallanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, responding to his query about the reason for the changes in the man.

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Kurunthogai 71 – His health and wealth

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In this episode, we observe a struggle in a man’s mind and its resolution, as depicted in Sangam Literary work, Kurunthogai 71, penned by Karuvoor Othagnaaniyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, in response to its persuasion that he part away in search of wealth.

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Kurunthogai 70 – At a loss for words

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In this episode, we observe a young man expressing his jubilant state of mind, as portrayed in Sangam Literary work, Kurunthogai 70, penned by Orampokiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his heart, attempting to describe the lady’s nature, after his union with her.

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Kurunthogai 69 – Pushed by grief

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In this episode, we explore the echo of human emotions in animals, as depicted in Sangam Literary work, Kurunthogai 69, penned by Kadunthotkara Veeranaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly refusing his request for a nightly tryst.

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Kurunthogai 68 – Mists of melancholy

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In this episode, we learn of how the changing season sings a song of yearning, as depicted in Sangam Literary work, Kurunthogai 68, penned by Alloor Nanmullaiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting.

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Kurunthogai 67 – Neem fruits and gold coins

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In this episode, we relish a precious simile, as portrayed in Sangam Literary work, Kurunthogai 67, penned by Alloor Nanmullaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her angst at the man’s delay in returning.

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Kurunthogai 66 – Golden flowers and rain showers

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In this episode, we observe a unique way of consoling an anxious heart, as depicted in Sangam Literary work, Kurunthogai 66, penned by Kovarthanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, allaying her worry about the man’s absence, even after the promised season of return.

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Kurunthogai 65 – The speaking season of showers

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In this episode, we observe how the changing season torments a lady, as depicted in Sangam Literary work, Kurunthogai 65, penned by Kovoor Kilaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing the angst in her heart during the man’s parting away.

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Kurunthogai 64 – Eager eyes and heavy heart

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In this episode, we empathise with a feeling of anxious anticipation, as depicted in Sangam Literary work, Kurunthogai 64, penned by Karuvoor Kathapillai. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to her confidante, in response to her friend’s words of consolation about the man’s return.

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Kurunthogai 63 – Pondering on parting away

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In this episode, we perceive the tussle between being with a beloved and parting away to earn wealth, as depicted in Sangam Literary work, Kurunthogai 63, penned by Ugaaikudi Kilaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, expressing how impossible it is, to execute what it desires.

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Kurunthogai 62 – The embrace of flowers

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In this episode, we observe the delight of a young man, at the prospect of meeting his beloved, as depicted in Sangam Literary work, Kurunthogai 62, penned by Siraikudi Aanthaiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his heart, expressing his exuberance, when recollecting his prior union with the lady.

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Kurunthogai 61 – Toy carts and tight bangles

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In this episode, we perceive a unique way of rendering a refusal, as portrayed in Sangam Literary work, Kurunthogai 61, penned by Thumbiser Keeranaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the messengers, declining the man’s request seeking entry to the lady’s house.

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Kurunthogai 60 – Relishing the unreachable

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In this episode, we sense the emotions within through a striking simile, as portrayed in Sangam Literary work, Kurunthogai 60, penned by Paranar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, depicting her angst-filled state after the man’s parting away.

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Kurunthogai 59 – Alluring forehead and unattainable wealth

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In this episode, we perceive the art of allaying anxiety, as depicted in Sangam Literary work, Kurunthogai 59, penned by Mosikeeranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, consoling her friend as she worries about the man’s parting away.

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Kurunthogai 58 – Melting on a hot rock

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In this episode, we empathise with an emotion, expressed with an arresting image, as portrayed in Sangam Literary work, Kurunthogai 58, penned by Velliveethiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s rebuke about the man’s behaviour.

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Kurunthogai 57 – An unending togetherness

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In this episode, we perceive the depth of bonding between the man and the lady, as depicted in Sangam Literary work, Kurunthogai 57, penned by Siraikudi Aanthaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing her angst at being placed under guard at home and prevented from trysting with the man.

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Kurunthogai 56 – Drinking from a puddle

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In this episode, we perceive the hardships in travelling, as depicted in Sangam Literary work, Kurunthogai 56, penned by Siraikkudi Aanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, mid-way in his journey through the drylands.

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Kurunthogai 55 – Splashing waves and swirling winds

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In this episode, we observe a technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 55, penned by Neythal Kaarkiyaar, a female poet from the Sangam age, whose name, which means ‘rain cloud’, left me with a smile. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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Kurunthogai 54 – Bent bamboo and flying fish rods

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In this episode, we see the dynamism of emotions reflected in elements of nature, as portrayed in Sangam Literary work, Kurunthogai 54, penned by Meeneri Thoondilaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying her angst at the man’s delay in formalising their union.

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Kurunthogai 53 – Petals, puffed rice and promises

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In this episode, we perceive picturesque similes to describe the elements on land, as depicted in Sangam Literary work, Kurunthogai 53, penned by Koperuncholan, a poet-king from the Early Chola dynasty. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, pressing him to seek the lady’s hand without further delay.

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Kurunthogai 52 – A momentous friendship

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In this episode, we listen to an explanation about the turn of events, as depicted in Sangam Literary work, Kurunthogai 52, penned by Panampaaranaar. The verse is situated in mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying the reason why preparations were ongoing for the lady’s marriage with the man.

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Kurunthogai 51 – Scattered flowers on the shore

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In this episode, we hear of events that bring good news to the lady, as portrayed in Sangam Literary work, Kurunthogai 51, penned by Kundriyanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of confidante to the lady, allaying the lady’s anxiety about the delay in the man’s return to seek her hand in marriage.

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Kurunthogai 50 – Shining shores and slipping bangles

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In this episode, we perceive the consequence of loneliness in a lady, as depicted in Sangam Literary work, Kurunthogai 50, penned by Kundriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the messengers, sent by the man, conveying her angst when they come seeking entry to her house.

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Kurunthogai 49 – In this life and the next

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In this episode, we perceive an act of forgiveness, as depicted in Sangam Literary work, Kurunthogai 49, penned by Ammoovanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the man, conveying her acceptance of him, when he returns to her after being with the courtesan.

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Kurunthogai 48 – Abandoned doll and desired word

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In this episode, we perceive the yearning to allay a friend’s suffering, as depicted in Sangam Literary work, Kurunthogai 48, penned by Poonganuthiraiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante, expressing her angst about the lady’s state of mind.

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Kurunthogai 47 – Illusions and disillusions

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In this episode, we relish a delightful conversation, as portrayed in Sangam Literary work, Kurunthogai 47, penned by Neduvennilavinaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the moon, passing on an indirect message to the man, listening nearby.

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Kurunthogai 46 – Sparrow’s play and a departed’s day

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In this episode, we observe a day in the life of a house sparrow, as depicted in Sangam Literary work, Kurunthogai 46, penned by Maamalaadanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, allaying her friend’s worry that she would not be able to bear with the man’s parting.

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Kurunthogai 45 – Pursuits of prosperity

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In this episode, we perceive the muddle in the mind of a lady, as captured in Sangam Literary work, Kurunthogai 45, penned by Aalangudi Vanganaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante, passing on a hidden message to the man’s messengers, listening nearby.

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Kurunthogai 44 – A foster-mother’s frustrating quest

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In this episode, we listen to a person’s fatigue in a quest, as depicted in Sangam Literary work, Kurunthogai 44, penned by Velli Veethiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady’s foster mother, expressing her frustration at not seeing the man and lady she set out to find.

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Kurunthogai 43 – Bitten by a cobra

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In this episode, we perceive the nuanced expression about one’s state of mind, as portrayed in Sangam Literary work, Kurunthogai 43, penned by Avvaiyaar. Situated in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, conveying her feelings about the man’s parting away.

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Kurunthogai 42 – Day echoes of night rain

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In this episode, we perceive the art of subtlety, as portrayed in Sangam Literary work, Kurunthogai 42, penned by Kabilar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the man, refusing in a hidden manner, to accept his request to tryst with the lady by night.

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Kurunthogai 41 – Festivities and forsakenness

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In this episode, we relish a striking simile that reveals the lady’s state of mind, as depicted in Sangam Literary work, Kurunthogai 41, penned by Anilaadu Mundrilaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing the feelings within during the man’s parting away.

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Kurunthogai 40 – One as rain and red earth

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In this episode, we relish an unforgettable imagery for the magic that is love, as portrayed in Sangam Literary work, Kurunthogai 40, penned by Sempulapeyaneeraar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the lady, allaying her fears that he would part away from her.

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Kurunthogai 39 – Hot winds of pining

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In this episode, we perceive a deep concern for another, as depicted in Sangam Literary work, Kurunthogai 39, penned by Avvaiyaar. The verse is set in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing what makes her worried about the man’s parting away.

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Kurunthogai 38 – Bearing with parting

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In this episode, we perceive the pain in parting, as portrayed in Sangam Literary work, Kurunthogai 38, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting away.

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Kurunthogai 37 – Love in the path he treads

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In this episode, we relish an act of love in nature, as depicted in Sangam Literary work, Kurunthogai 37, penned by Paalai Paadiya Perungkadungko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, consoling her saying that the man has every reason to return soon to her.

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Kurunthogai 36 – Spreading vines and sleeping elephants

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In this episode, we hear the echo of a promise from a picturesque scene in nature, as portrayed in Sangam Literary work, Kurunthogai 36, penned by Paranar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, consoling her friend, who seem worried about how the lady would bear with the man’s parting.

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Kurunthogai 35 – Tears of the rain

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In this episode, we hear the voice of seasons in the changing scenes in nature, as portrayed in Sangam Literary work, Kurunthogai 35, penned by Kalaarkeeran Eyitriyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, conveying the reason for her misery.

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Kurunthogai 34 – Din of a jubilant return

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In this episode, we see the confluence of nature and history on a lady’s forehead, as portrayed in Sangam Literary work, Kurunthogai 34, penned by Kolli Kannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the lady, conveying a jubilant news to her.

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Kurunthogai 33 – Words of a wandering musician

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In this episode, we perceive a portrait of a travelling musician, as depicted in Sangam Literary work, Kurunthogai 33, penned by Padumarathu Mosikeeranaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, conveying that the singer, who has been sent as a messenger by the man, finds favour in her eyes.

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Kurunthogai 32 – Oblivious to time

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In this episode, we perceive how love distorts time, as depicted in Sangam Literary work, Kurunthogai 32, penned by Alloor Nanmullaiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to the confidante, seeking her help to further his relationship with the lady.

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Kurunthogai 31 – Dancers in love

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In this episode, we perceive a curious way of how the lady reveals her love relationship, as depicted in Sangam Literary work, Kurunthogai 31, penned by Aathimanthiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, passing on a hidden message about the man.

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Kurunthogai 30 – A so-true false dream

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In this episode, we reflect on a well-known aspect of our lives, hearing another’s experience, as depicted in Sangam Literary work, Kurunthogai 30, penned by Kachipettu Nannaakaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, in response to her friend’s question about the reason for her distress.

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Kurunthogai 29 – An embrace of acceptance

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In this episode, we relish a picturesque scene from a mountain country, as depicted in Sangam Literary work, Kurunthogai 29, penned by Avvaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, after being refused a tryst by night with the lady.

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Kurunthogai 28 – Slumbering town and suffering lady

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In this episode, we observe the helplessness of a lady, as portrayed by Sangam Literary work, Kurunthogai 28, penned by Avvaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, conveying her angst as the man is delayed in his return.

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Kurunthogai 27 – Split milk and spoilt beauty

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In this episode, we perceive how a well-chosen simile explains the lady’s state, as portrayed in Sangam Literary work, Kurunthogai 27, penned by Velli Veethiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, in response to her friend’s worry as to how the lady would bear with the man’s parting away.

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Kurunthogai 26 – Truth in a monkey’s eyes

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In this episode, we perceive a picturesque scene, revealing hidden secrets, as depicted in Sangam Literary work, Kurunthogai 26, penned by Kollan Alisi. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady’s kith and kin, after hearing the fortune-teller’s divination about the lady’s ill-health.

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Kurunthogai 25 – A witness to love

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In this episode, we perceive the soaring worry in a lady about the man’s commitment, as depicted in Sangam Literary work, Kurunthogai 25, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, expressing the helplessness of her situation, as the man continues to delay seeking her hand.

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Kurunthogai 24 – Smashed to a pulp

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In this episode, we perceive how elements in nature paint the angst in a heart, as depicted in Sangam Literary work, Kurunthogai 24, penned by Paranar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to her confidante, as the man’s promised season of return arrives.

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Kurunthogai 23 – That momentous mountain song

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In this episode, we perceive a subtle way of revealing a secret, as portrayed in Sangam Literary work, Kurunthogai 23, penned by Avvaiyaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to a fortune-teller, passing on a hidden message about the lady’s relationship with the man.

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Kurunthogai 22 – A fragrant branch in spring

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In this episode, we observe a convincing technique of consolation, as depicted in Sangam Literary work, Kurunthogai 22, penned by Cheramaan Enthai. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, allaying her fears about the man’s parting away.

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Kurunthogai 21 – The golden glow of trust

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In this episode, we perceive the expression of an unshakeable faith in a person, as portrayed in Sangam Literary work, Kurunthogai 21, penned by Othalaanthaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, conveying her state of mind about the man’s delayed return.

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Kurunthogai 20 – The wise and the unwise

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In this episode, we perceive abstractions around the theme of gathering wealth, as depicted in Sangam Literary work, Kurunthogai 20, penned by Koperuncholan, a poet-king, belonging to the Early Chola dynasty during the Sangam period. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, on hearing the news that the man had parted away to gather wealth.

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Kurunthogai 19 – The strange flower at home

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In this episode, we glean facts about history and a household, as depicted in Sangam Literary work, Kurunthogai 19, penned by Paranar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the man to his heart, lamenting about the lack of forgiveness from the lady.

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Kurunthogai 18 – The small and the huge

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In this episode, we relish references to a delicious fruit, native to South India, as portrayed in Sangam Literary work, Kurunthogai 18, penned by Kabilar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, persuading him to seek the lady’s hand in marriage.

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Kurunthogai 17 – A sequence of consequence

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In this episode, we learn of the details in a curious custom of courting, as depicted in Sangam Literary work, Kurunthogai 17, penned by Pereyil Muruvalaar. The verse is situated in the mountains of ‘Kurunji’ and speaks in the voice of the man to the confidante, conveying the probable consequence of her refusal to heed to his requests towards furthering his relationship with the lady.

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Kurunthogai 16 – Wild call in a wasteland

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In this episode, we relish a unique simile and the hope it evokes, as portrayed in Sangam Literary work, Kurunthogai 16, penned by Paalai Paadiya Perunkadungko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, conveying a positive thought to alleviate the lady’s suffering about the man’s parting away.

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Kurunthogai 15 – Truth of a relationship

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In this episode, we observe the acceptance of an unexpected event, as depicted in Sangam Literary work, Kurunthogai 15, penned by Avvaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady’s foster mother to the birth mother, announcing the truth about the lady’s relationship.

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Kurunthogai 14 – Threat of a ride

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In this episode, we perceive a social custom and its implications, as portrayed in Sangam Literary work, Kurunthogai 14, penned by Thol Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the confidante, in a subtle threat about his course of action, after her rejection of his request.

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Kurunthogai 13 – Rain and Return

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In this episode, we bask in the beauty of the mountain country, portrayed in Sangam Literary work, Kurunthogai 13, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, explaining the reasons for her ill-health, after the man had parted away.

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Kurunthogai 12 – Parched and perilous path

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In this episode, we get a glimpse of the dangers in ancient travel, as depicted in Sangam Literary work, Kurunthogai 12, penned by Othalaanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady, perceiving the worry in her confidante about her state, after the man had parted away.

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Kurunthogai 11 – Onward to wherever he is

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In this episode, we perceive the angst in a lady, propelling her on an unthinkable path, as portrayed in Sangam Literary work, Kurunthogai 11, penned by Mamoolanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her heart, as her confidante listens nearby.

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Kurunthogai 10 – A unique welcome

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In this episode, we perceive the magnanimity of a lady, as depicted in Sangam Literary work, Kurunthogai 10, penned by Orambokiyar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, allowing him entry into the lady’s house.

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Kurunthogai 9 – A mother-like maiden

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In this episode, we observe how a forgiving nature blooms like a blue lotus, as depicted in Sangam Literary work, Kurunthogai 9, penned by Kayamanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, allowing him entry to the lady’s house.

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Kurunthogai 8 – His son’s mother

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In this episode, we perceive some mind games in action, as portrayed in Sangam Literary work, Kurunthogai 8, penned by Aalangudi Vanganaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the courtesan, passing on a hidden message to the lady’s friends, listening nearby.

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Kurunthogai 7 – A tale of two feet

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In this episode, we glimpse at both nature and culture through the lens of relationship, as depicted in Sangam Literary work, Kurunthogai 7, penned by Perumpathumanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of wayfarers, who happen to come across a couple in their journey.

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Kurunthogai 6 – An echoing silence

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In this episode, we perceive the loneliness in a lady at a dark hour, as portrayed in Sangam Literary work, Kurunthogai 6, penned by Pathumanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing the angst in her heart at the man’s parting away.

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Kurunthogai 5 – A sleeping seabird

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In this episode, we pay a visit to a seashore and perceive the symptoms of an age-old disease, as depicted in Sangam Literary work, Kurunthogai 5, penned by Nariveruthalaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, pondering on her state, after the man’s parting away.

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Kurunthogai 4 – A searing teardrop

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In this episode, we perceive the angst in a lady’s heart, parted from her beloved, as portrayed in Sangam Literary work, Kurunthogai 4, penned by Kaamancher Kulathaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the words of the lady to her confidante, expressing the anguish within.

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Kurunthogai 3 – Wider higher deeper

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In this episode, we travel to a lush mountain country, as portrayed in Sangam Literary work, Kurunthogai 3, penned by Thevakulathaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, rejecting her friend’s rebuke of the man, as he listens nearby.

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Kurunthogai 2 – A drop of delicious honey

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In this episode, we relish the expressed ecstasy of being in love, as depicted in Sangam Literary work, Kurunthogai 2, penned by Iraiyanaar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of a man to a bee, raising a question and revealing his passion.

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Kurunthogai 1 – A splash of divine red

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I’m excited to explore the world of Kurunthogai along with you. Kurunthogai, in a nutshell, can be called ancient Tamil haikus, verses that power-pack love and nature in capsule-sized doses! In this episode, we are welcomed by the glowing red of Murugan’s mountain country, as portrayed in Sangam literary work, Kurunthogai 1, penned by Thippu Tholaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, refusing to accept his gift of flowers for the lady.

SangamLit

Natrinai 400 – Meeting and Parting

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In this episode, we perceive the fertility of a farming village and the fortitude in a loyal heart, as portrayed in Sangam Literary work, Natrinai 400, penned by Alangudi Vanganaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of a courtesan to the man, expressing how indispensable he is to her life.

SangamLit

Natrinai 399 – Forehead and Future

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In this episode, we delight in the lush scenes of a mountain country, as depicted in Sangam Literary work, Natrinai 399, penned by Thol Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

SangamLit

Natrinai 398 – Sunset and Sorrow

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In this episode, we observe scenes at sunset on a seashore, as portrayed in Sangam Literary work, Natrinai 398, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, about the lady’s state of mind on a prior evening.

SangamLit

Natrinai 397 – Love and Death

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In this episode, we perceive abstract observations on love and death, as portrayed in Sangam Literary work, Natrinai 397, penned by Ammoovanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, expressing in a unique manner how she will bear with the man’s separation.

SangamLit

Natrinai 396 – A pensive peacock in the sunshine

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In this episode, we relish picturesque scenes from a mountain country, as portrayed in Sangam Literary work, Natrinai 396, penned by an anonymous poet. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, persuading him to seek the lady’s hand, without further delay.

SangamLit

Natrinai 395 – A resounding roar on the shore

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In this episode, we observe an assertive technique of persuasion, as portrayed in Sangam Literary work, Natrinai 395, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, pressing him in a hidden manner, to seek the lady’s hand in marriage.

SangamLit

Natrinai 394 – A clear call on a cold day

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In this episode, we perceive the joy in a man’s homecoming, as depicted in Sangam Literary work, Natrinai 394, penned by Avvaiyaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of wayfarers, seeing the man returning homeward from a mission.

SangamLit

Natrinai 393 – A flashing firebrand in the mountains

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In this episode, we perceive a joyous celebration, as portrayed in Sangam Literary work, Natrinai 393, penned by Kovoor Kizhaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying the news of the man’s arrival to the lady’s house.

SangamLit

Natrinai 392 – Undeterred by disappointment

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In this episode, we perceive the comfort in alternatives, as depicted in Sangam Literary work, Natrinai 392, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, seeking her consent for the nightly tryst, as the man, listens nearby.

SangamLit

Natrinai 391 – Above a mountain of wealth

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In this episode, we perceive a moment when consolation is rendered to a worried heart, as depicted in Sangam Literary work, Natrinai 391, penned by Paalai Paadiya Perungkadungko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, allaying the anxiety in her friend’s heart about the man’s parting away.

SangamLit

Natrinai 390 – Undaunted by the radiant fish

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In this episode, we perceive the emotion of possessiveness, as portrayed in Sangam Literary work, Natrinai 390, penned by Avvaiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of a courtesan to her friend, passing on a hidden message to the friends of another courtesan.

SangamLit

Natrinai 389 – Under the claws of a mountain hen

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In this episode, we observe changes in nature and its effect on inner lives, as portrayed in Sangam Literary work, Natrinai 389, penned by Kaveripoompattinathu Senkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

SangamLit

Natrinai 388 – Hunting boat and hidden dream

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In this episode, we perceive the life of fisherfolk and the dreams it reflects, as portrayed in Sangam Literary work, Natrinai 388, penned by Madurai Marutham Kizhaar Makanaar Perunkannanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

SangamLit

Natrinai 387 – Shining sword and soothing word

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In this episode, we listen to the consoling words of an empathetic friend, as depicted in Sangam Literary work, Natrinai 387, penned by Pothumpil Kizhaar Makanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, conveying positivity about the man’s return.

SangamLit

Natrinai 386 – Furious lady and fearless boar

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In this episode, we perceive a unique technique of changing a person’s heart, as portrayed in Sangam Literary work, Natrinai 386, penned by Thangaal Athireyan Chenkannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, reflecting on past events that reveal the lady’s good judgement.

SangamLit

Natrinai 385 – Retreating tortoise and returning birds

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In this episode, we relish an unfinished poem with lines lost in time and yet, shining timeless with the words it contains, as portrayed in Sangam Literary work, Natrinai 385, penned by an anonymous poet. The verse is surmised to be in the ‘Neythal’ landscape or coastal regions and thought to speak in the voice of the confidante to the man, possibly pressing him to seek the lady’s hand in marriage.

SangamLit

Natrinai 384 – Seeing her walk on flowers

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In this episode, we listen to the ecstatic words of a man, whose dream has been fulfilled, as depicted in Sangam Literary work, Natrinai 384, penned by Paalai Paadiya Perungkadungko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, observing the lady walking ahead, as they elope away to the man’s town.

SangamLit

Natrinai 383 – Hearing a mate’s pangs

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In this episode, we hear the echo of the life of wildlife in a mountain country, as portrayed in Sangam Literary work, Natrinai 383, penned by Koliyoor Kizhaar Makanaar Chezhiyanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, expressing the dangers in the nightly path he takes to tryst with the lady.

SangamLit

Natrinai 382 – Hushing the rushing emotions

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In this episode, we perceive the determination of an anguished lady, as portrayed in Sangam Literary work, Natrinai 382, penned by Nikandan Kalaikottu Thandanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, conveying the need to hide their emotions from those around them.

SangamLit

Natrinai 381 – Shivering tree on a raging shore

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In this episode, we perceive how a king’s actions are placed in parallel with the weather’s changes, as portrayed in Sangam Literary work, Natrinai 381, penned by Avvaiyaar, the renowned female poet from the Sangam era. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of lady to the confidante, expressing her grief as the man has not returned from his mission by the promised season.

SangamLit

Natrinai 380 – Seeing true beauty

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In this episode, we observe a heated situation at a home, as depicted in Sangam Literary work, Natrinai 380, penned by Koodaloor Palkannanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the singer-messenger, refusing the man entry to his house.

SangamLit

Natrinai 379 – Hues of innocence

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In this episode, we delight in the insightful portrait of a person and the natural beauty of ancient spots, as depicted in Sangam Literary work, Natrinai 379, penned by Kudavaayil Keerathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, refusing his request to tryst with the lady.

SangamLit

Natrinai 378 – Wound of the wave

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In this episode, we perceive the anguish in a lady’s heart on a lonely night, as depicted in Sangam Literary work, Natrinai 378, penned by Vadama Vannakkan Perisaathanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

SangamLit

Natrinai 377 – A moon-like forehead

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In this episode, we perceive the dilemma in a man’s heart, as portrayed in Sangam Literary work, Natrinai 377, penned by Madal Paadiya Maathankeeranaar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of the man to himself, passing on a pointed message to the confidante, listening nearby.

SangamLit

Natrinai 376 – Message for the man

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In this episode, we perceive how a parrot is invited to be a messenger, as portrayed in Sangam Literary work, Natrinai 376, penned by Kabilar. The verse is set in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to a parrot, passing on a hidden message to the man, listening nearby.

SangamLit

Natrinai 375 – Move like the moon

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In this episode, we perceive a direct call to action, as portrayed in Sangam Literary work, Natrinai 375, penned by Pothumpil Kilaar Makanaar Venkanni. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, persuading him to seek the lady’s hand in marriage.

SangamLit

Natrinai 374 – A feast for tangy tongues

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In this episode, we relish a man’s celebration of his wife’s hospitality, as depicted in Sangam Literary work, Natrinai 374, penned by Vanparanar. The verse is set in the forest regions of ‘Mullai’ and speaks in the voice of the man to wayfarers he meets on his journey homeward.

SangamLit

Natrinai 373 – The foreteller and the fruit-eater

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In this episode, we relish references to the harvest season and its significance to mountain folk, as depicted in Sangam Literary work, Natrinai 373, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

SangamLit

Natrinai 372 – Soft words and scattering birds

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In this episode, we perceive the novel technique of combining consolation and persuasion, as portrayed in Sangam Literary work, Natrinai 372, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, conveying assuring words to her and passing on a hidden message to the man, listening nearby.

SangamLit

Natrinai 371 – Racing with the rain

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In this episode, we observe the changes in the weather and the effect it has on minds, as portrayed in Sangam Literary work, Natrinai 371, penned by the renowned female poet, Avvaiyaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, conveying the need to rush homeward.

SangamLit

Natrinai 370 – Yesterday’s flower-like smile

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In this episode, we sense the joy in a home, where a child is born, as echoed by Sangam Literary work, Natrinai 370, penned by Uraiyoor Kathuvaai Saathanaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the man to his companion, the singer-messenger, reminiscing a past moment, in a bid to soften the lady’s anger.

SangamLit

Natrinai 369 – Faraway peak and flooding river

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In this episode, we perceive references to faraway ranges and rivers, as portrayed in Sangam Literary work, Natrinai 369, penned by Madurai Olai Kadayathaar Nalvellaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, refusing to accept her friend’s words of consolation.

SangamLit

Natrinai 368 – Perceptive mother and pitiable daughter

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In this episode, we perceive elements of a lady’s life in the mountain country, as depicted in Sangam literary work, Natrinai 368, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

SangamLit

Natrinai 367 – The feast on a cold day

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In this episode, we hear the jubilant news of a man’s imminent homecoming, as portrayed in Sangam Literary work, Natrinai 367, penned by Nakkirar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, conveying to her that good times are arriving at her doorstep.

SangamLit

Natrinai 366 – Wasting sugarcane and wallowing bird

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In this episode, we perceive the struggle between seeking wealth and being with a beloved, as portrayed in Sangam Literary work, Natrinai 366, penned by Madurai Eelathu Poothan Thevanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, conveying his decision not to part away from the lady.

SangamLit

Natrinai 365 – Incessant cascade and impossible scheme

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In this episode, we hear a preposterous suggestion and infer the intricate art of persuasion, as portrayed in Sangam Literary work, Natrinai 365, penned by Killimankalankilaar Makanaar Chera Kovanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying a pointed message to the man, listening nearby.

SangamLit

Natrinai 364 – Assailing evening in the rains

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In this episode, we perceive the pain of separation, as portrayed in Sangam Literary work, Natrinai 364, penned by Kidangil Kaavithi Perunkotranaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to her confidante, expressing the anguish in her heart at the man’s delay in returning.

SangamLit

Natrinai 363 – Anklets for her feet

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In this episode, we relish the subtle art of persuasion, as portrayed in Sangam Literary work, Natrinai 363, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, passing on a hidden message to him.

SangamLit

Natrinai 362 – Standing tall and standing guard

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In this episode, we relish words of understanding to a beloved, as depicted in Sangam Literary work, Natrinai 362, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man, encouraging the lady, as they elope away.

SangamLit

Natrinai 361 – Man’s return and lady’s feast

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In this episode, we relish the celebration of a man’s homecoming, as portrayed in Sangam Literary work, Natrinai 361, penned by Madurai Peraalavaayar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante, in response to the helpers’ worried query about the man’s delay in returning.

SangamLit

Natrinai 360 – Scattered ball of rice

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In this episode, we perceive unique similes that express elements of a love quarrel, as depicted in Sangam Literary work, Natrinai 360, penned by Orambogiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry into the lady’s house.

SangamLit

Natrinai 359 – The fate of the leaves

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In this episode, we perceive the analysis of a dilemma, as depicted in Sangam Literary work, Natrinai 359, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, attempting to read her friend’s mind.

SangamLit

Natrinai 358 – Catch of a gull

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In this episode, we perceive metaphors of hope, as portrayed in Sangam Literary work, Natrinai 358, penned by Nakkirar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to her confidante, expressing the angst in her heart at the man’s parting away to seek wealth.

SangamLit

Natrinai 357 – A sensor for love

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In this episode, we perceive an echo of a lady’s trust, as portrayed in Sangam Literary work, Natrinai 357, penned by Kuramagal Kuri Eyini. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, allaying the worry in her friend’s heart.

SangamLit

Natrinai 356 – Tireless in the high skies

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In this episode, we infer the intersection of mythology and science in this song of yearning, as portrayed in Sangam Literary work, Natrinai 356, penned by Paranar. Set in the mountain country of ‘Kurinji’, the verse speaks in the voice of a man to his heart, conveying his dejection at being refused the lady’s hand in marriage.

SangamLit

Natrinai 355 – The impossible poison

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In this episode, we perceive unique similes in poetry and innovative techniques of persuasion, as portrayed in Sangam Literary work, Natrinai 355, penned by an anonymous poet. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the man, urging him to alleviate the lady’s suffering.

SangamLit

Natrinai 354 – Tethered to a tree

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In this episode, we are teleported to an ancient bustling shore, as portrayed in Sangam Literary work, Natrinai 354, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

SangamLit

Natrinai 353 – Feast for the fearless

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In this episode, we perceive the art of subtle persuasion, as portrayed in Sangam Literary work, Natrinai 353, penned by Kabilar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the man, expressing concern about the nightly path he treads to tryst with the lady.

SangamLit

Natrinai 352 – Drinking from a mirage

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In this episode, we unearth a treasure trove of facets related to wild life in the ancient drylands, as depicted in Sangam Literary work, Natrinai 352, penned by Madurai Pallimaruthankilaar Makanar Sokuthanaar. The verse is situated in the dry regions of ‘Paalai’ and speaks in the voice of the man, conveying his confused state of mind, as he journeys on, in search of wealth.

SangamLit

Natrinai 351 – On the sandalwood loft

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In this episode, we unearth fascinating facts about life and love in the mountain country, as depicted in Sangam Literary work, Natrinai 351, penned by Madurai Kannathanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the mother, suggesting the right cure for the lady’s pallor.

SangamLit

Natrinai 350 – Resounding drum and returning bird

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In this episode, we relish scenes from a paddy field and reflect on a lady’s ire, as portrayed in Sangam Literary work, Natrinai 350, penned by Paranar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, refusing to allow him entry to their house.

SangamLit

Natrinai 349 – Demon spirit in a battlefield

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In this episode, we perceive the activities of a young man courting a girl by the seashore, as portrayed in Sangam Literary work, Natrinai 349, penned by Milai Kilaar Nalvettanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the man, passing on a pointed message to the confidante, listening nearby.

SangamLit

Natrinai 348 – A heart at war

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In this episode, we hear the lament of a lady on a picturesque night, as depicted in Sangam Literary work, Natrinai 348, penned by Velliveethiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady, expressing her angst at being parted away from her man.

SangamLit

Natrinai 347 – Showering cloud and silenced slander

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In this episode, we perceive the art of concealing a wish for the future within the forces of nature, as portrayed in Sangam Literary work, Natrinai 347, penned by Perunkundroor Kilaar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of the lady to her confidante, expressing her worry, as the man continues to delay formalising his union.

SangamLit

Natrinai 346 – Ruined by longing

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In this episode, we listen to a lonely man’s yearning, as portrayed in Sangam Literary work, Natrinai 346, penned by Eyinanthai Magan Ilankeeranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, reflecting on his desolate situation, after having parted away from his lady.

SangamLit

Natrinai 345 – Falling fruit and frightened flower

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In this episode, we perceive a rousing call to action, as depicted in Sangam Literary work, Natrinai 345, penned by Nambi Kuttuvanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, bidding him to seek the lady’s hand in marriage, without further delay.

SangamLit

Natrinai 344 – Roaring tiger and rumbling thunder

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In this episode, we perceive hidden ways of persuasion, as portrayed in Sangam Literary work, Natrinai 344, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

SangamLit

Natrinai 343 – Attack at dusk

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In this episode, we perceive scenes at dusk in an ancient village and peer into a lady’s heart, as portrayed in Sangam Literary work, Natrinai 343, penned by Karuvoor Kathapillai Saathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, conveying her angst at being separated from the man.

SangamLit

Natrinai 342 – At the bottom of her heart

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In this episode, we explore relationship dynamics in ancient times, as depicted in Sangam Literary work, Natrinai 342, penned by Mosi Keeranaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to herself, conveying a pointed message to the lady, listening nearby.

SangamLit

Natrinai 341 – Memories at midnight

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In this episode, we perceive the emotions felt by a man at war, as he reflects on his family back home, as portrayed in Sangam Literary work, Natrinai 341, penned by Madurai Maruthan Ilanaakanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of a man, lamenting about his loneliness, one cold night.

SangamLit

Natrinai 340 – Forgiving a fish

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In this episode, we swim with a fish and peer into a heart, guided by the flow of Natrinai 340, penned by Nakirar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, expressing her feelings about his recent behaviour.

SangamLit

Natrinai 339 – Swimming in sorrow

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In this episode, we observe an intricate technique of persuasion, as portrayed in Sangam Literary work, Natrinai 339, penned by Seethalai Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

SangamLit

Natrinai 338 – Tormenting birdsong

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In this episode, we perceive a bird’s call bearing the burden of a lady’s pain, as portrayed in Sangam Literary work, Natrinai 338, penned by Madurai Aarulaviyanattu Aalamperi Saathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, rejecting her friend’s words, which asked her to bear with the situation, as the man stays away.

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