Puranaanooru 136 – Suffering and salvation

In this episode, we perceive the poverty of poets, as portrayed in Sangam Literary work, Puranaanooru 136, penned about the Velir King Aay Andiran by the poet Thuraiyoor Odai Kizhaar. The verse is situated in the category of ‘Paadaan Thinai’ and narrates the elements that cause suffering in the life of these supplicants and their only salvation.

Puranaanooru 135 – All I want is…

In this episode, we perceive the regard that a poet has in his heart for this patron, as portrayed in Sangam Literary work, Puranaanooru 135, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse describes the journey of this poet and the reason he has arrived at this king’s court.

Puranaanooru 134 – Nature of generosity

In this episode, we perceive an intriguing discussion on intentions, as depicted in Sangam Literary work, Puranaanooru 134, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and informs us about the ethical source of this king’s generosity.

Puranaanooru 133 – The peacock and the raincloud

In this episode, we listen to guidance being passed on to a co-worker, as depicted in Sangam Literary work, Puranaanooru 133, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse reveals a patron’s immense generosity.

Puranaanooru 132 – The north and the south

In this episode, we listen to the regret of a poet, as depicted in Sangam Literary work, Puranaanooru 132, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse touches on the spread of the land to illustrate an emotion.

Puranaanooru 131 – A forest that sings

In this episode, we listen to a curious question about a forest, as depicted in Sangam Literary work, Puranaanooru 131, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse echoes the generosity of this king.

Puranaanooru 130 – A count of elephants

In this episode, we perceive the king’s vast generosity, as depicted in Sangam Literary work, Puranaanooru 130, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse employs the emotion of awe to portray the nature of this king.

Puranaanooru 129 – No less than the sky’s stars

In this episode, we perceive the lifestyle of people in this ruler’s domain, as portrayed in Sangam Literary work, Puranaanooru 129, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and highlights the generosity of this king.

Puranaanooru 128 – The inaccessible one

In this episode, we take in scenes in nature involving wild life, as portrayed in Sangam Literary work, Puranaanooru 128, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse relates the inaccessibility of the king to his foes.

Puranaanooru 127 – The incomparable palace

In this episode, we perceive a striking simile and a unique technique of praise, as depicted in Sangam Literary work, Puranaanooru 127, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and brings out the not so obvious greatness of King Aay.

Puranaanooru 126 – Sailing where no ship can

In this episode, we hear of the glory of a king and his land, as depicted in Sangam Literary work, Puranaanooru 126, penned about the Velir King Malaiyamaan Thirumudi Kaari by the female poet Maarokkathu Nappasalaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse relates the immense power of this patron in pulling poets to sing of his fame.

Puranaanooru 125 – To friend and foe

In this episode, we hear the perspectives of two rulers about this patron, as portrayed in Sangam Literary work, Puranaanooru 125, penned about the Velir King Malaiyamaan Thirumudi Kaari by the poet Vadama Vannakkan Perunchathanaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse illustrates the consequences of this king’s presence in the battlefield.

Puranaanooru 124 – Unstoppable generosity

In this episode, we hear about the assurance rendered to supplicants, as depicted in Sangam Literary work, Puranaanooru 124, penned about the Velir King Malaiyamaan Thirumudi Kaari by the poet Kabilar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the infinite generosity of this ruler.

Puranaanooru 123 – A sober charity

In this episode, we hear of the impeccable generosity of a king, as portrayed in Sangam Literary work, Puranaanooru 123, penned about the Velir King Malaiyamaan Thirumudi Kaari by the poet Kabilar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse reveals the nature of this ruler.

Puranaanooru 122 – The only thing owned

In this episode, we hear of an ironic life situation, as portrayed in Sangam Literary work, Puranaanooru 122, penned about the Velir King Malaiyamaan Thirumudi Kaari by the poet Kabilar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and brings out the riches of the land and the respect the king commanded.

Puranaanooru 121 – Be a discerning king

In this episode, we listen to words of advice rendered unto a king, as depicted in Sangam Literary work, Puranaanooru 121, penned about the Velir King Malaiyamaan Thirumudi Kaari by the poet Kabilar. Set in the category of ‘Pothuviyal Thinai’ or ‘Miscellaneous matters’, the verse brings out the generosity and impartiality of this ruler.

Puranaanooru 120 – A rich harvest of crops

In this episode, we listen to a detailed account of the agricultural wealth of a country, as portrayed in Sangam Literary work, Puranaanooru 120, penned about the Velir King Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘Miscellaneous matters’ and details the lifestyle of the people in the king’s land.

Puranaanooru 119 – A termite-tamarind delicacy

In this episode, we get a glimpse of a fertile land and its foods, as portrayed in Sangam Literary work, Puranaanooru 119, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Pothuviyal Thinai’ or ‘Miscellaneous matters’, the verse vividly illustrates the generosity of this king.

Puranaanooru 118 – Demise and Devastation

In this episode, we perceive the angst in a poet’s heart, as depicted in Sangam Literary work, Puranaanooru 118, penned about the Velir King Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘Miscellaneous matters’ and talks about the ruin that has come to the king’s country after his demise.

Puranaanooru 117 – Reign of prosperity

In this episode, we perceive the past prosperity of the king’s land, as portrayed in Sangam Literary work, Puranaanooru 117, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Pothuviyal Thinai’ or ‘Miscellaneous matters’, the verse details the unceasing natural wealth of the king’s country during his reign.

Puranaanooru 116 – Counts then and now

In this episode, we listen to an account of how life has changed after a momentous event, as portrayed in Sangam Literary work, Puranaanooru 116, penned about the Velir King Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’ and talks about the past and present in the life of the king’s daughters.

Puranaanooru 115 – Flowing with water and wine

In this episode, we listen to the nostalgic words of a person parting away, as portrayed in Sangam Literary work, Puranaanooru 115, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse talks about the riches of the king’s land.

Puranaanooru 114 – A mountain sans the monarch

In this episode, we perceive the past fame of Parambu peak, as portrayed in Sangam Literary work, Puranaanooru 114, penned about the Velir King Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’ and renders a subtle message about a place bereft of its ruler.

Puranaanooru 113 – In the midst of grief

In this episode, we listen to words expressing grief, as depicted in Sangam Literary work, Puranaanooru 113, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse talks about the past prosperity of the land.

Puranaanooru 112 – Between two moons

In this episode, we listen to a lament, as portrayed in Sangam Literary work, Puranaanooru 112, penned about the Velir King Vel Paari by the king’s daughters. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’ and details the changes in the lives of these maiden.

Puranaanooru 111 – A drum and a spear

In this episode, we perceive an ironic situation, as portrayed in Sangam Literary work, Puranaanooru 111, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Nochchi Thinai’ or ‘King’s defence from within’, the verse talks about who can attain the peak of Parambu with ease.

Puranaanooru 110 – The king and the poet

In this episode, we perceive the poet’s bond with the king, as portrayed in Sangam Literary work, Puranaanooru 110, penned about the Velir King Vel Paari and sung to the three great rulers by the poet Kabilar. The verse is situated in the category of ‘Nochchi Thinai’ or ‘King’s defence from within’ and reiterates the pointlessness of a war with the king.

Puranaanooru 109 – Undeterred by any siege

In this episode, we learn of the impenetrable nature of the king’s domain, as depicted in Sangam Literary work, Puranaanooru 109, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Nochchi Thinai’ or ‘King’s defence from within’, the verse elaborates on why the efforts of attacking kings was futile.

Puranaanooru 108 – Gift of Parambu hills

In this episode, we are transported to a rich mountain land, as portrayed in Sangam Literary work, Puranaanooru 108, penned about the Velir king Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the limitless generosity of this king.

Puranaanooru 107 – Another to be praised

In this episode, we delve into an intricate and eloquent thought about a king, as depicted in Sangam Literary work, Puranaanooru 107, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse brings out the greatness of the monarch in a unique manner.

Puranaanooru 106 – Equal in his eyes

In this episode, we learn of a king’s impartial generosity, as depicted in Sangam Literary work, Puranaanooru 106, penned about the Velir King Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and places a virtue of the king in parallel to God.

Puranaanooru 105 – Sweeter than water

In this episode, we learn of the nature of a king, as portrayed in Sangam Literary work, Puranaanooru 105, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse hints about the natural wealth and beauty of the king’s land.

Puranaanooru 104 – Like a crocodile in a pond

In this episode, we perceive the disillusionment that awaits those who seek to attack the king, as depicted in Sangam Literary work, Puranaanooru 104, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and hints about the valorous way in which the king defended his domain.

Puranaanooru 103 – Counsel to a singer

In this episode, we listen to the guidance offered to a peer professional, as portrayed in Sangam Literary work, Puranaanooru 103, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse sketches a portrait of a female singer and the path to her salvation from poverty.

Puranaanooru 102 – Prowess of the prince

In this episode, we perceive an intriguing simile about occupational events, as portrayed in Sangam Literary work, Puranaanooru 102, penned about the Velir King Athiyamaan Nedumaan Anji’s son Pokuttu Ezhini by the poet Avvaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the royal’s support to the king’s rule.

Puranaanooru 101 – An implicit assurance

In this episode, we perceive the trust in the king’s generosity, as portrayed in Sangam Literary work, Puranaanooru 101, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Paadan Thinai’ or ‘King’s praise’, the verse illustrates the feeling of assurance in the minds of those who sought the king’s patronage.

Puranaanooru 100 – Fury that ceases not

In this episode, we perceive a portrait of a king’s fury, as depicted in Sangam Literary work, Puranaanooru 100, penned about the Velir King Athiyamaan Nedumaan Anji, by the poet Avvaiyaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse brings alive a momentous day in the life of this king.

Puranaanooru 99 – Celebrated by another poet

In this episode, we perceive the greatness of this king, as depicted in Sangam Literary work, Puranaanooru 99, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse describes the accolades received by the king.

Puranaanooru 98 – Like the God of Death

In this episode, we perceive the mindset of enemy kings, as depicted in Sangam Literary work, Puranaanooru 98, penned about the Velir king Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and narrates the consequences of the king’s decision to battle.

Puranaanooru 97 – Be warned

In this episode, we listen to a message of warning, as depicted in Sangam Literary work, Puranaanooru 97, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse paints a vivid picture of the prowess of this king in a battlefield.

Puranaanooru 96 – Disease and Dislike

In this episode, we meet a dashing prince, as depicted in Sangam Literary work, Puranaanooru 96, penned about the Velir King Athiyamaan Nedumaan Anji’s son Pokuttu Ezhini by the poet Avvaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the dangers in this young man’s life.

Puranaanooru 95 – The state of spears

In this episode, we observe an ingenious technique to prevent a war, as portrayed in Sangam Literary work, Puranaanooru 95, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse talks about how a messenger rendered the perfect words poised to change an enemy king’s heart.

Puranaanooru 94 – Enchanting and daunting

In this episode, we perceive contrasting imagery, as portrayed in Sangam Literary work, Puranaanooru 94, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and vividly sketches the personality of this king.

Puranaanooru 93 – Saved by battle wounds

In this episode, we learn of courage and death in an ancient battlefield, as depicted in Sangam Literary work, Puranaanooru 93, penned about the Velir King Athiyamaan Nedumaan Anji, by the poet Avvaiyaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse sketches the honourable conquest of this king at war.

Puranaanooru 92 – Chatter of a child

In this episode, we relish an intriguing comparison, as portrayed in Sangam Literary work, Puranaanooru 92, penned about the Velir king Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and echoes a deep truth about reality and perception.

Puranaanooru 91 – The gift of long life

In this episode, we perceive an act of benevolence, as depicted in Sangam Literary work, Puranaanooru 91, penned about the Velir king Athiyamaan Nedumaan Anji by the renowned poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse celebrates a thoughtful gesture by this king.

Puranaanooru 90 – Assurance of victory

In this episode, we listen to words of encouragement rendered unto a king, as portrayed in Sangam Literary work, Puranaanooru 90, penned on the Velir king Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is set in the category of ‘Thumbai Thinai’ or ‘Battle of two kings’ and demonstrates how victory is sure to favour the king.

Puranaanooru 89 – Battle-ready king and men

In this episode, we perceive a region’s readiness to battle, as portrayed in Sangam Literary work, Puranaanooru 89, penned on the Velir king Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Thumbai Thinai’ or ‘Battle of two kings’, the verse responds to an arrogant question from an enemy king.

Puranaanooru 88 – Judge not without seeing

In this episode, we listen to a glowing depiction of a king, as portrayed in Sangam Literary work, Puranaanooru 88, penned on the Velir king Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is set in the category of ‘Thumbai Thinai’ or ‘Battle of two kings’ and renders a message of warning to enemy kings.

Puranaanooru 87 – A month of focus

In this episode, we perceive a striking simile to sketch a portrait of a king, as depicted in Sangam Literary work, Puranaanooru 87, penned on the Velir king Athiyamaan Nedumaan Anji by the illustrious poet from Sangam times, Avvaiyaar. Set in the category of ‘Thumbai Thinai’ or ‘Battle of two kings’, the verse talks about the strength and skill of this Sangam ruler.

Puranaanooru 86 – A mother on her son

In this episode, we perceive the bond of a mother with her son, as depicted in Sangam Literary work, Puranaanooru 86, penned by the poet, Kaavarpendu. The verse is situated in the category of ‘Vaagai Thinai’ or ‘Battle victory’ and renders the whereabouts of a person.

Puranaanooru 85 – Winning in a foreign land

In this episode, we perceive the conclusion of a fight, as portrayed in Sangam Literary work, Puranaanooru 85, penned about the Chozha King Poravai Kopperunarkilli by the poet Nakkannaiyaar. Set in the category of ‘Kaikilai’ or ‘Inappropriate love’, the verse highlights two different stances of the townsfolk regarding the king.

Puranaanooru 84 – Like a feared path

In this episode, we perceive the distress of unrequited feelings, as portrayed in Sangam Literary work, Puranaanooru 84, penned about the Chozha King Poravai Kopperunarkilli by the poet Nakkannaiyaar. The verse is set in the category of ‘Kaikilai’ or ‘Inappropriate love’ and talks about the state of soldiers who dare to oppose the king in battle.

Puranaanooru 83 – A mind split into two

In this episode, we perceive passion in a lady’s heart, as portrayed in Sangam Literary work, Puranaanooru 83, penned about the Chozha King Poravai Kopperunarkilli by the poet Nakkannaiyaar. Set in the category of ‘Kaikilai’ or ‘Inappropriate love’, the verse intrigues us with its hues of inner life.

Puranaanooru 82 – As fast as a labourer’s hand

In this episode, we perceive the brevity of a battle with a striking simile, as depicted in Sangam Literary work, Puranaanooru 82, penned about the Chozha King Poravai Kopperunarkilli by the poet Saathanthaiyaar. The verse is set in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and describes how soon a fierce fight ended.

Puranaanooru 81 – Pitiable are the enemies

In this episode, we perceive the fierceness of a king’s army, as depicted in Sangam Literary work, Puranaanooru 81, penned about the Chozha King Poravai Kopperunarkilli by the poet Saathanthaiyaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse talks about the king’s generosity and courage.

Puranaanooru 80 – A sketch of combat skills

In this episode, we hear of the power and skill of a royal, as portrayed in Sangam Literary work, Puranaanooru 80, penned about the Chozha King Poravai Kopperunarkilli by the poet Saathanthaiyaar. The verse is situated in the category of ‘Thumbai Thinai’ or ‘battle of two kings’ and talks about the impressive victory of this king in hand to hand combat.

Puranaanooru 79 – Fate of enemy soldiers

In this episode, we perceive the majestic stride of a king into a battlefield, as portrayed in Sangam Literary work, Puranaanooru 79, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Idaikundroor Kizhaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse mulls over the fate of enemy soldiers.

Puranaanooru 78 – Arrogance in retreat

In this episode, we hear of the fall of the enemy’s ego and the rise of a king’s might, as depicted in Sangam Literary work, Puranaanooru 78, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Idaikundroor Kizhaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and talks about the disastrous defeat of enemy kings.

Puranaanooru 77 – What was and what is

In this episode, we are given strong hints about the age of a warrior king, as depicted in Sangam Literary work, Puranaanooru 77, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Idaikundroor Kizhaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse talks about the attitude of this king on the battlefield.

Puranaanooru 76 – An exceptional event in history

In this episode, we perceive a significant event in the battlefield, as portrayed in Sangam Literary work, Puranaanooru 76, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Idaikundroor Kizhaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and describes the unparalleled achievement of this ruler.

Puranaanooru 75 – Lightness of ruling a land

In this episode, we perceive a king’s view on who a great king is, as depicted in Sangam Literary work, Puranaanooru 75, penned by the Chozha king Nalankilli. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse contrasts the attributes of two types of rulers.

Puranaanooru 74 – A king in chains

In this episode, we perceive the suffering in a king’s heart, as portrayed in Sangam Literary work, Puranaanooru 74, penned by the Chera King Kanaikkaal Irumporai. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’ and talks about honour in the birth and life of rulers.

Puranaanooru 73 – Love of a flawless heart

In this episode, we listen to furious words uttered by a king, as portrayed in Sangam Literary work, Puranaanooru 73, penned by the Chozha king Nalankilli. Set in the category of ‘Kaanji Thinai’ or ‘King’s oath’, the verse highlights a surprising priority in this king’s life.

Puranaanooru 72 – Value of a poet’s praise

In this episode, we learn of the duties of a king, as depicted in Sangam Literary work, Puranaanooru 72, penned by a Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan. The verse is situated in the category of ‘Kaanji Thinai’ or ‘King’s oath’ and expresses the rage in the king’s mind about the attitude of attacking kings.

Puranaanooru 71 – Priorities Past and Present

In this episode, we perceive priorities in life from a king’s perspective, as portrayed in Sangam Literary work, Puranaanooru 71, penned by a poet-king from the Pandya dynasty, Ollaiyoor Thantha Bootha Pandiyan. Set in the category of ‘Kaanji Thinai’ or ‘King’s oath’, the verse sketches the emotions of this king on hearing about the decision of enemy kings to attack his land.

Puranaanooru 70 – Unceasing notes of kindness

In this episode, we relish a series of striking similes, as depicted in Sangam Literary work, Puranaanooru 70, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Kovoor Kizhaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the wealth and generosity of this king.

Puranaanooru 69 – A bee-bereft lotus

In this episode, we listen to the valour and generosity of a king, as depicted in Sangam Literary work, Puranaanooru 69, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Aalathoor Kizhaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse promises good tidings to a poor bard, who has nowhere to turn.

Puranaanooru 68 – A guide to prosperity

In this episode, we listen to an account of wealth and courage in the king’s country, as depicted in Sangam Literary work, Puranaanooru 68, penned about the Chozha King Nalankilli by the poet Kovoor Kizhaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and directs an impoverished bard to the court of the said king.

Puranaanooru 67 – The poet’s winged messenger

In this episode, we listen to words rendered unto a migratory bird, as depicted in Sangam Literary work, Puranaanooru 67, penned about the Chozha king Koperunchozhan by the poet Pisiraanthaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse illustrates a poet’s perspective of the regard his patron had for him.

Puranaanooru 66 – The greater victory

In this episode, we listen to a bold statement of comparison, as portrayed in Sangam Literary work, Puranaanooru 66, penned about the Chozha King Karikaalan by the poet Venni Kuyathiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘king’s victory’ and talks about how this king’s opponent seems to have claimed a greater victory.

Puranaanooru 65 – Honour above life

In this episode, we perceive the sense of honour in a king, as depicted in Sangam Literary work, Puranaanooru 65, penned about the Chera King Peruncheralathan by the poet Kazhaathalaiyaar. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse talks about the despair of a nation because of a king’s fateful decision.

Puranaanooru 64 – Poverty of performers

In this episode, we learn of the impoverished life of a poet, as depicted in Sangam Literary work, Puranaanooru 64, penned about the Pandya King Palyaakasalai Muthukudumi Peruvazhuthi by the poet Nedumpalliyathanaar. The verse is situated in the category of ‘Paadan Thinai’ or ‘King’s praise’ and directs a dancing maiden to avail the generosity of this Pandya king.

Puranaanooru 63 – Ruins of war

In this episode, we hear of all that’s ruined on a battlefield, as depicted in Sangam Literary work, Puranaanooru 63, penned about the Chera King Kudakko Neduncheralathan and Chozha king Verpahradakkai Peruviral Killi by the poet Paranar. Set in the category of ‘Thumbai Thinai’ or ‘battle of two kings’, the verse details the state of the animals, objects and people at the end of a tragic war.

Puranaanooru 62 – The fall of kings

In this episode, we perceive scenes from a tragic battlefield, as depicted in Sangam Literary work, Puranaanooru 62, penned about the Chera King Kudakko Neduncheralathan and Chozha king Verpahradakkai Peruviral Killi by the poet Kazhaathalaiyaar. The verse is situated in the category of ‘Thumbai Thinai’ or ‘battle of two kings’ and relates scenes of pain and loss in a battlefield.

Puranaanooru 61 – Fields of prosperity

In this episode, we perceive the riches in a king’s country, as depicted in Sangam Literary work, Puranaanooru 61, penned about the Chozha King Ilavanthikaippalli Thunjiya Nalankilli Chetchenni by the poet Erichaloor Maadalan Madurai Kumaranaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse describes the state of the king’s enemies and proteges.

Puranaanooru 60 – Montages of a monarch’s reign

In this episode, we relish a stack of similes that celebrate a king, as depicted in Sangam Literary work, Puranaanooru 60, penned about the Chozha King Kuraapalli Thunjiya Perunthirumaavalavan by the poet Uraiyur Maruthuvan Thaamotharanaar. The verse is situated in the category of ‘Paadan Thinai’ or ‘King’s praise’ and talks in a symbolic manner about the reign of this ruler.

Puranaanooru 59 – Searing sun and merciful moon

In this episode, we listen to a tribute paid to a king, as portrayed in Sangam Literary work, Puranaanooru 59, penned about the Pandya King Chithiramaadathu Thunjiya Nanmaaran by the poet Madurai Koolavaanikan Seethalai Saathanaar. Set in the category of ‘Paadan Thinai’ or ‘king’s praise’, the verse compares the ruler’s nature to celestial objects.

Puranaanooru 58 – Two standing as one

In this episode, we encounter not one but two kings of that ancient era, as depicted in Sangam Literary work, Puranaanooru 58, penned about the Chozha King Kuraapalli Thunjiya Perunthirumaavalavan and the Pandya King Velliampalathu Thunjiya Peruvazhuthi by the poet Kaaviripoompattinathu Kaari Kannanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and delights in the together stand of these two rulers.

Puranaanooru 57 – A plea for the trees

In this episode, we hear a plea to a warring king, as depicted in Sangam Literary work, Puranaanooru 57, penned about the Pandya King Ilavanthikaipalli Thunjiya Nanmaaran by the poet Kaaviripoompattinathu Kaarikannanaar. Set in the category of ‘Vanji Thinai’ or ‘King’s prowess’, the verse focuses on the acts of a king in the middle of a siege.

Puranaanooru 56 – Likeness of the Gods

In this episode, we perceive the comparison of a pantheon of gods to a patron, as portrayed in Sangam Literary work, Puranaanooru 56, penned about the Pandya King Ilavanthikaipalli Thunjiya Nanmaaran by the poet Madurai Kanakkaayanaar Makanaar Nakkeeranaar. The verse is situated in the category of ‘Paadan Thinai’ or ‘king’s praise’ and celebrates the virtues of this king.

Puranaanooru 55 – In the eyes of a just ruler

In this episode, we listen to a tribute paid to a king, as portrayed in Sangam Literary work, Puranaanooru 55, penned about the Pandya King Ilavanthikaipalli Thunjiya Nanmaaran by the poet Madurai Maruthan Ilanaakanaar. Set in the category of ‘Paadan Thinai’ or ‘King’s praise’, the verse renders words of advice to the ruler.

Puranaanooru 54 – Where the tiger sleeps

In this episode, we perceive the contrasting perspectives that a ruler presents, as portrayed in Sangam Literary work, Puranaanooru 54, penned about the Chera King Kuttuvan Kothai by the poet Konaattu Erichaloor Maadalan Madurai Kumaranaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and talks about the compassion and strength of this Chera king.

Puranaanooru 53 – Prowess of a past poet

In this episode, we perceive the respect Sangam poets had for their predecessors, as portrayed in Sangam Literary work, Puranaanooru 53, penned about the Chera King Maantharancheral Irumporai by the poet Porunthil Ilankeeranaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse mentions about the poet’s attempts to capture the essence of the king’s war exploits.

Puranaanooru 52 – From fields to forests

In this episode, we perceive the changing nature of a nation caught in a war, as portrayed in Sangam Literary work, Puranaanooru 52, penned about the Pandya King Koodakaarathu Thunjiya Maaran Vazhuthi by the poet Maruthan Ilanaakanaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘king’s victory’ and talks about the past and future of enemy lands.

Puranaanooru 51 – A day’s life of strife

In this episode, we perceive the fury of a king, as portrayed in Sangam Literary work, Puranaanooru 51, penned about the Pandya King Koodakaarathu Thunjiya Maaran Vazhuthi by the poet Aiyoor Mudavanaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse speaks about the state of those who oppose this Pandya king.

Puranaanooru 50 – Tradition versus Tolerance

In this episode, we perceive the noble act of a king, as depicted in Sangam Literary work, Puranaanooru 50, penned about the Chera King Thakadur Erintha Peruncheral Irumporai, by the poet Mosi Keeranaar. The verse is situated in the category of ‘Paadan Thinai’ or ‘King’s praise’ and depicts the tolerance and compassion of this Chera king.

Puranaanooru 49 – Lord of lands three

In this episode, we learn of the geographic extent of a king’s domain, as depicted in Sangam Literary work, Purananooru 49, penned about the Chera king Kokothai Maarban by the poet Poikaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse celebrates the wealth in the land of the Chera King.

Puranaanooru 48 – In the trail of a fertile fragrance

In this episode, we perceive a tribute paid to a Chera king, as depicted in Sangam Literary work, Puranaanooru 48, penned about the Chera king Kokothai Maarban by the poet Poikaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘king’s praise’ and aims to direct another poet to the court of this king.

Puranaanooru 47 – Path of a poet

In this episode, we perceive a poet’s strong support for those of his kind, as portrayed in Sangam Literary work, Puranaanooru 47, sung to the Chozha King Nedunkilli by the poet Kovoor Kizhaar. Set in the category of ‘Vanji Thinai’ or ‘king’s prowess’, the verse sketches the life and values of a Sangam poet.

Puranaanooru 46 – A plea for the innocent

In this episode, we witness a rendition of heart-rending words, as portrayed in Sangam Literary work, Puranaanooru 46, sung to the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Kovoor Kizhaar. The verse is situated in the category of ‘Vanji Thinai’ or ‘king’s prowess in the battlefield’ and argues against an atrocious act about to be committed.

Puranaanooru 45 – The oneness in the two

In this episode, we listen to piercing words of advice rendered unto two warring kings, as portrayed in Sangam Literary work, Puranaanooru 45, sung to the Chozha kings Nalankilli and Nedunkilli. Set in the category of ‘Vanji Thinai’ or ‘king’s prowess in the battlefield’, the verse remarks on the futility of war under a given circumstance.

Puranaanooru 44 – Peace or prowess

In this episode, we observe the influence of poets in a king’s court, as portrayed in Sangam Literary work, Puranaanooru 44, sung to the Chozha king Nedunkilli by the poet Kovoor Kizhaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘king’s victory’ and advises the king on the course of action in the midst of a siege.

Puranaanooru 43 – A true heir

In this episode, we perceive the changing thoughts in a person’s mind, as depicted in Sangam Literary work, Puranaanooru 43, penned about Maavalathaan, the younger brother of Chozha king Nalankilli, by the poet Thaamarpal Kannanaar. Set in the category of ‘Vaagai Thinai’ or ‘king’s victory’, the verse illustrates how this royal personality won the heart of an angered poet.

Puranaanooru 42 – Under the tiger’s protection

In this episode, we perceive the wealth and satisfaction in a land, as depicted in Sangam Literary work, Puranaanooru 42, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Idaikaadanaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘king’s victory’ and talks about the many ways the king’s rule brings joy to the people of his land.

Puranaanooru 41 – Fire in the wind

In this episode, we perceive the fury of a king in a battle, as depicted in Sangam Literary work, Puranaanooru 41, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Kovoor Kizhaar. Set in the category of ‘Vanji Thinai’ or ‘King’s prowess in the battlefield’, the verse elaborates on the state of people in enemy nations.

Puranaanooru 40 – Bringing down a crown

In this episode, we perceive a symbolic transformation of power, as depicted in Sangam Literary work, Puranaanooru 40, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Avoor Moolankizhaar. Set in the category of ‘Paadaan Thinai’ or ‘king’s praise’, the verse renders words of advice to bring forever fame to the name of this Chozha king.

Puranaanooru 39 – Weight of a famous lineage

In this episode, we perceive an indirect technique of rendering laurels unto a king, as depicted in Sangam Literary work, Puranaanooru 39, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Maarokkathu Nappasalaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘king’s praise’, the verse describes the glories of this Chozha king and his ancestors.

Puranaanooru 38 – Land of golden flowers

In this episode, we listen to a glowing tribute to a king, as depicted in Sangam Literary work, Puranaanooru 38, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Avoor Moolankizhaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘king’s praise’ and speaks about power of the Chozha king and the prosperity in his domain.

Puranaanooru 37 – The might of the enemy

In this episode, we perceive the intrepid nature of a king, as portrayed in Sangam Literary work, Puranaanooru 37, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Maarokkathu Nappasalaiyaar. Set in the category of ‘Vaagai Thinai’ or ‘king’s victory’, the verse renders indirect praise by depicting the strength of an enemy king.

Puranaanooru 36 – An act of shame

In this episode, we listen to an argument for defending honour in the battlefield, as depicted in Sangam Literary work, Puranaanooru 36, penned about the Chozha king Kulamutrathu Thunjiya Killivalavan by the poet Aalathoor Kizhaar. The verse is set in the category of ‘Vanji Thinai’ or ‘king’s prowess in the battlefield’ and renders a pointed message about an enemy ruler to the Chozha king.

Puranaanooru 35 – Protect the farmers

In this episode, we listen to thoughtful words of advice rendered to a king, as depicted in Sangam Literary work, Puranaanooru 35, penned about the Chozha king Kulamutrathu Thunjiya Killivalavan by the poet Vellaikudi Naakanaar. Set in the category of ‘Paadaan Thinai’ or ‘king’s praise’, the verse focuses on the importance of rendering justice to the farming subjects in a reign.

Puranaanooru 34 – Benevolence and Gratitude

In this episode, we perceive the respect and gratitude that a king inspires, as depicted in Sangam Literary work, Puranaanooru 34, penned about the Chozha king Kulamutrathu Thunjiya Killivalavan by the poet Aalathoor Kizhaar. The verse is set in the category of ‘Paadaan Thinai’ or ‘king’s praise’ and speaks of the benevolence of this Chozha ruler.

Puranaanooru 33 – Siege of the tiger

In this episode, we learn of a king’s victorious exploits in an enemy land, as depicted in Sangam Literary work, Puranaanooru 33, penned about the Chozha King Nalankilli, by the poet Kovoor Kizhaar. Set in the category of ‘Vaagai Thinai’ or ‘king’s victory’, the verse speaks about the luminous presence of a king at the scene of war.

Puranaanooru 32 – His mound of clay

In this episode, we listen to a glowing tribute to a king, as depicted in Sangam Literary work, Puranaanooru 32, penned about the Chozha King Nalankilli, by the poet Kovoor Kizhaar. The verse is set in the category of ‘Paadaan Thinai’ or ‘king’s praise’ and speaks about the wealth and generosity of an ancient monarch.

Puranaanooru 31 – Sleepless in the North

In this episode, we perceive a king’s capabilities in the battlefield as depicted in Sangam Literary work, Puranaanooru 31, penned about the Chozha King Nalankilli, by the poet Kovoor Kizhaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse speaks about the consequences of the king’s prowess in war.

Puranaanooru 30 – Seeing a sea of prosperity

In this episode, we perceive the trade and prosperity of an ancient nation, as depicted in Sangam Literary work, Puranaanooru 30, penned about the Chozha king Nalankilli by the poet Uraiyoor Muthukannan Saathanaar. The verse is set in the category of ‘Paadaan Thinai’ or ‘king’s praise’ and talks about the nature of this Chozha king.

Puranaanooru 29 – Principles Prosperity Pleasures

In this episode, we listen to words of advice rendered to a king, as portrayed in Sangam Literary work, Puranaanooru 29, penned about the Chozha king Nalankilli by the poet Uraiyoor Muthukannan Saathanaar. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse visualises the life this Chozha king shall lead.

Puranaanooru 28 – Worth of a wealthy life

In this episode, we perceive the prosperity of a king’s land, as portrayed in Sangam Literary work, Puranaanooru 28, penned about the Chozha king Nalankilli by the poet Uraiyoor Muthukannan Saathanaar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’ and renders words of advice to this Chozha king on living a worthy life.

Puranaanooru 27 – Fame of a flower

In this episode, we perceive stunning similes regarding life and death, as depicted in Sangam Literary work, Puranaanooru 27, penned about the Chozha king Nalankilli by the poet Uraiyoor Muthukannan Saathanaar. Set in the category of ‘Pothiviyial Thinai’ or ‘miscellaneous matters’, the verse renders words of advice to this Chozha king.

Puranaanooru 26 – A ritual in red

In this episode, we listen to an account of a war ritual, as depicted in Sangam Literary work, Puranaanooru 26, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Mangudi Kizhaar. The verse is set in the category of ‘Vaagai Thinai’ or ‘king’s victory’ and speaks of the king’s enemies and their curious claim to fame.

Puranaanooru 25 – The pause of a pouncing spear

In this episode, we perceive ancient customs during and after a battle, as portrayed in Sangam Literary work, Puranaanooru 25, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Kallaadanaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse talks about the events and consequences of the battle at Thalaiyaalankaanam.

Puranaanooru 24 – Live the good life

In this episode, we relish joyous moments from the lives of common people in ancient times, as portrayed in Sangam Literary work, Puranaanooru 24, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Mangudi Kizhaar. The verse is set in the category of ‘Pothiviyal Thinai’ or ‘miscellaneous matters’ and renders thoughts on living a good life unto this Pandya king.

Puranaanooru 23 – Escape of a female deer

In this episode, we perceive scenes of destruction in war, as depicted in Sangam Literary work, Puranaanooru 23, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Kallaadanaar. Set in the category of ‘Vaagai Thinai’ or ‘a king’s victory’, the verse presents the elements of ruin in the king’s enemy nations.

Puranaanooru 22 – A powerful protection

In this episode, we perceive the portrait of a king’s land, as depicted in Sangam Literary work, Puranaanooru 22, penned about the Chera King Yaanaikatchey Maantharancheral Irumporai, by the poet Kurunkozhiyoor Kizhaar. The verse is set in the category of ‘Vaagai Thinai’ or ‘a king’s victory’ and speaks of protection and peace in this king’s domain.

Puranaanooru 21 – An impenetrable fort

In this episode, we learn of the design of an ancient fort, as portrayed in Sangam Literary work, Puranaanooru 21, penned about the Pandya King Kaanapereyil Kadantha Ukkira Peruvazhuthi by the poet Aiyoor Moolankizhaar. Set in the category of ‘Vaagai Thinai’ or ‘king’s victory’, the verse celebrates the capture of a famous fort in Sangam times.

Puranaanooru 20 – A land of peace

In this episode, we relish a heartwarming portrayal of a king’s rule, as depicted in Sangam Literary work, Puranaanooru 20, penned about the Chera King Yaanaikatchey Maantharancheral Irumporai, by the poet Kurunkozhiyoor Kizhaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘a king’s victory’ and elaborates on the elements in this king’s just and victorious reign.

Puranaanooru 19 – At an ancient battlefield

In this episode, we listen to the exploits of a king on a battlefield, as portrayed in Sangam Literary work, Puranaanooru 19, penned about the Pandya king Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Kudapulaviyanaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘a king’s victory’ and speaks of how the king won over seven rival rulers at a famous battle in Tamil history.

Puranaanooru 18 – Elixir of name and fame

In this episode, we listen to sound advice rendered to a king, as depicted in Sangam Literary work, Puranaanooru 18, penned about the Pandya king Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Kudapulaviyanaar. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse renders insight on the priorities of ancient nations.

Puranaanooru 17 – Vision of a victorious elephant

In this episode, we perceive the courage and determination of a king, as depicted in Sangam Literary work, Puranaanooru 17, penned for the Chera King Yaanaikatchey Maantharancheral Irumporai, by the poet Kurunkozhiyoor Kizhaar. The verse is set in the category of ‘Vaagai Thinai’ or ‘celebration of a king’s victory’ and talks about the past and present of this charismatic king.

Puranaanooru 16 – Blaze of a battle

In this episode, we perceive a king’s actions in a war, as portrayed in Sangam Literary work, Puranaanooru 16, penned about the Chozha King Raasasooyam Vetta Perunarkilli by the poet Paandarankannanaar. Set in the category of ‘Vanji Thinai’ or ‘a king’s prowess in the battlefield’, the verse talks about the ruin brought about on enemy lands.

Puranaanooru 15 – Destruction and Construction

In this episode, we perceive two dimensions of a king, as portrayed in Sangam Literary work, Puranaanooru 15, penned about the Pandya King Palyaakasaalai Muthukudumi Peruvazhuthi by the poet Nettimaiyaar. The verse is situated in the category of ‘Paadan Thinai’ or ‘praise of a king’ and speaks of the post-war actions of a king in an enemy land.

Puranaanooru 14 – Hands of a king

In this episode, we perceive a portrait of a king through the dynamic depiction of his hands, as illustrated in Sangam Literary work, Puranaanooru 14, penned about the Chera King Kadunko Vaazhiyaathan by the poet Kabilar. Set in the category of ‘Paadaan Thinai’ or ‘praise of a king’, the verse brings in a nuanced contrast in its depiction of a physical feature.

Puranaanooru 13 – Riding a wild elephant

In this episode, we listen to a description of a king’s land, as depicted in Sangam Literary work, Puranaanooru 13, penned about the Chozha King Mudithalai Koperunarkilli, by the poet Uraiyur Enicheri Mudamosiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘praise of a king’ and wishes safety for the king, who finds himself in a precarious situation.

Puranaanooru 12 – Contrasting actions of a king

In this episode, we perceive an interesting technique of celebrating a king, as depicted in Sangam Literary work, Puranaanooru 12, penned about the Pandya King Palyaakasaalai Muthukudumi Peruvazhuthi by the poet Nettimaiyaar. Set in the category of ‘Paadan Thinai’ or ‘praise of a king’, the verse brings out the duality in a king’s personality.

Puranaanooru 11 – Rewards from a ruler

In this episode, we perceive the courage, fame and generosity of a king, as portrayed in Sangam Literary work, Puranaanooru 11, penned for the Chera King Paalai Paadiya Perunkadunko, by the poet Peymakal Ilaveyiniyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘praise of a king’ and elaborates the joyous elements in the king’s town and the specifics of his rewards to performers.

Puranaanooru 10 – Just and famous

In this episode, we learn of the fairness and fame of a king, as depicted in Sangam Literary work, Puranaanooru 10, penned about the Chozha King Neythalankaanal Ilanchetchenni by the poet Oonpothi Pasunkudaiyaar. Set in the category of ‘Paadan Thinai’ or ‘praise of a king’, the verse describes the qualities of justice, hospitality and courage in this king.

Puranaanooru 9 – Sands of an ancient river

In this episode, we listen to words about a king’s nature, as depicted in Sangam Literary work, Puranaanooru 9, penned about the Pandya King Palyaakasaalai Muthukudumi Peruvazhuthi by the poet Nettimaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘praise of a king’ and demonstrates acutely the kind of person the ruler is.

Puranaanooru 8 – The sun in comparison

In this episode, we perceive a comparison between the sun and a king, as portrayed in Sangam Literary work, Puranaanooru 8, about the Chera King Kadunko Vaazhiyaathan, sung by the poet Kabilar. Set in the category of ‘Paadan Thinai’ or ‘praise of a king’, the verse describes a ruler by outlining his motivations and qualities and placing him in parallel to a celestial object.

Puranaanooru 7 – Ruined by war

In this episode, we perceive the pitiable state of a king’s enemies, as portrayed in Sangam Literary work, Puranaanooru 7, penned for the Chozha king Karikaalan by the poet Karunkuzhal Aathanaar. The verse is situated in the category of ‘Vanji Thinai’ or ‘a king’s prowess in the battlefield’, and depicts the past and present of an enemy nation.

Puranaanooru 6 – Rule like the sun and the moon

In this episode, we perceive the fame and glory of a ruler, as portrayed in Sangam Literary work, Puranaanooru 6, penned for the Pandya king Palyaakasaalai Muthukudumi Peruvazhuthi, by the poet Kaari Kizhaar. Set in the category of ‘Paadan Thinai’ or ‘praise of a king’, the verse etches a detailed portrait of a monarch and renders blessings unto him.

Puranaanooru 5 – Parenting the people

In this episode, we listen to words of advice rendered to a king, as depicted in Sangam Literary work, Puranaanooru 5, penned for the Chera king Karuvooreriya Olvaal Koperuncheral, by poet Nariveroouthalaiyaar. The verse is set in the category of ‘Padaan Thinai’, praising a king and showing him the way forward.

Puranaanooru 4 – Blood red hues of battle

In this episode, we perceive scenes from war, as depicted in Sangam Literary work, Puranaanooru 4, sung about the Chozha king Uruvappahrer Ilanchetchenni by the poet Paranar. The verse is set in the category of ‘Vanji Thinai’ or ‘a portrait of a warrior king’, elaborating the state of the said king’s enemies.

Puranaanooru 3 – Through dangerous paths

In this episode, we listen to a tribute sung to a Pandya king, as portrayed in Sangam Literary work, Puranaanooru 3, penned for the king Karunkai Olvaal Perumpeyar Vazhuthi by the poet Irumpidarthalaiyaar. The verse is set in the category of ‘Paadaan Thinai’, celebrating the qualities of this Pandiya king, said to be the maternal uncle of the renowned ‘Karikaala Chozhan’ of the Sangam era.

Puranaanooru 2 – Soar like the mountains

In this episode, we listen to words of praise rendered unto a king, as portrayed in Sangam Literary work, Puranaanooru 2, sung to the Chera ruler ‘Perunchotru Uthiyan Cheralathan’ by the poet ‘Muranjiyur Mudinaakanaar.’ The verse is grouped under the category of ‘Paadan Thinai’, which is a ‘paean’ listing the laudable qualities of a person.

Puranaanooru 1 – Portrait of a celestial hero

In this episode, we perceive praises to a God, as portrayed in Sangam Literary work, Puranaanooru 1, penned by Baaratham Paadiya Perunthevanaar. Puranaanooru, which we begin to explore today, is about the outer life of Sangam people, presenting information about historical events and social dynamics of this era. This particular song is an invocation to God Shiva, added as part of the collection by this poet, who is believed to have been from a later period.

Kurunthogai 401 – On pain and gain

In this episode, we listen to a lady’s perception of her changing circumstances, as portrayed in the last of the ‘Kurunthogai’ verses, Sangam Literary work, Kurunthogai 401, penned by Ammovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to herself, expressing her thoughts on her confinement at home.

Kurunthogai 400 – A pat on the back

In this episode, we listen to words of heartfelt gratitude, as depicted in Sangam Literary work, Kurunthogai 400, penned by Peyanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, on returning home after his long journey away from the lady.

Kurunthogai 399 – Retreating and reappearing

In this episode, we relish an apt simile that acutely depicts a lady’s situation, as portrayed in Sangam Literary work, Kurunthogai 399, penned by Paranar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, as the man delays seeking her hand in marriage.

Kurunthogai 398 – To wipe away tears of joy

In this episode, we listen to a sharp response to words of advice, as portrayed in Sangam Literary work, Kurunthogai 398, penned by Paalai Paadiya Perungkadungko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, as the man remains parted away.

Kurunthogai 397 – No one but you

In this episode, we perceive a thoughtful farewell message, as portrayed in Sangam Literary work, Kurunthogai 397, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, as he prepares to part away in search of wealth.

Kurunthogai 396 – Delicate maiden in the drylands

In this episode, we listen to a mother’s shocked words, as portrayed in Sangam Literary work, Kurunthogai 396, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady’s mother, on learning that her daughter had eloped with the man.

Kurunthogai 395 – A moon on the wane

In this episode, we perceive the helplessness in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 395, penned by an anonymous poet. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, reflecting on her suffering-filled situation, as the man remains parted away.

Kurunthogai 394 – Past pleasure and present pain

In this episode, we perceive the aptness of a simile from nature, as portrayed in Sangam Literary work, Kurunthogai 394, penned by Kuriyiraiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, speaking of the man in a disparaging tone, as he remains parted away.

Kurunthogai 393 – An embrace and a war-cry

In this episode, we learn of historical incidents in a song on relationships, as depicted in Sangam Literary work, Kurunthogai 393, penned by Paranar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Kurunthogai 392 – A messenger bee

In this episode, we perceive a unique technique of persuasion, as depicted in Sangam Literary work, Kurunthogai 392, penned by Thumbiser Keeranaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to a bee, passing on a pointed message to the man, listening nearby.

Kurunthogai 391 – Torments of a rainy evening

In this episode, we perceive the effect of rains on land and life, as depicted in Sangam Literary work, Kurunthogai 391, penned by Pon Maniyaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, relating the tormenting elements in her surroundings, as the man remains parted away.

Kurunthogai 390 – Danger at day’s end

In this episode, we learn about a specific danger in travelling at night, as depicted in Sangam Literary work, Kurunthogai 390, penned by Uraiyoor Mudhukottranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of a wayfarer to the man, offering words of timely advice.

Kurunthogai 389 – Good food for good words

In this episode, we perceive the jubilation on hearing a good news, as portrayed in Sangam Literary work, Kurunthogai 389, penned by Vettakannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, revealing positive developments with respect to the lady’s marriage.

Kurunthogai 388 – Sturdy lily and sweet drylands

In this episode, we relish a picturesque simile that sketches perfect belief in another, as portrayed in Sangam Literary work, Kurunthogai 388, penned by Avvaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, insisting that the lady could bear the journey through the drylands in the company of the man.

Kurunthogai 387 – Wading in the flood of time

In this episode, we listen to the distress of a lady as she contemplates an evening and night ahead of her, as depicted in Sangam Literary work, Kurunthogai 387, penned by Kangul Vellathaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear better with the man’s parting.

Kurunthogai 386 – Changing tone of the evening

In this episode, we perceive how the time of the day changes its nature in the mind of a maiden, as portrayed in Sangam Literary work, Kurunthogai 386, penned by Velliveethiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words that the lady must bear better with the man’s parting.

Kurunthogai 385 – Flying arrow and leaping monkey

In this episode, we relish scenes from the wild in a mountain country, as depicted in Sangam Literary work, Kurunthogai 385, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, subtly requesting the friend to reveal the lady’s relationship to her kith and kin.

Kurunthogai 384 – Fine promises indeed

In this episode, we listen to a strong refusal, as portrayed in Sangam Literary work, Kurunthogai 384, penned by Orambokiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the man, denying him entry to the lady’s house.

Kurunthogai 383 – The fire of indecision

In this episode, we listen to a person’s angst arising out of the indecision of another, as depicted in Sangam Literary work, Kurunthogai 383, penned by Padumarathu Mosi Keeranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, explaining her difficult situation relating to the lady’s elopement with the man.

Kurunthogai 382 – Unseasonal showers and fooled flowers

In this episode, we observe the changing seasons and their consequences, as portrayed in Sangam Literary work, Kurunthogai 382, penned by Kurunkeeranaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, allaying the lady’s worry that the man remains parted away even after the promised season of return had arrived.

Kurunthogai 381 – The consequence of a smile

In this episode, we observe a counter-intuitive method of offering consolation, as depicted in Sangam Literary work, Kurunthogai 381, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, speaking in a disparaging tone about the lady’s relationship with the man.

Kurunthogai 380 – Even before the flower falls

In this episode, we observe an intriguing technique of consolation, as portrayed in Sangam Literary work, Kurunthogai 380, penned by Karuvoor Kathapillai. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, relating how the man continues to remain parted away.

Kurunthogai 379 – Unearthing the precious unexpectedly

In this episode, we perceive a unique method of making an announcement, as portrayed in Sangam Literary work, Kurunthogai 379, penned by an anonymous poet. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a pointed message to the lady’s kith and kin, listening nearby.

Kurunthogai 378 – Shade and rain in the drylands

In this episode, we listen to a mother’s wishes for the well-being of her daughter, as depicted in Sangam Literary work, Kurunthogai 378, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady’s mother, on hearing that her daughter had eloped away with the man.

Kurunthogai 377 – Cause and cure of a malady

In this episode, we observe the discovery of solace in the midst of discomfort, as depicted in Sangam Literary work, Kurunthogai 377, penned by Mosi Kotranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry that the lady is not bearing well with the man’s parting.

Kurunthogai 376 – Cool in summer and warm in winter

In this episode, we relish picturesque descriptions of a lady’s qualities, as depicted in Sangam Literary work, Kurunthogai 376, penned by Padumarathu Mosikotranaar. Set in the coasts of ‘Neythal’, the verse speaks in the voice of the man to his heart, expressing why he is unable to part with the lady to go in search of wealth.

Kurunthogai 375 – The midnight mountain farmers

In this episode, we perceive a curious way of persuading another, as depicted in Sangam Literary work, Kurunthogai 375, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, while passing on a hidden message to the man, listening nearby.

Kurunthogai 374 – That tangled town of ours

In this episode, we relish a unique simile involving a bird’s actions, as depicted in Sangam Literary work, Kurunthogai 374, penned by Uraiyoor Palkaayanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, explaining how the events unfolding in the lady’s life came about.

Kurunthogai 373 – Endurance of a relationship

In this episode, we listen to words depicting deep trust, as portrayed in Sangam Literary work, Kurunthogai 373, penned by Madurai Kollam Pullanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, asking the lady not to heed the slander in town about the lady’s relationship with the man.

Kurunthogai 372 – Swiftness of spreading slander

In this episode, we perceive a visually compelling technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 372, penned by Vitrootru Mootheyinanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Kurunthogai 371 – Unmanageable love

In this episode, we perceive the portrayal of love as an affliction, as depicted in Sangam Literary work, Kurunthogai 371, penned by Uraiyoor Muthukootranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, explaining why she is unable to bear with the man’s parting.

Kurunthogai 370 – Opening petals in the pond

In this episode, we listen to defensive words to clarify a situation, as depicted in Sangam Literary work, Kurunthogai 370, penned by Villakaviralinaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the courtesan, in response to disparaging words spoken by the lady, as the lady’s friends listen nearby.

Kurunthogai 369 – Anklets in the wind

In this episode, we listen to a decisive plan of action as depicted in Sangam Literary work, Kurunthogai 369, penned by Kudavaayil Keerathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing the need for the lady to elope away with the man.

Kurunthogai 368 – An endless embrace

In this episode, we observe the joyous anticipation of the future, as portrayed in Sangam Literary work, Kurunthogai 368, penned by Nakirar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, on hearing that the man has arrived to claim her hand in marriage.

Kurunthogai 367 – Solace in the mountains

In this episode, we perceive a thoughtful way of communicating something, as depicted in Sangam Literary work, Kurunthogai 367, penned by Madurai Maruthan Ilanakanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, showing her the way to carry on.

Kurunthogai 366 – The hand of fate

In this episode, we listen to wise words about the inevitability of an event, as portrayed in Sangam Literary work, Kurunthogai 366, penned by Peri Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady’s mother, revealing the lady’s relationship with the man.

Kurunthogai 365 – Slipping shell bangles

In this episode, we observe the acute effects of pining in a lady, as depicted in Sangam Literary work, Kurunthogai 365, penned by Madurai Nalvelliyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, explaining the lady’s inability to bear with his parting.

Kurunthogai 364 – Sought out by the otter

In this episode, we perceive envy and quarrel over a man, as portrayed in Sangam Literary work, Kurunthogai 364, penned by Avvaiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of a courtesan, passing on a pointed message to the friends of another courtesan.

Kurunthogai 363 – Vision of a decision

In this episode, we perceive a nuanced approach to dissuading someone, as depicted in Sangam Literary work, Kurunthogai 363, penned by Selloor Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, when he tells her of his intention to part away from the lady to go in search of wealth.

Kurunthogai 362 – Open challenge to superstition

In this episode, we observe the courage of a person in questioning false beliefs, as portrayed in Sangam Literary work, Kurunthogai 362, penned by Vempatroor Kannan Koothanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the priest Velan, passing on a clear message about the lady’s relationship with the man to the listening kith and kin.

Kurunthogai 361 – A flame-lily in the flood

In this episode, we perceive how solace can come from unexpected corners, as portrayed in Sangam Literary work, Kurunthogai 361, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to that friend’s appreciation that the lady had bore well with the man’s parting.

Kurunthogai 360 – Today’s trial for tomorrow’s triumph

In this episode, we perceive the intricate thought process of a Sangam lady in a critical situation, as portrayed in Sangam Literary work, Kurunthogai 360, penned by Madurai Eelathu Poothanthevanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, passing on a pointed message to the man, listening nearby.

Kurunthogai 359 – Ripples of love

In this episode, we perceive a happy moment of reconciliation, as depicted in Sangam Literary work, Kurunthogai 359, penned by Peyanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the bard, relating how the man has managed to allay the anger of his wife and reunite with her.

Kurunthogai 358 – On walls and in the wild

In this episode, we listen to consoling words rendered to an anxious heart, as depicted in Sangam Literary work, Kurunthogai 358, penned by Kotranaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, as the man remains parted away.

Kurunthogai 357 – Firebrands and falling stars

In this episode, we gaze at soaring mountains and falling stars, as portrayed in Sangam Literary work, Kurunthogai 357, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Kurunthogai 356 – Gold bowls to muddy puddles

In this episode, we perceive shock and disbelief in the voice of a mother, as portrayed in Sangam Literary work, Kurunthogai 356, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady’s mother, on hearing about the lady’s elopement with the man.

Kurunthogai 355 – A pathless lightless quest

In this episode, we observe an ancient mountain village at a particular time of the day, as depicted in Sangam Literary work, Kurunthogai 355, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, as he arrives at the lady’s house for his nightly tryst.

Kurunthogai 354 – Reddening eyes and souring honey

In this episode, we listen to philosophical words rendered in a moment of angst, as portrayed in Sangam Literary work, Kurunthogai 354, penned by Kayathoor Kizhaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry to the lady’s house.

Kurunthogai 353 – Sleepless in mother’s embrace

In this episode, we perceive contrasting scenes and emotions, as depicted in Sangam Literary work, Kurunthogai 353, penned by Uraiyoor Muthukootranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

Kurunthogai 352 – On the wing of suffering

In this episode, we relish a striking plant-animal simile, as portrayed in Sangam Literary work, Kurunthogai 352, penned by Kadiyaloor Uruthirankannanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her distress as the man remains parted away.

Kurunthogai 351 – Crab claws and town tongues

In this episode, we perceive the perfect fusion of elements in nature and emotions in human nature, as depicted in Sangam Literary work, Kurunthogai 351, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, conveying a happy news to her friend.

Kurunthogai 350 – The cry of consequences

In this episode, we perceive a technique to effect acceptance, as depicted in Sangam Literary work, Kurunthogai 350, penned by Aalathoor Kizhaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of confidante to the lady, asking her to bear better with the man’s parting.

Kurunthogai 349 – Stepped on by a stork

In this episode, we reflect on honour in charity, as portrayed in Sangam Literary work, Kurunthogai 349, penned by Saathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a pointed message to the man, listening nearby.

Kurunthogai 348 – Tear blooms amidst the tusk

In this episode, we perceive the projection of an emotion on an element in nature, as depicted in Sangam Literary work, Kurunthogai 348, penned by Maavalathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante rendering the lady, an assurance that the man will not part away from her.

Kurunthogai 347 – What you desire and dare

In this episode, we relish a picturesque comparison between plant and animal life, as portrayed in Sangam Literary work, Kurunthogai 347, penned by Kaaviripoompattinathu Chentham Kannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, expressing his inability to part with the lady.

Kurunthogai 346 – Asking without words

In this episode, we perceive how a person reads the heart of another, as portrayed in Sangam Literary work, Kurunthogai 346, penned by Vaayil Ilankannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, subtly persuading her to tryst with the man by night.

Kurunthogai 345 – An inviting question

In this episode, we listen to words inviting a person to stay, as depicted in Sangam Literary work, Kurunthogai 345, penned by Andar Makan Kuruvaluthiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, requesting him to tryst with the lady by night.

Kurunthogai 344 – In the trail of a cow

In this episode, we listen to a lady’s angst as evening descends, as portrayed in Sangam Literary work, Kurunthogai 344, penned by Kurungudi Maruthanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man continues to be parted away, in his quest for wealth.

Kurunthogai 343 – A tiger and a tusk

In this episode, we perceive an expression of deep confidence, as depicted in Sangam Literary work, Kurunthogai 343, penned by Eelathu Poothanthevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, requesting the lady to consider eloping with the man.

Kurunthogai 342 – A net around nature

In this episode, we observe how a relationship crisis is projected on elements of nature, as depicted in Sangam Literary work, Kurunthogai 342, penned by Kaaviripoompattinathu Kantharathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the man, bidding him to seek the lady’s hand in marriage.

Kurunthogai 341 – A spring of strength

In this episode, we perceive the changes spring brings to a grove and a lady in love, as depicted in Sangam Literary work, Kurunthogai 341, penned by Milaikizhaar Nalvettanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s question about how the lady would bear with the man’s parting, as the promised season of return arrives.

Kurunthogai 340 – Moving hither and thither

In this episode, we perceive the changing stance of a heart, as depicted in Sangam Literary work, Kurunthogai 340, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, when the confidante conveys the man’s request to tryst with the lady by night.

Kurunthogai 339 – Pleasantness of the past

In this episode, we observe a unique way of cheering someone, as depicted in Sangam Literary work, Kurunthogai 339, penned by Peyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, stressing the need to bear with the man’s parting.

Kurunthogai 338 – A respectable male deer

In this episode, we relish a serene scene in the wild, as depicted in Sangam Literary work, Kurunthogai 338, penned by Perunkundroor Kizhaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring her of the man’s return.

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