Podcast Archive

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In this episode, we listen to a determined request put forth to a king, as depicted in Sangam Literary work, Puranaanooru 164, penned about the Velir King Kumanan by the poet Perunthalai Saathanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and reveals the impoverished state of the poet’s family.

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In this episode, we relish a heartwarming verse on sharing, as depicted in Sangam Literary work, Puranaanooru 163, penned about the Velir King Kumanan by the poet Perunchithiranaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse echoes the words spoken by the poet to his wife on returning home from the king’s court.

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In this episode, we see the victory and vindication in a poet’s stance, as depicted in Sangam Literary work, Puranaanooru 162, penned to a Velir King’s brother Ilavelimaan by the poet Perunchithiranaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and illustrates how the poet forgives not a lack of generosity.

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In this episode, we perceive deep wishes in a poet’s heart, as portrayed in Sangam Literary work, Puranaanooru 161, penned about the Velir King Kumanan by the poet Perunchithiranaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse presents a geographic simile to depict the king’s nature.

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In this episode, we are presented with intricate facets of life from a poet’s home, as depicted in Sangam Literary work, Puranaanooru 160, penned about the Velir King Kumanan by the poet Perunchithiranaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse reveals the renown of this king.

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In this episode, we perceive the food and life of a family in poverty, as portrayed in Sangam Literary work, Puranaanooru 159, penned about the Velir King Kumanan by the poet Perunchithiranaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and puts forth a specific request about gifting to this king.

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In this episode, we are presented with a list of great kings from ancient Tamil land, as depicted in Sangam Literary work, Puranaanooru 158, penned about the Velir King Kumanan by the poet Perunchithiranaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the new hope on the poets’ horizon.

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In this episode, we listen to a glowing tribute to a leader from the mountains, as portrayed in Sangam Literary work, Puranaanooru 157, penned about the local leader Eraikkon by the poet Kuramakal Ilaveyini. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Leader’s praise’ and speaks about the qualities of the leader and his land.

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In this episode, we hear praises addressed to a leader’s domain, as depicted in Sangam Literary work, Puranaanooru 156, penned about the leader Konkaanam Kizhaan by the poet Mosi Keeranaar. Set in the category of ‘Paadaan Thinai’, the verse explains the unique greatness of the region.

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In this episode, we perceive a glowing simile for generosity, as portrayed in Sangam Literary work, Puranaanooru 155, penned about the leader Konkaanam Kizhaan by the poet Mosi Keeranaar. Set in the category of ‘Paadaan Thinai’, the verse shows a bard the way to end his poverty.

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In this episode, we learn of a poet’s regard for a chieftain, as portrayed in Sangam Literary work, Puranaanooru 154, penned about a local leader Konkaanam Kizhaan by the poet Mosi Keeranaar. The verse is situated in the category of ‘Paadaan Thinai’ and reveals the poet’s present state of mind.

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In this episode, we learn of unintended consequences of charity, as depicted in Sangam Literary work, Puranaanooru 153, penned about the Velir King Valvil Ori by the poet Vanparanar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse speaks about the state of artists who have witnessed this king’s generosity.

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In this episode, we are introduced to a new king, as portrayed in Sangam Literary work, Puranaanooru 152, penned about the Velir King Valvil Ori by the poet Vanparanar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse narrates the poet’s encounter with this king.

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In this episode, we encounter an interesting situation involving two kings and a poet, as depicted in Sangam Literary work, Puranaanooru 151, penned on the Velir King Ila Vichiko by the poet Perunthalai Saathanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and relates reasons on why the king is not sung about by poets.

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In this episode, we see the nature of a king’s personality come alive, as portrayed in Sangam Literary work, Puranaanooru 150, penned about the Velir King Kandeera Koperum Nalli by the poet Vanparanar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse narrates an incident that happened one day in the life of the poet.

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In this episode, we listen to the consequences of a king’s charity, as depicted in Sangam Literary work, Puranaanooru 149, penned about the Velir King Kandeera Koperum Nalli by the poet Vanparanar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and renders details about the musical scene of those times.

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In this episode, we learn of the vast generosity of a king, as depicted in Sangam Literary work, Puranaanooru 148, penned about the Velir King Kandeera Koperum Nalli by the poet Vanparanar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse puts forth an argument about why there was no need for the poet to render lies.

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In this episode, we perceive the same gift being requested of this king, as depicted in Sangam Literary work, Puranaanooru 147, penned about the Velir King Vaiyaavi Koperum Bekan by the poet Perunkundroor Kizhaar. The verse is situated in the category of ‘Perunthinai’ or ‘Inappropriate love’ and speaks about a lonely lady’s state of suffering.

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In this episode, we hear yet another poet advise the king on what must be done next, as depicted in Sangam Literary work, Puranaanooru 146, penned about the Velir King Vaayaavi Koperum Bekan by the poet Arisil Kizhaar. Set in the category of ‘Perunthinai’ or ‘Inappropriate love’, the verse puts forth a special request to the king.

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In this episode, we listen to a striking request from a poet, as depicted in Sangam Literary work, Puranaanooru 145, penned about the Velir King Vaiyaavi Koperum Bekan by the poet Paranar. Set in the category of ‘Perunthinai’ or ‘Inappropriate love’, the verse stresses on the rightful course of action by this king.

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In this episode, we gather further details about the situation involving a crying lady, as portrayed in Sangam Literary work, Puranaanooru 144, penned about the Velir King Vaayaavi Koperum Bekan by the poet Paranar. The verse is situated in the category of ‘Perunthinai’ or ‘Inappropriate love’ and relates the words of a distressed woman.

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In this episode, we encounter rare elements of inner life involving a king, as portrayed in Sangam Literary work, Puranaanooru 143, penned about the Velir King Vaiyaavi Koperum Bekan by the prolific poet Kabilar. Set in the category of ‘Perunthinai’ or ‘Inappropriate love’, the verse narrates the sadness of a forsaken person.

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In this episode, we listen to a nuanced differentiation in a king’s approach, as portrayed in Sangam Literary work, Puranaanooru 142, penned about the Velir King Vaiyaavi Koperum Bekan by the poet Paranar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and responds to a criticism about the king.

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In this episode, we perceive the nuances in charity rendered unto others, as depicted in Sangam Literary work, Puranaanooru 141, penned about the Velir King Vaiyaavi Koperum Bekan by the poet Paranar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse directs a fellow bard to a king’s court.

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In this episode, we observe a curious technique of rendering praise, as portrayed in Sangam Literary work, Puranaanooru 140, penned about the Velir King Naanjil Valluvan by the poet Avvaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and sketches the story of what was sought and what was got.

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In this episode, we perceive the urgency in a request, as depicted in Sangam Literary work, Puranaanooru 139, penned about the Velir King Naanjil Valluvan by the poet Maruthan Ilanaakanaar. Set in the category of ‘Paadaan Thinai’, the verse sketches those accompanying this poet and their demand to the king.

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In this episode, we listen to words of positivity rendered to a hopeful heart, as depicted in Sangam Literary work, Puranaanooru 138, penned about the Velir King Naanjil Valluvan by the poet Maruthan Ilanaakanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and promises good things to come in the life of another.

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In this episode, we perceive the greatness of a king and the riches of his country, as depicted in Sangam Literary work, Puranaanooru 137, penned about the Velir King Naanjil Valluvan by the poet Oru Sirai Periyanaar. Set in the category of ‘Paadaan Thinai’, the verse reveals the loyalty and respect the poet feels towards this king.

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In this episode, we perceive the poverty of poets, as portrayed in Sangam Literary work, Puranaanooru 136, penned about the Velir King Aay Andiran by the poet Thuraiyoor Odai Kizhaar. The verse is situated in the category of ‘Paadaan Thinai’ and narrates the elements that cause suffering in the life of these supplicants and their only salvation.

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In this episode, we perceive the regard that a poet has in his heart for this patron, as portrayed in Sangam Literary work, Puranaanooru 135, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse describes the journey of this poet and the reason he has arrived at this king’s court.

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In this episode, we perceive an intriguing discussion on intentions, as depicted in Sangam Literary work, Puranaanooru 134, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and informs us about the ethical source of this king’s generosity.

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In this episode, we listen to guidance being passed on to a co-worker, as depicted in Sangam Literary work, Puranaanooru 133, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse reveals a patron’s immense generosity.

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In this episode, we listen to the regret of a poet, as depicted in Sangam Literary work, Puranaanooru 132, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse touches on the spread of the land to illustrate an emotion.

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In this episode, we listen to a curious question about a forest, as depicted in Sangam Literary work, Puranaanooru 131, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse echoes the generosity of this king.

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In this episode, we perceive the king’s vast generosity, as depicted in Sangam Literary work, Puranaanooru 130, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse employs the emotion of awe to portray the nature of this king.

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In this episode, we perceive the lifestyle of people in this ruler’s domain, as portrayed in Sangam Literary work, Puranaanooru 129, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and highlights the generosity of this king.

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In this episode, we take in scenes in nature involving wild life, as portrayed in Sangam Literary work, Puranaanooru 128, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse relates the inaccessibility of the king to his foes.

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In this episode, we perceive a striking simile and a unique technique of praise, as depicted in Sangam Literary work, Puranaanooru 127, penned about the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and brings out the not so obvious greatness of King Aay.

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In this episode, we hear of the glory of a king and his land, as depicted in Sangam Literary work, Puranaanooru 126, penned about the Velir King Malaiyamaan Thirumudi Kaari by the female poet Maarokkathu Nappasalaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse relates the immense power of this patron in pulling poets to sing of his fame.

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In this episode, we hear the perspectives of two rulers about this patron, as portrayed in Sangam Literary work, Puranaanooru 125, penned about the Velir King Malaiyamaan Thirumudi Kaari by the poet Vadama Vannakkan Perunchathanaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse illustrates the consequences of this king’s presence in the battlefield.

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In this episode, we hear about the assurance rendered to supplicants, as depicted in Sangam Literary work, Puranaanooru 124, penned about the Velir King Malaiyamaan Thirumudi Kaari by the poet Kabilar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the infinite generosity of this ruler.

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In this episode, we hear of the impeccable generosity of a king, as portrayed in Sangam Literary work, Puranaanooru 123, penned about the Velir King Malaiyamaan Thirumudi Kaari by the poet Kabilar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse reveals the nature of this ruler.

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In this episode, we hear of an ironic life situation, as portrayed in Sangam Literary work, Puranaanooru 122, penned about the Velir King Malaiyamaan Thirumudi Kaari by the poet Kabilar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and brings out the riches of the land and the respect the king commanded.

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In this episode, we listen to words of advice rendered unto a king, as depicted in Sangam Literary work, Puranaanooru 121, penned about the Velir King Malaiyamaan Thirumudi Kaari by the poet Kabilar. Set in the category of ‘Pothuviyal Thinai’ or ‘Miscellaneous matters’, the verse brings out the generosity and impartiality of this ruler.

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In this episode, we listen to a detailed account of the agricultural wealth of a country, as portrayed in Sangam Literary work, Puranaanooru 120, penned about the Velir King Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘Miscellaneous matters’ and details the lifestyle of the people in the king’s land.

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In this episode, we get a glimpse of a fertile land and its foods, as portrayed in Sangam Literary work, Puranaanooru 119, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Pothuviyal Thinai’ or ‘Miscellaneous matters’, the verse vividly illustrates the generosity of this king.

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In this episode, we perceive the angst in a poet’s heart, as depicted in Sangam Literary work, Puranaanooru 118, penned about the Velir King Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘Miscellaneous matters’ and talks about the ruin that has come to the king’s country after his demise.

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In this episode, we perceive the past prosperity of the king’s land, as portrayed in Sangam Literary work, Puranaanooru 117, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Pothuviyal Thinai’ or ‘Miscellaneous matters’, the verse details the unceasing natural wealth of the king’s country during his reign.

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In this episode, we listen to an account of how life has changed after a momentous event, as portrayed in Sangam Literary work, Puranaanooru 116, penned about the Velir King Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’ and talks about the past and present in the life of the king’s daughters.

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In this episode, we listen to the nostalgic words of a person parting away, as portrayed in Sangam Literary work, Puranaanooru 115, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse talks about the riches of the king’s land.

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In this episode, we perceive the past fame of Parambu peak, as portrayed in Sangam Literary work, Puranaanooru 114, penned about the Velir King Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’ and renders a subtle message about a place bereft of its ruler.

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In this episode, we listen to words expressing grief, as depicted in Sangam Literary work, Puranaanooru 113, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse talks about the past prosperity of the land.

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In this episode, we listen to a lament, as portrayed in Sangam Literary work, Puranaanooru 112, penned about the Velir King Vel Paari by the king’s daughters. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’ and details the changes in the lives of these maiden.

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In this episode, we perceive an ironic situation, as portrayed in Sangam Literary work, Puranaanooru 111, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Nochchi Thinai’ or ‘King’s defence from within’, the verse talks about who can attain the peak of Parambu with ease.

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In this episode, we perceive the poet’s bond with the king, as portrayed in Sangam Literary work, Puranaanooru 110, penned about the Velir King Vel Paari and sung to the three great rulers by the poet Kabilar. The verse is situated in the category of ‘Nochchi Thinai’ or ‘King’s defence from within’ and reiterates the pointlessness of a war with the king.

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In this episode, we learn of the impenetrable nature of the king’s domain, as depicted in Sangam Literary work, Puranaanooru 109, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Nochchi Thinai’ or ‘King’s defence from within’, the verse elaborates on why the efforts of attacking kings was futile.

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In this episode, we are transported to a rich mountain land, as portrayed in Sangam Literary work, Puranaanooru 108, penned about the Velir king Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the limitless generosity of this king.

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In this episode, we delve into an intricate and eloquent thought about a king, as depicted in Sangam Literary work, Puranaanooru 107, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse brings out the greatness of the monarch in a unique manner.

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In this episode, we learn of a king’s impartial generosity, as depicted in Sangam Literary work, Puranaanooru 106, penned about the Velir King Vel Paari by the poet Kabilar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and places a virtue of the king in parallel to God.

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In this episode, we learn of the nature of a king, as portrayed in Sangam Literary work, Puranaanooru 105, penned about the Velir King Vel Paari by the poet Kabilar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse hints about the natural wealth and beauty of the king’s land.

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In this episode, we perceive the disillusionment that awaits those who seek to attack the king, as depicted in Sangam Literary work, Puranaanooru 104, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and hints about the valorous way in which the king defended his domain.

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In this episode, we listen to the guidance offered to a peer professional, as portrayed in Sangam Literary work, Puranaanooru 103, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse sketches a portrait of a female singer and the path to her salvation from poverty.

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In this episode, we perceive an intriguing simile about occupational events, as portrayed in Sangam Literary work, Puranaanooru 102, penned about the Velir King Athiyamaan Nedumaan Anji’s son Pokuttu Ezhini by the poet Avvaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the royal’s support to the king’s rule.

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In this episode, we perceive the trust in the king’s generosity, as portrayed in Sangam Literary work, Puranaanooru 101, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Paadan Thinai’ or ‘King’s praise’, the verse illustrates the feeling of assurance in the minds of those who sought the king’s patronage.

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In this episode, we perceive a portrait of a king’s fury, as depicted in Sangam Literary work, Puranaanooru 100, penned about the Velir King Athiyamaan Nedumaan Anji, by the poet Avvaiyaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse brings alive a momentous day in the life of this king.

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In this episode, we perceive the greatness of this king, as depicted in Sangam Literary work, Puranaanooru 99, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse describes the accolades received by the king.

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In this episode, we perceive the mindset of enemy kings, as depicted in Sangam Literary work, Puranaanooru 98, penned about the Velir king Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and narrates the consequences of the king’s decision to battle.

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In this episode, we listen to a message of warning, as depicted in Sangam Literary work, Puranaanooru 97, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse paints a vivid picture of the prowess of this king in a battlefield.

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In this episode, we meet a dashing prince, as depicted in Sangam Literary work, Puranaanooru 96, penned about the Velir King Athiyamaan Nedumaan Anji’s son Pokuttu Ezhini by the poet Avvaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the dangers in this young man’s life.

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In this episode, we observe an ingenious technique to prevent a war, as portrayed in Sangam Literary work, Puranaanooru 95, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse talks about how a messenger rendered the perfect words poised to change an enemy king’s heart.

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In this episode, we perceive contrasting imagery, as portrayed in Sangam Literary work, Puranaanooru 94, penned about the Velir King Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and vividly sketches the personality of this king.

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In this episode, we learn of courage and death in an ancient battlefield, as depicted in Sangam Literary work, Puranaanooru 93, penned about the Velir King Athiyamaan Nedumaan Anji, by the poet Avvaiyaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse sketches the honourable conquest of this king at war.

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In this episode, we relish an intriguing comparison, as portrayed in Sangam Literary work, Puranaanooru 92, penned about the Velir king Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and echoes a deep truth about reality and perception.

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In this episode, we perceive an act of benevolence, as depicted in Sangam Literary work, Puranaanooru 91, penned about the Velir king Athiyamaan Nedumaan Anji by the renowned poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse celebrates a thoughtful gesture by this king.

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In this episode, we listen to words of encouragement rendered unto a king, as portrayed in Sangam Literary work, Puranaanooru 90, penned on the Velir king Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is set in the category of ‘Thumbai Thinai’ or ‘Battle of two kings’ and demonstrates how victory is sure to favour the king.

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In this episode, we perceive a region’s readiness to battle, as portrayed in Sangam Literary work, Puranaanooru 89, penned on the Velir king Athiyamaan Nedumaan Anji by the poet Avvaiyaar. Set in the category of ‘Thumbai Thinai’ or ‘Battle of two kings’, the verse responds to an arrogant question from an enemy king.

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In this episode, we listen to a glowing depiction of a king, as portrayed in Sangam Literary work, Puranaanooru 88, penned on the Velir king Athiyamaan Nedumaan Anji by the poet Avvaiyaar. The verse is set in the category of ‘Thumbai Thinai’ or ‘Battle of two kings’ and renders a message of warning to enemy kings.

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In this episode, we perceive a striking simile to sketch a portrait of a king, as depicted in Sangam Literary work, Puranaanooru 87, penned on the Velir king Athiyamaan Nedumaan Anji by the illustrious poet from Sangam times, Avvaiyaar. Set in the category of ‘Thumbai Thinai’ or ‘Battle of two kings’, the verse talks about the strength and skill of this Sangam ruler.

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In this episode, we perceive the bond of a mother with her son, as depicted in Sangam Literary work, Puranaanooru 86, penned by the poet, Kaavarpendu. The verse is situated in the category of ‘Vaagai Thinai’ or ‘Battle victory’ and renders the whereabouts of a person.

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In this episode, we perceive the conclusion of a fight, as portrayed in Sangam Literary work, Puranaanooru 85, penned about the Chozha King Poravai Kopperunarkilli by the poet Nakkannaiyaar. Set in the category of ‘Kaikilai’ or ‘Inappropriate love’, the verse highlights two different stances of the townsfolk regarding the king.

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In this episode, we perceive the distress of unrequited feelings, as portrayed in Sangam Literary work, Puranaanooru 84, penned about the Chozha King Poravai Kopperunarkilli by the poet Nakkannaiyaar. The verse is set in the category of ‘Kaikilai’ or ‘Inappropriate love’ and talks about the state of soldiers who dare to oppose the king in battle.

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In this episode, we perceive passion in a lady’s heart, as portrayed in Sangam Literary work, Puranaanooru 83, penned about the Chozha King Poravai Kopperunarkilli by the poet Nakkannaiyaar. Set in the category of ‘Kaikilai’ or ‘Inappropriate love’, the verse intrigues us with its hues of inner life.

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In this episode, we perceive the brevity of a battle with a striking simile, as depicted in Sangam Literary work, Puranaanooru 82, penned about the Chozha King Poravai Kopperunarkilli by the poet Saathanthaiyaar. The verse is set in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and describes how soon a fierce fight ended.

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In this episode, we perceive the fierceness of a king’s army, as depicted in Sangam Literary work, Puranaanooru 81, penned about the Chozha King Poravai Kopperunarkilli by the poet Saathanthaiyaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse talks about the king’s generosity and courage.

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In this episode, we hear of the power and skill of a royal, as portrayed in Sangam Literary work, Puranaanooru 80, penned about the Chozha King Poravai Kopperunarkilli by the poet Saathanthaiyaar. The verse is situated in the category of ‘Thumbai Thinai’ or ‘battle of two kings’ and talks about the impressive victory of this king in hand to hand combat.

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In this episode, we perceive the majestic stride of a king into a battlefield, as portrayed in Sangam Literary work, Puranaanooru 79, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Idaikundroor Kizhaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse mulls over the fate of enemy soldiers.

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In this episode, we hear of the fall of the enemy’s ego and the rise of a king’s might, as depicted in Sangam Literary work, Puranaanooru 78, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Idaikundroor Kizhaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and talks about the disastrous defeat of enemy kings.

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In this episode, we are given strong hints about the age of a warrior king, as depicted in Sangam Literary work, Puranaanooru 77, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Idaikundroor Kizhaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse talks about the attitude of this king on the battlefield.

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In this episode, we perceive a significant event in the battlefield, as portrayed in Sangam Literary work, Puranaanooru 76, penned about the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Idaikundroor Kizhaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and describes the unparalleled achievement of this ruler.

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In this episode, we perceive a king’s view on who a great king is, as depicted in Sangam Literary work, Puranaanooru 75, penned by the Chozha king Nalankilli. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse contrasts the attributes of two types of rulers.

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In this episode, we perceive the suffering in a king’s heart, as portrayed in Sangam Literary work, Puranaanooru 74, penned by the Chera King Kanaikkaal Irumporai. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’ and talks about honour in the birth and life of rulers.

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In this episode, we listen to furious words uttered by a king, as portrayed in Sangam Literary work, Puranaanooru 73, penned by the Chozha king Nalankilli. Set in the category of ‘Kaanji Thinai’ or ‘King’s oath’, the verse highlights a surprising priority in this king’s life.

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In this episode, we learn of the duties of a king, as depicted in Sangam Literary work, Puranaanooru 72, penned by a Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan. The verse is situated in the category of ‘Kaanji Thinai’ or ‘King’s oath’ and expresses the rage in the king’s mind about the attitude of attacking kings.

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In this episode, we perceive priorities in life from a king’s perspective, as portrayed in Sangam Literary work, Puranaanooru 71, penned by a poet-king from the Pandya dynasty, Ollaiyoor Thantha Bootha Pandiyan. Set in the category of ‘Kaanji Thinai’ or ‘King’s oath’, the verse sketches the emotions of this king on hearing about the decision of enemy kings to attack his land.

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In this episode, we relish a series of striking similes, as depicted in Sangam Literary work, Puranaanooru 70, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Kovoor Kizhaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and talks about the wealth and generosity of this king.

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In this episode, we listen to the valour and generosity of a king, as depicted in Sangam Literary work, Puranaanooru 69, penned about the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Aalathoor Kizhaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse promises good tidings to a poor bard, who has nowhere to turn.

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In this episode, we listen to an account of wealth and courage in the king’s country, as depicted in Sangam Literary work, Puranaanooru 68, penned about the Chozha King Nalankilli by the poet Kovoor Kizhaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and directs an impoverished bard to the court of the said king.

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In this episode, we listen to words rendered unto a migratory bird, as depicted in Sangam Literary work, Puranaanooru 67, penned about the Chozha king Koperunchozhan by the poet Pisiraanthaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse illustrates a poet’s perspective of the regard his patron had for him.

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In this episode, we listen to a bold statement of comparison, as portrayed in Sangam Literary work, Puranaanooru 66, penned about the Chozha King Karikaalan by the poet Venni Kuyathiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘king’s victory’ and talks about how this king’s opponent seems to have claimed a greater victory.

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In this episode, we perceive the sense of honour in a king, as depicted in Sangam Literary work, Puranaanooru 65, penned about the Chera King Peruncheralathan by the poet Kazhaathalaiyaar. Set in the category of ‘Pothuviyal Thinai’ or ‘miscellaneous matters’, the verse talks about the despair of a nation because of a king’s fateful decision.

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In this episode, we learn of the impoverished life of a poet, as depicted in Sangam Literary work, Puranaanooru 64, penned about the Pandya King Palyaakasalai Muthukudumi Peruvazhuthi by the poet Nedumpalliyathanaar. The verse is situated in the category of ‘Paadan Thinai’ or ‘King’s praise’ and directs a dancing maiden to avail the generosity of this Pandya king.

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In this episode, we hear of all that’s ruined on a battlefield, as depicted in Sangam Literary work, Puranaanooru 63, penned about the Chera King Kudakko Neduncheralathan and Chozha king Verpahradakkai Peruviral Killi by the poet Paranar. Set in the category of ‘Thumbai Thinai’ or ‘battle of two kings’, the verse details the state of the animals, objects and people at the end of a tragic war.

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In this episode, we perceive scenes from a tragic battlefield, as depicted in Sangam Literary work, Puranaanooru 62, penned about the Chera King Kudakko Neduncheralathan and Chozha king Verpahradakkai Peruviral Killi by the poet Kazhaathalaiyaar. The verse is situated in the category of ‘Thumbai Thinai’ or ‘battle of two kings’ and relates scenes of pain and loss in a battlefield.

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In this episode, we perceive the riches in a king’s country, as depicted in Sangam Literary work, Puranaanooru 61, penned about the Chozha King Ilavanthikaippalli Thunjiya Nalankilli Chetchenni by the poet Erichaloor Maadalan Madurai Kumaranaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse describes the state of the king’s enemies and proteges.

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In this episode, we relish a stack of similes that celebrate a king, as depicted in Sangam Literary work, Puranaanooru 60, penned about the Chozha King Kuraapalli Thunjiya Perunthirumaavalavan by the poet Uraiyur Maruthuvan Thaamotharanaar. The verse is situated in the category of ‘Paadan Thinai’ or ‘King’s praise’ and talks in a symbolic manner about the reign of this ruler.

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In this episode, we listen to a tribute paid to a king, as portrayed in Sangam Literary work, Puranaanooru 59, penned about the Pandya King Chithiramaadathu Thunjiya Nanmaaran by the poet Madurai Koolavaanikan Seethalai Saathanaar. Set in the category of ‘Paadan Thinai’ or ‘king’s praise’, the verse compares the ruler’s nature to celestial objects.

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In this episode, we encounter not one but two kings of that ancient era, as depicted in Sangam Literary work, Puranaanooru 58, penned about the Chozha King Kuraapalli Thunjiya Perunthirumaavalavan and the Pandya King Velliampalathu Thunjiya Peruvazhuthi by the poet Kaaviripoompattinathu Kaari Kannanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘King’s praise’ and delights in the together stand of these two rulers.

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In this episode, we hear a plea to a warring king, as depicted in Sangam Literary work, Puranaanooru 57, penned about the Pandya King Ilavanthikaipalli Thunjiya Nanmaaran by the poet Kaaviripoompattinathu Kaarikannanaar. Set in the category of ‘Vanji Thinai’ or ‘King’s prowess’, the verse focuses on the acts of a king in the middle of a siege.

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In this episode, we perceive the comparison of a pantheon of gods to a patron, as portrayed in Sangam Literary work, Puranaanooru 56, penned about the Pandya King Ilavanthikaipalli Thunjiya Nanmaaran by the poet Madurai Kanakkaayanaar Makanaar Nakkeeranaar. The verse is situated in the category of ‘Paadan Thinai’ or ‘king’s praise’ and celebrates the virtues of this king.

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In this episode, we listen to a tribute paid to a king, as portrayed in Sangam Literary work, Puranaanooru 55, penned about the Pandya King Ilavanthikaipalli Thunjiya Nanmaaran by the poet Madurai Maruthan Ilanaakanaar. Set in the category of ‘Paadan Thinai’ or ‘King’s praise’, the verse renders words of advice to the ruler.

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In this episode, we perceive the contrasting perspectives that a ruler presents, as portrayed in Sangam Literary work, Puranaanooru 54, penned about the Chera King Kuttuvan Kothai by the poet Konaattu Erichaloor Maadalan Madurai Kumaranaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘King’s victory’ and talks about the compassion and strength of this Chera king.

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In this episode, we perceive the respect Sangam poets had for their predecessors, as portrayed in Sangam Literary work, Puranaanooru 53, penned about the Chera King Maantharancheral Irumporai by the poet Porunthil Ilankeeranaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse mentions about the poet’s attempts to capture the essence of the king’s war exploits.

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In this episode, we perceive the changing nature of a nation caught in a war, as portrayed in Sangam Literary work, Puranaanooru 52, penned about the Pandya King Koodakaarathu Thunjiya Maaran Vazhuthi by the poet Maruthan Ilanaakanaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘king’s victory’ and talks about the past and future of enemy lands.

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In this episode, we perceive the fury of a king, as portrayed in Sangam Literary work, Puranaanooru 51, penned about the Pandya King Koodakaarathu Thunjiya Maaran Vazhuthi by the poet Aiyoor Mudavanaar. Set in the category of ‘Vaagai Thinai’ or ‘King’s victory’, the verse speaks about the state of those who oppose this Pandya king.

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In this episode, we perceive the noble act of a king, as depicted in Sangam Literary work, Puranaanooru 50, penned about the Chera King Thakadur Erintha Peruncheral Irumporai, by the poet Mosi Keeranaar. The verse is situated in the category of ‘Paadan Thinai’ or ‘King’s praise’ and depicts the tolerance and compassion of this Chera king.

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In this episode, we learn of the geographic extent of a king’s domain, as depicted in Sangam Literary work, Purananooru 49, penned about the Chera king Kokothai Maarban by the poet Poikaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘King’s praise’, the verse celebrates the wealth in the land of the Chera King.

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In this episode, we perceive a tribute paid to a Chera king, as depicted in Sangam Literary work, Puranaanooru 48, penned about the Chera king Kokothai Maarban by the poet Poikaiyaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘king’s praise’ and aims to direct another poet to the court of this king.

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In this episode, we perceive a poet’s strong support for those of his kind, as portrayed in Sangam Literary work, Puranaanooru 47, sung to the Chozha King Nedunkilli by the poet Kovoor Kizhaar. Set in the category of ‘Vanji Thinai’ or ‘king’s prowess’, the verse sketches the life and values of a Sangam poet.

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In this episode, we witness a rendition of heart-rending words, as portrayed in Sangam Literary work, Puranaanooru 46, sung to the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Kovoor Kizhaar. The verse is situated in the category of ‘Vanji Thinai’ or ‘king’s prowess in the battlefield’ and argues against an atrocious act about to be committed.

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In this episode, we listen to piercing words of advice rendered unto two warring kings, as portrayed in Sangam Literary work, Puranaanooru 45, sung to the Chozha kings Nalankilli and Nedunkilli. Set in the category of ‘Vanji Thinai’ or ‘king’s prowess in the battlefield’, the verse remarks on the futility of war under a given circumstance.

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In this episode, we observe the influence of poets in a king’s court, as portrayed in Sangam Literary work, Puranaanooru 44, sung to the Chozha king Nedunkilli by the poet Kovoor Kizhaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘king’s victory’ and advises the king on the course of action in the midst of a siege.

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In this episode, we perceive the changing thoughts in a person’s mind, as depicted in Sangam Literary work, Puranaanooru 43, penned about Maavalathaan, the younger brother of Chozha king Nalankilli, by the poet Thaamarpal Kannanaar. Set in the category of ‘Vaagai Thinai’ or ‘king’s victory’, the verse illustrates how this royal personality won the heart of an angered poet.