Podcast Archive

SangamLit

Kurunthogai 366 – The hand of fate

In this episode, we listen to wise words about the inevitability of an event, as portrayed in Sangam Literary work, Kurunthogai 366, penned by Peri Saathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady’s mother, revealing the lady’s relationship with the man.

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Kurunthogai 365 – Slipping shell bangles

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In this episode, we observe the acute effects of pining in a lady, as depicted in Sangam Literary work, Kurunthogai 365, penned by Madurai Nalvelliyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, explaining the lady’s inability to bear with his parting.

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Kurunthogai 364 – Sought out by the otter

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In this episode, we perceive envy and quarrel over a man, as portrayed in Sangam Literary work, Kurunthogai 364, penned by Avvaiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of a courtesan, passing on a pointed message to the friends of another courtesan.

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Kurunthogai 363 – Vision of a decision

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In this episode, we perceive a nuanced approach to dissuading someone, as depicted in Sangam Literary work, Kurunthogai 363, penned by Selloor Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the man, when he tells her of his intention to part away from the lady to go in search of wealth.

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Kurunthogai 362 – Open challenge to superstition

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In this episode, we observe the courage of a person in questioning false beliefs, as portrayed in Sangam Literary work, Kurunthogai 362, penned by Vempatroor Kannan Koothanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the priest Velan, passing on a clear message about the lady’s relationship with the man to the listening kith and kin.

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Kurunthogai 361 – A flame-lily in the flood

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In this episode, we perceive how solace can come from unexpected corners, as portrayed in Sangam Literary work, Kurunthogai 361, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to that friend’s appreciation that the lady had bore well with the man’s parting.

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Kurunthogai 360 – Today’s trial for tomorrow’s triumph

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In this episode, we perceive the intricate thought process of a Sangam lady in a critical situation, as portrayed in Sangam Literary work, Kurunthogai 360, penned by Madurai Eelathu Poothanthevanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, passing on a pointed message to the man, listening nearby.

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Kurunthogai 359 – Ripples of love

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In this episode, we perceive a happy moment of reconciliation, as depicted in Sangam Literary work, Kurunthogai 359, penned by Peyanaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the bard, relating how the man has managed to allay the anger of his wife and reunite with her.

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Kurunthogai 358 – On walls and in the wild

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In this episode, we listen to consoling words rendered to an anxious heart, as depicted in Sangam Literary work, Kurunthogai 358, penned by Kotranaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, as the man remains parted away.

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Kurunthogai 357 – Firebrands and falling stars

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In this episode, we gaze at soaring mountains and falling stars, as portrayed in Sangam Literary work, Kurunthogai 357, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 356 – Gold bowls to muddy puddles

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In this episode, we perceive shock and disbelief in the voice of a mother, as portrayed in Sangam Literary work, Kurunthogai 356, penned by Kayamanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady’s mother, on hearing about the lady’s elopement with the man.

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Kurunthogai 355 – A pathless lightless quest

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In this episode, we observe an ancient mountain village at a particular time of the day, as depicted in Sangam Literary work, Kurunthogai 355, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, as he arrives at the lady’s house for his nightly tryst.

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Kurunthogai 354 – Reddening eyes and souring honey

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In this episode, we listen to philosophical words rendered in a moment of angst, as portrayed in Sangam Literary work, Kurunthogai 354, penned by Kayathoor Kizhaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the man, refusing him entry to the lady’s house.

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Kurunthogai 353 – Sleepless in mother’s embrace

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In this episode, we perceive contrasting scenes and emotions, as depicted in Sangam Literary work, Kurunthogai 353, penned by Uraiyoor Muthukootranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 352 – On the wing of suffering

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In this episode, we relish a striking plant-animal simile, as portrayed in Sangam Literary work, Kurunthogai 352, penned by Kadiyaloor Uruthirankannanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her distress as the man remains parted away.

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Kurunthogai 351 – Crab claws and town tongues

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In this episode, we perceive the perfect fusion of elements in nature and emotions in human nature, as depicted in Sangam Literary work, Kurunthogai 351, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, conveying a happy news to her friend.

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Kurunthogai 350 – The cry of consequences

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In this episode, we perceive a technique to effect acceptance, as depicted in Sangam Literary work, Kurunthogai 350, penned by Aalathoor Kizhaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of confidante to the lady, asking her to bear better with the man’s parting.

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Kurunthogai 349 – Stepped on by a stork

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In this episode, we reflect on honour in charity, as portrayed in Sangam Literary work, Kurunthogai 349, penned by Saathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a pointed message to the man, listening nearby.

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Kurunthogai 348 – Tear blooms amidst the tusk

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In this episode, we perceive the projection of an emotion on an element in nature, as depicted in Sangam Literary work, Kurunthogai 348, penned by Maavalathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante rendering the lady, an assurance that the man will not part away from her.

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Kurunthogai 347 – What you desire and dare

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In this episode, we relish a picturesque comparison between plant and animal life, as portrayed in Sangam Literary work, Kurunthogai 347, penned by Kaaviripoompattinathu Chentham Kannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, expressing his inability to part with the lady.

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Kurunthogai 346 – Asking without words

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In this episode, we perceive how a person reads the heart of another, as portrayed in Sangam Literary work, Kurunthogai 346, penned by Vaayil Ilankannanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, subtly persuading her to tryst with the man by night.

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Kurunthogai 345 – An inviting question

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In this episode, we listen to words inviting a person to stay, as depicted in Sangam Literary work, Kurunthogai 345, penned by Andar Makan Kuruvaluthiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, requesting him to tryst with the lady by night.

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Kurunthogai 344 – In the trail of a cow

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In this episode, we listen to a lady’s angst as evening descends, as portrayed in Sangam Literary work, Kurunthogai 344, penned by Kurungudi Maruthanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man continues to be parted away, in his quest for wealth.

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Kurunthogai 343 – A tiger and a tusk

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In this episode, we perceive an expression of deep confidence, as depicted in Sangam Literary work, Kurunthogai 343, penned by Eelathu Poothanthevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, requesting the lady to consider eloping with the man.

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Kurunthogai 342 – A net around nature

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In this episode, we observe how a relationship crisis is projected on elements of nature, as depicted in Sangam Literary work, Kurunthogai 342, penned by Kaaviripoompattinathu Kantharathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the man, bidding him to seek the lady’s hand in marriage.

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Kurunthogai 341 – A spring of strength

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In this episode, we perceive the changes spring brings to a grove and a lady in love, as depicted in Sangam Literary work, Kurunthogai 341, penned by Milaikizhaar Nalvettanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s question about how the lady would bear with the man’s parting, as the promised season of return arrives.

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Kurunthogai 340 – Moving hither and thither

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In this episode, we perceive the changing stance of a heart, as depicted in Sangam Literary work, Kurunthogai 340, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, when the confidante conveys the man’s request to tryst with the lady by night.

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Kurunthogai 339 – Pleasantness of the past

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In this episode, we observe a unique way of cheering someone, as depicted in Sangam Literary work, Kurunthogai 339, penned by Peyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, stressing the need to bear with the man’s parting.

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Kurunthogai 338 – A respectable male deer

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In this episode, we relish a serene scene in the wild, as depicted in Sangam Literary work, Kurunthogai 338, penned by Perunkundroor Kizhaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring her of the man’s return.

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Kurunthogai 337 – Markers of maturity

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In this episode, we perceive markers of a woman’s maturity, as depicted in Sangam Literary work, Kurunthogai 337, penned by Pothukkayathu Keeranthaiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to the confidante, in response to the confidante’s refusal for the man’s request to tryst with the lady.

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Kurunthogai 336 – Under the chariot wheel

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In this episode, we listen to an instance of tactful refusal and skilful persuasion, as depicted in Sangam Literary work, Kurunthogai 336, penned by Kundriyanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, questioning his intention to tryst with the lady by night, in a thoughtful way.

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Kurunthogai 335 – Sister of hill hunters

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In this episode, we relish a scene involving wildlife in the mountains, as depicted in Sangam Literary work, Kurunthogai 335, penned by Irunthaiyoor Kotran Pulavanaar. Set in the hills of Kurinji, the verse speaks in the voice of the confidante to the man, refusing him his request of nightly tryst with the lady.

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Kurunthogai 334 – To a safe place

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In this episode, we learn of the precarious situation a lady finds herself in, and of her subtle note of hope, as depicted in Sangam Literary work, Kurunthogai 334, penned by Ilampoothanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, in response to the friend’s question as to whether the lady could bear with the man’s parting.

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Kurunthogai 333 – A flight to the future

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In this episode, we listen to a solution suggested for a sensitive situation, as portrayed in Sangam Literary work, Kurunthogai 333, penned by Uzhunthinaim Pulavanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, expressing her idea to reveal the lady’s relationship with the man to her kith and kin.

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Kurunthogai 332 – Elephants in the village centre

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In this episode, we relish an apt metaphor for marital bliss, as depicted in Sangam Literary work, Kurunthogai 332, penned by Madurai Maruthankizhaar Makanaar Ilampothanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a pointed message to the man, listening nearby.

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Kurunthogai 331 – Drying bamboos and dangerous elephants

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In this episode, we listen to assuring words, as portrayed in Sangam Literary work, Kurunthogai 331, penned by Vaadaa Prapanthanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing that the man will not part away.

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Kurunthogai 330 – A washerwoman at work

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In this episode, we relish intricate similes involving an age-old occupation, as depicted in Sangam Literary work, Kurunthogai 330, penned by Kazhaarkeeran Eyitriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, asking a question about the man, as he remains parted away.

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Kurunthogai 329 – Elephant path and easy tears

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In this episode, we perceive the struggle in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 329, penned by Othalaanthaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear better with the man’s parting.

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Kurunthogai 328 – The uproar of slander

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In this episode, we see how a scene of war depicts a situation in love, as portrayed in Sangam Literary work, Kurunthogai 328, penned by the historian poet, Paranar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, consoling her in the man’s absence and assuring her that the rumours that spread will act only for the lady’s good.

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Kurunthogai 327 – Chiding a wild river

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In this episode, we relish a unique way of scolding a person, as portrayed in Sangam Literary work, Kurunthogai 327, penned by Amoovanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to a river, passing on a pointed message to the man, listening nearby.

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Kurunthogai 326 – A day of separation

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In this episode, we perceive an intricate technique of persuasion as portrayed in Sangam Literary work, Kurunthogai 326, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 325 – A pond of tears

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In this episode, we observe the sorrow afflicting a lady, as depicted in Sangam Literary work, Kurunthogai 325, penned by Nannaakaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s worry about the lady’s ability to bear with the man’s parting.

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Kurunthogai 324 – Danger on the double

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In this episode, we perceive the state of mind of three different people acutely, as portrayed in Sangam Literary work, Kurunthogai 324, penned by Kavai Maganaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, subtly persuading him to choose the path of permanent union with the lady.

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Kurunthogai 323 – Days with true life

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In this episode, we listen with a smile to the urgency in the man’s voice, as portrayed in Sangam Literary work, Kurunthogai 323, penned by Pathadi Vaigalaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, urging him to hasten the journey homeward.

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Kurunthogai 322 – Wild calf in a village

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In this episode, we observe the determination in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 322, penned by Aiyoor Mudavanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words of displeasure at the man, as he listens nearby.

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Kurunthogai 321 – Open the doors now

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In this episode, we understand the dangers of nightly travel in the past, as depicted in Sangam Literary work, Kurunthogai 321, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, expressing the need to reveal the lady’s relationship to her kith and kin.

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Kurunthogai 320 – Not even a single day of joy

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In this episode, we breathe in the scents on an ancient shore, as depicted in Sangam Literary work, Kurunthogai 320, penned by Thumbiser Keeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 319 – Togetherness in the wild

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In this episode, we perceive the rising angst in a lady’s heart as the season changes, as portrayed in Sangam Literary work, Kurunthogai 319, penned by Thaayankannanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.

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Kurunthogai 318 – The raft and refuge

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In this episode, we perceive a deep truth about realisations, as portrayed in Sangam Literary work, Kurunthogai 318, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 317 – Sour gooseberry and sweet spring water

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In this episode, we relish picturesque references to wildlife depicting the love life of the protagonists, as portrayed in Sangam Literary work, Kurunthogai 317, penned by Madurai Kandarathathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, consoling the lady that the man would return soon from his travels.

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Kurunthogai 316 – To the hands of hope

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In this episode, we listen to a lady’s distress and her hidden hope, as depicted in Sangam Literary work, Kurunthogai 316, penned by Thumpiser Keeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words asking her to bear with the man’s parting.

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Kurunthogai 315 – Turning to the light of love

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In this episode, we relish picturesque similes, which convey conviction in the heart, as portrayed in Sangam Literary work, Kurunthogai 315, penned by Madurai Velaathathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s question as to whether the lady could bear with the man’s parting.

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Kurunthogai 314 – An evening of rains and pains

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In this episode, we understand the angst in a lady’s heart as the seasons change, as depicted in Sangam Literary work, Kurunthogai 314, penned by Peri Saathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear better with the man’s parting.

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Kurunthogai 313 – An unbreakable bond

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In this episode, we perceive the trust of a lady in her relationship with the man, as depicted in Sangam Literary work, Kurunthogai 313, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, refusing to accept the confidante’s disparaging words about the man, as he listens, nearby.

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Kurunthogai 312 – A changing face

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In this episode, we perceive the reflections in a man’s mind about his lady’s changing demeanour, as depicted in Sangam Literary work, Kurunthogai 312, penned by Kabilar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to himself, as he makes an important decision regarding his love life.

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Kurunthogai 311 – Scent of spreading slander

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In this episode, we observe a lady’s anxiety about her reputation, as depicted in Sangam Literary work, Kurunthogai 311, penned by Chenthan Keeranaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a subtle message to the man listening nearby.

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Kurunthogai 310 – Echoes of loneliness

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In this episode, we perceive a lady’s immense loneliness, as portrayed in Sangam Literary work, Kurunthogai 310, penned by Perunkannanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady should bear better with the man’s parting.

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Kurunthogai 309 – Blooming back again

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In this episode, we relish an apt and picturesque simile that etches a feeling in the mind, as portrayed in Sangam Literary work, Kurunthogai 309, penned by Uraiyoor Challiyan Kumaaranaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the man, allowing him entry into the lady’s house.

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Kurunthogai 308 – A journey just for you

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In this episode, we learn of intriguing facets of an elephant in musth, as depicted in Sangam Literary work, Kurunthogai 308, penned by Perunthot Kurunchaathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, indicating why the lady shouldn’t worry about the man’s parting away.

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Kurunthogai 307 – Crying for the mate

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In this episode, we perceive the projection of human emotions on wild life, as portrayed in Sangam Literary work, Kurunthogai 307, penned by Kadampanoor Saandiliyanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words, chiding the lady to bear with the man’s parting.

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Kurunthogai 306 – A heart that heeds not

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In this episode, we relish a relatable experience in love, as depicted in Sangam Literary work, Kurunthogai 306, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her heart, expressing the state of confusion she finds herself in.

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Kurunthogai 305 – A ceaseless solitary struggle

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In this episode, we relish a unique simile that etches the lady’s state, as depicted in Sangam Literary work, Kurunthogai 305, penned by Kuppai Kozhiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady, passing on a pointed message to the confidante listening nearby.

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Kurunthogai 304 – Trail of a fishing spear

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In this episode, we learn of an ancient fishing method, as portrayed in Sangam Literary work, Kurunthogai 304, penned by Kanakkaayar Thathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, in response to the confidante’s worry about the lady’s ability to bear with the man’s parting.

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Kurunthogai 303 – Flight of a fishing bird

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In this episode, we study the threads of thought connecting wildlife and human life, as depicted in Sangam Literary work, Kurunthogai 303, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, conveying the delicate situation of the lady, and bidding him, in a hidden manner, to seek the lady’s hand in marriage.

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Kurunthogai 302 – An appearance only to the heart

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In this episode, we perceive the angst of a lady, parted away from her beloved, as depicted in Sangam Literary work, Kurunthogai 302, penned by Maangudi Kizhaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, when the confidante worries about the lady’s ability to bear with the man’s parting.

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Kurunthogai 301 – Musical mistake at midnight

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In this episode, we perceive an instance of hallucination in the midst of a separation, as portrayed in Sangam Literary work, Kurunthogai 301, penned by Kundriyanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s question as to how the lady would bear with the man’s parting.

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Kurunthogai 300 – On the shore of your heart

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In this episode, we perceive the commitment of a man in love, as depicted in Sangam Literary work, Kurunthogai 300, penned by Sirakudi Aanthaiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the lady, assuring her that he is hers, forever.

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Kurunthogai 299 – Strange event on a seashore

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In this episode, we listen to the wondering words of a lady, as portrayed in Sangam Literary work, Kurunthogai 299, penned by Venmanipoothiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 298 – Silently seeking a gift

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In this episode, we perceive a curious simile to reveal a person’s mind, as portrayed in Sangam Literary work, Kurunthogai 298, penned by Paranar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, describing the man’s delicate situation.

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Kurunthogai 297 – The only path forward

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In this episode, we perceive the inevitability of a difficult decision, as portrayed in Sangam Literary work, Kurunthogai 297, penned by Kaaviripoompattinathu Kaarikkannanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, bidding the lady to elope away with the man.

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Kurunthogai 296 – A blue lotus beckons

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In this episode, we perceive an intricate method of persuasion, as portrayed in Sangam Literary work, Kurunthogai 296, penned by Perumpaakkanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 295 – From penniless to prosperous

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In this episode, we perceive the changes that has unfolded in a man’s life, as portrayed in Sangam Literary work, Kurunthogai 295, penned by Thoongaloriyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, in response to his request at reconciliation with the lady.

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Kurunthogai 294 – As close as the skirt and skin

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In this episode, we learn of the day-to-day activities of a girl living by the sea, as portrayed in Sangam Literary work, Kurunthogai 294, penned by Anjil Aanthaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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Kurunthogai 293 – Toddy seekers and trouble makers

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In this episode, we perceive a lady’s worry about the future, as portrayed in Sangam Literary work, Kurunthogai 293, penned by Kallil Aathiraiyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, refusing the man’s request for reconciliation.

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Kurunthogai 292 – Ruthless rulers and sleepless subjects

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In this episode, we hear of a king’s cruel act placed as a unique simile, as depicted in Sangam Literary work, Kurunthogai 292, penned by Paranar, a historian poet. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 291 – Flowerlike eyes and musical voice

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In this episode, we perceive a portrait of a lady, placed against her picturesque surroundings, as depicted in Sangam Literary work, Kurunthogai 291, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, describing the beauty and nature of his lady love.

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Kurunthogai 290 – Froth on a rock

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In this episode, we delight in a subtle simile that speaks a thousand words, as depicted in Sangam Literary work, Kurunthogai 290, penned by Kalporu Sirunuraiyaar. Set in the costal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear better with the man’s parting.

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Kurunthogai 289 – Crushed like a leaf

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In this episode, we learn of aspects that disturb the lady in the man’s absence, as depicted in Sangam Literary work, Kurunthogai 289, penned by Perunkannanaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s worry that the man had not returned in the promised season.

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Kurunthogai 288 – Pepper amidst the perfect leaves

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In this episode, we listen to words of trust and positivity, as depicted in Sangam Literary work, Kurunthogai 288, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, refusing to accept the confidante’s words of rebuke about the man.

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Kurunthogai 287 – Journey of a pregnant cloud

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In this episode, we relish an intriguing comparison between weather and human life, as depicted in Sangam Literary work, Kurunthogai 287, penned by Kachipettu Nannaakaiyaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the confidante to the lady, assuring her friend of the man’s return.

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Kurunthogai 286 – In the mind’s eye

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In this episode, we perceive a picturesque portrait of a person, as depicted in Sangam Literary work, Kurunthogai 286, penned by Eyitriyanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the confidante, in response to the confidante’s refusal for his request to tryst with the lady.

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Kurunthogai 285 – Unending days and nights

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In this episode, we perceive the angst of a lady parted from her beloved, as depicted in Sangam Literary work, Kurunthogai 285, penned by Poothan Thevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words bidding her to bear better with the man’s parting.

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Kurunthogai 284 – Battling elephants and blooming flame-lilies

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In this episode, we relish alluring imagery from the natural world, as depicted in Sangam Literary work, Kurunthogai 284, penned by Milaivel Thithanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, in response to the lady’s worry about the slander that would spread in the village after the man’s parting.

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Kurunthogai 283 – Soaring dangers in the path

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In this episode, we listen to profound observations about wealth, as portrayed in Sangam Literary work, Kurunthogai 283, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s worry that the lady would not be able to bear with the man’s parting.

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Kurunthogai 282 – Falling flowers in the rain

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In this episode, we perceive intricate knowledge about seasons and plant life, as depicted in Sangam Literary work, Kurunthogai 282, penned by Naagam Bothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring her that the man would return soon.

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Kurunthogai 281 – Neem flowers on a palm leaf

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In this episode, we perceive references to trees in two different geographical regions, as portrayed in Sangam Literary work, Kurunthogai 281, penned by Kudavaayil Keerathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing her inability to bear with the man’s parting.

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Kurunthogai 280 – Love more than life

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In this episode, we listen to the ecstatic declaration of a man in love, as depicted in Sangam Literary work, Kurunthogai 280, penned by Nakirar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s admonishment about the man’s changed behaviour.

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Kurunthogai 279 – Rustling bells and rain-forgotten rocks

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In this episode, we relish how an element of the land is etched in words, as portrayed in Sangam Literary work, Kurunthogai 279, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.

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Kurunthogai 278 – A fatherly monkey

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In this episode, we listen to words of disappointment, as depicted in Sangam Literary work, Kurunthogai 278, penned by Peri Sathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, expressing her angst at the man’s lack of care as he remains parted away.

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Kurunthogai 277 – A question and a blessing

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In this episode, we perceive the lifestyle of a person from a blessing rendered, as portrayed in Sangam Literary work, Kurunthogai 277, penned by Oril Pichaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to a sage, putting forth a question close to her heart.

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Kurunthogai 276 – What if

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In this episode, we learn of curious customs in courtship, as portrayed in Sangam Literary work, Kurunthogai 276, penned by Kozhi Kotranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to himself, passing on a pointed message to the confidante, listening nearby.

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Kurunthogai 275 – Faraway sound of bells

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In this episode, we perceive anticipation and excitement at the impending arrival of the man, as depicted in Sangam Literary work, Kurunthogai 275, penned by Okkoor Maasathiyaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the confidante to the lady, cheering the lady up with the prospect of the man’s homecoming.

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Kurunthogai 274 – The alchemy of love

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In this episode, we perceive the hard life in an ancient region, as depicted in Sangam Literary work, Kurunthogai 274, penned by Uruthiranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, when contemplating a journey to gather wealth.

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Kurunthogai 273 – On an old bamboo ladder

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In this episode, we hear reassuring words rendered in a moment of another’s anxiety, as portrayed in Sangam Literary work, Kurunthogai 273, penned by Siraikudi Aanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, when the lady was worried that the man would part away from her.

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Kurunthogai 272 – Hunted by her kin

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In this episode, we perceive layers of intricate details woven into a single scene, as sketched by Sangam Literary work, Kurunthogai 272, penned by Oru Sirai Periyanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, in response to the friend’s words of admonishment about the man’s behaviour.

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Kurunthogai 271 – Scattering of affection

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In this episode, we listen to a person’s reaction to a bitter truth, as portrayed in Sangam Literary work, Kurunthogai 271, penned by Azhisi Nachaathanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, in response to the man’s request for reconciliation.

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Kurunthogai 270 – Singing in the rain

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In this episode, we listen to the ecstatic words of a returning man, as depicted in Sangam Literary work, Kurunthogai 270, penned by Paandiyan Pannaadu Thanthaan. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to the rainclouds, conveying his contentment at being back in the company of the lady.

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Kurunthogai 269 – Out on work

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In this episode, we perceive the lifestyle of a family living by the sea, as portrayed in Sangam Literary work, Kurunthogai 269, penned by Kaladanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 268 – Dangers within and without

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In this episode, we listen to the conflict raging in a lady’s heart, as depicted in Sangam Literary work, Kurunthogai 268, penned by Karuvoor Cheramaan Sathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 267 – The flawless sweet waters

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In this episode, we perceive the final decision of a scale shifting between youth and wealth, as portrayed in Sangam Literary work, Kurunthogai 267, penned by Kaleri Kadigaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, in response to its insistence that he part away to gather wealth.

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Kurunthogai 266 – The forgotten tree

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In this episode, we listen to a lady’s anguish on not hearing from her man, as depicted in Sangam Literary work, Kurunthogai 266, penned by Nakirar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, after the man had parted away without seeking her hand in marriage.

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Kurunthogai 265 – A man with a good heart

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In this episode, we perceive the power of similes and metaphors in describing a personality, as portrayed in Sangam Literary work, Kurunthogai 265, penned by Karuvoor Kathapillai. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, allaying the lady’s worry that the man parted away without seeking her hand in marriage.

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Kurunthogai 264 – On the shore of a loud river

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In this episode, we relish a picturesque scene from a mountain country, as portrayed in Sangam Literary work, Kurunthogai 264, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, assuring her friend that she would bear with the man’s parting.

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Kurunthogai 263 – Rituals and Reality

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In this episode, we perceive curious customs of curing a person, as portrayed in Sangam Literary work, Kurunthogai 263, penned by Perunchaathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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Kurunthogai 262 – Future in a footprint

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In this episode, we take in the power of visualisation in conveying a decision, as portrayed in Sangam Literary work, Kurunthogai 262, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, insisting that the lady elope away with the man.

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Kurunthogai 261 – A cry at midnight

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In this episode, we perceive how scenes on a rainy night express the storm in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 261, penned by Kazhaarkeeran Eyitriyaar. Set in mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 260 – Signs in the scenes around

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In this episode, we perceive ancient beliefs about good omens, as portrayed in Sangam Literary work, Kurunthogai 260, penned by Kalladanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing her confidence in the man’s return.

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Kurunthogai 259 – Wafting like a flame lily’s fragrance

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In this episode, we listen to a thoughtful explanation about an action taken, as portrayed in Sangam Literary work, Kurunthogai 259, penned by Paranar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, narrating the reason why she revealed the lady’s relationship with the man to the lady’s mother.

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Kurunthogai 258 – On the shores of the Kaveri

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In this episode, we perceive the refusal to accept a returning man, as portrayed in Sangam Literary work, Kurunthogai 258, penned by Paranar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, when he returns from visiting a courtesan.

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Kurunthogai 257 – An enemy called love

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In this episode, we relish picturesque references to a mountain country, as portrayed in Sangam Literary work, Kurunthogai 257, penned by Uraiyoor Sirukanthanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, on hearing the news that the man has sought the lady’s hand in marriage.

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Kurunthogai 256 – A chain of life and love

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In this episode, we relish the sacrifice of the pursuit of wealth for a noble reason, as portrayed in Sangam Literary work, Kurunthogai 256, penned by an anonymous poet. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man, expressing why he was unable to proceed on his mission to gather wealth.

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Kurunthogai 255 – Dutiful elephant in the drylands

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In this episode, we perceive the hidden lessons in nature, as portrayed in Sangam Literary work, Kurunthogai 255, penned by Kaduku Perunthevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring the lady that the man would not return halfway in his mission to gather wealth.

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Kurunthogai 254 – First flowers of the season

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In this episode, we relish the intimate web between flowers, seasons and emotions, as portrayed in Sangam Literary work, Kurunthogai 254, penned by Paarkaappaanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s consolation that the man would return as promised.

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Kurunthogai 253 – A meat-smelling resting spot

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In this episode, we observe the tussle between a lady’s pining and a man’s search for wealth, as portrayed in Sangam Literary work, Kurunthogai 253, penned by Poonkannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, consoling her as the man remains parted away.

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Kurunthogai 252 – A confluence of blame and shame

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In this episode, we perceive acceptance in the midst of conflict, as depicted in Sangam Literary work, Kurunthogai 252, penned by Kidangil Kulapathi Nakkannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to a question about the lady’s welcome on the man’s return.

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Kurunthogai 251 – A rain of compassion

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In this episode, we relish a thoughtful technique of consolation, as portrayed in Sangam Literary work, Kurunthogai 251, penned by Idaikaadanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, assuring her that the season of rains had not yet arrived.

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Kurunthogai 250 – Rush to my dear

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In this episode, we relish how scenes in nature propel a man towards his beloved, as portrayed in Sangam Literary work, Kurunthogai 250, penned by Naamalaar Makanaar Ilankannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his charioteer, urging him to rush homeward.

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Kurunthogai 249 – Glimpse of a hill

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In this episode, we perceive a technique to bear with parting, as depicted in Sangam Literary work, Kurunthogai 249, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the question as to how the lady would handle the man’s separation.

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Kurunthogai 248 – The shrinking palm trees

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In this episode, we listen to words of consolation, as depicted in Sangam Literary work, Kurunthogai 248, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, allaying the lady’s worries about the delay in her marriage to the man.

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Kurunthogai 247 – Sleeping elephant and showering flowers

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In this episode, we perceive positive feelings about a relationship, as portrayed in Sangam Literary work, Kurunthogai 247, penned by Senthampoothanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying the man’s promise to seek the lady’s hand in marriage.

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Kurunthogai 246 – Mother’s bother

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In this episode, we observe a curious technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 246, penned by Kabilar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 245 – A defensive fence

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In this episode, we observe the protectiveness of a lady towards her man, as depicted in Sangam Literary work, Kurunthogai 245, penned by Maalaimaaranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.

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Kurunthogai 244 – An elephant at the door

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In this episode, we observe the plight of a lady at a midnight hour, as portrayed in Sangam Literary work, Kurunthogai 244, penned by Kannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, passing on a hidden message asking him to seek the lady’s hand in marriage.

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Kurunthogai 243 – A forced-open flower

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In this episode, we perceive an intricate response to words of advice, as portrayed in Sangam Literary work, Kurunthogai 243, penned by Nambi Kuttuvanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, replying to the confidante’s words that the lady must bear with the man’s parting.

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Kurunthogai 242 – Rain-soaked rooster and homebound chariot

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In this episode, we relish the joy of a mother in seeing her daughter happily married, as depicted in Sangam Literary work, Kurunthogai 242, penned by Kulatrathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady’s foster mother to the lady’s birth mother, on returning after a visit to the lady’s marital home.

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Kurunthogai 241 – Claim of the eyes

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In this episode, we perceive the nature of grief, as depicted in Sangam Literary work, Kurunthogai 241, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying how she seems to have no control over the expression of her emotion.

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Kurunthogai 240 – Sinking mountains at dusk

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In this episode, we relish picturesque similes that detail the flora and fauna of the past, as portrayed in Sangam Literary work, Kurunthogai 240, penned by Kollan Azhisiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying the angst in her heart as evening arrives.

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Kurunthogai 239 – The far-reaching fragrance

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In this episode, we relish intricate meanings weaved into elements of nature, as portrayed in Sangam Literary work, Kurunthogai 239, penned by Aasiriyar Perunkannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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Kurunthogai 238 – As pretty as a city

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In this episode, we observe the ire of a woman, as depicted in Sangam Literary work, Kurunthogai 238, penned by Kundriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, refusing to accept his words of reconciliation.

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Kurunthogai 237 – The roaring tigers in-between

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In this episode, we listen to the worry in a man’s heart, as portrayed in Sangam Literary work, Kurunthogai 237, penned by Alloor Nanmullaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his charioteer, as he contemplates the distance between himself and his beloved.

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Kurunthogai 236 – Return before you go

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In this episode, we perceive the crisis in a man’s parting, as depicted in Sangam Literary work, Kurunthogai 236, penned by Nariveroothalaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, when he requests her to take care of the lady as he parts on a journey to gather wealth.

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Kurunthogai 235 – A snake skin cascade

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In this episode, we relish picturesque references to a lady’s hamlet, as portrayed in Sangam Literary work, Kurunthogai 235, penned by Maayendanaar. Set in the ‘drylands’ of ‘Paalai’, the verse speaks in the voice of the man to the northern wind, concealing a hidden message to his charioteer, urging him to rush to the village of the man’s lady love.

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Kurunthogai 234 – A day of dusks

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In this episode, we listen to an expression of desolation about time, as depicted in Sangam Literary work, Kurunthogai 234, penned by Milaiperunkanthanaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man continues to remain parted away.

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Kurunthogai 233 – Bold strokes of gold

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In this episode, we perceive the wealth of a home, as portrayed in Sangam Literary work, Kurunthogai 233, penned by Peyanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, on his return from a mission to gather wealth for his wedding with the lady.

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Kurunthogai 232 – Sleeping in the shade

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In this episode, we relish scenes in nature and the stories they tell, as depicted in Sangam Literary work, Kurunthogai 232, penned by Oon Pithaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, consoling her friend as the man remained parted away.

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Kurunthogai 231 – Cemetery of strangers

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In this episode, we perceive the angst of a lady at being ignored by her husband, as depicted in Sangam Literary work, Kurunthogai 231, penned by Paalai Paadiya Perunkandunko. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, refusing to entertain the message of reconciliation from the man.

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Kurunthogai 230 – Missing footprints on the shore

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In this episode, we perceive a nuanced technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 230, penned by Pandiyan Arivudai Nambi. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message about the man’s request to tryst.

SangamLit

Kurunthogai 229 – Fight at first sight

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In this episode, we listen to an amused expression of wonder, as depicted in Sangam Literary work, Kurunthogai 229, penned by Modhaasanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of wayfarers amongst themselves, on observing the man and lady, eloping together.

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Kurunthogai 228 – In the waves he waves

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In this episode, we delight in an expression about love that transcends space, as depicted in Sangam Literary work, Kurunthogai 228, penned by Seythi Valluvar Perunchaathanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s appreciation about the lady bearing well with the man’s parting.

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Kurunthogai 227 – As the lotus lies

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In this episode, we relish the science of deduction at play, as depicted in Sangam Literary work, Kurunthogai 227, penned by Othagnaaniyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a message to the man, listening nearby.

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Kurunthogai 226 – Radiance of the past

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In this episode, we perceive a picturesque portrait of an ancient shore, as depicted in Sangam Literary work, Kurunthogai 226, penned by Madurai Ezhuthaalan Senthampoothanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry about the lady, as the man remained parted away.

SangamLit

Kurunthogai 225 – Eating for a calf

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In this episode, we perceive an intricate technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 225, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, pressing him to return without undue delay from his journey to gather wealth.

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Kurunthogai 224 – Soaring above suffering

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In this episode, we perceive how humaneness soars even in the midst of suffering, as portrayed in Sangam Literary work, Kurunthogai 224, penned by Koovan Mainthanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to herself, passing on a message to the confidante, listening nearby.

SangamLit

Kurunthogai 223 – On a day of festivity

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In this episode, we perceive a retrospective look at the past in response to a difficult situation in the present, as portrayed by Sangam Literary work, Kurunthogai 223, penned by Madurai Kadaiyathaar Makanaar Vennaakanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear with the man’s parting.

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Kurunthogai 222 – Holding on as one

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In this episode, we perceive a curious way of ascertaining closeness, as portrayed in Sangam Literary work, Kurunthogai 222, penned by Siraikudi Aanthaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, after locating the lady’s confidante among her playmates.

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Kurunthogai 221 – On a goatherd’s head

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In this episode, we perceive references to the lives of ancient goatherds, as depicted in Sangam Literary work, Kurunthogai 221, penned by Uraiyoor Mudhukotranaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, conveying her angst as the man is delayed beyond his promised season of return.

SangamLit

Kurunthogai 220 – Smile of a wild cat

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In this episode, we listen to a lady in angst, as depicted in Sangam Literary work, Kurunthogai 220, penned by Okoor Maasathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing her sorrow as the man continued to stay away.

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Kurunthogai 219 – The right time to enquire

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In this episode, we perceive a subtle technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 219, penned by Velloor Kizhaar Makanaar Venpoothiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

SangamLit

Kurunthogai 218 – To not to…

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In this episode, we perceive an angry sort of determination, as portrayed in Sangam Literary work, Kurunthogai 218, penned by Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s concern about the lady’s ability to bear with the man’s parting.

SangamLit

Kurunthogai 217 – A sigh of conviction

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In this episode, we listen to the rationalisation behind a difficult decision, as depicted in Sangam Literary work, Kurunthogai 217, penned by Thangaal Mudakkollanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, persuading the lady to follow the man’s proposed solution to their problem.

SangamLit

Kurunthogai 216 – The pitiless rains

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In this episode, we perceive the angst of a parted lady, as portrayed in Sangam Literary work, Kurunthogai 216, penned by Kachipettu Kanchi Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words of concern about the lady’s ability to bear with the man’s parting.

SangamLit

Kurunthogai 215 – Descending sun and declining sorrow

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In this episode, we listen to comforting words, as portrayed in Sangam Literary work, Kurunthogai 215, penned by Madurai Alakkar Gnaalar Makanaar Mallanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, promising the lady that her man would return soon.

SangamLit

Kurunthogai 214 – The gift of leaves

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In this episode, we perceive curious events around courtship, as depicted in Sangam Literary work, Kurunthogai 214, penned by Koodaloor Kizhaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady’s kith and kin, in response to arrangements for a ritual.

SangamLit

Kurunthogai 213 – Inspiration for perseverance

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In this episode, we relish an alluring scene in nature as an instance of a person’s determination, as depicted in Sangam Literary work, Kurunthogai 213, penned by Kachipettu Kaanji Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s worry that the man would return halfway from his mission.

SangamLit

Kurunthogai 212 – A waiting chariot by the sea

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In this episode, we listen to persuasive words, as portrayed in Sangam Literary work, Kurunthogai 212, penned by Neythal Kaarkiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, bringing a request to tryst from the man.

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Kurunthogai 211 – A single flower on a scorched tree

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In this episode, we listen to words allaying anxiety, as portrayed in Sangam Literary work, Kurunthogai 211, penned by Kaavanmullai Poothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, in response to the lady’s words of worry about the man, who had parted away.

SangamLit

Kurunthogai 210 – When the crow caws

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In this episode, we learn of offerings made to birds and the significance of bird calls, as depicted in Sangam Literary work, Kurunthogai 210, penned by Kaakkai Paadiniyaar Nachellaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the man, in response to his praise about the friend’s comforting presence to the lady in the man’s absence.

SangamLit

Kurunthogai 209 – Under the gooseberry tree

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In this episode, we observe how a man expresses his affection after a long separation, as portrayed in Sangam Literary work, Kurunthogai 209, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to the confidante, passing on a message to the lady listening nearby.

SangamLit

Kurunthogai 208 – Accord and discord

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In this episode, we perceive a lady’s state of mind in a moment of domestic crisis, as depicted in Sangam Literary work, Kurunthogai 208, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words that the lady must bear with the man’s parting.

SangamLit

Kurunthogai 207 – A lonely bird’s comforting song

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In this episode, we perceive an interesting reaction to a message conveyed, as depicted in Sangam Literary work, Kurunthogai 207, penned by Uraiyanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, in response to the confidante’s news that the man has parted away.

SangamLit

Kurunthogai 206 – A sweet suffering

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In this episode, we listen to a person’s perception about the paradox of love, as portrayed in Sangam Literary work, Kurunthogai 206, penned by Aiyoor Mudavanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s words of chiding about the man’s changed state.

SangamLit

Kurunthogai 205 – On the wings of a white chariot

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In this episode, we relish a picturesque comparison, as portrayed in Sangam Literary work, Kurunthogai 205, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words of concern as to how the lady would bear with the man’s parting.

SangamLit

Kurunthogai 204 – A portrait of love

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In this episode, we perceive a realistic portrait of the abstract emotion of love, as depicted in Sangam Literary work, Kurunthogai 204, penned by Milaiperunkanthanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man’s friend to the man, in response to the man’s recent changed state.

SangamLit

Kurunthogai 203 – Between the far and near

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In this episode, we perceive the clarity in a lady’s mind, as depicted in Sangam Literary work, Kurunthogai 203, penned by Nedumpalliyathanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, expressing her inability to accept the man’s request at reconciliation.

SangamLit

Kurunthogai 202 – The heart-hurting thorn

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In this episode, we perceive the angst in a lady’s heart about her beloved’s changed state, as depicted in Sangam Literary work, Kurunthogai 202, penned by Alloor Nanmullaiyaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the lady to her confidante, refusing the man, entry to their home.

SangamLit

Kurunthogai 201 – Shades of sweet and sour

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In this episode, we perceive the recollection of a past kindness, as portrayed in Sangam Literary work, Kurunthogai 201, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words when she visits the lady’s marital home.

SangamLit

Kurunthogai 200 – Flowers in a forest stream

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In this episode, we relish references to the rain, portrayed in Sangam Literary work, Kurunthogai 200, penned by Avvaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, in response to the friend’s words of consolation that the promised season of the man’s return had not yet arrived.

SangamLit

Kurunthogai 199 – An everlasting love

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In this episode, we perceive the depth of a man’s love for his lady, as depicted in Sangam Literary work, Kurunthogai 199, penned by Paranar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, in response to the confidante’s message that the lady has been confined to her house.

SangamLit

Kurunthogai 198 – Full grown millets and the future

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In this episode, we perceive a stack of similes that illustrate elements of life in ancient Tamil country, as depicted in Sangam Literary work, Kurunthogai 198, penned by Kabilar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, requesting him to change the spot where he trysts with the lady.

SangamLit

Kurunthogai 197 – Rains and winds of yore

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In this episode, we perceive the form a season takes in the mind of a lady, as depicted in Sangam Literary work, Kurunthogai 197, penned by Kachipettu Nannaakaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, conveying her torment as the man continues to be parted away.

SangamLit

Kurunthogai 196 – Sweet as a mountain spring

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In this episode, we listen to an inference about the changing nature of a person’s love, as depicted in Sangam Literary work, Kurunthogai 196, penned by Milai Kanthanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, refusing his request to reconcile with the lady.

SangamLit

Kurunthogai 195 – A wax doll in a hot breeze

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In this episode, we observe a lady’s state of mind as evening approaches, as portrayed in Sangam Literary work, Kurunthogai 195, penned by Theratharanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, expressing her angst as the man remains parted away.

SangamLit

Kurunthogai 194 – The tormenting two

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In this episode, we perceive the precise reasons for a lady’s angst, as portrayed in Sangam Literary work, Kurunthogai 194, penned by Kovarthanaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man is delayed beyond his promised season of return.

SangamLit

Kurunthogai 193 – The scent of his wild jasmines

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In this episode, we perceive the contentment in a lady, as portrayed in Sangam Literary work, Kurunthogai 193, penned by Arisil Kizhaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s comment, when she visited the lady in her marital home.

SangamLit

Kurunthogai 192 – Golden pollen on black wings

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In this episode, we relish a striking connection between an element of nature and a jeweller’s object, as portrayed in Sangam Literary work, Kurunthogai 192, penned by Kachipettu Nannaakaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, expressing her inability to bear with the man’s parting.

SangamLit

Kurunthogai 191 – The returning stranger

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In this episode, we perceive a lady’s response to the man’s absence, as portrayed in Sangam Literary work, Kurunthogai 191, penned by an anonymous poet. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, as the friend expressed worry about the lady’s ability to bear with the man’s parting.

SangamLit

Kurunthogai 190 – Tinkling of a single bell

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In this episode, we perceive a lady’s wondering question about the man, as portrayed in Sangam Literary work, Kurunthogai 190, penned by Poothampullanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of lady to her confidante, expressing her state of mind as she’s parted away from the man.

SangamLit

Kurunthogai 189 – A plan to rush back home

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In this episode, we observe a man’s masterplan to hurry home to his beloved, as depicted in Sangam Literary work, Kurunthogai 189, penned by Madurai Eelathu Poothanthevanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his charioteer, passing on a subtle message to his wife, listening nearby.

SangamLit

Kurunthogai 188 – A rainy evening in the forests

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In this episode, we perceive a lady’s angst as the season changes, as depicted in Sangam Literary work, Kurunthogai 188, penned by Madurai Alakkar Gnaalar Makanaar Mallanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, as the man is delayed beyond his promised season of return.

SangamLit

Kurunthogai 187 – A mountain goat in the shade

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In this episode, we observe the unshakeable trust in a beloved, as portrayed in Sangam Literary work, Kurunthogai 187, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to her confidante, in response to the confidante’s words berating the parted man for the delay in returning to the lady.

SangamLit

Kurunthogai 186 – Smiling jasmines and rain showers

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In this episode, we perceive a lady’s state of mind impacted by the changing seasons, as depicted in Sangam Literary work, Kurunthogai 186, penned by Okkoor Maasaathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing how she feels, as the man is delayed beyond his promised season of return.

SangamLit

Kurunthogai 185 – A flame-lily on a mountain rock

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In this episode, we perceive a subtle technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 185, penned by Madurai Aruvai Vaanikan Ilavettanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, in response to the confidante’s question about the lady’s changed state, even as the man was trysting with her.

SangamLit

Kurunthogai 184 – Caught in her net

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In this episode, we understand a man’s perception about a lady he met recently, as portrayed in Sangam Literary work, Kurunthogai 184, penned by Arya Arasan Yaazh Piramathathan, a king said to be from northern India. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the man to his friend, in response to the friend’s words scolding him for his changed behaviour.

SangamLit

Kurunthogai 183 – Scenes of togetherness

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In this episode, we observe the effect of the changing season on nature, as portrayed in Sangam Literary work, Kurunthogai 183, penned by Avvaiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry about the ability of the lady to bear with the man’s parting.

SangamLit

Kurunthogai 182 – Messenger on a palmyra horse

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In this episode, we perceive a young man’s desperation, as depicted in Sangam Literary work, Kurunthogai 182, penned by Madal Paadiya Maathankeeranaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to his heart, passing on a pointed message to the lady’s confidante, listening nearby.

SangamLit

Kurunthogai 181 – Trust and purpose

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In this episode, we perceive the conviction in a married lady about the way to be, as portrayed in Sangam Literary work, Kurunthogai 181, penned by Killimangalam Kizhaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to her confidante, in response to the confidante’s words of rebuke about the man.

SangamLit

Kurunthogai 180 – Unbent by an elephant herd

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In this episode, we perceive a thoughtful consolation as depicted in Sangam Literary work, Kurunthogai 180, penned by Kachipettu Nannaakaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing the man’s difficult path in his quest for wealth and concealing an assurance within.

SangamLit

Kurunthogai 179 – The lady’s mountain hamlet

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In this episode, we perceive an intriguing technique in persuasion, as depicted in Sangam Literary work, Kurunthogai 179, penned by Kuttuvan Kannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, concealing a hidden message in her words to him.

SangamLit

Kurunthogai 178 – Rare as a clear crescent

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In this episode, we perceive two precise similes to portray a person’s state of mind, as depicted in Sangam Literary work, Kurunthogai 178, penned by Nedumpalliyathaiyaar. Set in the agricultural regions of ‘Marutham’, the verse speaks in the voice of the confidante to the man, when visiting the man and lady at their home after their wedding.

SangamLit

Kurunthogai 177 – A seeker of togetherness

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In this episode, we hear words of reassurance, as portrayed in Sangam Literary work, Kurunthogai 177, penned by Ulochanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, on observing the man’s arrival to tryst with the lady.

SangamLit

Kurunthogai 176 – Muddied is the mind

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In this episode, we perceive a unique technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 176, penned by Varumulaiyaarithiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, conveying the worry in her heart and concealing a hidden message about the lady’s path forward.

SangamLit

Kurunthogai 175 – Calm amidst the buzz

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In this episode, we perceive the bold attitude of a lady, as depicted in Sangam Literary work, Kurunthogai 175, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words of reproach that the lady must bear with the man’s parting.

SangamLit

Kurunthogai 174 – Separated by a rousing call

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In this episode, we observe the struggle between seeking wealth and showing kindness, as portrayed in Sangam Literary work, Kurunthogai 174, penned by Venpoothiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to her confidante, expressing her anguish on hearing about the man’s intention to part away.

SangamLit

Kurunthogai 173 – Path to a palmyra horse

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In this episode, we observe curious customs in courtship, as portrayed in Sangam Literary work, Kurunthogai 173, penned by Madurai Kanji Pulavanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the confidante, when she refuses to accept his request to tryst with the lady.

SangamLit

Kurunthogai 172 – Fluttering bats and fatigued bellows

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In this episode, we perceive the anguish of a lady separated from her beloved, as portrayed in Sangam Literary work, Kurunthogai 172, penned by Kachipettu Nannaakaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, in response to the friend’s words of worry about the lady bearing with the man’s parting.

SangamLit

Kurunthogai 171 – An animal in a fish-net

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In this episode, we observe significant events in ancient matrimony, as depicted in Sangam Literary work, Kurunthogai 171, penned by Poonganuthiraiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, as the friend worries about the man’s parting away.

SangamLit

Kurunthogai 170 – An elephantine trust

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In this episode, we listen to the echo of total trust in a beloved, as depicted in Sangam Literary work, Kurunthogai 170, penned by Karuvoor Kizhaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to her confidante, who was worried that the lady would be unable to bear with the man’s parting.

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Kurunthogai 169 – A vessel for fresh fish

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In this episode, we listen to words of anger expressing discontent within, as depicted in Sangam Literary work, Kurunthogai 169, penned by Velli Veethiyaar. The verse is situated in the agricultural regions of ‘Marutham’ and speaks in the voice of the lady to the man, as he tries to allay her ire about his parting away with a courtesan.

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Kurunthogai 168 – An opened box of jasmines

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In this episode, we relish a sensory experience involving flowers in the rain, as depicted in Sangam Literary work, Kurunthogai 168, penned by Siraikudi Aanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his heart, in response to its insistence that he part away from the lady in search of wealth.

SangamLit

Kurunthogai 167 – A labour of love

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In this episode, we perceive a quaint scene of domestic bliss, as portrayed in Sangam Literary work, Kurunthogai 167, penned by Koodalur Kizhaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady’s foster-mother to the birth-mother, narrating events that transpired in the lady’s marital home.

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