Podcast Archive

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In this episode, we perceive markers of a woman’s maturity, as depicted in Sangam Literary work, Kurunthogai 337, penned by Pothukkayathu Keeranthaiyaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to the confidante, in response to the confidante’s refusal for the man’s request to tryst with the lady.

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In this episode, we listen to an instance of tactful refusal and skilful persuasion, as depicted in Sangam Literary work, Kurunthogai 336, penned by Kundriyanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, questioning his intention to tryst with the lady by night, in a thoughtful way.

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In this episode, we relish a scene involving wildlife in the mountains, as depicted in Sangam Literary work, Kurunthogai 335, penned by Irunthaiyoor Kotran Pulavanaar. Set in the hills of Kurinji, the verse speaks in the voice of the confidante to the man, refusing him his request of nightly tryst with the lady.

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In this episode, we learn of the precarious situation a lady finds herself in, and of her subtle note of hope, as depicted in Sangam Literary work, Kurunthogai 334, penned by Ilampoothanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, in response to the friend’s question as to whether the lady could bear with the man’s parting.

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In this episode, we listen to a solution suggested for a sensitive situation, as portrayed in Sangam Literary work, Kurunthogai 333, penned by Uzhunthinaim Pulavanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, expressing her idea to reveal the lady’s relationship with the man to her kith and kin.

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In this episode, we relish an apt metaphor for marital bliss, as depicted in Sangam Literary work, Kurunthogai 332, penned by Madurai Maruthankizhaar Makanaar Ilampothanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a pointed message to the man, listening nearby.

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In this episode, we listen to assuring words, as portrayed in Sangam Literary work, Kurunthogai 331, penned by Vaadaa Prapanthanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing that the man will not part away.

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In this episode, we relish intricate similes involving an age-old occupation, as depicted in Sangam Literary work, Kurunthogai 330, penned by Kazhaarkeeran Eyitriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, asking a question about the man, as he remains parted away.

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In this episode, we perceive the struggle in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 329, penned by Othalaanthaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear better with the man’s parting.

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In this episode, we see how a scene of war depicts a situation in love, as portrayed in Sangam Literary work, Kurunthogai 328, penned by the historian poet, Paranar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, consoling her in the man’s absence and assuring her that the rumours that spread will act only for the lady’s good.

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In this episode, we relish a unique way of scolding a person, as portrayed in Sangam Literary work, Kurunthogai 327, penned by Amoovanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the lady to a river, passing on a pointed message to the man, listening nearby.

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In this episode, we perceive an intricate technique of persuasion as portrayed in Sangam Literary work, Kurunthogai 326, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we observe the sorrow afflicting a lady, as depicted in Sangam Literary work, Kurunthogai 325, penned by Nannaakaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s worry about the lady’s ability to bear with the man’s parting.

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In this episode, we perceive the state of mind of three different people acutely, as portrayed in Sangam Literary work, Kurunthogai 324, penned by Kavai Maganaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the man, subtly persuading him to choose the path of permanent union with the lady.

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In this episode, we listen with a smile to the urgency in the man’s voice, as portrayed in Sangam Literary work, Kurunthogai 323, penned by Pathadi Vaigalaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, urging him to hasten the journey homeward.

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In this episode, we observe the determination in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 322, penned by Aiyoor Mudavanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words of displeasure at the man, as he listens nearby.

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In this episode, we understand the dangers of nightly travel in the past, as depicted in Sangam Literary work, Kurunthogai 321, penned by an anonymous poet. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, expressing the need to reveal the lady’s relationship to her kith and kin.

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In this episode, we breathe in the scents on an ancient shore, as depicted in Sangam Literary work, Kurunthogai 320, penned by Thumbiser Keeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the rising angst in a lady’s heart as the season changes, as portrayed in Sangam Literary work, Kurunthogai 319, penned by Thaayankannanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.

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In this episode, we perceive a deep truth about realisations, as portrayed in Sangam Literary work, Kurunthogai 318, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we relish picturesque references to wildlife depicting the love life of the protagonists, as portrayed in Sangam Literary work, Kurunthogai 317, penned by Madurai Kandarathathanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, consoling the lady that the man would return soon from his travels.

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In this episode, we listen to a lady’s distress and her hidden hope, as depicted in Sangam Literary work, Kurunthogai 316, penned by Thumpiser Keeranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words asking her to bear with the man’s parting.

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In this episode, we relish picturesque similes, which convey conviction in the heart, as portrayed in Sangam Literary work, Kurunthogai 315, penned by Madurai Velaathathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s question as to whether the lady could bear with the man’s parting.

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In this episode, we understand the angst in a lady’s heart as the seasons change, as depicted in Sangam Literary work, Kurunthogai 314, penned by Peri Saathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear better with the man’s parting.

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In this episode, we perceive the trust of a lady in her relationship with the man, as depicted in Sangam Literary work, Kurunthogai 313, penned by an anonymous poet. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her confidante, refusing to accept the confidante’s disparaging words about the man, as he listens, nearby.

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In this episode, we perceive the reflections in a man’s mind about his lady’s changing demeanour, as depicted in Sangam Literary work, Kurunthogai 312, penned by Kabilar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the man to himself, as he makes an important decision regarding his love life.

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In this episode, we observe a lady’s anxiety about her reputation, as depicted in Sangam Literary work, Kurunthogai 311, penned by Chenthan Keeranaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a subtle message to the man listening nearby.

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In this episode, we perceive a lady’s immense loneliness, as portrayed in Sangam Literary work, Kurunthogai 310, penned by Perunkannanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady should bear better with the man’s parting.

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In this episode, we relish an apt and picturesque simile that etches a feeling in the mind, as portrayed in Sangam Literary work, Kurunthogai 309, penned by Uraiyoor Challiyan Kumaaranaar. The verse is situated in the farmlands of ‘Marutham’ and speaks in the voice of the confidante to the man, allowing him entry into the lady’s house.

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In this episode, we learn of intriguing facets of an elephant in musth, as depicted in Sangam Literary work, Kurunthogai 308, penned by Perunthot Kurunchaathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, indicating why the lady shouldn’t worry about the man’s parting away.

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In this episode, we perceive the projection of human emotions on wild life, as portrayed in Sangam Literary work, Kurunthogai 307, penned by Kadampanoor Saandiliyanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words, chiding the lady to bear with the man’s parting.

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In this episode, we relish a relatable experience in love, as depicted in Sangam Literary work, Kurunthogai 306, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to her heart, expressing the state of confusion she finds herself in.

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In this episode, we relish a unique simile that etches the lady’s state, as depicted in Sangam Literary work, Kurunthogai 305, penned by Kuppai Kozhiyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady, passing on a pointed message to the confidante listening nearby.

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In this episode, we learn of an ancient fishing method, as portrayed in Sangam Literary work, Kurunthogai 304, penned by Kanakkaayar Thathanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, in response to the confidante’s worry about the lady’s ability to bear with the man’s parting.

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In this episode, we study the threads of thought connecting wildlife and human life, as depicted in Sangam Literary work, Kurunthogai 303, penned by Ammoovanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, conveying the delicate situation of the lady, and bidding him, in a hidden manner, to seek the lady’s hand in marriage.

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In this episode, we perceive the angst of a lady, parted away from her beloved, as depicted in Sangam Literary work, Kurunthogai 302, penned by Maangudi Kizhaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, when the confidante worries about the lady’s ability to bear with the man’s parting.

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In this episode, we perceive an instance of hallucination in the midst of a separation, as portrayed in Sangam Literary work, Kurunthogai 301, penned by Kundriyanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s question as to how the lady would bear with the man’s parting.

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In this episode, we perceive the commitment of a man in love, as depicted in Sangam Literary work, Kurunthogai 300, penned by Sirakudi Aanthaiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the lady, assuring her that he is hers, forever.

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In this episode, we listen to the wondering words of a lady, as portrayed in Sangam Literary work, Kurunthogai 299, penned by Venmanipoothiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive a curious simile to reveal a person’s mind, as portrayed in Sangam Literary work, Kurunthogai 298, penned by Paranar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, describing the man’s delicate situation.

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In this episode, we perceive the inevitability of a difficult decision, as portrayed in Sangam Literary work, Kurunthogai 297, penned by Kaaviripoompattinathu Kaarikkannanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, bidding the lady to elope away with the man.

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In this episode, we perceive an intricate method of persuasion, as portrayed in Sangam Literary work, Kurunthogai 296, penned by Perumpaakkanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the changes that has unfolded in a man’s life, as portrayed in Sangam Literary work, Kurunthogai 295, penned by Thoongaloriyaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, in response to his request at reconciliation with the lady.

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In this episode, we learn of the day-to-day activities of a girl living by the sea, as portrayed in Sangam Literary work, Kurunthogai 294, penned by Anjil Aanthaiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the confidante to the lady, passing on a subtle message to the man, listening nearby.

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In this episode, we perceive a lady’s worry about the future, as portrayed in Sangam Literary work, Kurunthogai 293, penned by Kallil Aathiraiyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, refusing the man’s request for reconciliation.

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In this episode, we hear of a king’s cruel act placed as a unique simile, as depicted in Sangam Literary work, Kurunthogai 292, penned by Paranar, a historian poet. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive a portrait of a lady, placed against her picturesque surroundings, as depicted in Sangam Literary work, Kurunthogai 291, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, describing the beauty and nature of his lady love.

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In this episode, we delight in a subtle simile that speaks a thousand words, as depicted in Sangam Literary work, Kurunthogai 290, penned by Kalporu Sirunuraiyaar. Set in the costal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear better with the man’s parting.

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In this episode, we learn of aspects that disturb the lady in the man’s absence, as depicted in Sangam Literary work, Kurunthogai 289, penned by Perunkannanaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s worry that the man had not returned in the promised season.

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In this episode, we listen to words of trust and positivity, as depicted in Sangam Literary work, Kurunthogai 288, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, refusing to accept the confidante’s words of rebuke about the man.

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In this episode, we relish an intriguing comparison between weather and human life, as depicted in Sangam Literary work, Kurunthogai 287, penned by Kachipettu Nannaakaiyaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the confidante to the lady, assuring her friend of the man’s return.

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In this episode, we perceive a picturesque portrait of a person, as depicted in Sangam Literary work, Kurunthogai 286, penned by Eyitriyanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to the confidante, in response to the confidante’s refusal for his request to tryst with the lady.

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In this episode, we perceive the angst of a lady parted from her beloved, as depicted in Sangam Literary work, Kurunthogai 285, penned by Poothan Thevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words bidding her to bear better with the man’s parting.

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In this episode, we relish alluring imagery from the natural world, as depicted in Sangam Literary work, Kurunthogai 284, penned by Milaivel Thithanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, in response to the lady’s worry about the slander that would spread in the village after the man’s parting.

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In this episode, we listen to profound observations about wealth, as portrayed in Sangam Literary work, Kurunthogai 283, penned by Paalai Paadiya Perunkadunko. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s worry that the lady would not be able to bear with the man’s parting.

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In this episode, we perceive intricate knowledge about seasons and plant life, as depicted in Sangam Literary work, Kurunthogai 282, penned by Naagam Bothanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring her that the man would return soon.

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In this episode, we perceive references to trees in two different geographical regions, as portrayed in Sangam Literary work, Kurunthogai 281, penned by Kudavaayil Keerathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to her confidante, expressing her inability to bear with the man’s parting.

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In this episode, we listen to the ecstatic declaration of a man in love, as depicted in Sangam Literary work, Kurunthogai 280, penned by Nakirar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to his friend, in response to the friend’s admonishment about the man’s changed behaviour.

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In this episode, we relish how an element of the land is etched in words, as portrayed in Sangam Literary work, Kurunthogai 279, penned by Madurai Maruthan Ilanaakanaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.

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In this episode, we listen to words of disappointment, as depicted in Sangam Literary work, Kurunthogai 278, penned by Peri Sathanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, expressing her angst at the man’s lack of care as he remains parted away.

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In this episode, we perceive the lifestyle of a person from a blessing rendered, as portrayed in Sangam Literary work, Kurunthogai 277, penned by Oril Pichaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to a sage, putting forth a question close to her heart.

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In this episode, we learn of curious customs in courtship, as portrayed in Sangam Literary work, Kurunthogai 276, penned by Kozhi Kotranaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the man to himself, passing on a pointed message to the confidante, listening nearby.

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In this episode, we perceive anticipation and excitement at the impending arrival of the man, as depicted in Sangam Literary work, Kurunthogai 275, penned by Okkoor Maasathiyaar. The verse is situated in the forests of ‘Mullai’ and speaks in the voice of the confidante to the lady, cheering the lady up with the prospect of the man’s homecoming.

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In this episode, we perceive the hard life in an ancient region, as depicted in Sangam Literary work, Kurunthogai 274, penned by Uruthiranaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, when contemplating a journey to gather wealth.

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In this episode, we hear reassuring words rendered in a moment of another’s anxiety, as portrayed in Sangam Literary work, Kurunthogai 273, penned by Siraikudi Aanthaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, when the lady was worried that the man would part away from her.

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In this episode, we perceive layers of intricate details woven into a single scene, as sketched by Sangam Literary work, Kurunthogai 272, penned by Oru Sirai Periyanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his friend, in response to the friend’s words of admonishment about the man’s behaviour.

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In this episode, we listen to a person’s reaction to a bitter truth, as portrayed in Sangam Literary work, Kurunthogai 271, penned by Azhisi Nachaathanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, in response to the man’s request for reconciliation.

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In this episode, we listen to the ecstatic words of a returning man, as depicted in Sangam Literary work, Kurunthogai 270, penned by Paandiyan Pannaadu Thanthaan. Set in the forests of ‘Mullai’, the verse speaks in the voice of the man to the rainclouds, conveying his contentment at being back in the company of the lady.

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In this episode, we perceive the lifestyle of a family living by the sea, as portrayed in Sangam Literary work, Kurunthogai 269, penned by Kaladanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we listen to the conflict raging in a lady’s heart, as depicted in Sangam Literary work, Kurunthogai 268, penned by Karuvoor Cheramaan Sathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive the final decision of a scale shifting between youth and wealth, as portrayed in Sangam Literary work, Kurunthogai 267, penned by Kaleri Kadigaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his heart, in response to its insistence that he part away to gather wealth.

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In this episode, we listen to a lady’s anguish on not hearing from her man, as depicted in Sangam Literary work, Kurunthogai 266, penned by Nakirar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, after the man had parted away without seeking her hand in marriage.

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In this episode, we perceive the power of similes and metaphors in describing a personality, as portrayed in Sangam Literary work, Kurunthogai 265, penned by Karuvoor Kathapillai. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, allaying the lady’s worry that the man parted away without seeking her hand in marriage.

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In this episode, we relish a picturesque scene from a mountain country, as portrayed in Sangam Literary work, Kurunthogai 264, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, assuring her friend that she would bear with the man’s parting.

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In this episode, we perceive curious customs of curing a person, as portrayed in Sangam Literary work, Kurunthogai 263, penned by Perunchaathanaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message to the man, listening nearby.

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In this episode, we take in the power of visualisation in conveying a decision, as portrayed in Sangam Literary work, Kurunthogai 262, penned by Paalai Paadiya Perunkadunko. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the confidante to the lady, insisting that the lady elope away with the man.

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In this episode, we perceive how scenes on a rainy night express the storm in a lady’s heart, as portrayed in Sangam Literary work, Kurunthogai 261, penned by Kazhaarkeeran Eyitriyaar. Set in mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive ancient beliefs about good omens, as portrayed in Sangam Literary work, Kurunthogai 260, penned by Kalladanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, expressing her confidence in the man’s return.

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In this episode, we listen to a thoughtful explanation about an action taken, as portrayed in Sangam Literary work, Kurunthogai 259, penned by Paranar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, narrating the reason why she revealed the lady’s relationship with the man to the lady’s mother.

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In this episode, we perceive the refusal to accept a returning man, as portrayed in Sangam Literary work, Kurunthogai 258, penned by Paranar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, when he returns from visiting a courtesan.

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In this episode, we relish picturesque references to a mountain country, as portrayed in Sangam Literary work, Kurunthogai 257, penned by Uraiyoor Sirukanthanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, on hearing the news that the man has sought the lady’s hand in marriage.

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In this episode, we relish the sacrifice of the pursuit of wealth for a noble reason, as portrayed in Sangam Literary work, Kurunthogai 256, penned by an anonymous poet. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man, expressing why he was unable to proceed on his mission to gather wealth.

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In this episode, we perceive the hidden lessons in nature, as portrayed in Sangam Literary work, Kurunthogai 255, penned by Kaduku Perunthevanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, assuring the lady that the man would not return halfway in his mission to gather wealth.

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In this episode, we relish the intimate web between flowers, seasons and emotions, as portrayed in Sangam Literary work, Kurunthogai 254, penned by Paarkaappaanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to the confidante, in response to the confidante’s consolation that the man would return as promised.

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In this episode, we observe the tussle between a lady’s pining and a man’s search for wealth, as portrayed in Sangam Literary work, Kurunthogai 253, penned by Poonkannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, consoling her as the man remains parted away.

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In this episode, we perceive acceptance in the midst of conflict, as depicted in Sangam Literary work, Kurunthogai 252, penned by Kidangil Kulapathi Nakkannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to a question about the lady’s welcome on the man’s return.

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In this episode, we relish a thoughtful technique of consolation, as portrayed in Sangam Literary work, Kurunthogai 251, penned by Idaikaadanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the confidante to the lady, assuring her that the season of rains had not yet arrived.

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In this episode, we relish how scenes in nature propel a man towards his beloved, as portrayed in Sangam Literary work, Kurunthogai 250, penned by Naamalaar Makanaar Ilankannanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the man to his charioteer, urging him to rush homeward.

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In this episode, we perceive a technique to bear with parting, as depicted in Sangam Literary work, Kurunthogai 249, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, in response to the question as to how the lady would handle the man’s separation.

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In this episode, we listen to words of consolation, as depicted in Sangam Literary work, Kurunthogai 248, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, allaying the lady’s worries about the delay in her marriage to the man.

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In this episode, we perceive positive feelings about a relationship, as portrayed in Sangam Literary work, Kurunthogai 247, penned by Senthampoothanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the lady, conveying the man’s promise to seek the lady’s hand in marriage.

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In this episode, we observe a curious technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 246, penned by Kabilar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we observe the protectiveness of a lady towards her man, as depicted in Sangam Literary work, Kurunthogai 245, penned by Maalaimaaranaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words asking the lady to bear with the man’s parting.

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In this episode, we observe the plight of a lady at a midnight hour, as portrayed in Sangam Literary work, Kurunthogai 244, penned by Kannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the confidante to the man, passing on a hidden message asking him to seek the lady’s hand in marriage.

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In this episode, we perceive an intricate response to words of advice, as portrayed in Sangam Literary work, Kurunthogai 243, penned by Nambi Kuttuvanaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, replying to the confidante’s words that the lady must bear with the man’s parting.

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In this episode, we relish the joy of a mother in seeing her daughter happily married, as depicted in Sangam Literary work, Kurunthogai 242, penned by Kulatrathanaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady’s foster mother to the lady’s birth mother, on returning after a visit to the lady’s marital home.

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In this episode, we perceive the nature of grief, as depicted in Sangam Literary work, Kurunthogai 241, penned by Kabilar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, conveying how she seems to have no control over the expression of her emotion.

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In this episode, we relish picturesque similes that detail the flora and fauna of the past, as portrayed in Sangam Literary work, Kurunthogai 240, penned by Kollan Azhisiyaar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, conveying the angst in her heart as evening arrives.

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In this episode, we relish intricate meanings weaved into elements of nature, as portrayed in Sangam Literary work, Kurunthogai 239, penned by Aasiriyar Perunkannanaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we observe the ire of a woman, as depicted in Sangam Literary work, Kurunthogai 238, penned by Kundriyanaar. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the confidante to the man, refusing to accept his words of reconciliation.

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In this episode, we listen to the worry in a man’s heart, as portrayed in Sangam Literary work, Kurunthogai 237, penned by Alloor Nanmullaiyaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the man to his charioteer, as he contemplates the distance between himself and his beloved.

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In this episode, we perceive the crisis in a man’s parting, as depicted in Sangam Literary work, Kurunthogai 236, penned by Nariveroothalaiyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, when he requests her to take care of the lady as he parts on a journey to gather wealth.

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In this episode, we relish picturesque references to a lady’s hamlet, as portrayed in Sangam Literary work, Kurunthogai 235, penned by Maayendanaar. Set in the ‘drylands’ of ‘Paalai’, the verse speaks in the voice of the man to the northern wind, concealing a hidden message to his charioteer, urging him to rush to the village of the man’s lady love.

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In this episode, we listen to an expression of desolation about time, as depicted in Sangam Literary work, Kurunthogai 234, penned by Milaiperunkanthanaar. The verse is situated in the forest regions of ‘Mullai’ and speaks in the voice of the lady to the confidante, as the man continues to remain parted away.

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In this episode, we perceive the wealth of a home, as portrayed in Sangam Literary work, Kurunthogai 233, penned by Peyanaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the man to his charioteer, on his return from a mission to gather wealth for his wedding with the lady.

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In this episode, we relish scenes in nature and the stories they tell, as depicted in Sangam Literary work, Kurunthogai 232, penned by Oon Pithaiyaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, consoling her friend as the man remained parted away.

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In this episode, we perceive the angst of a lady at being ignored by her husband, as depicted in Sangam Literary work, Kurunthogai 231, penned by Paalai Paadiya Perunkandunko. Set in the farmlands of ‘Marutham’, the verse speaks in the voice of the lady to the confidante, refusing to entertain the message of reconciliation from the man.

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In this episode, we perceive a nuanced technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 230, penned by Pandiyan Arivudai Nambi. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a hidden message about the man’s request to tryst.

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In this episode, we listen to an amused expression of wonder, as depicted in Sangam Literary work, Kurunthogai 229, penned by Modhaasanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of wayfarers amongst themselves, on observing the man and lady, eloping together.

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In this episode, we delight in an expression about love that transcends space, as depicted in Sangam Literary work, Kurunthogai 228, penned by Seythi Valluvar Perunchaathanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s appreciation about the lady bearing well with the man’s parting.

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In this episode, we relish the science of deduction at play, as depicted in Sangam Literary work, Kurunthogai 227, penned by Othagnaaniyaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the lady, passing on a message to the man, listening nearby.

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In this episode, we perceive a picturesque portrait of an ancient shore, as depicted in Sangam Literary work, Kurunthogai 226, penned by Madurai Ezhuthaalan Senthampoothanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s worry about the lady, as the man remained parted away.

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In this episode, we perceive an intricate technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 225, penned by Kabilar. Set in the mountains of ‘Kurinji’, the verse speaks in the voice of the confidante to the man, pressing him to return without undue delay from his journey to gather wealth.

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In this episode, we perceive how humaneness soars even in the midst of suffering, as portrayed in Sangam Literary work, Kurunthogai 224, penned by Koovan Mainthanaar. The verse is situated in the drylands of ‘Paalai’ and speaks in the voice of the lady to herself, passing on a message to the confidante, listening nearby.

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In this episode, we perceive a retrospective look at the past in response to a difficult situation in the present, as portrayed by Sangam Literary work, Kurunthogai 223, penned by Madurai Kadaiyathaar Makanaar Vennaakanaar. Set in the hills of ‘Kurinji’, the verse speaks in the voice of the lady to the confidante, in response to the confidante’s words that the lady must bear with the man’s parting.

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In this episode, we perceive a curious way of ascertaining closeness, as portrayed in Sangam Literary work, Kurunthogai 222, penned by Siraikudi Aanthaiyaar. The verse is situated in the hills of ‘Kurinji’ and speaks in the voice of the man to his heart, after locating the lady’s confidante among her playmates.

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In this episode, we perceive references to the lives of ancient goatherds, as depicted in Sangam Literary work, Kurunthogai 221, penned by Uraiyoor Mudhukotranaar. Set in the forests of ‘Mullai’, the verse speaks in the voice of the lady to the confidante, conveying her angst as the man is delayed beyond his promised season of return.

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In this episode, we listen to a lady in angst, as depicted in Sangam Literary work, Kurunthogai 220, penned by Okoor Maasathiyaar. Set in the forest regions of ‘Mullai’, the verse speaks in the voice of the lady to her confidante, expressing her sorrow as the man continued to stay away.

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In this episode, we perceive a subtle technique of persuasion, as portrayed in Sangam Literary work, Kurunthogai 219, penned by Velloor Kizhaar Makanaar Venpoothiyaar. The verse is situated in the coastal regions of ‘Neythal’ and speaks in the voice of the lady to the confidante, passing on a hidden message to the man, listening nearby.

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In this episode, we perceive an angry sort of determination, as portrayed in Sangam Literary work, Kurunthogai 218, penned by Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s concern about the lady’s ability to bear with the man’s parting.

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In this episode, we listen to the rationalisation behind a difficult decision, as depicted in Sangam Literary work, Kurunthogai 217, penned by Thangaal Mudakkollanaar. The verse is situated in the mountains of ‘Kurinji’ and speaks in the voice of the confidante to the lady, persuading the lady to follow the man’s proposed solution to their problem.

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In this episode, we perceive the angst of a parted lady, as portrayed in Sangam Literary work, Kurunthogai 216, penned by Kachipettu Kanchi Kotranaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the lady to the confidante, in response to the friend’s words of concern about the lady’s ability to bear with the man’s parting.