Podcast Archive

SangamLit

Aganaanooru 353 – Nudge to part away

In this episode, we listen to a refusal rendered to a heart’s nudge, as depicted in Sangam Literary work, Aganaanooru 353, penned by Madurai Alakkar Gnaazhalaar Makanaar Mallanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse contrasts the nature of this domain and that of a beloved.

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Aganaanooru 352 – Sweeter than the sweetest song

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In this episode, we listen to the ecstatic voice of a lady in love, as portrayed in Sangam Literary work, Aganaanooru 352, penned by Anjiyaththai Magal Naakaiyaar. The verse is situated amidst the singing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and sketches the process of penning a king’s praise.

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Aganaanooru 351 – Message of the lizard

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In this episode, we perceive the tug between hearts that are apart, as portrayed in Sangam Literary work, Aganaanooru 351, penned by Porunthil Ilankeeranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse highlights the beliefs of the ancients in omens about another’s homecoming.

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Aganaanooru 350 – A warm welcome

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In this episode, we perceive words of welcome infused with a hidden message, as depicted in Sangam Literary work, Aganaanooru 350, penned by Chenthan Kannanaar. The verse is situated amidst the crashing waves of the ‘Neythal’ or ‘Coastal Landscape’ and etches a scene depicting an ancient occupation in the seas.

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Aganaanooru 349 – What’s more precious?

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In this episode, we observe the bewilderment of a person at another’s course of action, as depicted in Sangam Literary work, Aganaanooru 349, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the victory and generosity of a Sangam-era king.

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Aganaanooru 348 – The toddy of trysting

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In this episode, we perceive a subtle message of persuasion, as portrayed in Sangam Literary work, Aganaanooru 348, penned by Madurai Ilam Paalaasiriyan Chenthan Koothanaar. The verse is situated amidst the flourishing millet fields of the ‘Kurinji’ or ‘Mountain Landscape’ and details the ingredients and recipe of an ancient fermented beverage.

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Aganaanooru 347 – A wish in pain

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In this episode, we listen to the angst-ridden words of a maiden, as portrayed in Sangam Literary work, Aganaanooru 347, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse interleaves the victory of a Chera King amidst the melancholy of pining.

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Aganaanooru 346 – A joy much greater

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In this episode, we perceive a sharp refusal to a request, as portrayed in Sangam Literary work, Aganaanooru 346, penned by Nakeerar. The verse is situated amidst the fertile fields of the ‘Marutham’ or ‘Farmlands landscape’ and elaborates on a person’s past activities and the emotions that evokes.

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Aganaanooru 345 – May the forest bloom for him

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In this episode, we listen to wishes rendered for another’s welfare, as portrayed in Sangam Literary work, Aganaanooru 345, penned by Kudavayil Keerathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse describes the exquisite transformations in nature.

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Aganaanooru 344 – Speed on to spread a smile

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In this episode, we listen to the eagerness in a man’s voice, as portrayed in Sangam Literary work, Aganaanooru 344, penned by Madurai Alakkar Gnaazhaar Makanaar Mallanaar. The verse is situated amidst the blooming jasmines of the ‘Mullai’ or ‘Forest Landscape’ and presents picturesque scenes in the aftermath of the rains.

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Aganaanooru 343 – The heart’s abandonment

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In this episode, we perceive the dilemma sensed in the middle of a journey, as depicted in Sangam Literary work, Aganaanooru 343, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the people and spaces of this domain.

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Aganaanooru 342 – Rarer than meeting mountain spirits

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In this episode, we listen to a man admonishing his heart, as portrayed in Sangam Literary work, Aganaanooru 342, penned by Madurai Kanakkaayanaar. The verse is situated amidst the rocky clefts of the ‘Kurinji’ or ‘Mountain landscape’ and describes the warring nature of the Pandya King.

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Aganaanooru 341 – Scenes of spring

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In this episode, we perceive the picturesque beauty of spring, as portrayed in Sangam Literary work, Aganaanooru 341, penned by Aavoor Moolankizhaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse paints the emotions in the heart of a person, parted from their beloved, on encountering a change in the seasons.

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Aganaanooru 340 – Why don’t you stay?

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In this episode, we perceive a hidden message in words of hospitality, as depicted in Sangam Literary work, Aganaanooru 340, penned by Nakeerar. The verse is situated amidst the brimming waves of the ‘Neythal’ or ‘Coastal Landscape’ and etches the pleasantness of a seaside town.

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Aganaanooru 339 – Between Duty and Passion

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In this episode, we perceive the torment in a person’s heart, as portrayed in Sangam Literary work, Aganaanooru 339, penned by ‘Narai Mudi Nettaiyaar’. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse depicts a dilemma in a tangible manner.

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Aganaanooru 338 – Praise and Perseverance

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In this episode, we perceive the feelings of a person in pursuit of another, as portrayed in Sangam Literary work, Aganaanooru 338, penned by Madurai Kanakkaayanaar. The verse is situated amidst the soaring peaks of the ‘Kurinji’ or ‘Mountain Landscape’ and brings out the glory of the three great kings of ancient Tamil land.

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Aganaanooru 337 – That day in the drylands…

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In this episode, we perceive the past being summoned to resolve a problem in the present, as portrayed in Sangam Literary work, Aganaanooru 337, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches a violent scene in this domain in vivid detail.

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Aganaanooru 336 – A retort to a rival

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In this episode, we listen to an angry outburst, as portrayed in Sangam Literary work, Aganaanooru 336, penned by Paavai Kottilaar. The verse is situated amidst the lush ponds of the ‘Marutham’ or ‘Farmlands landscape’ and highlights the romantic rivalries in a rich town.

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Aganaanooru 335 – Sweeter than sweet water

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In this episode, we perceive a person’s dilemma and decision, as depicted in Sangam Literary work, Aganaanooru 335, penned by Madurai Thaththan Kannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse delves into the flowering and fruiting process of a particular tree.

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Aganaanooru 334 – Ride on without a pause

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In this episode, we listen to a man’s passionate command, as portrayed in Sangam Literary work, Aganaanooru 334, penned by Madurai Koothanaar. The verse is situated amidst the showering rainclouds of the ‘Mullai’ or ‘Forest Landscape’ and resounds with the yearning to be back home.

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Aganaanooru 333 – One message is all I seek…

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In this episode, we listen to words of yearning, as depicted in Sangam Literary work, Aganaanooru 333, penned by Kallaadanar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays a consolation rendered along with its response.

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Aganaanooru 332 – As it was on the first day

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In this episode, we perceive words of praise, as portrayed in Sangam Literary work, Aganaanooru 332, penned by Kabilar. The verse is situated amidst the bamboo-filled slopes of the ‘Kurinji’ or ‘Mountain landscape’ and expresses the satisfaction in a person’s heart.

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Aganaanooru 331 – Treading the sword’s edge

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In this episode, we perceive the angst-filled voice of a lady, as depicted in Sangam Literary work, Aganaanooru 331, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse presents an instance of the dynamics between the flora, fauna and human life in this domain.

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Aganaanooru 330 – Have you not told him yet?

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In this episode, we listen to a curious recommendation to consider another’s proposal, as portrayed in Sangam Literary work, Aganaanooru 330, penned by Ulochanaar. The verse is situated amidst the swaying boats of the ‘Neythal’ or ‘Coastal Landscape’ and resounds in the rhythm of unsaid words of love.

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Aganaanooru 329 – How can he part away?

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In this episode, we perceive a person’s bewilderment, as depicted in Sangam Literary work, Aganaanooru 329, penned by Uraiyoor Muthukoothanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the unpleasant nature of this domain.

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Aganaanooru 328 – Had I known…

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In this episode, we listen to hidden words of persuasion, as depicted in Sangam Literary work, Aganaanooru 328, penned by Madurai Panda Vaanikan Ilanthevanaar. The verse is situated amidst the rain-soaked darkness of the ‘Kurinji’ or ‘Mountain Landscape’ and projects a person’s wish on the elements of nature.

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Aganaanooru 327 – The nudge to part away

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In this episode, we perceive an anguished question put forth, as portrayed in Sangam Literary work, Aganaanooru 327, penned by Marunkoorpaakai Saathan Poothanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse presents a vivid portrait of this domain.

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Aganaanooru 326 – Those spear-like eyes of hers

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In this episode, we listen to a pointed refusal, as portrayed in Sangam Literary work, Aganaanooru 326, penned by Paranar. The verse is situated in the lush fields of the ‘Marutham’ or ‘Farmlands Landscape’ and dwells on the appeal of a courtesan.

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Aganaanooru 325 – Dilemmas and Decisions

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In this episode, we perceive a lady’s situation in the midst of a dilemma, as depicted in Sangam Literary work, Aganaanooru 325, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse mentions the respect and admiration rendered unto a Sangam-era king.

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Aganaanooru 324 – A feast is certain

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In this episode, we listen to joyous voices foreseeing an awaited arrival, as depicted in Sangam Literary work, Aganaanooru 324, penned by Okkoor Maasaathiyaar. The verse is situated amidst the rain-soaked flowers of the ‘Mullai’ or ‘Forest Landscape’ and sketches the trajectory of a speeding chariot.

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Aganaanooru 323 – Step out and See

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In this episode, we listen to words of consolation, as portrayed in Sangam Literary work, Aganaanooru 323, penned by Puranaattu Perunkotranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse renders hope to an anxious heart!

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Aganaanooru 322 – Yearning for the unattainable

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In this episode, we listen to words of despair, as depicted in Sangam Literary work, Aganaanooru 322, penned by Paranar. The verse is situated amidst the falling cascades and soaring peaks of the ‘Kurinji’ or ‘Mountain Landscape’ and reveals the unique qualities of a king’s domain.

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Aganaanooru 321 – A mother’s suffering

In this episode, we listen to a mother’s lament, as depicted in Sangam Literary work, Aganaanooru 321, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the state of various fauna in this harsh domain.

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Aganaanooru 320 – Remember the oath taken

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In this episode, we perceive an emphatic attempt to change a person’s path, as depicted in Sangam Literary work, Aganaanooru 320, penned by Madurai Koolavaanikan Seethalai Saathanaar. The verse is situated amidst the leaping waves of the ‘Neythal’ or ‘Coastal Landscape’ and sketches scenes of wild life and human life on this domain in vibrant detail.

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Aganaanooru 319 – On a maiden’s strength

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In this episode, we listen to words that attempt to dissuade a person from a course of action, as depicted in Sangam Literary work, Aganaanooru 319, penned by Erukkaattoor Thaayankannanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse etches the qualities of the lady and the land.

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Aganaanooru 318 – Don’t but if you have to…

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In this episode, we listen to a pointed message to persuade a person, as portrayed in Sangam Literary work, Aganaanooru 318, penned by Kabilar. The verse is situated amidst the singing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and depicts the dangers of a tryst by night.

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Aganaanooru 317 – A thought that brought…

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In this episode, we listen to a reflection on a joyous moment, as depicted in Sangam Literary work, Aganaanooru 317, penned by Vadamothankizhaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the seasons and the changes they bring in vivid detail.

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Aganaanooru 316 – Fate of a fighting woman

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In this episode, we listen to an angry outburst, as portrayed in Sangam Literary work, Aganaanooru 316, penned by Orambokiyaar. The verse is situated amidst the attractive white-lilies of the ‘Marutham’ or ‘Farmlands landscape’ and records the beliefs of a particular time and place about the role of a wife.

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Aganaanooru 315 – A wish for her gone girl

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In this episode, we listen to a mother’s lament, as depicted in Sangam Literary work, Aganaanooru 315, penned by Kudavayil Keerathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the thoughts of a mother at a moment of loss.

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Aganaanooru 314 – Words of welcome

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In this episode, we perceive words of a warm welcome, as depicted in Sangam Literary work, Aganaanooru 314, penned by Madurai Alakkar Gnaazhaar Makanaar Ammallanaar. The verse is situated amidst the rain-soaked earth of the ‘Mullai’ or ‘Forest Landscape’ and portrays how angst has been routed by a much-awaited arrival.

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Aganaanooru 313 – A message of hope

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In this episode, we listen to words of consolation, as portrayed in Sangam Literary work, Aganaanooru 313, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the state of the lady and the land with picture-perfect parallels.

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Aganaanooru 312 – The roaring rains are here

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In this episode, we perceive a technique of conveying a timely message, as depicted in Sangam Literary work, Aganaanooru 312, penned by Madurai Maruthan Ilanaakanaar. The verse is situated amidst the flowing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and conveys the precariousness of the situation in a subtle manner.

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Aganaanooru 311 – The promise of the past

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In this episode, we listen to thoughtful words of consolation, as depicted in Sangam Literary work, Aganaanooru 311, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse throws the spotlight on the nature of a tribe in ancient Tamil land.

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Aganaanooru 310 – The reward for patience

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In this episode, we listen to a message of acceptance, as depicted in Sangam Literary work, Aganaanooru 310, penned by Nakeerar. The verse is situated amidst the roaring waves of the ‘Neythal’ or ‘Coastal landscape’ and reveals the manner in which a man courts a lady in those times.

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Aganaanooru 309 – Dreaming of a journey

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In this episode, we perceive the helplessness in a lady’s voice, as depicted in Sangam Literary work, Aganaanooru 309, penned by Karuvoor Kanthapillai Saathanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse details the activities of a tribe of robbers in the drylands.

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Aganaanooru 308 – Seeking a change in another

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In this episode, we listen to a nuanced attempt to change a person’s course of action, as depicted in Sangam Literary work, Aganaanooru 308, penned by Pisiranthaiyaar. The verse is situated amidst the flowing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and etches the domain in picturesque detail.

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Aganaanooru 307 – Part not leaving her

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In this episode, we perceive persuasive words to change a person’s path, as portrayed in Sangam Literary work, Aganaanooru 307, penned by Madurai Eezhathu Poothan Thevanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse sketches the consequences of the man’s parting away.

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Aganaanooru 306 – Sleeping bird and lazing turtle

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In this episode, we listen to an encrypted refusal, as depicted in Sangam Literary work, Aganaanooru 306, penned by Madurai Koolavaankian Seethalai Saathanaar. The verse is situated amidst the swaying sugarcanes of the ‘Marutham’ or ‘Farmlands Landscape’ and conceals profound meanings in its scenic metaphors.

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Aganaanooru 305 – Melodies of Melancholy

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In this episode, we perceive the piercing pain of parting, as depicted in Sangam Literary work, Aganaanooru 305, penned by Vadama Vannakkan Peri Saathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the changes in the season and the sounds in the breeze.

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Aganaanooru 304 – Thinking of her thoughts

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In this episode, we listen to a man’s anxious words, as depicted in Sangam Literary work, Aganaanooru 304, penned by Idaikaadanaar. The verse is situated amidst the blooming flowers and pouring showers of the ‘Mullai’ or ‘Forest Landscape’ and etches the beauty of the land in the season of rains.

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Aganaanooru 303 – The wish of a fish

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In this episode, we observe a woman’s angst, as depicted in Sangam Literary work, Aganaanooru 303, penned by Avvaiyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the glory and fame of some Sangam kings and their lands.

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Aganaanooru 302 – A gentle wake-up call

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In this episode, we perceive how a pointed message is relayed in a hidden manner, as depicted in Sangam Literary work, Aganaanooru 302, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated amidst the blooming Kino flowers of the ‘Kurinji’ or ‘Mountain Landscape’ and sketches scenes of serenity.

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Aganaanooru 301 – The day after…

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In this episode, we perceive a person’s state of mind, as portrayed in Sangam Literary work, Aganaanooru 301, penned by Athiyan Vinnathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse builds a stack of similes to reach the peak of a perfect and precise portrayal.

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Aganaanooru 300 – A plan for the man

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In this episode, we perceive a nuanced technique of communicating a message, as portrayed in Sangam Literary work, Aganaanooru 300, penned by Ulochanaar. The verse is situated amidst the leaping fish of the ‘Neythal’ or ‘Coastal landscape’ and brings out a trait, deeply encoded in the culture of the Tamils.

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Aganaanooru 299 – That unforgettable moment

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In this episode, we perceive the thing that seems impossible to forget, as depicted in Sangam Literary work, Aganaanooru 299, penned by Eyinanthai Makanaar Ilankeeranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the emotions of a person at the moment they receive a particular news.

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Aganaanooru 298 – Sweet but sweeter…

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In this episode, we listen to a nuanced rendition of one’s state of mind, as depicted in Sangam Literary work, Aganaanooru 298, penned by Madurai Panda Vaanikan Ilanthevanaar. The verse is situated amidst the blooming flowers of the ‘Kurinji’ or ‘Mountain Landscape’ and sketches the man’s domain and his journey to his beloved in vivid detail.

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Aganaanooru 297 – A wish to walk together

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In this episode, we listen to the worry of a person about another, as depicted in Sangam Literary work, Aganaanooru 297, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse sketches scenes of human life and wildlife in this domain.

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Aganaanooru 296 – The furore of rumours

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In this episode, we listen to an emphatic refusal, as depicted in Sangam Literary work, Aganaanooru 296, penned by Madurai Peralavayaar. The verse is situated amidst the gushing rivers of the ‘Marutham’ or ‘Farmlands landscape’ and narrates scenes of celebration in the domain of a famous Pandya king.

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Aganaanooru 295 – Hope and Humanity

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In this episode, we perceive a promise rendered to a person, as portrayed in Sangam Literary work, Aganaanooru 295, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse details the nature of the spaces traversed by wayfarers in this formidable domain.

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Aganaanooru 294 – Torment of the northern wind

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In this episode, we perceive the soaring agony in a maiden, as portrayed in Sangam Literary work, Aganaanooru 294, penned by Kazhaarkeeran Eyitriyaar. The verse is situated amidst the rain-soaked flowers of the ‘Mullai’ or ‘Forest Landscape’ and sketches the changes in the weather and its consequences.

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Aganaanooru 293 – The road to desolation

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In this episode, we perceive the angst of a woman at the turn of events, as depicted in Sangam Literary work, Aganaanooru 293, penned by Kaavanmullai Poothanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the desolate spaces of this domain in detail.

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Aganaanooru 292 – The trail of a mountain missile

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In this episode, we perceive a hidden attempt at persuading a person, as portrayed in Sangam Literary work, Aganaanooru 292, penned by Kabilar. The verse is situated amidst the hanging honeycombs of the ‘Kurinji’ or ‘Mountain Landscape’ and sketches the dynamic flow of a speeding stone from a catapult.

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Aganaanooru 291 – A heart that forgets not

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In this episode, we perceive the sorrowful situation of a person parted from his beloved, as depicted in Sangam Literary work, Aganaanooru 291, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the challenging spaces of this domain in vivid detail.

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Aganaanooru 290 – A sapphire turning gold

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In this episode, we listen to a narrative about a person’s state, as depicted in Sangam Literary work, Aganaanooru 290, penned by Nakeerar. The verse is situated amidst the blooming lotuses of the ‘Neythal’ or ‘Coastal landscape’ and portrays the beauty of an ancient Sangam seaside town.

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Aganaanooru 289 – Seeking a good word

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In this episode, we perceive a person’s worry about another, as portrayed in Sangam Literary work, Aganaanooru 289, penned by Eyinanthai Magan Ilankeeranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse renders intricate aspects about the cultural beliefs and practices of the ancients.

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Aganaanooru 288 – The mansion in the mountain

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In this episode, we listen to strong words of persuasion, as portrayed in Sangam Literary work, Aganaanooru 288, penned by Vitrootru Mootheyinanaar. The verse is situated amidst the flowing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and sketches how a person has a wrong notion about something significant.

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Aganaanooru 287 – Lament of the lonely

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In this episode, we listen to the lament of a lonely heart, as depicted in Sangam Literary work, Aganaanooru 287, penned by Kudavayil Keerathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a vivid portrait of the pain in parting.

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Aganaanooru 286 – Ways of the noble

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In this episode, we perceive an insightful refusal to a request, as depicted in Sangam Literary work, Aganaanooru 286, penned by Orambokiyaar. The verse is situated amidst the sounds of pounding in the ‘Marutham’ or ‘Farmlands landscape’ and delves into abstractions about the actions of the noble.

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Aganaanooru 285 – Words that chase away worry

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In this episode, we listen to the sharing of a happy news, as depicted in Sangam Literary work, Aganaanooru 285, penned by Kaaviripoompattinathu Karikannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the dynamic scenes in this domain.

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Aganaanooru 284 – Hamlet that beckons the heart

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In this episode, we perceive the eagerness to be back with a beloved, as portrayed in Sangam Literary work, Aganaanooru 284, penned by Idaikaadanaar. The verse is situated amidst the leaping hares of the ‘Mullai’ or ‘Forest landscape’ and paints a portrait of this domain and its denizens.

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Aganaanooru 283 – A friend’s wish

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In this episode, we listen to a loving wish, as depicted in Sangam Literary work, Aganaanooru 283, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse describes the transformation of dreary place into a delightful one.

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Aganaanooru 282 – Treasures that lie in wait

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In this episode, we listen to a unique attempt at persuasion, as portrayed in Sangam Literary work, Aganaanooru 282, penned by Thol Kabilar. The verse is situated amidst the soaring Kino and Jackfruit trees of the ‘Kurinji’ or ‘Mountain Landscape’ and paints the prosperity of this domain.

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Aganaanooru 281 – Bearing the burden of slander

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In this episode, we listen to the lady’s angst, as depicted in Sangam Literary work, Aganaanooru 281, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse mentions historical facts to etch this story of separation.

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Aganaanooru 280 – All for the maiden’s hand

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In this episode, we listen to the plea in a man’s heart, as portrayed in Sangam Literary work, Aganaanooru 280, penned by Ammoovanaar. The verse is situated amidst the blooming flowers and scuttling crabs of the ‘Neythal’ or ‘Coastal Landscape’ and echoes the yearning to attain a beloved.

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Aganaanooru 279 – How can she bear this parting?

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In this episode, we perceive a heart that beats for another, as depicted in Sangam Literary work, Aganaanooru 279, penned by Irunkon Ollaiyaayan Chenkannanaar. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse presents the core reasons for venturing out in search of wealth.

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Aganaanooru 278 – Seeing him in the stream

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In this episode, we perceive the subtle art of persuasion, as portrayed in Sangam Literary work, Aganaanooru 278, penned by Kabilar. The verse is situated amidst the gushing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and sketches the journey of water and its significance in the lady’s life.

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Aganaanooru 277 – Heartbreaking Spring

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In this episode, we perceive the angst-ridden words of a maiden, as depicted in Sangam Literary work, Aganaanooru 277, penned by Karuvoor Nanmarban. Set in the ‘Paalai’ or ‘Drylands Landscape’, the verse sketches dynamic similes involving birds and animals to etch the situation at hand.

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Aganaanooru 276 – Stealing with stealth

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In this episode, we perceive the ire of a woman, as depicted in Sangam Literary work, Aganaanooru 276, penned by Paranar. The verse is situated amidst the fish-filled ponds of the ‘Marutham’ or ‘Farmlands landscape’ and relays scenes of rivalry in a rich town.

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Aganaanooru 275 – Lament of those left behind

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In this episode, we listen to words of lament, as depicted in Sangam Literary work, Aganaanooru 275, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the emotions of a Sangam mother at the juncture of her daughter’s elopement.

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Aganaanooru 274 – There lives my beloved

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In this episode, we perceive the anticipation of returning to a beloved, as depicted in Sangam Literary work, Aganaanooru 274, penned by Idaikaadanaar. The verse is situated in the midst of the falling rain in the ‘Mullai’ or ‘Forest landscape’, and sketches a scene from this domain in the dark hour of midnight.

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Aganaanooru 273 – The tree of suffering

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In this episode, we listen to words of angst, as depicted in Sangam Literary work, Aganaanooru 273, penned by Avvaiyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse employs an exquisite metaphor to etch a person’s state.

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Aganaanooru 272 – The man in mother’s eyes

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In this episode, we perceive a dramatic attempt at persuasion, as portrayed in Sangam Literary work, Aganaanooru 272, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated amidst the flowing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and presents a hypothetical situation and its impactful consequences.

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Aganaanooru 271 – Is there a cure?

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In this episode, we perceive an impactful attempt at changing a person’s course of action, as depicted in Sangam Literary work, Aganaanooru 271, penned by Kaaviripoompattinathu Chenkannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse mentions intriguing aspects about the flora and fauna in this domain.

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Aganaanooru 270 – Lament of the lonely bird

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In this episode, we perceive a passionate attempt at persuasion, as portrayed in Sangam Literary work, Aganaanooru 270, penned by Saakalaasanaar. The verse is situated amidst the blooming blue lilies of the ‘Neythal’ or ‘Coastal Landscape’ and etches the scenes of loneliness and lament in this domain.

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Aganaanooru 269 – The hand that wipes away tears

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In this episode, we listen to the rendition of a much-awaited news, as depicted in Sangam Literary work, Aganaanooru 269, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents intricate details about the custom of installing hero stones.

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Aganaanooru 268 – Reflect on my words

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In this episode, we listen to a subtle attempt at persuasion, as depicted in Sangam Literary work, Aganaanooru 268, penned by Vadama Vannakkan Peri Saathanaar. The verse is situated amidst the fragrant flowers of the ‘Kurinji’ or ‘Mountain landscape’ and presents a portrait of the delicate state of affairs.

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Aganaanooru 267 – Blame him not

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In this episode, we perceive an expression of angst, as depicted in Sangam Literary work, Aganaanooru 267, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse describes the scenes in the sweltering drylands with a stack of similes.

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Aganaanooru 266 – Past vow and Present vice

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In this episode, we listen to a pointed expression of discontent, as depicted in Sangam Literary work, Aganaanooru 266, penned by Paranar. The verse is situated amidst gushing new streams of the ‘Marutham’ or ‘Farmlands landscape’ and relays a jilted woman’s feelings.

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Aganaanooru 265 – Worth of that wealth

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In this episode, we perceive a disgruntled comparison, as depicted in Sangam Literary work, Aganaanooru 265, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse introduces an intriguing historic detail.

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Aganaanooru 264 – Won’t he realise?

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In this episode, we perceive the angst of a lady, as portrayed in Sangam Literary work, Aganaanooru 264, penned by Umbarkkaattu Ilankannanaar. The verse is situated amidst the blooming white flowers of the ‘Mullai’ or ‘Forest landscape’ and sketches the suffering in being apart from a beloved.

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Aganaanooru 263 – If only I had known

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In this episode, we listen to words of angst, as portrayed in Sangam Literary work, Aganaanooru 263, penned by Karuvoor Kannampaalanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse reveals a mother’s emotion in the midst of discomforting news.

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Aganaanooru 262 – Ecstasy of fulfilment

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In this episode, we perceive the ecstasy of a person in love, as depicted in Sangam Literary work, Aganaanooru 262, penned by Paranar. The verse is situated amidst the splashing cascades of the ‘Kurinji’ or ‘Mountain landscape’ and presents a historic incident in vivid detail.

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Aganaanooru 261 – Walk on ahead O beloved

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In this episode, we listen to a narration of events that unfolded, as depicted in Sangam Literary work, Aganaanooru 261, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse subtly sketches a moment of love.

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Aganaanooru 260 – Sunset hour on the shore

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In this episode, we listen to a troubled conversation, as depicted in Sangam Literary work, Aganaanooru 260, penned by Mosi Karaiyanaar. The verse is situated amidst the blooming backwaters of the ‘Neythal’ or ‘Coastal landscape’ and paints a vivid portrait of a shore at sunset.

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Aganaanooru 259 – Encouragement to depart

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In this episode, we listen to words of persuasion, as portrayed in Sangam Literary work, Aganaanooru 259, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse reveals the role of a confidante in directing the love life of the lady.

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Aganaanooru 258 – Portrait of disappointment

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In this episode, we perceive a portrait of disappointment, as depicted in Sangam Literary work, Aganaanooru 258, penned by Paranar. The verse is situated amidst the dark and dangerous paths of the ‘Kurinji’ or ‘Mountain landscape’ and etches the failure of a mission and its emotional consequences.

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Aganaanooru 257 – Words of admiration

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In this episode, we perceive an expression of awe uttered to a beloved, as depicted in Sangam Literary work, Aganaanooru 257, penned by Uraiyoor Maruthuvan Thaamotharanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the dangers of traversing this domain.

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Aganaanooru 256 – An act of justice

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In this episode, we perceive a sharp refusal, as portrayed in Sangam Literary work, Aganaanooru 256, penned by Madurai Tamizh Koothanaar Kaduvan Mallanaar. The verse is situated amidst the blooming lilies of the ‘Marutham’ or ‘Farmlands landscape’, and depicts an anecdote about an act of justice in those times.

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Aganaanooru 255 – From the shore to the sea

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In this episode, we listen to a unique tale of parting, as portrayed in Sangam Literary work, Aganaanooru 255, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the yearning in a heart, torn apart by the hand of fate.

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Aganaanooru 254 – The joy of coming home

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In this episode, we listen to the ecstatic words of a person, as depicted in Sangam Literary work, Aganaanooru 254, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated amidst the blooming jasmines of the ‘Mullai’ or ‘Forest landscape’ and sketches the emotions in a homecoming.

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Aganaanooru 253 – Assurance of a return

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In this episode, we perceive thoughtful words of consolation, as depicted in Sangam Literary work, Aganaanooru 253, penned by Nakeerar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse illustrates the fame of a leader in capturing cattle.

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Aganaanooru 252 – A Sleepless Stance

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In this episode, we listen to an account of an impossible situation, as depicted in Sangam Literary work, Aganaanooru 252, penned by Nakkannaiyaar. The verse is situated amidst the dark and dangerous ranges of the ‘Kurinji’ or ‘Mountain Landscape’ and etches an exquisite simile to capture an intricate emotion.

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Aganaanooru 251 – Slipping Shell bangles

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In this episode, we hear words of consolation, as depicted in Sangam Literary work, Aganaanooru 251, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse relates a significant historic incident involving hostilities between the north and south of ancient India.

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Aganaanooru 250 – The sleepless shore

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In this episode, we listen to a pointed question put forth to subtly persuade a person, as portrayed in Sangam Literary work, Aganaanooru 250, penned by Selloorkizhaar Maganaar Perumboothankotranaar. The verse is situated amidst the swaying seashore trees of the ‘Neythal’ or ‘Coastal landscape’ and recollects an incident and presents its consequences.

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Aganaanooru 249 – The roar of the summer wind

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In this episode, we listen to a lady’s lament, as depicted in Sangam Literary work, Aganaanooru 249, penned by Nakiranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the generosity of a king and the beauty of his domain.

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Aganaanooru 248 – The hunter and the boar

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In this episode, we listen to the narration of a curious incident involving many layers, as depicted in Sangam Literary work, Aganaanooru 248, penned by Kabilar. The verse is situated amidst the bustle of hunting in the ‘Kurinji’ or ‘Mountain landscape’ and etches a dynamic moment of human-animal interaction.

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Aganaanooru 247 – The falling teardrops

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In this episode, we perceive a lady’s anguish, as portrayed in Sangam Literary work, Aganaanooru 247, penned by Madurai Maruthankizhaar Maganaar Perunkannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse relays the dangers of traversing this domain.

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Aganaanooru 246 – The soaring uproar

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In this episode, we listen to words of refusal, as depicted in Sangam Literary work, Aganaanooru 246, penned by Paranar. The verse is situated amidst the flourishing fields of the ‘Marutham’ or ‘Farmlands landscape’ and describes a famous battle from this era.

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Aganaanooru 245 – The man and his mind

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In this episode, we perceive a moment of clarity at the end of a dilemma, as depicted in Sangam Literary work, Aganaanooru 245, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents surprising details about a particular animal in this domain.

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Aganaanooru 244 – Rush back to the lonely one

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In this episode, we listen to an excited request, as depicted in Sangam Literary work, Aganaanooru 244, penned by Madurai Mallanaar. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and portrays the pleasantness of the rainy season.

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Aganaanooru 243 – The mind of the northern wind

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In this episode, we listen to a lady’s lament, as depicted in Sangam Literary work, Aganaanooru 243, penned by Kodiyoor Kizhaar Maganaar Neythal Thathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the attitude of the northern wind.

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Aganaanooru 242 – Golden pollen on sapphire plume

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In this episode, we perceive an intention to change another’s course of action, as depicted in Sangam Literary work, Aganaanooru 242, penned by Peri Saathanaar. The verse is situated amidst the blooming Kino trees of the ‘Kurinji’ or ‘Mountain landscape’ and reveals the circumstances that necessitate a religious ritual.

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Aganaanooru 241 – The one near is now afar

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In this episode, we perceive a lady’s angst, as portrayed in Sangam Literary work, Aganaanooru 241, penned by Kaavanmullai Poothanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches this difficult terrain in much detail.

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Aganaanooru 240 – The buzz at night

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In this episode, we listen to words seeking a change in a person’s path, as depicted in Sangam Literary work, Aganaanooru 240, penned by Ezhooppandri Naagan Kumaranaar. The verse is situated amidst the swirling waves of the ‘Neythal’ or ‘Coastal landscape’ and describes the activities of the denizens at night.

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Aganaanooru 239 – The sight of her town

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In this episode, we listen to a man’s lament, as depicted in Sangam Literary work, Aganaanooru 239, penned by Eyinanthai Magan Ilankeeranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse describes the circumstances of the departed and the one left behind.

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Aganaanooru 238 – The cure for her malady

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In this episode, we perceive a subtle technique of persuasion, as depicted in Sangam Literary work, Aganaanooru 238, penned by Kabilar. The verse is situated amidst the scent of flame-lilies in the ‘Kurinji’ or ‘Mountain landscape’ and sketches a tiger’s midnight hunt in vivid detail.

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Aganaanooru 237 – The wealth of Uranthai

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In this episode, we listen to words of assurance, as depicted in Sangam Literary work, Aganaanooru 237, penned by Thaayankannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse describes the wealth and prosperity of a Sangam era town.

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Aganaanooru 236 – Saved from a sorry fate

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In this episode, we listen to an intricate explanation, as depicted in Sangam Literary work, Aganaanooru 236, penned by Paranar. The verse is situated amidst the flourishing paddy stalks of the ‘Marutham’ or ‘Farmlands landscape’ and refers to a renowned story of loss from those times.

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Aganaanooru 235 – Flowers in the northern wind

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In this episode, we listen to the angst-ridden voice of a lady, as depicted in Sangam Literary work, Aganaanooru 235, penned by Kazhaarkeeran Eyitriyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse paints a vivid portrait of the many flowers that bloom in the aftermath of the rains.

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Aganaanooru 234 – Ride like the wind

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In this episode, we listen to a passionate request put forth, as depicted in Sangam Literary work, Aganaanooru 234, penned by Peyanaar. The verse is situated amidst the buzzing bees of the ‘Mullai’ or ‘Forest landscape’ and sketches the speed of an envisioned journey.

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Aganaanooru 233 – Back to those tresses

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In this episode, we perceive the promise of a return, as depicted in Sangam Literary work, Aganaanooru 233, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse mentions an act of ritual offering by a famous Sangam era king.

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Aganaanooru 232 – A case of mistaken ire

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In this episode, we perceive a subtle technique of persuasion, as portrayed in Sangam Literary work, Aganaanooru 232, penned by Kodimangalathu Vaathuli Narchenthanaar. The verse is situated amidst the blooming Kino trees of the ‘Kurinji’ or ‘Mountain landscape’ and describes a ritual performed in Sangam times.

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Aganaanooru 231 – An assured return

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In this episode, we listen to words of assurance, as depicted in Sangam Literary work, Aganaanooru 231, penned by Madurai Eezhathu Boothan Thevanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the fame of a Pandya King and his city.

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Aganaanooru 230 – An expression in response

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In this episode, we perceive a man’s ecstatic emotions, as depicted in Sangam Literary work, Aganaanooru 230, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated amidst the blooming blue lotuses of the ‘Neythal’ or ‘Coastal Landscape’ and sketches a conversation and its consequences.

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Aganaanooru 229 – Spring’s here and he’s not

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In this episode, we listen to a lady’s angst, as depicted in Sangam Literary work, Aganaanooru 229, penned by Madurai Koolavaanikan Seethalai Saathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse describes aspects of this domain and the arrival of a season.

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Aganaanooru 228 – Play by day and part by night

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In this episode, we listen to words of hidden persuasion, as depicted in Sangam Literary work, Aganaanooru 228, penned by Andar Magan Kuravazhuthiyaar. The verse is situated amidst the blooming blue lilies of the ‘Kurinji’ or ‘Mountain landscape’ and presents scenes from nature having a cultural significance.

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Aganaanooru 227 – A wish for his welfare

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In this episode, we perceive a wish for the welfare of another, as portrayed in Sangam Literary work, Aganaanooru 227, penned by Nakirar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches scenes from nature and history.

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Aganaanooru 226 – The sound of slander

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In this episode, we listen to a firm refusal, as depicted in Sangam Literary work, Aganaanooru 226, penned by Paranar. The verse is situated in the fertile fields of the ‘Marutham’ or ‘Farmlands landscape’ and portrays a historical moment from the era.

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Aganaanooru 225 – On today and tomorrow

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In this episode, we perceive a dilemma unfolding, as depicted in Sangam Literary work, Aganaanooru 225, penned by Eyinanthai Makanaar Ilankeeranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the elements of this domain with intricate similes.

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Aganaanooru 224 – Hurry on to her

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In this episode, we listen to an earnest request put forth to another, as depicted in Sangam Literary work, Aganaanooru 224, penned by Aavoor Moolankizhaar Makanaar Perunthalai Saathanaar. The verse is situated amidst the trotting deer of the ‘Mullai’ or ‘Forest landscape’, and sketches the nuanced elements of a chariot ride.

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Aganaanooru 223 – Flaming forest and blazing beauty

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In this episode, we listen to words of assurance, as depicted in Sangam Literary work, Aganaanooru 223, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse illustrates both the fierce nature of this domain and the gentle beauty of the lady.

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Aganaanooru 222 – The fame of finding

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In this episode, we perceive a subtle technique of persuasion, as portrayed in Sangam Literary work, Aganaanooru 222, penned by Paranar. The verse is situated amidst the soaring peaks of the ‘Kurinji’ or ‘Mountain landscape’ and narrates a much talked about story from the Sangam times.

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Aganaanooru 221 – Time to leave

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In this episode, we listen to a description of the only available course of action, as portrayed in Sangam Literary work, Aganaanooru 221, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse reveals the situation which necessitates elopement in a lady’s life.

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Aganaanooru 220 – The plan of action

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In this episode, we perceive pointed questions put forth, as depicted in Sangam Literary work, Aganaanooru 220, penned by Madurai Maruthan Ilanaakanaar. The verse is situated amidst the fertile seas of the ‘Neythal’ or ‘Coastal landscape’ and builds a stack of similes to present a pertinent point.

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Aganaanooru 219 – Mother’s worry

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In this episode, we perceive the worry of a mother, as depicted in Sangam Literary work, Aganaanooru 219, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches a portrait of the care and love showered on a daughter.

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Aganaanooru 218 – The path of honour

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In this episode, we perceive an effective technique of changing a person’s course of action, as depicted in Sangam Literary work, Aganaanooru 218, penned by Kabilar. Set amidst the pouring rain of the midnight hour in the ‘Kurinji’ or ‘Mountain landscape’, the verse etches the dangers in traversing this domain by night.

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Aganaanooru 217 – Part not in this season

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In this episode, we listen to a prediction of pain, as portrayed in Sangam Literary work, Aganaanooru 217, penned by Kazhaarkeeran Eyitriyanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the seasonal changes in the outer world.

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Aganaanooru 216 – Words of war

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In this episode, we perceive a woman’s fury, as depicted in Sangam Literary work, Aganaanooru 216, penned by Aiyoor Mudavanaar. The verse is situated amidst the lush river shores of the ‘Marutham’ or ‘Farmlands landscape’ and connects conflicts at home and battles in the warfront.

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Aganaanooru 215 – The ability to bid adieu

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In this episode, we observe an interesting technique of expressing dissent, as depicted in Sangam Literary work, Aganaanooru 215, penned by Irangukudi Kundra Naadan. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse evokes a sense of ever-present danger in this domain.

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Aganaanooru 214 – Rain of melancholy

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In this episode, we perceive the angst of a man, separated from his beloved, as portrayed in Sangam Literary work, Aganaanooru 214, penned by Vadama Vannakkan Peri Saathanaar. The verse is situated amidst the showers of the ‘Mullai’ or ‘Forest landscape’ and reverberates with the notes of melancholy.

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Aganaanooru 213 – Not even for heaven

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In this episode, we listen to words that echo a deep trust, as portrayed in Sangam Literary work, Aganaanooru 213, penned by Thaayankannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse depicts various regions and rulers in ancient Tamil land.

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Aganaanooru 212 – Spear through the heart

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In this episode, we listen to words of disappointment, as depicted in Sangam Literary work, Aganaanooru 212, penned by Paranar. The verse is situated amidst the rugged paths of the ‘Kurinji’ or ‘Mountain landscape’ and portrays the courage and strength of a historic personality.

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Aganaanooru 211 – The promised return

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In this episode, we perceive a message of reassurance, as depicted in Sangam Literary work, Aganaanooru 211, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches a curious act of war.

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Aganaanooru 210 – The wounded fish

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In this episode, we perceive a hidden technique of persuasion, as portrayed in Sangam Literary work, Aganaanooru 210, penned by Ulochchanaar. The verse is situated amidst the leaping fish of the ‘Neythal’ or ‘Coastal landscape’ and reveals the changing attitude of a person.

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Aganaanooru 209 – An unforgettable beauty

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In this episode, we listen to words of assurance, as rendered in Sangam Literary work, Aganaanooru 209, penned by Kallaadanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse narrates events from history to etch the lady’s situation.

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Aganaanooru 208 – The slayer of anguish

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In this episode, we perceive the ecstasy of a man in love, as depicted in Sangam Literary work, Aganaanooru 208, penned by Paranar. The verse is situated amidst the flower-filled spaces of the ‘Kurinji’ or ‘Mountain landscape’ and relays historical references many.

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Aganaanooru 207 – How could she now?

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In this episode, we perceive the wonder in a mother’s heart, as depicted in Sangam Literary work, Aganaanooru 207, penned by Madurai Ezhuthaalan Senthampoothanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the formidable nature of this domain.

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Aganaanooru 206 – Melting like salt in the rain

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In this episode, we listen to the distress of a lady, as depicted in Sangam Literary work, Aganaanooru 206, penned by Madurai Maruthan Ilanaakanaar. The verse is situated amidst scenes of wandering buffaloes in the ‘Marutham’ or ‘Farmlands landscape’ and etches the emotions of a jilted woman.

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Aganaanooru 205 – A wish from faraway

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In this episode, we listen to a dual expression of sadness and hope, as depicted in Sangam Literary work, Aganaanooru 205, penned by Nakirar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the prosperity of a renowned Sangam-era town.

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Aganaanooru 204 – Speed on homeward

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In this episode, we observe the yearning to be back home, as depicted in Sangam Literary work, Aganaanooru 204, penned by Madurai Kaamakani Nappaalathanaar. The verse is situated amidst the buzzing bees of the ‘Mullai’ or ‘Forest landscape’ and relays the emotions at the end of a mission.

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Aganaanooru 203 – A mother’s dream

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In this episode, we perceive the angst and yearning in a mother’s voice, as portrayed in Sangam Literary work, Aganaanooru 203, penned by Kabilar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse resonates with the wishes throbbing in a sorrowful heart.

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Aganaanooru 202 – Trajectory of an elephant’s sigh

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In this episode, we perceive an attempt at persuasion, as portrayed in Sangam Literary work, Aganaanooru 202, penned by Aavoor Moolankizhaar Kannanaar. The verse is situated amidst the flowering trees of the ‘Kurinji’ or ‘Mountain landscape’ and sketches striking similes using the colours of nature.

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Aganaanooru 201 – Roaring waves and soaring slander

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In this episode, we listen to words of assurance, as depicted in Sangam Literary work, Aganaanooru 201, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse reveals aspects of Pandya and Chozha kingdoms.

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Aganaanooru 200 – Stay by day and by night

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In this episode, we perceive the communication of a nuanced message as depicted in Sangam Literary work, Aganaanooru 200, penned by Ulochchanaar. The verse is situated amidst the shining sands of the ‘Neythal’ or ‘Coastal landscape’ and conveys an awaited news.

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Aganaanooru 199 – Not even for all that wealth

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In this episode, we listen to a clear decision made after moments of deliberation, as depicted in Sangam Literary work, Aganaanooru 199, penned by Kallaadanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the dreariness and dangers in this domain.

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Aganaanooru 198 – Who is she really?

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In this episode, we listen to words of passion, as portrayed in Sangam Literary work, Aganaanooru 198, penned by Paranar. The verse is situated amidst the soaring peaks of the ‘Kurinji’ or ‘Mountain landscape’ and echoes the beating heart of man in love.

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Aganaanooru 197 – The promise of a return

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In this episode, we listen to words of consolation, as depicted in Sangam Literary work, Aganaanooru 197, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the domain with a heartwarming simile.

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Aganaanooru 196 – On pleasure and duty

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In this episode, we perceive a woman’s anger, as portrayed in Sangam Literary work, Aganaanooru 196, penned by Paranar. The verse is situated amidst the uproarious streets of the ‘Marutham’ or ‘Farmlands landscape’ and contrasts the nature of men and women.

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Aganaanooru 195 – Headed here or there?

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In this episode, we listen to a mother’s yearning words, as depicted in Sangam Literary work, Aganaanooru 195, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse reveals the questions that arise in a Sangam mother’s heart at the moment of her daughter’s elopement.

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Aganaanooru 194 – Isn’t this that season?

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In this episode, we perceive the arrival of a particular season, as depicted in Sangam Literary work, Aganaanooru 194, penned by Idaikkaadanaar. The verse is situated amidst the millet fields of the ‘Mullai’ or ‘Forest landscape’ and echoes the disappointment in a person’s heart.

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Aganaanooru 193 – The truly difficult path

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In this episode, we listen to the declaration of a decision, as depicted in Sangam Literary work, Aganaanooru 193, penned by Madurai Maruthan Ilanaakanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse contrasts the two paths that looms ahead in the mind’s eye.

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Aganaanooru 192 – Carry on, little bird

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In this episode, we perceive words of hidden persuasion, as portrayed in Sangam Literary work, Aganaanooru 192, penned by Pothumpil Kizhaan Venkannanaar. The verse is situated amidst the lush millet fields of the ‘Kurinji’ or ‘Mountain landscape’ and presents intriguing images of wild life from this domain.

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Aganaanooru 191 – Comforting sound of presence

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In this episode, we perceive a decision in the making, as depicted in Sangam Literary work, Aganaanooru 191, penned by Orodakathu Kantharathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse relays a sense of protection and care.

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Aganaanooru 190 – Nothing happened but everything did

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In this episode, we perceive a curious way of revealing something, as depicted in Sangam Literary work, Aganaanooru 190, penned by Ulochchanaar. The verse is situated amidst the playful waves of the ‘Neythal’ or ‘Coastal landscape’ and narrates a non-incident.

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Aganaanooru 189 – The town’s treasure

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In this episode, we listen to a mother’s words of angst, as depicted in Sangam Literary work, Aganaanooru 189, penned by Kayamanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse echoes the immeasurable pain in losing something precious.

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Aganaanooru 188 – Spectacle or Substance?

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In this episode, we perceive a curious technique of persuading another, as portrayed in Sangam Literary work, Aganaanooru 188, penned by Veerai Veliyan Thithanaar. The verse is situated amidst the blooming Kino trees of the ‘Kurinji’ or ‘Mountain Landscape’ and hides a throbbing heart amidst the drum beats of thunder.

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Aganaanooru 187 – Seeing the faraway path

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In this episode, we listen to a lady’s lament, as depicted in Sangam Literary work, Aganaanooru 187, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a stack of similes to sketch this landscape.

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Aganaanooru 186 – Who is the enemy here?

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In this episode, we listen to the distressed response to an accusation, as depicted in Sangam Literary work, Aganaanooru 186, penned by Paranar. The verse is situated amidst the lush lotus-filled ponds of the ‘Marutham’ or ‘Farmlands landscape’ and portrays the beauty and wealth of an ancient town.

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Aganaanooru 185 – A heart of iron to part away

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In this episode, we perceive surprise about the act of parting away, as depicted in Sangam Literary work, Aganaanooru 185, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the sweltering nature of this domain.

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Aganaanooru 184 – Rejoicing in the Return

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In this episode, we listen to joyous words of welcome, as depicted in Sangam Literary work, Aganaanooru 184, penned by Madurai Maruthan Ilanaakanaar. The verse is situated amidst the falling flowers of the ‘Mullai’ or ‘Forest landscape’ and relays emotions that arise at the juncture of a homecoming.

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Aganaanooru 183 – I hear you but…

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In this episode, we perceive the anguish of a parted heart, as portrayed in Sangam Literary work, Aganaanooru 183, penned by Karuvoor Kalingaththaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse echoes the emotional response to words of consolation.

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Aganaanooru 182 – The red-stained white jasmine

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In this episode, we listen to a hidden message of persuasion, as depicted in Sangam Literary work, Aganaanooru 182, penned by Kabilar. The verse is situated amidst a scene of leaping monkeys and showering trees, in the ‘Kurinji’ or ‘Mountain Landscape’ and relays the consequences of a person’s present actions.

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Aganaanooru 181 – Releasing the heart

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In this episode, we perceive the resolution of a dilemma, as depicted in Sangam Literary work, Aganaanooru 181, penned by Paranar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse links a battlefield and a place of prominence in the ancient world.

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Aganaanooru 180 – Eyes on the golden pollen

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In this episode, we perceive the communication of a hidden message, as portrayed in Sangam Literary work, Aganaanooru 180, penned by Karuvoor Kannampaalanaar. The verse is situated amidst the sand dunes and flower orchards of the ‘Neythal’ or ‘Coastal landscape’ and narrates an incident and its consequences.

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Aganaanooru 179 – Rushing to a mirage

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In this episode, we listen to a pointed question put to another, as portrayed in Sangam Literary work, Aganaanooru 179, penned by Koadimangalathu Vaathuli Narchenthanaar, Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the dreariness of this domain.

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Aganaanooru 178 – The blessed boar

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In this episode, we perceive the trust and confidence in the actions of another, as depicted in Sangam Literary work, Aganaanooru 178, penned by Paranar. The verse is situated amidst the gushing springs of the ‘Kurinji’ or ‘Mountain landscape’ and etches a day in the life of a wild boar.

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Aganaanooru 177 – A return to adorn

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In this episode, we listen to words of consolation rendered to allay anxiety, as depicted in Sangam Literary work, Aganaanooru 177, penned by Seyaloor Ilampon Saaththan Kotranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the victory of a king and the beauty of a lady.

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Aganaanooru 176 – The crab’s rushed return

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In this episode, we listen to a pointed refusal to a request, as depicted in Sangam Literary work, Aganaanooru 176, penned by Marutham Paadiya Ilankadunko. The verse is situated amidst the flourishing fields of the ‘Marutham’ or ‘Farmlands landscape’ and presents a precise portrait of the other woman.

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Aganaanooru 175 – Flashing roaring rainbow sky

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In this episode, we listen to the lament of a lady, as depicted in Sangam Literary work, Aganaanooru 175, penned by Alamperi Saaththanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the victory of a historic king and the glory of a supernatural entity.

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Aganaanooru 174 – Without waiting for accolades

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In this episode, we observe the anxious rumination in a man’s mind, as depicted in Sangam Literary work, Aganaanooru 174, penned by Madurai Alakkar Gnaazhaar Makanaar Mallanaar. The verse is situated amidst the pouring clouds and blooming jasmines of the ‘Mullai’ or ‘Forest Landscape’ and expresses the love and yearning in the hearts of those separated by circumstances.

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Aganaanooru 173 – Near the land of gold

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In this episode, we perceive words of consolation, as portrayed in Sangam Literary work, Aganaanooru 173, penned by Mulliyoor Poothiyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse highlights the wealth and glory of a Sangam king’s domain.

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Aganaanooru 172 – Taking the trophy home

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In this episode, we perceive an attempt at changing a person’s behaviour, as portrayed in Sangam Literary work, Aganaanooru 172, penned by Madurai Paalaasiriyar Nappaalanaar. The verse is situated amidst the roaring cascades and resounding slopes of the ‘Kurinji’ or ‘Mountain Landscape’ and paints vivid images of life in this domain.

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Aganaanooru 171 – On bears and bearing

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In this episode, we observe an attempt at allaying anxiety, as depicted in Sangam Literary work, Aganaanooru 171, penned by Kallaadanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches vivid elements of life and wildlife in this domain.

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Aganaanooru 170 – A message to the man

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In this episode, we perceive an attempt to enlist a unique messenger, as portrayed in Sangam Literary work, Aganaanooru 170, penned by Madurai Kallitru Kadaiyathan Vennaakanaar. The verse is situated amidst the silent backwaters of the ‘Neythal’ or ‘Coastal landscape’ and etches exquisite scenes of life in this domain.

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Aganaanooru 169 – A feast for pallor and pining

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In this episode, we listen to a man’s worry about his beloved, as depicted in Sangam Literary work, Aganaanooru 169, penned by Thondi Aamoor Saathanaar. Set amidst the arid spaces of the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the consequences of parting in a visual manner.

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Aganaanooru 168 – Resounding kitchen of yore

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In this episode, we perceive an attempt to change a person’s course of action, as depicted in Sangam Literary work, Aganaanooru 168, penned by Kotampalathu Thunjiya Cheramaan. The verse is situated amidst the soaring peaks of the ‘Kurinji’ or ‘Mountain landscape’ and portrays the dangers of treading through this domain in the dark.

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Aganaanooru 167 – Here today there tomorrow

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In this episode, we observe a person’s decision-making process, as portrayed in Sangam Literary work, Aganaanooru 167, penned by Kadiyaloor Uruthirankannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches in detail the state of an abandoned house in this domain.

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Aganaanooru 166 – Romp in the river shore

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In this episode, we listen to the sarcastic words of a person, as portrayed in Sangam Literary work, Aganaanooru 166, penned by Idaiyan Nedunkeeranaar. The verse is situated amidst the river shores of the ‘Marutham’ or ‘Farmlands landscape’ and echoes the tension and rivalry in a rich town.

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Aganaanooru 165 – The departed daughter

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In this episode, we perceive a mother’s angst, as portrayed in Sangam Literary work, Aganaanooru 165, penned by an anonymous poet. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse talks about the consequences of a lady’s parting away with her beloved.

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Aganaanooru 164 – On yearning and returning

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In this episode, we perceive a heartfelt wish throbbing in a man’s mind, as depicted in Sangam Literary work, Aganaanooru 164, penned by Madurai Tamil Koothan Naakanthevanaar. The verse is situated amidst the fragrant flowers of the ‘Mullai’ or ‘Forest landscape’ and relays the yearning in a person to be with his beloved.

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Aganaanooru 163 – A word to the northerlies

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In this episode, we perceive the lady’s angst, as depicted in Sangam Literary work, Aganaanooru 163, penned by Kazhaar Keeran Eyitriyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse relays heartfelt words said to an element of the weather.

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Aganaanooru 162 – Yearning for the mountain maiden

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In this episode, we listen to the passionate heart of a man, as portrayed in Sangam Literary work, Aganaanooru 162, penned by Paranar. The verse is situated amidst the soaring peaks and descending cascades of the ‘Kurinji’ or ‘Mountain landscape’ and reveals the beauty of a lord’s mountain country.

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Aganaanooru 161 – Feast of the red-eared vulture

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In this episode, we listen to an attempt at dissuading a person from carrying out their intention, as depicted in Sangam Literary work, Aganaanooru 161, penned by Madurai Pullankannanaar. Set in the ‘Paalai’ or ‘Drylands’ landscape, the verse etches the domain’s elements and the lady’s emotions.

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Aganaanooru 160 – An egg turns a hatchling

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In this episode, we listen to an intriguing way of communicating an awaited information, as depicted in Sangam Literary work, Aganaanooru 160, penned by Kumizhi Gnaazhalaar Nappasalaiyaar. The verse is situated amidst the sandy shores of the ‘Neythal’ or ‘Coastal landscape’ and conveys the change in the man’s manner and what it means to the lady’s life.

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Aganaanooru 159 – Even Aamoor cannot keep him away

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In this episode, we listen to words of consolation rendered to allay the anxiety of another, as depicted in Sangam Literary work, Aganaanooru 159, penned by Aamoor Kavuthaman Saathevanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse echoes the fame and wealth of a Sangam era town.

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Aganaanooru 158 – How will she dare?

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In this episode, we observe how communication is used effectively to convey two different things to two different people, as depicted in Sangam Literary work, Aganaanooru 158, penned by Kabilar. The verse is situated amidst the slopes and fields of the ‘Kurinji’ or ‘Mountain landscape’ and portrays the intriguing way in which the confidante rises to the aid of the lady.

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Aganaanooru 157 – Like an abandoned statue

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In this episode, we perceive a person’s alarm at the prospect of an approaching event, as depicted in Sangam Literary work, Aganaanooru 157, penned by Vempattroor Kumaranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the lady’s inability to bear with the man’s parting.

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Aganaanooru 156 – Slander Sacrifice and Sugarcane

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In this episode, we perceive an attempt at persuading another, as portrayed in Sangam Literary work, Aganaanooru 156, penned by Aavoor Moolankizhaar. The verse is situated amidst the lush fields of the ‘Marutham’ or ‘Farmlands landscape’ and talks about the wealth and faith in this domain.

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Aganaanooru 155 – Success to his mission

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In this episode, we perceive a moment of understanding of another’s motivation, as portrayed in Sangam Literary work, Aganaanooru 155, penned by Paalai Paadiya Perunkadunko. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the nature of this domain with a striking simile.

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Aganaanooru 154 – To her from here

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In this episode, we perceive the eagerness of a man to return home, as depicted in Sangam Literary work, Aganaanooru 154, penned by Pothumpil Pullaalankanniyaar. The verse is situated amidst the falling jasmines and blooming glory-lilies of the ‘Mullai’ or ‘Forest landscape’ and etches the vibrant beauty of a land after the rains.

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